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Syntorial Notes

The document summarizes chapters 5 and 6 from Syntorial Notes. Chapter 5 covers filter envelopes including how the attack, release and cutoff settings impact the sound. Chapter 6 discusses echo and delay effects, including delay time, feedback, mix and how release impacts the echoes. It also provides tips for using delays.

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Mack Baugh
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69 views1 page

Syntorial Notes

The document summarizes chapters 5 and 6 from Syntorial Notes. Chapter 5 covers filter envelopes including how the attack, release and cutoff settings impact the sound. Chapter 6 discusses echo and delay effects, including delay time, feedback, mix and how release impacts the echoes. It also provides tips for using delays.

Uploaded by

Mack Baugh
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Syntorial Notes

Chapter 5 (Filter Envelope)


o Attack gradually makes sound brighter
A low attack will give you a fat horn sound
It can be difficult to find the cutoff with a fast attack. A tip is
that lower cutoffs will give you a fatter sound
o Release starts when you release a key and determines how quickly the
brightness goes back to cutoff
The amp env release has to be high enough to hear the filter release (a
value that is the same or greater)
With low cutoffs the sounds will seemingly cut off sooner, but actually
the frequency is so low that you cant hear it going down. Higher
cutoffs will seemingly last longer but that is because the lowest point is
high pitched. The release time does not change!!dd
o Cutoff knob determines the darkest your sound will ever get
o Envelope is maximum brightness
It determines the distance between the darkest and brightest points. (If
you lower the cutoff knob the brightest point will lower along with it.
Chapter 6 (Echoes and Delay)
o Delay spread makes echoes wider. Good for leads
o Delay time is the beat division of echoes
o Feed is the number of echoes
o Mix is the ratio volume of wet and dry. Never go above 50%
Volume goes down as you increase mix
The higher the release on the amp the less echoes
Learn patches in this section (very interesting)
o Sync enables rhythmic time values
o Some plugins have time left and time right for spread control
To set this set both time to same value. Turn of sync. Nudge one of the
time.
o Dont add delay to bass patches
Chapter 7 (ASDR)
o A bell curve is when the sound stays the sounds whether played long or short.
(Short attk and sus and medium delay/release)
o An attack transient is when you have a sharp quick hit at the beginning of the
note. Use short atk, delay and sus for this.

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