FF200003

Owner’s Manual

BL00005110-202 EN
 Introduction
Thank you for your purchase of this product. Be sure that
you have read this manual and understood its contents be-
fore using the camera. Keep the manual where it will be
read by all who use the product.

For the Latest Information

The latest versions of the manuals are available from:

http://fujifilm-dsc.com/en/manual/

The site can be accessed not only from your

computer but also from smartphones and
tablets. It also contains information on the
software license.
For information on firmware updates, visit:
https://fujifilm-x.com/support/download/firmware/cameras/

ii
P Chapter Index
Menu List iv

1 Before You Begin 1

2 First Steps 33

3 Basic Photography and Playback 49

4 Movie Recording and Playback 55

5 Taking Photographs 63

6 The Shooting Menus 107

7 Playback and the Playback Menu 183

8 The Setup Menus 209

9 Shortcuts 253

10 Peripherals and Optional Accessories 269

11 Connections 285

12 Technical Notes 303

iii
 Menu List
Camera menu options are listed below.

Shooting Menus
Adjust settings when shooting photos or movies.
Menu List

N See page 107 for details.

Photo Menus
N Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.

H IMAGE QUALITY SETTING P H IMAGE QUALITY SETTING P

IMAGE SIZE 108 CLARITY 122
IMAGE QUALITY 109 LONG EXPOSURE NR 122
RAW RECORDING 110 LENS MODULATION OPTIMIZER 123
FILM SIMULATION 111 3⁄3 COLOR SPACE 123
1⁄3
MONOCHROMATIC COLOR 113 PIXEL MAPPING 124
GRAIN EFFECT 113 EDIT/SAVE CUSTOM SETTING 124
COLOR CHROME EFFECT 113 xF MOUNT ADAPTOR SETTING 125
COLOR CHROME FX BLUE 114
SMOOTH SKIN EFFECT 114
DYNAMIC RANGE 115
D RANGE PRIORITY 116
WHITE BALANCE 117
2⁄3
TONE CURVE 121
COLOR 121
SHARPNESS 121
HIGH ISO NR 122

iv
 Menu List

G AF/MF SETTING P A SHOOTING SETTING P

FOCUS AREA 128 SELF-TIMER 143
AF MODE 128 SAVE SELF-TIMER SETTING 144
AF-C CUSTOM SETTINGS 129 SELF-TIMER LAMP 144
STORE AF MODE BY ORIENTATION 132 INTERVAL TIMER SHOOTING 145
1⁄3 1⁄2 INTERVAL TIMER SHOOTING
AF POINT DISPLAYyz 132 146

Menu List
NUMBER OF FOCUS POINTS 133 EXPOSURE SMOOTHING
PRE-AF 133 AE BKT SETTING 147
xF AF ILLUMINATOR 133 FILM SIMULATION BKT 147
FACE/EYE DETECTION SETTING 134 FOCUS BKT SETTING 147
AF+MF 136 PHOTOMETRY 147
MF ASSIST 137 SHUTTER TYPE 148
FOCUS CHECK 137 FLICKER REDUCTION 149
2⁄3 2⁄2 ISO 149
INTERLOCK SPOT AE & FOCUS AREA 138
xF INSTANT AF SETTING 138 IS MODE 150
xF DEPTH-OF-FIELD SCALE 139 35mm FORMAT MODE 151
RELEASE/FOCUS PRIORITY 139 xF WIRELESS COMMUNICATION 152
xF AF RANGE LIMITER 140 F FLASH SETTING P
3⁄3
xF TOUCH SCREEN MODE 141 FLASH FUNCTION SETTING 153
RED EYE REMOVAL 153
TTL-LOCK MODE 154
LED LIGHT SETTING 154
COMMANDER SETTING 155
CH SETTING 155

v
 Movie Menus
N Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.

B MOVIE SETTING P H IMAGE QUALITY SETTING P

Menu List

MOVIE MODE 156 F FILM SIMULATION 168

FILE FORMAT 157 F MONOCHROMATIC COLOR 168
MOVIE COMPRESSION 158 F DYNAMIC RANGE 169
FIX MOVIE CROP MAGNIFICATION 159 F WHITE BALANCE 169
1⁄3
F-Log/HLG/RAW RECORDING 160 1⁄2 F TONE CURVE 169
4K MOVIE OUTPUT 162 F COLOR 169
FULL HD MOVIE OUTPUT 162 F SHARPNESS 170
HDMI OUTPUT INFO DISPLAY 163 F HIGH ISO NR 170
4K HDMI STANDBY QUALITY 163 V INTERFRAME NR 170
HDMI REC CONTROL 163 2⁄2 F PERIPHERAL LIGHT CORRECTION 171
F PHOTOMETRY 163 xF MOUNT ADAPTOR SETTING 171
F IS MODE 164
2⁄3
F IS MODE BOOST 164
F ISO 165
ZEBRA SETTING 165
ZEBRA LEVEL 165
MOVIE OPTIMIZED CONTROL oL 166
TALLY LIGHT 166
3⁄3
F EDIT/SAVE CUSTOM SETTING 167
xF WIRELESS COMMUNICATION 167

vi
 Menu List

G AF/MF SETTING P P AUDIO SETTING P

F FOCUS AREA 172 INTERNAL MIC LEVEL ADJUSTMENT 179
F AF MODE 172 EXTERNAL MIC LEVEL ADJUSTMENT 179
F AF-C CUSTOM SETTING 173 MIC JACK SETTING 180
xF AF ILLUMINATOR 173 MIC LEVEL LIMITER 180
1⁄2 WIND FILTER 180
F FACE/EYE DETECTION SETTING 174

Menu List
F MF ASSIST 174 LOW CUT FILTER 180
F FOCUS CHECK 175 HEADPHONES VOLUME 180
xF INSTANT AF SETTING 175 Q TIME CODE SETTING P
xF DEPTH-OF-FIELD SCALE 175 TIME CODE DISPLAY 181
xF AF RANGE LIMITER 175 START TIME SETTING 181
2⁄2
xF TOUCH SCREEN MODE 176 COUNT UP SETTING 181
FOCUS CHECK LOCK 178 DROP FRAME 182
HDMI TIME CODE OUTPUT 182

vii
 Menu List

The Playback Menu

Adjust playback settings.
N See page 189 for details.
C PLAY BACK MENU P C PLAY BACK MENU P
Menu List

SWITCH SLOT 189 RED EYE REMOVAL 198

RAW CONVERSION 190 VOICE MEMO SETTING 199
ERASE 192 RATING 200
SIMULTANEOUS DELETE 194 2⁄3 COPY 201
1⁄3 (RAW SLOT1/JPG SLOT2) IMAGE TRANSFER ORDER 202
CROP 194 xF WIRELESS COMMUNICATION 203
RESIZE 195 PHOTOBOOK ASSIST 204
PROTECT 196 PRINT ORDER (DPOF) 206
IMAGE ROTATE 197 instax PRINTER PRINT 207
3⁄3
DISP ASPECT 208

viii
 Menu List

Setup Menus
Adjust basic camera settings.
N See page 209 for details.
D USER SETTING P D SCREEN SETTING P

Menu List
FORMAT 210 EVF BRIGHTNESS 217
DATE/TIME 211 EVF COLOR 217
TIME DIFFERENCE 211 EVF COLOR ADJUSTMENT 217
Qa 212 LCD BRIGHTNESS 218
1⁄2 1⁄4
x MY MENU SETTING 212 LCD COLOR 218
F MY MENU SETTING 212 LCD COLOR ADJUSTMENT 218
SENSOR CLEANING 213 IMAGE DISP. 219
BATTERY AGE 213 AUTOROTATE DISPLAYS 219
RESET 214 PREVIEW EXP./WB IN MANUAL MODE 220
2⁄2 NATURAL LIVE VIEW 220
REGULATORY 214
F-Log VIEW ASSIST 221
D SOUND SETTING P
FRAMING GUIDELINE 221
AF BEEP VOL. 215 2⁄4
AUTOROTATE PB 222
SELF-TIMER BEEP VOL. 215
PLAYBACK MAGNIFICATION 222
OPERATION VOL. 216
FOCUS SCALE UNITS 222
SHUTTER VOLUME 216
DUAL DISPLAY SETTING 223
SHUTTER SOUND 216
DISP. CUSTOM SETTING 223
PLAYBACK VOLUME 216
LARGE INDICATORS MODE(EVF) 224
LARGE INDICATORS MODE(LCD) 224
LARGE INDICATORS DISP. SETTING 225
3⁄4
INFORMATION CONTRAST ADJ. 225
SUB MONITOR SETTING 226
SUB MONITOR BACKGROUND COLOR 228
x Q MENU BACKGROUND 229
4⁄4 F Q MENU BACKGROUND 229

ix
 D BUTTON/DIAL SETTING P D SAVE DATA SETTING P
FOCUS LEVER SETTING 230 FRAME NO. 242
x EDIT/SAVE QUICK MENU 230 SAVE ORG IMAGE 243
F EDIT/SAVE QUICK MENU 230 EDIT FILE NAME 243
FUNCTION (Fn) SETTING 231 x CARD SLOT SETTING 243
1⁄3 1⁄2
COMMAND DIAL SETTING 231 F CARD SLOT SETTING 244
Menu List

COMMAND DIAL DIRECTION 232 SELECT SLOT(xSEQUENTIAL) 244

SHUTTER AF 232 SELECT SLOT(FSEQUENTIAL) 244
SHUTTER AE 233 SELECT FOLDER 245
SHOOT WITHOUT LENS 234 2⁄2 COPYRIGHT INFO 245
SHOOT WITHOUT CARD 234 D CONNECTION SETTING P
FOCUS RING 235 Bluetooth SETTINGS 246
FOCUS RING OPERATION 235 NETWORK SETTING 247
2⁄3
AE/AF-LOCK MODE 236 instax PRINTER CONNECTION SETTING 248
AWB-LOCK MODE 236 CONNECTION MODE 249
EXPO. COMP. BUTTON SETTING 236 USB POWER SUPPLY SETTING 250
TOUCH SCREEN SETTING 237 GENERAL SETTINGS 251
3⁄3 LOCK 238 INFORMATION 251
D POWER MANAGEMENT P RESET WIRELESS SETTING 251
AUTO POWER OFF 239
PERFORMANCE 240
SHOOTING STAND BY MODE 241
AUTO POWER SAVE 241
AUTO POWER OFF TEMP. 241

x
P Table of Contents
Introduction ....................................................................................................ii
For the Latest Information ................................................................................... ii
Menu List .........................................................................................................iv
Shooting Menus ........................................................................................................iv
The Playback Menu ...............................................................................................viii
Setup Menus ...............................................................................................................ix
Supplied Accessories ............................................................................. xxiii
About This Manual .................................................................................. xxiv
Symbols and Conventions .............................................................................xxiv
Terminology ............................................................................................................xxiv

1 Before You Begin 1

Parts of the Camera ......................................................................................2
The Serial Number Plate ........................................................................................5
The Memory Card Slot Cover (Detachable) ..............................................5
The Focus Stick (Focus Lever).............................................................................5
The Mode Dial .............................................................................................................6
The STILL/MOVIE Mode Switch.........................................................................7
The DRIVE Button.......................................................................................................7
The Command Dials ................................................................................................8
The Indicator Lamp ..................................................................................................9
The LCD Monitor ..................................................................................................... 10
The Eye Cup ............................................................................................................... 11
Focusing the Viewfinder..................................................................................... 11
Camera Displays.......................................................................................... 12
The Electronic Viewfinder .................................................................................. 12
The LCD Monitor ..................................................................................................... 14
Choosing a Display Mode ................................................................................. 16
Adjusting Display Brightness........................................................................... 17
Display Rotation ...................................................................................................... 17
The DISP/BACK Button ........................................................................................ 18
The Dual Display...................................................................................................... 19
Customizing the Standard Display .............................................................. 20
The Secondary LCD Monitor ........................................................................... 22

xi
 Using the Menus......................................................................................... 25
The Menus .................................................................................................................. 25
Selecting a Menu Tab........................................................................................... 26
Touch Screen Mode ................................................................................... 27
Shooting Touch Controls ................................................................................... 27
Playback Touch Controls .................................................................................... 31

2 First Steps 33
Attaching the Strap ................................................................................... 34
Attaching a Lens ......................................................................................... 35
Inserting the Battery ................................................................................. 36
Inserting Memory Cards .......................................................................... 38
Using Two Cards ...................................................................................................... 39
Compatible Memory Cards .............................................................................. 40
Charging the Battery ................................................................................. 41
Turning the Camera On and Off............................................................ 44
Checking the Battery Level ..................................................................... 45
Basic Setup.................................................................................................... 46
Choosing a Different Language .................................................................... 48
Changing the Time and Date.......................................................................... 48

3 Basic Photography and Playback 49

Taking Photographs (Mode P) ............................................................... 50
Viewing Pictures ......................................................................................... 53
Deleting Pictures ........................................................................................ 54

4 Movie Recording and Playback 55

Recording Movies....................................................................................... 56
Adjusting Movie Settings .................................................................................. 59
Viewing Movies ........................................................................................... 60

xii
 Table of Contents

5 Taking Photographs 63
P, S, A, and M Modes .................................................................................. 64
Mode P: Program AE ............................................................................................. 64
Mode S: Shutter-Priority AE .............................................................................. 66
Mode A: Aperture-Priority AE.......................................................................... 68
Mode M: Manual Exposure ............................................................................... 70
Custom Modes ......................................................................................................... 74
Autofocus ...................................................................................................... 76
Focus Mode................................................................................................................ 77
Autofocus Options (AF Mode) ........................................................................ 79
Focus-Point Selection .......................................................................................... 81
Manual Focus ............................................................................................... 84
Checking Focus........................................................................................................ 86
Sensitivity ...................................................................................................... 89
AUTO............................................................................................................................... 90
Metering ........................................................................................................ 91
Exposure Compensation ......................................................................... 92
Focus/Exposure Lock ................................................................................ 93
Other Controls .......................................................................................................... 94
Bracketing ..................................................................................................... 95
W ISO BKT.................................................................................................................. 96
V WHITE BALANCE BKT.................................................................................... 96
s Bracketing............................................................................................................ 97
Continuous Shooting (Burst Mode) ...................................................100
Multiple Exposures ..................................................................................102
Pixel-Shift Multi-Shot ..............................................................................104

6 The Shooting Menus 107

IMAGE QUALITY SETTING (Still Photography)................................108
IMAGE SIZE............................................................................................................... 108
IMAGE QUALITY .................................................................................................... 109
RAW RECORDING ................................................................................................. 110
FILM SIMULATION................................................................................................ 111
MONOCHROMATIC COLOR ........................................................................... 113
GRAIN EFFECT ........................................................................................................ 113

xiii
 COLOR CHROME EFFECT ................................................................................ 113
COLOR CHROME FX BLUE............................................................................... 114
SMOOTH SKIN EFFECT ...................................................................................... 114
DYNAMIC RANGE ................................................................................................. 115
D RANGE PRIORITY.............................................................................................. 116
WHITE BALANCE................................................................................................... 117
TONE CURVE ........................................................................................................... 121
COLOR......................................................................................................................... 121
SHARPNESS.............................................................................................................. 121
HIGH ISO NR ............................................................................................................ 122
CLARITY...................................................................................................................... 122
LONG EXPOSURE NR .......................................................................................... 122
LENS MODULATION OPTIMIZER ................................................................. 123
COLOR SPACE ......................................................................................................... 123
PIXEL MAPPING ..................................................................................................... 124
EDIT/SAVE CUSTOM SETTING....................................................................... 124
xF MOUNT ADAPTOR SETTING ............................................................ 125
AF/MF SETTING (Still Photography)...................................................128
FOCUS AREA ........................................................................................................... 128
AF MODE................................................................................................................... 128
AF-C CUSTOM SETTINGS ................................................................................ 129
STORE AF MODE BY ORIENTATION............................................................ 132
AF POINT DISPLAY yz ................................................................................ 132
NUMBER OF FOCUS POINTS ......................................................................... 133
PRE-AF......................................................................................................................... 133
xF AF ILLUMINATOR .................................................................................... 133
FACE/EYE DETECTION SETTING .................................................................. 134
AF+MF ........................................................................................................................ 136
MF ASSIST ................................................................................................................. 137
FOCUS CHECK........................................................................................................ 137
INTERLOCK SPOT AE & FOCUS AREA ....................................................... 138
xF INSTANT AF SETTING ........................................................................... 138
xF DEPTH-OF-FIELD SCALE .................................................................... 139
RELEASE/FOCUS PRIORITY ............................................................................. 139
xF AF RANGE LIMITER ................................................................................ 140
xF TOUCH SCREEN MODE....................................................................... 141
xiv
 Table of Contents

SHOOTING SETTING (Still Photography) ..........................................143

SELF-TIMER ............................................................................................................... 143
SAVE SELF-TIMER SETTING ............................................................................. 144
SELF-TIMER LAMP ................................................................................................ 144
INTERVAL TIMER SHOOTING.......................................................................... 145
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING ................. 146
AE BKT SETTING .................................................................................................... 147
FILM SIMULATION BKT ...................................................................................... 147
FOCUS BKT SETTING .......................................................................................... 147
PHOTOMETRY ........................................................................................................ 147
SHUTTER TYPE ....................................................................................................... 148
FLICKER REDUCTION ......................................................................................... 149
ISO ................................................................................................................................. 149
IS MODE ..................................................................................................................... 150
35mm FORMAT MODE ..................................................................................... 151
xF WIRELESS COMMUNICATION ......................................................... 152
FLASH SETTING (Still Photography)...................................................153
FLASH FUNCTION SETTING ........................................................................... 153
RED EYE REMOVAL .............................................................................................. 153
TTL-LOCK MODE ................................................................................................... 154
LED LIGHT SETTING ............................................................................................ 154
COMMANDER SETTING.................................................................................... 155
CH SETTING ............................................................................................................. 155
MOVIE SETTING (Movie Recording) ...................................................156
MOVIE MODE.......................................................................................................... 156
FILE FORMAT ........................................................................................................... 157
MOVIE COMPRESSION ...................................................................................... 158
FIX MOVIE CROP MAGNIFICATION ............................................................ 159
F-Log/HLG/RAW RECORDING ...................................................................... 160
4K MOVIE OUTPUT .............................................................................................. 162
FULL HD MOVIE OUTPUT................................................................................ 162
HDMI OUTPUT INFO DISPLAY ...................................................................... 163
4K HDMI STANDBY QUALITY......................................................................... 163
HDMI REC CONTROL.......................................................................................... 163
F PHOTOMETRY ................................................................................................. 163

xv
 F IS MODE.............................................................................................................. 164
F IS MODE BOOST ............................................................................................ 164
F ISO.......................................................................................................................... 165
ZEBRA SETTING ..................................................................................................... 165
ZEBRA LEVEL ........................................................................................................... 165
MOVIE OPTIMIZED CONTROL oL ......................................................... 166
TALLY LIGHT............................................................................................................. 166
F EDIT/SAVE CUSTOM SETTING ............................................................... 167
xF WIRELESS COMMUNICATION ......................................................... 167
IMAGE QUALITY SETTING (Movie Recording) ................................168
F FILM SIMULATION ........................................................................................ 168
F MONOCHROMATIC COLOR .................................................................... 168
F DYNAMIC RANGE.......................................................................................... 169
F WHITE BALANCE............................................................................................ 169
F TONE CURVE .................................................................................................... 169
F COLOR ................................................................................................................. 169
F SHARPNESS ...................................................................................................... 170
F HIGH ISO NR..................................................................................................... 170
V INTERFRAME NR........................................................................................... 170
F PERIPHERAL LIGHT CORRECTION ....................................................... 171
xF MOUNT ADAPTOR SETTING ............................................................ 171
AF/MF SETTING (Movie Recording) ...................................................172
F FOCUS AREA .................................................................................................... 172
F AF MODE ........................................................................................................... 172
F AF-C CUSTOM SETTING ............................................................................ 173
xF AF ILLUMINATOR .................................................................................... 173
F FACE/EYE DETECTION SETTING ........................................................... 174
F MF ASSIST .......................................................................................................... 174
F FOCUS CHECK ................................................................................................ 175
xF INSTANT AF SETTING ........................................................................... 175
xF DEPTH-OF-FIELD SCALE .................................................................... 175
xF AF RANGE LIMITER ................................................................................ 175
xF TOUCH SCREEN MODE....................................................................... 176
FOCUS CHECK LOCK .......................................................................................... 178

xvi
 Table of Contents

AUDIO SETTING (Movie Recording) ...................................................179

INTERNAL MIC LEVEL ADJUSTMENT ........................................................ 179
EXTERNAL MIC LEVEL ADJUSTMENT ....................................................... 179
MIC JACK SETTING .............................................................................................. 180
MIC LEVEL LIMITER .............................................................................................. 180
WIND FILTER ............................................................................................................ 180
LOW CUT FILTER ................................................................................................... 180
HEADPHONES VOLUME ................................................................................... 180
TIME CODE SETTING (Movie Recording) ..........................................181
TIME CODE DISPLAY ........................................................................................... 181
START TIME SETTING .......................................................................................... 181
COUNT UP SETTING ........................................................................................... 181
DROP FRAME .......................................................................................................... 182
HDMI TIME CODE OUTPUT ............................................................................ 182

7 Playback and the Playback Menu 183

The Playback Display...............................................................................184
The DISP/BACK Button ..................................................................................... 185
Viewing Pictures .......................................................................................187
Playback Zoom...................................................................................................... 188
Multi-Frame Playback ........................................................................................ 188
The Playback Menu..................................................................................189
SWITCH SLOT .......................................................................................................... 189
RAW CONVERSION .............................................................................................. 190
ERASE .......................................................................................................................... 192
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2) ........................... 194
CROP ............................................................................................................................ 194
RESIZE ......................................................................................................................... 195
PROTECT.................................................................................................................... 196
IMAGE ROTATE ....................................................................................................... 197
RED EYE REMOVAL .............................................................................................. 198
VOICE MEMO SETTING ..................................................................................... 199
RATING........................................................................................................................ 200
COPY ............................................................................................................................ 201
IMAGE TRANSFER ORDER................................................................................ 202

xvii
 xF WIRELESS COMMUNICATION ......................................................... 203
PHOTOBOOK ASSIST .......................................................................................... 204
PRINT ORDER (DPOF)......................................................................................... 206
instax PRINTER PRINT......................................................................................... 207
DISP ASPECT ........................................................................................................... 208

8 The Setup Menus 209

USER SETTING ............................................................................................210
FORMAT ..................................................................................................................... 210
DATE/TIME................................................................................................................ 211
TIME DIFFERENCE ................................................................................................ 211
Qa ......................................................................................................... 212
x MY MENU SETTING ..................................................................................... 212
F MY MENU SETTING...................................................................................... 212
SENSOR CLEANING ............................................................................................. 213
BATTERY AGE .......................................................................................................... 213
RESET ........................................................................................................................... 214
REGULATORY .......................................................................................................... 214
SOUND SETTING .......................................................................................215
AF BEEP VOL. ........................................................................................................... 215
SELF-TIMER BEEP VOL. ....................................................................................... 215
OPERATION VOL.................................................................................................... 216
SHUTTER VOLUME............................................................................................... 216
SHUTTER SOUND ................................................................................................. 216
PLAYBACK VOLUME ............................................................................................ 216
SCREEN SETTING.......................................................................................217
EVF BRIGHTNESS................................................................................................... 217
EVF COLOR ............................................................................................................... 217
EVF COLOR ADJUSTMENT .............................................................................. 217
LCD BRIGHTNESS.................................................................................................. 218
LCD COLOR .............................................................................................................. 218
LCD COLOR ADJUSTMENT ............................................................................. 218
IMAGE DISP............................................................................................................... 219
AUTOROTATE DISPLAYS ................................................................................... 219
PREVIEW EXP./WB IN MANUAL MODE..................................................... 220

xviii
 Table of Contents

NATURAL LIVE VIEW............................................................................................ 220

F-Log VIEW ASSIST............................................................................................... 221
FRAMING GUIDELINE......................................................................................... 221
AUTOROTATE PB ................................................................................................... 222
PLAYBACK MAGNIFICATION .......................................................................... 222
FOCUS SCALE UNITS .......................................................................................... 222
DUAL DISPLAY SETTING................................................................................... 223
DISP. CUSTOM SETTING.................................................................................... 223
LARGE INDICATORS MODE(EVF) ................................................................. 224
LARGE INDICATORS MODE(LCD) ................................................................ 224
LARGE INDICATORS DISP. SETTING............................................................ 225
INFORMATION CONTRAST ADJ. .................................................................. 225
SUB MONITOR SETTING ................................................................................... 226
SUB MONITOR BACKGROUND COLOR ................................................... 228
x Q MENU BACKGROUND........................................................................... 229
F Q MENU BACKGROUND ........................................................................... 229
BUTTON/DIAL SETTING ..........................................................................230
FOCUS LEVER SETTING ..................................................................................... 230
x EDIT/SAVE QUICK MENU .......................................................................... 230
F EDIT/SAVE QUICK MENU .......................................................................... 230
FUNCTION (Fn) SETTING ................................................................................. 231
COMMAND DIAL SETTING ............................................................................. 231
COMMAND DIAL DIRECTION ....................................................................... 232
SHUTTER AF ............................................................................................................ 232
SHUTTER AE ............................................................................................................ 233
SHOOT WITHOUT LENS .................................................................................... 234
SHOOT WITHOUT CARD .................................................................................. 234
FOCUS RING ............................................................................................................ 235
FOCUS RING OPERATION ................................................................................ 235
AE/AF-LOCK MODE............................................................................................. 236
AWB-LOCK MODE ................................................................................................ 236
EXPO. COMP. BUTTON SETTING .................................................................. 236
TOUCH SCREEN SETTING ................................................................................ 237
LOCK ............................................................................................................................ 238

xix
 POWER MANAGEMENT ..........................................................................239
AUTO POWER OFF ............................................................................................... 239
PERFORMANCE ..................................................................................................... 240
SHOOTING STAND BY MODE ........................................................................ 241
AUTO POWER SAVE............................................................................................. 241
AUTO POWER OFF TEMP. ................................................................................. 241
SAVE DATA SETTING ................................................................................242
FRAME NO. ............................................................................................................... 242
SAVE ORG IMAGE ................................................................................................. 243
EDIT FILE NAME..................................................................................................... 243
x CARD SLOT SETTING .................................................................................. 243
F CARD SLOT SETTING................................................................................... 244
SELECT SLOT(xSEQUENTIAL) .................................................................... 244
SELECT SLOT(FSEQUENTIAL)..................................................................... 244
SELECT FOLDER .................................................................................................... 245
COPYRIGHT INFO ................................................................................................. 245
CONNECTION SETTING ..........................................................................246
Bluetooth SETTINGS........................................................................................... 246
NETWORK SETTING ............................................................................................ 247
instax PRINTER CONNECTION SETTING ................................................. 248
CONNECTION MODE ......................................................................................... 249
USB POWER SUPPLY SETTING ...................................................................... 250
GENERAL SETTINGS ............................................................................................ 251
INFORMATION........................................................................................................ 251
RESET WIRELESS SETTING ............................................................................... 251

9 Shortcuts 253
Shortcut Options ......................................................................................254
MY MENU ....................................................................................................255
MY MENU SETTING ............................................................................................. 255
The Quick Menu ........................................................................................257
The Quick Menu Display ................................................................................. 257
Viewing and Changing Settings................................................................. 259
Editing the Quick Menu................................................................................... 260

xx
 Table of Contents

Function Controls .....................................................................................263

The Function Buttons........................................................................................ 263
Touch-Function Gestures ............................................................................... 267

10Peripherals and Optional Accessories 269

Lenses ...........................................................................................................270
Lens Parts .................................................................................................................. 270
Lens Care................................................................................................................... 271
Removing Lens Caps ......................................................................................... 271
Attaching Lens Hoods ...................................................................................... 271
Aperture Rings....................................................................................................... 272
External Flash Units .................................................................................273
Flash Settings ......................................................................................................... 274
SYNC TERMINAL.................................................................................................... 275
SHOE MOUNT FLASH ........................................................................................ 276
COMMANDER(OPTICAL).................................................................................. 279
Handgrips....................................................................................................283
Attaching the Handgrip .................................................................................. 283

11Connections 285
HDMI Output..............................................................................................286
Connecting to HDMI Devices ...................................................................... 286
Shooting.................................................................................................................... 287
Playback ..................................................................................................................... 287
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) ............288
Smartphones and Tablets: FUJIFILM Camera Remote .................. 288
Tethered Shooting: Capture One Pro Fujifilm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire ..... 290
Connecting via USB .................................................................................291
Tethered Shooting: Capture One Pro
Fujifilm/Adobe® Photoshop® Lightroom®
Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire/FUJIFILM Pixel Shift Combiner ..................... 294

xxi
 Table of Contents

Copying Pictures from a Memory Card to a Computer ............... 295

Using Your Camera as a Webcam (FUJIFILM X Webcam) ........... 295
Converting RAW Images: FUJIFILM X RAW STUDIO ....................... 296
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire) ....................................................................................... 296
Connecting to Smartphones ....................................................................... 297
instax SHARE Printers ..............................................................................300
Establishing a Connection ............................................................................. 300
Printing Pictures.................................................................................................... 301

12Technical Notes 303

Accessories from Fujifilm .......................................................................304
Software for Use with Your Camera ...................................................306
FUJIFILM Camera Remote .............................................................................. 306
RAW FILE CONVERTER EX powered by SILKYPIX .............................. 306
Capture One Express Fujifilm ....................................................................... 306
Capture One Pro Fujifilm ................................................................................. 306
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX ................................................... 307
FUJIFILM X Acquire ............................................................................................. 307
FUJIFILM X Webcam .......................................................................................... 307
FUJIFILM X RAW STUDIO ................................................................................. 308
FUJIFILM Pixel Shift Combiner ..................................................................... 308
For Your Safety ...........................................................................................309
Product Care...............................................................................................319
Cleaning the Image Sensor...................................................................320
Firmware Updates ....................................................................................321
Checking the Firmware Version .................................................................. 321
Troubleshooting .......................................................................................322
Warning Messages and Displays.........................................................330
Memory Card Capacity ...........................................................................334
Specifications .............................................................................................335

xxii
 Supplied Accessories
The following are included with the camera:
• NP-W235 rechargeable battery
• AC-5VJ AC power adapter
• Plug adapter
• USB cable
• Body cap (comes attached to camera)
• Shoulder strap
• Cable protector
• Hot shoe cover (comes attached to hot shoe)
• Basic Manual
O The battery is not charged at shipment. Charge the battery before use
(P 41).
N • The plug adapter supplied varies with the country or region.
• For information on compatible computer software, see “Software for
Use with Your Camera” (P 306).

xxiii
 About This Manual
This manual contains instructions for your FUJIFILM GFX100S
digital camera. Be sure you have read and understood its
contents before proceeding.

Symbols and Conventions

The following symbols are used in this manual:
O Information that should be read to prevent damage to the
product.
N Additional information that may be helpful when using the
product.
P Pages on which related information may be found.
Menus and other text in the displays are shown in bold. Illustrations
are for explanatory purposes only; drawings may be simplified,
while photographs are not necessarily taken with the model of
camera described in this manual.

Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses
to store pictures are referred to as “memory cards”. The electronic
viewfinder may be referred to as the “EVF” and the LCD monitor
as the “LCD”.

xxiv
Before You Begin

1
 Parts of the Camera

1
Before You Begin

A Fn2 button .....................................................263 N Lens signal contacts

B Fn3 button .....................................................263 O Lens release button ........................................35
C Secondary LCD monitor................................22 P Fn4 button .....................................................263
D Microphone ............................................ 57, 179 Q Front command dial...............................8, 231
E Hot shoe .........................................................274 R ON/OFF switch .................................................44
F Diopter adjustment control .........................11 S Shutter button .................................................52
G Dial lock release .......................................50, 56 T Fn1 button .....................................................263
H Mode dial ............................................................6 d (exposure compensation) button ......92
I STILL/MOVIE mode switch ....................50, 56 U Hot shoe cover ..............................................274
J Strap clip............................................................34 V Body cap............................................................35
K Connector cover 1 W Microphone jack .............................................57
L Connector cover 2 X Headphone jack...........................................180
M AF-assist illuminator...................................133 Y USB connector (Type-C) ..................... 41, 291
Self-timer lamp ............................................143 Z HDMI Micro connector (Type D) .............286
Tally light ........................................................166 a Sync terminal ................................................275

2
 Parts of the Camera

Before You Begin

b DRIVE button......................................................7 q Battery-chamber cover .................................36
c b (delete) button ...........................................54 r DISP (display)/BACK button ............... 18, 185
d Electronic viewfinder (EVF) s a (playback) button ...................................53
..................................................... 12, 16, 17, 27 t Speaker .................................................... 60, 216
e Eye cup (lockable)...........................................11 u MENU/OK button .............................................25
f VIEW MODE button .........................................16 v AEL (exposure lock) button ................ 94, 263
g Secondary monitor backlight button.......24 w Focus stick (focus lever)...................5, 81, 230
h Focus mode selector ......................................77 x Tripod mount
i AFON button ........................................... 94, 263 y LCD monitor .......................................10, 14, 16
j Rear command dial .......................8, 187, 231 Touch screen .................................27, 141, 237
k Q (quick menu) button ...............................257 z Eye sensor..........................................................16
l Indicator lamp ..........................................9, 166 0 Remote release connector............................73
Tally light ........................................................166 1 Memory card slot 2 ........................................38
m Remote release connector cover ................73 2 Memory card slot 1 ........................................38
n Memory card slot cover latch......................38 3 Battery latch ....................................................37
o Memory card slot cover (detachable).......38 4 Battery chamber .............................................36
p Battery-chamber cover latch ......................36

3
 The Cable Protector
Attach the protector as shown to prevent accidental disconnection.
A Insert the tab on the connector into the matching slot on the camera.
B Position the protector on the camera.
C Tighten the lock screw.
D Connect the cable and pass it through the protector as shown.

1
Before You Begin

4
 Parts of the Camera

The Serial Number Plate

Do not remove the serial number plate,
which provides the CMIIT ID, serial num-
ber, and other important information.

Serial number plate

1

Before You Begin

The Memory Card Slot Cover (Detachable)
The memory card slot cover can be re-
moved by lowering the interior latch. Re-
move the cover for ease of access when
a camera rig is attached or in other sit-
uations that make it difficult to open or
close the cover.

The Focus Stick (Focus Lever)

Tilt or press the focus stick to select the fo-
cus area. The focus stick can also be used
to navigate the menus.

5
 The Mode Dial
To select a shooting mode, rotate the dial until
the icon for the desired mode aligns with the
index.

1
Before You Begin

Mode Description P
A P (PROGRAM AE) Aperture and shutter speed can be ad-
64
justed using program shift.
B S (SHUTTER PRIORITY AE) Select for full control over camera set- 66
A (APERTURE PRIORITY AE) tings, including aperture (M and A) 68
M (MANUAL) and/or shutter speed (M and S). 70
C C1/C2/C3/C4/C5/C6 Take pictures using previously-stored
74
(CUSTOM 1/2/3/4/5/6) settings.

O Rotate the mode dial only after pressing the dial lock release to release
the dial.

6
 Parts of the Camera

The STILL/MOVIE Mode Switch

Slide the STILL/MOVIE mode switch to STILL
to take photographs or to MOVIE to record
movies.

1
The DRIVE Button

Before You Begin

Press the DRIVE button to adjust shooting settings. The options
displayed vary with the position of the STILL/MOVIE mode switch.
• Pressing the button when STILL is select-
ed displays drive mode options.

Mode Mode
B Single frame V WHITE BALANCE BKT
CH High-speed burst BKT Bracketing
CL Low-speed burst j Multiple Exposure
W ISO BKT p PIXEL SHIFT MULTI SHOT
• Pressing the button when MOVIE is selected displays movie re-
cording options.
Option Option
Frame size Frame rate
Aspect ratio Bit rate

7
 The Command Dials
Rotate or press the command dials to:
Front command dial Rear command dial

1
• Highlight menu items
Before You Begin

• Choose the desired combina-

tion of shutter speed and aper-
• Select menu tabs or page ture (program shift)
through menus • Choose a shutter speed 1, 4
• Choose the desired combina- • Adjust exposure compensation by
tion of shutter speed and aper- pressing the d button and rotat-
ture (program shift) ing the dial 1
• Adjust aperture 1, 2
• Adjust settings in the quick menu
• View other pictures during • Choose the size of the focus frame
Rotate playback • Zoom in or out in full frame play-
back
• Zoom in or out in multi-frame
playback
• Switch between aperture and
ISO sensitivity 2 • Zoom in on the active focus point 3
• Press and hold to choose the op- • Press and hold to choose the
tion selected for D BUTTON/ manual focus mode focus display 3
DIAL SETTING > COMMAND • Zoom in on the active focus
Press DIAL SETTING in the D (setup) point during playback
menu
1 Can be changed using D BUTTON/DIAL SETTING > COMMAND DIAL SETTING.
2 If the lens is equipped with an aperture ring with a “C” position, the camera command
dials can be used to adjust aperture when the aperture ring is rotated to C.
3 Available only if FOCUS CHECK is assigned to a function button.
4 Only if a value other than auto is selected for shutter speed.

N The rotation direction for the command dials can be selected using
D BUTTON/DIAL SETTING > COMMAND DIAL DIRECTION.

8
 Parts of the Camera

The Indicator Lamp

Camera status is shown by the indicator
lamp.

1
Indicator lamp Camera status

Before You Begin

Glows green Focus locked.
Blinks green Focus or slow shutter speed warning. Pictures can be taken.
Blinks green and • Camera on: Recording pictures. Additional pictures can be
taken.
orange
• Camera off: Uploading pictures to a smartphone or tablet. *
Recording pictures. No additional pictures can be taken at
Glows orange
this time.
Blinks orange Flash charging; flash will not fire when picture is taken.
Blinks red Lens or memory error.
* Displayed only if pictures are selected for upload.

N • Warnings may also appear in the display.

• The indicator lamp remains off while your eye is to the viewfinder.
• The B MOVIE SETTING  > TALLY LIGHT option can be used to
choose the lamp (indicator or AF-assist) that lights during movie re-
cording and whether the lamp blinks or remains steady.

9
 The LCD Monitor
The LCD monitor can be tilted for eas-
ier viewing, but be careful not to touch
the wires or trap fingers or other objects
behind the monitor. Touching the wires
could cause camera malfunction.
1
N The LCD monitor also functions as a touch screen that can be used for:
Before You Begin

• Touch photography (P 28)

• Focus area selection (P 27)
• Function selection (P 30)
• Movie optimized control oL (P 29)
• Playback (P 31)
“Tall” (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when
the camera is rotated to take pictures in “tall” (portrait) orientation.
• Press the tilt lock release and tilt the display as shown in Figure 1.
• To take high-angle shots, hold the camera in the orientation shown in
Figure 2.

Figure 1 Figure 2

10
 Parts of the Camera

The Eye Cup

To remove the eye cup, hold the buttons
on either side and slide eye cup up.

1
Focusing the Viewfinder

Before You Begin

If the indicators displayed in the viewfinder are blurred, put your
eye to the viewfinder and rotate the diopter adjustment control
until the display is in sharp focus.
To focus the viewfinder:
A Lift the diopter adjustment control.
B Rotate the control to adjust viewfinder focus.
C Return the control to its original position and lock it in place.

O Lift the control before use. Failure to observe this precaution could
cause product malfunction.

11
 Camera Displays
This section lists the indicators that may be displayed
during shooting.
O For illustrative purposes, displays are shown with all indicators lit.
The Electronic Viewfinder
1
D E KL M N O P W X
Before You Begin

ALL-Intra

A B C FGHIJ QR S T U V Y

0
z H.264
y Z
x

w a
b

v c
u d

on k j i h g fe

s rq p m l

12
 Camera Displays

A IS mode 2 .........................................................150 a Temperature warning ................................333

B Flash (TTL) mode .........................................276 b Control lock 4..................................................238
C Flash compensation ...................................276 c Virtual horizon.................................................21
D 35mm format mode ...................................151 d Focus frame ...............................................81, 93
E Movie compression .....................................158 e Histogram .........................................................21
F Self-timer indicator .....................................143 f Power supply....................................................43
G Continuous mode........................................100 g Battery level ......................................................45
H Shutter type ...................................................148 h Sensitivity ..........................................................89
I AF+MF indicator 2........................................136 i Exposure compensation ...............................92 1
J Bluetooth ON/OFF.......................................246 j Aperture...............................................65, 68, 70
K White balance ..............................................117 k Shutter speed .....................................65, 66, 70

Before You Begin

L AWB lock ........................................................236 l TTL lock ..................................................154, 266
M Film simulation ............................................111 m AE lock...................................................... 94, 236
N F-Log/HLG/RAW recording .......................160 n Metering ............................................................91
O Dynamic range ............................................115 o Shooting mode ...............................................64
P D-range priority ...........................................116 p Focus mode 2 ....................................................77
Q Image transfer status ........................246, 288 q Focus indicator 2 ..............................................78
R Date and time..................................46, 48, 211 r Manual focus indicator 2........................77, 84
S Movie mode 3.......................................... 56, 156 s AF lock...................................................... 94, 236
T Recording time available/ t Distance indicator 2 ........................................86
elapsed recording time 3 ............................57 u Recording level 2, 3 .........................................179
U Card slot options ................................... 39, 243 v Time code.......................................................181
V Number of available frames 1 ...................334 w Exposure indicator...................................70, 92
W Image size ......................................................108 x Location data download status.....251, 288
X File format......................................................157 y Depth-of-field preview...........................69, 86
Y Image quality................................................109 z H.265(HEVC)/H.264 ....................................157
Z Touch screen mode .............................. 27, 141 0 Focus check ............................................ 87, 137
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP > LARGE INDICATORS
MODE(EVF).
3 Displayed during movie recording only.
4 Displayed when controls have been locked by pressing and holding the MENU/OK button.
Control lock can be ended by pressing and holding the MENU/OK button again.

13
 The LCD Monitor
D E G H O P
H.264 ALL-Intra

A B C F I J K L M N QR

S
1 T
U
Before You Begin

0
V
z
W
y
X
Y

x Z
a
w b
v c
d
u

p o l k j i h g f e

t s r q nm

14
 Camera Displays

A Flash (TTL) mode .........................................276 a Temperature warning ................................333

B IS mode 2 .........................................................150 b Virtual horizon.................................................21
C Focus check ............................................ 87, 137 c Histogram .........................................................21
D Depth-of-field preview...........................69, 86 d Focus frame ...............................................81, 93
E H.265(HEVC)/H.264 ....................................157 e Power supply....................................................43
F Location data download status.....251, 288 f Battery level ......................................................45
G 35mm format mode ...................................151 g Distance indicator 2 ........................................86
H Movie compression .....................................158 h Sensitivity ..........................................................89
I Bluetooth ON/OFF.......................................246 i Exposure compensation ...............................92 1
J Image transfer status ........................246, 288 j Aperture...............................................65, 68, 70
K Movie mode 3.......................................... 56, 156 k Time code.......................................................181

Before You Begin

L Recording time available/ l Shutter speed .....................................65, 66, 70
elapsed recording time 3 ............................57 m TTL lock ..................................................154, 266
M Card slot options ................................... 39, 243 n AE lock...................................................... 94, 236
N Number of available frames 1 ...................334 o Metering ............................................................91
O Image size ......................................................108 p Shooting mode ...............................................64
P File format......................................................157 q Focus mode 2 ....................................................77
Q Image quality................................................109 r Focus indicator 2 ..............................................78
R Date and time..................................46, 48, 211 s Manual focus indicator 2........................77, 84
S Touch screen mode 4 ............................ 27, 141 t AF lock...................................................... 94, 236
T AWB lock ........................................................236 u AF+MF indicator 2........................................136
U White balance ..............................................117 v Shutter type ...................................................148
V Film simulation ............................................111 w Recording level 2, 3 .........................................179
W F-Log/HLG/RAW recording .......................160 x Continuous mode........................................100
X Dynamic range ............................................115 y Self-timer indicator .....................................143
Y D-range priority ...........................................116 z Exposure indicator...................................70, 92
Z Control lock 5..................................................238 0 Flash compensation ...................................276
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP > LARGE INDICATORS
MODE(LCD).
3 Displayed during movie recording only.
4 Camera functions can also be accessed via touch controls.
5 Displayed when controls have been locked by pressing and holding the MENU/OK button.
Control lock can be ended by pressing and holding the MENU/OK button again.

15
 Choosing a Display Mode
Press the VIEW MODE button to cycle
through the following display modes.

1
Option Description
Before You Begin

Putting your eye to the viewfinder turns the viewfinder

E EYE SENSOR on and the LCD monitor off ; taking your eye away turns
the viewfinder off and LCD monitor on.
EVF ONLY Viewfinder on, LCD monitor off.
LCD ONLY LCD monitor on, viewfinder off.
Putting your eye to the viewfinder turns the viewfinder
EVF ONLY + E on; taking it away turns the viewfinder off. The LCD mon-
itor remains off.
Putting your eye to the viewfinder during shooting
turns the viewfinder on, but the LCD monitor is used for
E EYE SENSOR + LCD the display of images once you remove your eye from
IMAGE DISP. the viewfinder after shooting. The options selected for
D SCREEN SET-UP  > IMAGE DISP. apply to display
in the LCD monitor.
The Eye Sensor
• The eye sensor may respond to objects other
than your eye or to light shining directly on
the sensor.
• The eye sensor is disabled while the LCD mon-
itor is tilted.

Eye sensor

16
 Camera Displays

Adjusting Display Brightness

The brightness and saturation of the viewfinder and LCD monitor
can be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust viewfinder
brightness or saturation, LCD BRIGHTNESS or LCD COLOR to do
the same for the LCD monitor.
1
Display Rotation

Before You Begin

When ON is selected for D SCREEN SET-UP  > AUTOROTATE
DISPLAYS, the indicators in the viewfinder and LCD monitor au-
tomatically rotate to match camera orientation.

17
 The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the viewfinder and LCD
monitor.
N Indicators for the EVF and LCD must be
selected separately. To choose the EVF dis-
1 play, place your eye to the viewfinder while
using the DISP/BACK button.
Before You Begin

Viewfinder
Full screen
Full screen
(no indicators)

Dual display
Standard indicators
(manual focus mode only)

Standard (no indicators)

18
 Camera Displays

LCD Monitor
Standard indicators No indicators

Before You Begin

Dual display Info display
(manual focus mode only)

The Dual Display

The dual display consists of a large full-frame window and a
smaller close-up of the focus area.

19
 Customizing the Standard Display
To choose the items shown in the standard indicator display:

1 Display standard indicators.

Use the DISP/BACK button to display standard indicators.

2 Select DISP. CUSTOM SETTING.

1 Select D SCREEN SET-UP  > DISP. CUSTOM SETTING in the
setup menu.
Before You Begin

3 Choose items.
Highlight items and press MENU/OK to select or deselect.
Default Default
Item Item
STILL MOVIE STILL MOVIE
FRAMING GUIDELINE R R CONTINUOUS MODE R −
ELECTRONIC LEVEL R R DUAL IS MODE R R
FOCUS FRAME R R TOUCH SCREEN MODE R R
AF DISTANCE INDICATOR R R WHITE BALANCE R R
MF DISTANCE INDICATOR R R FILM SIMULATION R R
HISTOGRAM R R DYNAMIC RANGE R R
LIVE VIEW HIGHLIGHT ALERT R R BOOST MODE R R
SHOOTING MODE R R FRAMES REMAINING R −
APERTURE/S-SPEED/ISO R R IMAGE SIZE/QUALITY R −
INFORMATION BACKGROUND R R MOVIE MODE & REC. TIME − R
Expo. Comp. (Digit) R R 35mm FORMAT MODE R −
Expo. Comp. (Scale) R R IMAGE TRANSFER ORDER R R
FOCUS MODE R R MIC LEVEL − R
PHOTOMETRY R R GUIDANCE MESSAGE R R
SHUTTER TYPE R − BATTERY LEVEL R R
FLASH R − FRAMING OUTLINE R R

4 Press DISP/BACK to save changes.

5 Press DISP/BACK as needed to exit the menus and return to the

shooting display.

20
 Camera Displays

Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtu-
al horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
is assigned (P 231, 263). 1
Pitch Roll
Framing Outline

Before You Begin

Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.

Number of pixels

Shadows Highlights
Pixel brightness

• Optimal exposure: Pixels are distributed in an even curve

throughout the tone range.
• Overexposed: Pixels are clustered on the right side of
the graph.
• Underexposed: Pixels are clustered on the left side of
the graph.

To view separate RGB histograms and a dis-

play showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the func-
tion button to which HISTOGRAM is assigned
(P 231, 263).
A Overexposed areas blink
B RGB histograms

21
 The Secondary LCD Monitor
Among the settings that can be viewed
in the secondary LCD monitor are shutter
speed, aperture, and ISO sensitivity.

1 Secondary LCD monitor

Before You Begin

A
B D E F G
K C

J I H
Default
A SHUTTER SPEED G FILM SIMULATION
B APERTURE H BATTERY LEVEL
C ISO I FRAMES REM.
D SHOOTING MODE J CARD SLOT OPTIONS
E IMAGE SIZE/QUALITY K d Scale
F WHITE BALANCE

N The settings displayed can be selected using D SCREEN SET-UP  >

SUB MONITOR SETTING.

22
 Camera Displays

Cycling Through Indicators in the Secondary LCD Monitor

The indicators displayed in the second-
ary LCD monitor change each time the
secondary LCD monitor mode button is
pressed.

1
INFORMATION DIALS

Before You Begin

HISTOGRAM

23
 Camera Displays

The secondary monitor backlight button

To turn on the secondary LCD monitor back-
light when you find the secondary LCD monitor
too dark to read, press the secondary monitor
backlight button. Press the button again to turn
the backlight off.

1 Background Color
The background color (black or white) for the secondary LCD monitor can
Before You Begin

be selected using the D SCREEN SET-UP > SUB MONITOR BACKGROUND

COLOR option in the D  (setup) menu. Note that the background is dis-
played in white whenever the secondary LCD monitor backlight is on.

24
 Using the Menus
To display the menus, press MENU/OK.

1
The Menus

Before You Begin

Different menus are displayed during still photography, movie
recording, and playback.
IMAGE QUALITY SETTING

IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
MONOCHROMATIC COLOR
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
STILL/MOVIE mode switch EXIT

set to STILL
Shooting
MOVIE SETTING

MOVIE MODE
FILE FORMAT
MOVIE COMPRESSION
FIX MOVIE CROP MAGNIFICATION
F-Log/HLG/RAW RECORDING
4K MOVIE OUTPUT
FULL HD MOVIE OUTPUT
HDMI OUTPUT INFO DISPLAY
STILL/MOVIE mode switch EXIT

set to MOVIE
PLAY BACK MENU

SWITCH SLOT
RAW CONVERSION
ERASE
SIMULTANEOUS DELETE (RAW SLOT1/JPG SLOT2)
Playback CROP
RESIZE
PROTECT
IMAGE ROTATE
During playback EXIT

25
 Selecting a Menu Tab
To navigate the menus:

1 Press MENU/OK to display the menus.

1
Before You Begin

IMAGE QUALITY SETTING

IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
MONOCHROMATIC COLOR
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
EXIT

2 Press the focus stick (focus lever) IMAGE QUALITY SETTING

IMAGE SIZE
left to highlight the tab for the cur- IMAGE QUALITY
RAW RECORDING
rent menu. FILM SIMULATION
MONOCHROMATIC COLOR
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
EXIT

Tab

3 Press the focus stick up or down to highlight the tab contain-

ing the desired item.

4 Press the focus stick right to place the cursor in the menu.
N Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.

26
 Touch Screen Mode
The LCD monitor also functions as a touch screen.

Shooting Touch Controls

TOUCH SCREEN SETTINGS
To enable touch controls, select ON for
TOUCH SCREENON
SETTING
D BUTTON/DIAL SETTING > TOUCH DOUBLE TAP SETTING
OFF
TOUCH FUNCTION
SCREEN SETTING > x TOUCH SCREEN TOUCH SCREEN SETTING 1
EVF TOUCH SCREEN AREA SETTINGS
SETTING.

Before You Begin

EVF
The LCD monitor can be used to select the focus area while pic-
tures are being framed in the electronic viewfinder (EVF). Use
D BUTTON/DIAL SETTING  > TOUCH SCREEN SETTING  > EVF
TOUCH SCREEN AREA SETTINGS to choose the area of the mon-
itor employed for touch controls.

N If FACE SELECT op is enabled when FACE DETECTION ON is select-

ed for G AF/MF SETTING > FACE/EYE DETECTION SETTING, the face
used for focus can be chosen via touch controls.

27
 LCD Monitor
The operation performed can be selected
by tapping the touch screen mode indica-
tor in the display. Touch controls can be
used for the following operations:

1
Mode Description
Before You Begin

• In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
AF you tap the AF OFF icon.
• In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
AF OFF the AF OFF icon.
• In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
Tap to select a point for focus or zoom. The focus frame will
AREA move to the selected point.

OFF Touch controls disabled.

O Different touch controls are used during focus zoom (P 142).

N • To disable touch controls and hide the touch screen mode indica-
tor, select OFF for D BUTTON/DIAL SETTING  > TOUCH SCREEN
SETTING > x TOUCH SCREEN SETTING.
• Touch control settings can be adjusted using G AF/MF SETTING >
xF TOUCH SCREEN MODE. For information on the touch
controls available during movie recording, see “Movie Recording
(xF TOUCH SCREEN MODE; P 176)”.

28
 Touch Screen Mode

MOVIE OPTIMIZED CONTROL oL

Selecting ON for B MOVIE SETTING  >
MOVIE OPTIMIZED CONTROL oL or
tapping the movie-optimized mode but-
ton in the shooting display optimizes the
command dials and touch controls for
movie recording. This can be used to pre- 1
vent camera sounds being recorded with Movie-optimized

Before You Begin

movie footage. mode button
• SHUTTER SPEED • WIND FILTER
• APERTURE • HEADPHONES VOLUME
• EXPOSURE COMPENSATION • F FILM SIMULATION
• ISO • F WHITE BALANCE
• INTERNAL MIC LEVEL • F IS MODE
ADJUSTMENT/EXTERNAL MIC • F IS MODE BOOST
LEVEL ADJUSTMENT
N • Enabling movie-optimized controls disables the aperture ring.
• When movie-optimized control is enabled, the movie-optimized
mode button can be used to change shooting settings or disable
movie-optimized control.

29
 Touch Function
Functions can be assigned to the follow-
ing flick gestures in much the same way
as function buttons (P 263):
• Flick up: T-Fn1
• Flick left: T-Fn2
1 • Flick right: T-Fn3
• Flick down: T-Fn4
Before You Begin

N • In some cases, touch-function flick ges- INTERNAL MIC LEVEL ADJUSTMENT

tures display a menu; tap to select the

desired option.
25.5

SET CANCEL

• Touch-function gestures are disabled by default. To enable

touch-function gestures, select ON for D BUTTON/DIAL SETTING >
TOUCH SCREEN SETTING > c TOUCH FUNCTION.

30
 Touch Screen Mode

Playback Touch Controls

When ON is selected for D BUTTON/DIAL SETTING  > TOUCH
SCREEN SETTING > a TOUCH SCREEN SETTING, touch controls
can be used for the following playback operations:
• Swipe: Swipe a finger across the display to
view other images.
1

Before You Begin

• Pinch-out: Place two fingers on the display
and spread them apart to zoom in.

• Pinch-in: Place two fingers on the display

and slide them together to zoom out.

N Pictures can be zoomed out until the entire image is visible but no
further.
• Double-tap: Tap the display twice to zoom in
on the focus point.

• Drag: View other areas of the image during

playback zoom.

31
MEMO

32
First Steps

33
 Attaching the Strap
Attach the strap.
Attach the strap to the two strap clips as shown below.

2
First Steps

O To avoid dropping the camera, be sure the strap is correctly secured.

34
 Attaching a Lens
The camera can be used with lenses for the FUJIFILM
G-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (A), and then
rotate the lens until it clicks into place
(B). 2
O • When attaching lenses, ensure that dust or other foreign matter does

First Steps
not enter the camera.
• Be careful not to touch the camera’s internal parts.
• Rotate the lens until it clicks securely into place.
• Do not press the lens release button while attaching the lens.
Removing Lenses
To remove the lens, turn the camera off, then
press the lens release button (A) and rotate the
lens as shown (B).

O To prevent dust accumulating on the lens

or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
G-mount.

O Observe the following precautions when attaching or removing (ex-

changing) lenses.
• Check that the lenses are free of dust and other foreign matter.
• Do not change lenses in direct sunlight or under another bright light
source. Light focused into the interior of the camera could cause it to
malfunction.
• Attach the lens caps before exchanging lenses.
• See the manual provided with the lens for information on use.
35
 Inserting the Battery
Insert the battery in the camera as described below.

1 Open the battery-chamber cover.

Slide the battery-chamber cover
latch as shown and open the bat-
tery-chamber cover.
O • Do not open the battery-chamber
cover when the camera is on. Fail-
2 ure to observe this precaution could
damage image files or memory
First Steps

cards.
• Do not use excessive force when
handling the battery-chamber cover.

2 Insert the battery as shown.

O • Insert the battery in the orientation
shown. Do not use force or attempt
to insert the battery upside down or
backwards.
• Confirm that the battery is securely
latched.

36
 Inserting the Battery

3 Close the battery-chamber cover.

Close and latch the cover.
O If the cover does not close, check that
the battery is in the correct orienta-
tion. Do not attempt to force the cov-
er shut.

Removing the Battery

Before removing the battery, turn the camera off and open the battery-cham-
ber cover. 2
To remove the battery, press the battery latch to

First Steps
the side, and slide the battery out of the camera
as shown.

O The battery may become hot when used in high-temperature environ-

ments. Observe caution when removing the battery.

37
 Inserting Memory Cards
Pictures are stored on memory cards (sold separately).
N The camera can be used with two cards, one in each of its two slots.
1 Open the memory card slot cover.
Unlatch and open the cover.

2
First Steps

O Do not turn the camera off or remove the memory card while the
memory card is being formatted or data are being recorded to or de-
leted from the card. Failure to observe this precaution could dam-
age the card.

2 Insert the memory card.

Holding the card in the orientation
shown, slide it in until it clicks into
place at the back of the slot. Close
and latch the memory card slot cover.

O Be sure card is in the correct orientation; do not insert at an angle

or use force.

38
 Inserting Memory Cards

Removing Memory Cards

Before removing memory cards, turn the camera off and open the memory
card slot cover.
Press and release the card to eject it part way (to
prevent the card falling from the slot, press the
center of the card and release it slowly, without
removing your finger from the card). The card
can then be removed by hand.

2
Using Two Cards

First Steps
The camera can be used with two cards, one in each of its two
slots. At default settings, photos are saved to the card in the sec-
ond slot only when the card in the first slot is full. This can be
changed using D SAVE DATA SET-UP > x CARD SLOT SETTING
(P 243). The card used to store movies can be selected using
D SAVE DATA SET-UP > F CARD SLOT SETTING (P 244).
Option Description Display
The card in the second slot is used only when the card in
the first slot is full. If the second slot is selected for D SAVE
SEQUENTIAL
DATA SET-UP > SELECT SLOT(xSEQUENTIAL), re-
(default)
cording will start on the card in the second slot and switch
to the first slot when the card in the second slot is full.
BACKUP Each picture is recorded twice, once to each card.
As for SEQUENTIAL, except that the RAW copy of pic-
tures taken with SUPER FINE+RAW, FINE+RAW, or
NORMAL+RAW selected for H IMAGE QUALITY
RAW / JPEG
SETTING > IMAGE QUALITY will be saved to the card
in the first slot and the JPEG copy to the card in the second
slot.

39
 Inserting Memory Cards

Compatible Memory Cards

• The camera can be used with SD, SDHC, and SDXC memory
cards. Both the UHS-I and UHS-II bus interfaces are supported.
• UHS-II cards are recommended for high-speed burst photography.
• Use cards with a video speed class of V60 or better to record
movies at a bit rate of 400 Mbps. To record movies with lower
bit rates, use cards with a UHS speed class of 3 or better or a
video speed class of V30 or better.
2 • A list of supported memory cards is available on the Fujifilm
website. For details, visit:
https://fujifilm-x.com/support/compatibility/cameras/.
First Steps

O • Do not turn the camera off or remove the memory card while the memo-
ry card is being formatted or data are being recorded to or deleted from
the card. Failure to observe this precaution could damage the card.
• Memory cards can be locked, making it
impossible to format the card or to record
or delete images. Before inserting a mem-
ory card, slide the write-protect switch to
the unlocked position.
• Memory cards are small and can be swallowed; keep out of reach of
children. If a child swallows a memory card, seek medical assistance
immediately.
• miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the cam-
era to an authorized service representative. Do not forcibly remove
the card.
• Do not affix labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
• Movie recording may be interrupted with some types of memory card.
• Formatting a memory card in the camera creates a folder in which
pictures are stored. Do not rename or delete this folder or use a com-
puter or other device to edit, delete, or rename image files. Always
use the camera to delete pictures; before editing or renaming files,
copy them to a computer and edit or rename the copies, not the
originals. Renaming the files on the camera can cause problems
during playback.

40
 Charging the Battery
For reasons of safety, the battery is not charged at ship-
ment. The camera will not function if the battery is not
charged; be sure to charge the battery before use. Before
charging the battery, turn the camera off.
O • An NP-W235 rechargeable battery is supplied with the camera.
• Charging takes about 180 minutes.
1 Attach the plug adapter to the AC power adapter.
2
Attach the plug adapter as shown, making
sure that it is fully inserted and clicks into

First Steps
place on the AC power adapter terminals.
O • The supplied plug adapter is for use exclu-
sively with the AC-5VJ AC power adapter.
Do not use it with other devices.
• The shape of the plug adapter varies with
the country of sale.

2 Charge the battery.

Connect the camera to the supplied AC power adapter using
the supplied USB cable. Then plug the AC power adapter into
an indoor power outlet.

O • Connect the cable to the camera’s USB connector (Type-C).

• Be sure the connectors are fully inserted.

41
 Charge Status
The indicator lamp shows battery charge status
as follows:
Indicator lamp Battery status
On Battery charging
Off Charging complete
Blinks Charging error

O • The supplied AC power adapter is compatible with power supplies of

2 100 to 240 V (a plug adapter may be needed for overseas use).
• Do not use the AC power adapter or USB cable with other devices, as
First Steps

this could cause malfunction.

• Do not affix labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
• Do not short the battery terminals. The battery could overheat.
• Read the cautions in “The Battery and Power Supply”.
• Use only genuine Fujifilm rechargeable batteries designated for use
in this camera. Failure to observe this precaution could result in prod-
uct malfunction.
• Do not remove the labels from the battery or attempt to split or peel
the outer casing.
• The battery gradually loses its charge when not in use. Charge the
battery one or two days before use.
• If the battery fails to hold a charge, it has reached the end of its
charging life and must be replaced.
• Unplug the AC power adapter from the power outlet when it is not
in use.
• If the battery is left for long periods without charging, you may find
that its quality degrades or that it no longer holds a charge. Charge
the battery regularly.
• Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
• Note that charging times increase at low or high temperatures.

42
 Charging the Battery

Charging via Computer

The camera can be charged via USB. USB charging is available with com-
puters with a manufacturer-approved operating system and USB interface.

First Steps
Leave the computer on during charging.
O • The battery will not charge while the camera is on.
• Connect the supplied USB cable.
• Connect the camera directly to the computer; do not use a USB hub
or keyboard.
• Charging stops if the computer enters sleep mode. To resume
charging, activate the computer and disconnect and reconnect the
USB cable.
• Charging may not be supported depending on the model of com-
puter, computer settings, and the computer’s current state.
• The battery takes about 600 minutes to charge with a charging input
of 5 V/500 mA.

N • If the camera is turned on during charging,

charging will end and the USB connection
will instead be used to power the camera.
The battery level will begin to gradually
decline (P 250).
• The camera will display a “power supply” icon when powered via USB.

43
 Turning the Camera On and Off
Use the ON/OFF switch to turn the camera on and off.
Slide the switch to ON to turn the camera
on, or to OFF to turn the camera off.

2
O Fingerprints and other marks on the lens or viewfinder can affect pic-
tures or the view through the viewfinder. Keep the lens and viewfind-
First Steps

er clean.

N • Pressing the a button during shooting starts playback.

• Press the shutter button halfway to return to shooting mode.
• The camera will turn off automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT  >
AUTO POWER OFF. To reactivate the camera after it has turned off
automatically, press the shutter button halfway or turn the ON/OFF
switch to OFF and then back to ON.

44
 Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:

2
Indicator Description

First Steps
e Battery partially discharged.
f Battery about 80% full.
g Battery about 60% full.
h Battery about 40% full.
i Battery about 20% full.
i Low battery. Charge as soon as possible.
(red)
j Battery exhausted. Turn camera off and recharge battery.
(blinks red)

45
 Basic Setup
When you turn the camera on for the first time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the first time.
N If you intend to pair the camera with a smartphone or tablet, install
2 and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
First Steps

http://app.fujifilm-dsc.com/en/camera_remote/

1 Turn the camera on.

A language-selection dialog will be
displayed.

2 Choose a language.
Highlight a language and press
MENU/OK.

3 Pair the camera with the smartphone or tablet.

Press MENU/OK to pair the camera with PAIRING REGISTRATION

a smartphone or tablet running the PAIR WITH SMARTPHONE?

FUJIFILM Camera Remote app.

IMAGES CAN BE EASILY TRANSFERRED
TO SMARTPHONE BY PAIRING

N To skip pairing, press DISP/BACK. SCAN QR CODE OR SEARCH FOR "FUJIFILM

Camera Remote" APP ON THE WEB
SET SKIP HELP

46
 Basic Setup

4 Check the time.

When pairing is complete, you will be PAIRING REGISTRATION

prompted to set the camera clock to

PAIRING COMPLETE
the time reported by the smartphone
12/ 31/2021 12:10 AM
or tablet. Check that the time is cor- SET DATE/TIME FROM SMARTPHONE?

rect.
SET CANCEL

N To set the clock manually, press DISP/BACK (P 48).

5 Synchronize the camera settings with SMARTPHONE SYNC. SETTING 2

the settings configured on your smart- LOCATION&TIME

First Steps
phone or tablet. LOCATION
TIME
OFF

SET

N The option selected can be changed at any time using

D CONNECTION SETTING > Bluetooth SETTINGS.

6 Set the clock.

Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.

7 Format the memory card (P 210).

O Format memory cards before first use, and be sure to reformat all
memory cards after using them in a computer or other device.

N If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
If you skip a step, a confirmation dialog will be displayed; select NO to avoid
repeating any steps you skipped the next time the camera is turned on.

47
 Basic Setup

Choosing a Different Language

To change the language:

1 Display language options.

Select D USER SETTING > Qa.

2 Choose a language.
Highlight the desired option and press MENU/OK.

Changing the Time and Date

2
To set the camera clock:
First Steps

1 Display DATE/TIME options.

Select D USER SETTING > DATE/TIME.

2 Set the clock.

Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. Press MENU/OK to set the clock.

48
Basic Photography and
Playback

49
 Taking Photographs (Mode P)
This section describes how to take pictures using program
AE (mode P). See pages 64–75 for information on S, A,
and M modes.
1 Slide the STILL/MOVIE mode switch to
STILL.

3
2 Rotate the mode dial to P.
Basic Photography and Playback

O Rotate the mode dial only after pressing the dial lock release to
release the dial.

3 Confirm that P appears in the display.

50
 Taking Photographs (Mode P)

4 Ready the camera.

• Hold the camera steady with both
hands and brace your elbows
against your sides. Shaking or un-
steady hands can blur your shots.

• To prevent pictures that are out of

focus or too dark (underexposed),
keep your fingers and other objects
away from the lens and AF-assist
illuminator. 3

Basic Photography and Playback

5 Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.

51
 Taking Photographs (Mode P)

6 Focus.
Press the shutter button halfway to
focus.

Focus indicator
Focus frame
• If the camera is able to focus, the focus frame and focus indicator
will glow green.
3 • If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
Basic Photography and Playback

N • If the subject is poorly lit, the AF-assist illuminator may light to

assist the focus operation.
• Focus and exposure will lock when the shutter button is
pressed halfway. Focus and exposure remain locked while the
button is kept in this position (AF/AE lock).
• The camera will focus on subjects at any distance in the macro
and standard focus ranges for the lens.

7 Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.

52
 Viewing Pictures
Pictures can be viewed in the viewfinder or LCD monitor.
To view pictures full frame, press a.
100-0001

Additional pictures can be viewed by pressing the focus stick (fo- 3

cus lever) left or right or rotating the front command dial. Press

Basic Photography and Playback

the focus stick or rotate the dial right to view pictures in the order
recorded, left to view pictures in reverse order. Keep the focus
stick pressed to scroll rapidly to the desired frame.
N Pictures taken using other cameras are marked with a m (“gift image”)
icon to warn that they may not display correctly and that playback
zoom may not be available.
Two Memory Cards
If two memory cards are inserted, you can press and hold the a button
to choose a card for playback. You can also select a card using the C PLAY
BACK MENU > SWITCH SLOT option.

53
 Deleting Pictures
Use the b button to delete pictures.
O Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.

1 With a picture displayed full frame, press the b button and

select FRAME.
ERASE

FRAME
SELECTED FRAMES
ALL FRAMES

3
Basic Photography and Playback

2 Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete (a confirmation dialog is
not displayed). Repeat to delete additional pictures.
N • Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 196).
• Pictures can also be deleted from the menus using the C PLAY BACK
MENU > ERASE option (P 192).

54
Movie Recording and
Playback

55
 Recording Movies
This section describes how to film movies in auto mode.

1 Slide the STILL/MOVIE mode switch to

MOVIE.

2 Rotate the mode dial to P.

4
Movie Recording and Playback

AUTO will appear in the display.

O Rotate the mode dial only after pressing the dial lock release to release
the dial.

56
 Recording Movies

3 Press the shutter button all the way

down.
Recording will start.
• A recording indicator (V) is dis-
played while recording is in prog-
ress.
• The time remaining is shown by a Recording time
countdown display, while another Time remaining
display counts up to show the re-
cording time.

4 Press the button again to end recording. Recording ends

automatically when the maximum length is reached or the
memory card is full.
Temperature Warnings 4
The camera automatically turns off to protect itself when its temperature or

Movie Recording and Playback

the temperature of the battery rises. If a temperature warning is displayed,
image noise may increase. Turn the camera off and wait for it to cool before
turning it on again (P 241, 333).
Using an External Microphone
Sound can be recorded with external micro-
phones that connect using jacks 3.5 mm in di-
ameter; microphones that require plug-in pow-
er cannot be used. See the microphone manual
for details.

O • Sound is recorded via the built-in microphone or an optional external

microphone. Do not cover the microphone during recording.
• Note that the microphone may pick up lens noise and other sounds
made by the camera during recording.
• Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.

57
 N • The indicator lamp lights while recording is in progress (the B MOVIE
SETTING > TALLY LIGHT option can be used to choose the lamp—
indicator or AF-assist—that lights during movie recording and
whether the lamp blinks or remains steady). During recording, you
can change exposure compensation by up to ±2 EV and adjust zoom
using the zoom ring on the lens (if available).
• While recording is in progress, you can:
- Adjust sensitivity
- Refocus using any of the following methods:
• Press the shutter button halfway
• Press a function button to which AF-ON is assigned
• Use touch screen controls
- Display a histogram or artificial horizon by pressing the button to
which HISTOGRAM or ELECTRONIC LEVEL has been assigned
• Recording may be unavailable at some settings, while in other cases
4 settings may not apply during recording.
• To choose the focus area for movie recording, select G AF/MF
Movie Recording and Playback

SETTING > FOCUS AREA and use the focus stick (focus lever) and
rear command dial (P 81).

58
 Recording Movies

Adjusting Movie Settings

• Pressing MENU/OK when MOVIE is selected with the STILL/MOVIE
mode switch displays the movie menu.
• Frame size and rate can be selected using B MOVIE SETTING >
MOVIE MODE.
• To choose the card used to store movies, use D SAVE DATA
SET-UP > F CARD SLOT SETTING.
• Focus mode is selected using the focus mode selector; for con-
tinuous focus adjustment, select C, or choose S and enable In-
telligent Face Detection. Intelligent Face Detection is not avail-
able in focus mode M.
Depth of Field
Choose low f-numbers to soften background details. Aperture can be ad-
justed when the mode dial is set to A (aperture-priority AE) or M (manual). 4

Movie Recording and Playback

59
 Viewing Movies
View movies on the camera.
In full-frame playback, movies are identi-
fied by a W icon. Press the focus stick (fo-
cus lever) down to start movie playback.

PLAY

+1.0 12800

The following operations can be per-

formed while a movie is displayed:

4
Movie Recording and Playback

Focus stick Playback in Playback

(focus lever) Full-frame playback x)
progress ((x (y)
paused (y
Up — End playback
Down Start playback Pause playback Start/resume playback
Single frame rewind/
Left/right View other pictures Adjust speed
advance

Progress is shown in the display during 29m59s

playback.
O Do not cover the speaker during playback.
STOP PAUSE

N Press MENU/OK to pause playback and display volume controls. Press

the focus stick (focus lever) up or down to adjust the volume; press
MENU/OK again to resume playback. Volume can also be adjusted using
D SOUND SET-UP > PLAYBACK VOLUME.

60
 Viewing Movies

Playback Speed
29m59s
Press the focus stick (focus lever) left or right to
adjust playback speed during playback. Speed
is shown by the number of arrows (M or N).

Arrows

Movie Recording and Playback

61
MEMO

62
Taking Photographs

63
 P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control
over shutter speed and aperture.

Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.

1 Slide the STILL/MOVIE mode switch to

STILL.

5 2 Rotate the mode dial to P.

Taking Photographs

P will appear in the display.

O • If the subject is outside the metering range of the camera, the shutter
speed and aperture displays will show “– – –”.
• Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.

64
 P, S, A, and M Modes

Program Shift
If desired, you can rotate the rear command dial
to select other combinations of shutter speed
and aperture without altering exposure (pro-
gram shift).

Aperture
Shutter speed

O Program shift is not available in any of the following circumstances:

• When TTL is selected for F FLASH SETTING > FLASH FUNCTION
SETTING
• When an auto option is selected for H IMAGE QUALITY SETTING >
DYNAMIC RANGE
• In movie mode
N To cancel program shift, turn the camera off. 5

Taking Photographs

65
 Mode S: Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.

1 Slide the STILL/MOVIE mode switch to

STILL.

2 Rotate the mode dial to S.

5
Taking Photographs

S will appear in the display.

3 Rotate the rear command dial to

choose the shutter speed.

66
 P, S, A, and M Modes

O • If the correct exposure cannot be achieved at the selected shutter

speed, aperture will be displayed in red.
• If the subject is outside the metering range of the camera, the aper-
ture display will show “– – –”.
• Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.
N • Shutter speed can be adjusted while the shutter button is pressed
halfway.
• At shutter speeds slower than 1 second, a count-down timer will be
displayed while the exposure is in progress.
• To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING  > LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
• The picture will go out of focus if the camera is moved during a long
time-exposure; use of a tripod is recommended.

Taking Photographs

67
 Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.

1 Slide the STILL/MOVIE mode switch to

STILL.

2 Rotate the mode dial to A.

5
Taking Photographs

A will appear in the display.

3 Rotate the lens aperture ring to choose an aperture.

N • If the lens is equipped with an aperture ring with a “C” position,
the front command dial can be used to adjust aperture when the
aperture ring is rotated to C.
• The roles played by the front command dial can be changed us-
ing D BUTTON/DIAL SETTING > COMMAND DIAL SETTING.

68
 P, S, A, and M Modes

O • If the correct exposure cannot be achieved at the selected aperture,

shutter speed will be displayed in red.
• If the subject is outside the metering range of the camera, the shutter
speed display will show “– – –”.
• Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.
N Aperture can be adjusted even while the shutter button is pressed
halfway.
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button dis-
plays a L icon and stops aperture down to the
selected setting, allowing depth of field to be
previewed in the display.

Taking Photographs

69
 Mode M: Manual Exposure
In manual mode, the user controls both shutter speed and aperture.
Shots can be deliberately overexposed (brighter) or underexposed
(darker), opening the door for a variety of individual creative ex-
pression. The amount the picture would be under- or over-exposed
at current settings is shown by the exposure indicator; adjust shut-
ter speed and aperture until the desired exposure is reached.

1 Slide the STILL/MOVIE mode switch to

STILL.

2 Rotate the mode dial to M.

5
Taking Photographs

M will appear in the display.

70
 P, S, A, and M Modes

3 Rotate the rear command dial to

choose a shutter speed and the lens
aperture ring to choose the aperture.

N • The manual exposure display includes an exposure indicator

that shows the amount the picture would be under- or over-ex-
posed at current settings.
• If the lens is equipped with an aperture ring with a “C” position,
the front command dial can be used to adjust aperture when the
aperture ring is rotated to C.
• The roles played by the front command dial can be changed us-
ing D BUTTON/DIAL SETTING > COMMAND DIAL SETTING.

O Rotate the mode dial only after pressing the dial lock release to release
the dial.
5

Taking Photographs

71
 BULB
Select a shutter speed of BULB for long time-exposures in which
you open and close the shutter manually. Use of a tripod is rec-
ommended to prevent the camera moving during the exposure.

1 Set shutter speed to BULB.

2 Press the shutter button all the way down.

• The shutter will remain open for up to 60 minutes while the
shutter button is pressed.
• The display shows the time elapsed since the exposure
started.
5
• Releasing the shutter button closes the shutter, ending the
exposure. Processing will begin, and the camera will display
Taking Photographs

the processing time remaining.

N • Selecting an aperture of A fixes shutter speed at 30 s.
• To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING  > LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.

72
 P, S, A, and M Modes

Using a Remote Release

A remote release can be used for long time-ex-
posures. When using an optional RR-100 remote
release or an electronic release from third-party
suppliers, connect it to the camera’s remote re-
lease connector.

Exposure Preview
To preview exposure in the LCD monitor, select PREVIEW EXP./WB for
D SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE.

5
N Select an option other than PREVIEW EXP./WB when using the flash
or on other occasions on which exposure may change when the pic-

Taking Photographs
ture is taken.

73
 Custom Modes
Rotate the mode dial to any of modes
C1 (CUSTOM  1) through C6 (CUSTOM  6)
to take pictures using previously-saved
shooting menu settings. Settings can be
saved or edited using H IMAGE QUALITY
SETTING > EDIT/SAVE CUSTOM SETTING.

Saving Settings

1 Select H IMAGE QUALITY SETTING in the shooting menu,

then highlight EDIT/SAVE CUSTOM SETTING and press
MENU/OK.
2 Highlight EDIT/CHECK SETTING and EDIT/SAVE CUSTOM SETTING
SAVE CURRENT SETTINGS
press MENU/OK. EDIT/CHECK SETTING
AUTO UPDATE SETTING
EDIT CUSTOM NAME

5 RESET
Taking Photographs

N • To store current camera settings in any of custom settings banks

1 through 6, select SAVE CURRENT SETTINGS. Previously-saved
settings in the selected bank will be overwritten.
• To restore default settings for selected banks, choose RESET.
• Banks can be renamed using EDIT CUSTOM NAME.
• If ENABLE is selected for AUTO UPDATE SETTING, changes to
settings in modes C1 through C6 will automatically be saved to
the current bank.

3 Highlight a custom settings bank and EDIT/SAVE CUSTOM

STOM SETTING
SAVE CURRENT
CUSTOM 1
T SETTINGS
CUSTOM 2
press MENU/OK to select. ETTING
EDIT/CHECK SETTING
CUSTOM 3
AUTO UPDATE SETTING
CUSTOM 4
EDIT CUSTOM NAME
CUSTOM 5
RESET
CUSTOM 6

74
 P, S, A, and M Modes

4 Highlight an item you wish to store in CUSTOM 1

SHOOTING MODE
the custom settings bank and press SHUTTER SPEED
APERTURE
MENU/OK. EXP. COMPENSATION
DRIVE MODE
Adjust settings for the selected item.

EXIT

5 Press MENU/OK to save changes to the selected item and re-

turn to the menu item list.
Adjust additional items as desired.

6 Pressing DISP/BACK in the menu item SAVE CUSTOM SETTING

CUSTOM 1 SET OK?

list displays a confirmation dialog.
Highlight OK and press MENU/OK to
save the settings to the selected OK

bank. CANCEL

BACK

Taking Photographs

75
 Autofocus
Take pictures using autofocus.

1 Rotate the focus mode selector to S

or C (P 77).

2 Choose an AF mode (P 79).

3 Choose the position and size of the

focus frame (P 81).

5 4 Take pictures.
Taking Photographs

76
 Autofocus

Focus Mode
Use the focus mode selector to choose
how the camera focuses.

Choose from the following options:

Mode Description
S Single AF: Focus locks while the shutter button is pressed halfway.
(AF-S) Choose for stationary subjects.
Continuous AF: Focus is continually adjusted to reflect changes in the
C distance to the subject while the shutter button is pressed halfway.
(AF-C)
Use for subjects that are in motion.
Manual: Focus manually using the lens focus ring. Choose for manual
M control of focus or in situations in which the camera is unable to focus
(manual)
using autofocus (P 84).
5
N • Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.

Taking Photographs
• If ON is selected for G AF/MF SETTING > PRE-AF, focus will be ad-
justed continuously in modes S and C even when the shutter button
is not pressed.

77
 The Focus Indicator
Focus status is shown by the focus indicator.
Focus indicator Focus status
( ) Camera focusing.
Subject in focus; focus locked (focus
z (lights green)
mode S).
Subject in focus (focus mode C).
(z) (lights green) Focus is automatically adjusted for
Focus indicator
changes in distance to subject.
A (blinks white) Camera unable to focus.
j Manual focus (focus mode M).

5
Taking Photographs

78
 Autofocus

Autofocus Options (AF Mode)

Focus can be adapted to a variety of subjects by changing the
combination of settings selected for focus and AF modes.

1 Press MENU/OK and go to the shooting menu.

2 Select G AF/MF SETTING > AF MODE.

3 Choose an AF mode.
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)
Option Description Sample image

Camera focuses on subject in

r selected focus point. Use for pin-
SINGLE POINT point focus on selected subject.
5

Taking Photographs
Camera focuses on subject in se-
lected focus zone. Focus zones in-
y clude multiple focus points, mak-
ZONE ing it easier to focus on subjects in
motion.

Camera focuses automatically on

z high-contrast subjects; display
WIDE shows areas in focus.

Rotate the rear command dial in the focus-point selection dis-

j play (P 81, 82) to cycle through AF modes in the following
ALL order: r SINGLE POINT, y ZONE, and z WIDE.

79
 Focus Mode C (AF-C)
Option Description Sample image

Focus tracks subject at selected fo-

r cus point. Use for subjects moving
SINGLE POINT toward or away from camera.

Focus tracks subject in selected fo-

y cus zone. Use for subjects that are
ZONE moving fairly predictably.

5 z Focus tracks subjects moving

TRACKING through wide area of frame.
Taking Photographs

Rotate the rear command dial in the focus-point selection dis-

j play (P 81, 82) to cycle through AF modes in the following
ALL order: r SINGLE POINT, y ZONE, and z TRACKING.

80
 Autofocus

Focus-Point Selection
Choose a focus point for autofocus.

Viewing the Focus-Point Display

1 Press MENU/OK and go to the shooting menu.

2 Select G AF/MF SETTING  > FOCUS AREA to view the fo-

cus-point display.

3 Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N The focus point can also be selected using touch controls (P 27).
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame. 5
The procedure varies with the option se-

Taking Photographs
lected for AF mode.

Focus stick Rear command dial

AF mode

Tilt Press Rotate Press

Choose from 6
r frame sizes Restore original
Select focus Select center Choose from 3 size
y point focus point frame sizes

z —

N Manual focus-point selection is not available when z WIDE/TRACKING is

selected in focus mode S.

81
 The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N Focus frames are shown by small squares (), focus zones by the large
squares.
AF mode
r SINGLE POINT y ZONE z WIDE/TRACKING

Number of points avail- Choose from zones with Position focus frame over
able can be selected using 7 × 7, 5 × 5, or 3 × 3 focus subject you want to track
G AF/MF SETTING  > points. using continuous AF.
5 NUMBER OF FOCUS
POINTS.
Taking Photographs

Autofocus
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
• Very shiny subjects such as mirrors or car bodies.
• Subjects photographed through a window or other reflective object.
• Dark subjects and subjects that absorb rather than reflect light, such as
hair or fur.
• Insubstantial subjects, such as smoke or flame.
• Subjects that show little contrast with the background.
• Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).

82
 Autofocus

Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the rear command
dial. Use the focus stick (focus lever) to choose
another focus area. Press the center of the rear
command dial again to cancel zoom.

Normal display Focus zoom

N • In focus mode S, zoom can be adjusted by rotating the rear command

dial.
• The focus stick can be used to select the focus area while zoom is in 5
effect.

Taking Photographs
• In focus mode S, select r SINGLE POINT for AF MODE.
• Focus zoom is not available in focus mode C or when G AF/MF
SETTING > PRE-AF is on.
• Use D BUTTON/DIAL SETTING  > FUNCTION (Fn) SETTING to
change the function performed by the center of the rear command
dial. You can also assign its default function to other controls (P 263).

83
 Manual Focus
Adjust focus manually.

1 Rotate the focus mode selector to M.

j will appear in the display.

2 Focus manually using the lens focus

5 ring. Rotate the ring left to reduce
the focus distance, right to increase.
Taking Photographs

3 Take pictures.

N • Use D BUTTON/DIAL SETTING > FOCUS RING to reverse the direc-

tion of rotation of the focus ring.
• Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.

84
 Manual Focus

Quick Focus
• To use autofocus to focus on the subject in the selected focus area, press
the button to which focus lock or AF-ON has been assigned (the size of
the focus area can be chosen with the rear command dial).
• In manual focus mode, you can use this feature to quickly focus on a cho-
sen subject using either single or continuous AF according to the option
chosen for G AF/MF SETTING > INSTANT AF SETTING.

Taking Photographs

85
 Checking Focus
A variety of options are available for checking focus in manual
focus mode.

The Manual Focus Indicator

The white line indicates the distance to the subject in the fo-
cus area (in meters or feet according to the option selected for
D SCREEN SET-UP > FOCUS SCALE UNITS in the setup menu),
the blue bar the depth of field, or in other words the distance in
front of and behind the subject that appears to be in focus.
Focus distance
(white line)

Depth of field
5
Taking Photographs

N • If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR

are selected in the D SCREEN SET-UP  > DISP. CUSTOM SETTING
list, the manual focus indicator can also be viewed using the depth-
of-field indicator in the standard display. Use the DISP/BACK button to
display standard indicators.
• Use the G AF/MF SETTING  > DEPTH-OF-FIELD SCALE option
to choose how depth of field is displayed. Choose FILM FORMAT
BASIS to help you make practical assessments of depth of field for
pictures that will be viewed as prints and the like, PIXEL BASIS to
help you assess depth of field for pictures that will be viewed at high
resolutions on computers or other electronic displays.

86
 Manual Focus

Focus Zoom
If ON is selected for G AF/MF SETTING  > FOCUS CHECK, the
camera will automatically zoom in on the selected focus area
when the focus ring is rotated. Press the center of the rear com-
mand dial to exit zoom.
N • Use the focus stick (focus lever) to choose another focus area.
• If STANDARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF
SETTING  > MF ASSIST, zoom can be adjusted by rotating the rear
command dial. Zoom cannot be adjusted when DIGITAL SPLIT IMAGE
or DIGITAL MICROPRISM is selected.

MF Assist
Use G AF/MF SETTING > MF ASSIST to choose a focus check option.
N The MF ASSIST menu can be displayed by pressing and holding the
center of the rear command dial.
The following options are available: 5
• DIGITAL SPLIT IMAGE: Displays a split image

Taking Photographs
in the center of the frame. Frame the
subject in the split-image area and ro-
tate the focus ring until the four parts
of the split image are correctly aligned.

• DIGITAL MICROPRISM: A grid pattern that

emphasizes blur is displayed when the
subject is out of focus, disappearing to
be replaced by a sharp image when the
subject is in focus.

87
 Manual Focus

• FOCUS PEAK HIGHLIGHT: Highlights high-con-

trast outlines. Rotate the focus ring until
the subject is highlighted.

5
Taking Photographs

88
 Sensitivity
Adjust the camera’s sensitivity to light.
Set sensitivity using A SHOOTING SETTING > ISO.
Option Description
Sensitivity is automatically adjusted in response to shooting
AUTO1 conditions according to combination of standard and max-
AUTO2 imum sensitivity and minimum shutter speed chosen for
AUTO3 A SHOOTING SETTING  >  ISO. Choose from AUTO1,
AUTO2, and AUTO3 (P 90).
100–12800 Adjust sensitivity manually. Selected value is shown in display.
L (50) Choose for special situations. Note that mottling may ap-
H (25600/51200/102400) pear in pictures taken at H, while L reduces dynamic range.

N • Sensitivity is not reset when the camera is turned off.

• If desired, you can use D BUTTON/DIAL SETTING  > COMMAND
DIAL SETTING to configure the camera so that ISO sensitivity can be
adjusted using the front or rear command dial. 5
Adjusting Sensitivity

Taking Photographs
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.

89
 Sensitivity

AUTO
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for AUTO1, AUTO2, and AUTO3.
Default
Item Options AUTO1 AUTO2 AUTO3
DEFAULT SENSITIVITY 100–12800 100
MAX. SENSITIVITY 200–12800 800 1600 3200
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO AUTO
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N • If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
5 • The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
Taking Photographs

for MAX. SENSITIVITY.

• If AUTO is selected for MIN. SHUTTER SPEED, the camera will au-
tomatically choose a minimum shutter speed approximately equal
to the inverse of the lens’ focal length, in seconds (for example, if the
lens has a focal length of 50 mm, the camera will choose a minimum
shutter speed in the neighborhood of 1⁄50  s). The minimum shutter
speed is not affected by the option selected for image stabilization.

90
 Metering
Choose how the camera meters exposure.
A SHOOTING SETTING  > PHOTOMETRY offers a choice of the
following metering options:
O The selected option will only take effect when G AF/MF SETTING >
FACE/EYE DETECTION SETTING is OFF.

Mode Description
The camera instantly determines exposure based on an analy-
o sis of composition, color, and brightness distribution. Recom-
MULTI
mended in most situations.
p The camera meters the entire frame but assigns the greatest
CENTER-
weight to the area at the center.
WEIGHTED
The camera meters lighting conditions in an area equivalent
v to 2% of the frame. Recommended with backlit subjects and 5
SPOT in other cases in which the background is much brighter or

Taking Photographs
darker than the main subject.
Exposure is set to the average for the entire frame. Provides
w consistent exposure across multiple shots with the same light-
AVERAGE ing, and is particularly effective for landscapes and portraits of
subjects dressed in black or white.

N To meter the subject in the selected focus area, choose ON for G AF/
MF SETTING > INTERLOCK SPOT AE & FOCUS AREA (P 138).

91
 Exposure Compensation
Adjust exposure.
Hold the d button and rotate the rear
command dial until the desired value is
displayed in the viewfinder or LCD mon-
itor.

O The amount of compensation available varies with the shooting mode.

The d Button
If ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING  > EXPO.
COMP. BUTTON SETTING, exposure compensation can be set by pressing
the d button once, rotating the rear command dial, and then pressing the
d button again. Exposure compensation can be assigned to other con-
trols using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.

5
Taking Photographs

92
 Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed
halfway.

1 Position the subject in the focus

frame and press the shutter button
halfway to lock focus and exposure.
Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).

2 Press the button all the way down.

N Focus and exposure lock via the shutter button is only available
when ON is selected for D BUTTON/DIAL SETTING > SHUTTER AF,
SHUTTER AE.

Taking Photographs

93
 Focus/Exposure Lock

Other Controls
Focus and exposure can also be locked
using function buttons. At default set-
tings, you can use the AEL button to lock
exposure without locking focus. If the
AFON button is assigned AF LOCK ONLY
(P 263), it can similarly be used to lock
AEL button
focus without locking exposure.
(exposure lock)
• While the assigned control is pressed,
pressing the shutter button halfway will
not end the lock.
• If AE&AF ON/OFF SWITCH is selected
for D BUTTON/DIAL SETTING  > AE/
AF-LOCK MODE, the lock can only be
ended by pressing the control a second AFON button
5 time.

N • The focus lever (focus stick) can be used to reposition the focus point
Taking Photographs

during exposure lock.

• Function buttons can be assigned other roles using D BUTTON/
DIAL SETTING > FUNCTION (Fn) SETTING. Exposure and focus lock
can also be assigned to other function buttons (P 263).

94
 Bracketing
Automatically vary settings over a series of pictures.
1 Press the DRIVE button to display
drive mode options.

2 Press the focus stick (focus lever) up or down to highlight one

of the following:
Option P Option P
W ISO BKT 96 s Bracketing 97
V WHITE BALANCE BKT 96

3 Press the focus stick left or right to highlight the desired 5

bracketing settings.

Taking Photographs
4 Press MENU/OK to select.

5 Take pictures.

95
 W ISO BKT
Select a bracketing amount (±1⁄3, ±2⁄3, or ±1) in the drive mode
display. Each time the shutter is released, the camera will take
a picture at the current sensitivity and process it to create two
additional copies, one with sensitivity raised and the other with
sensitivity lowered by the selected amount.

V WHITE BALANCE BKT

Select a bracketing amount (±1, ±2, or ±3) in the drive mode dis-
play. Each time the shutter is released, the camera takes one shot
and processes it to create three copies: one at the current white
balanced setting, one with fine-tuning increased by the selected
amount, and another with fine-tuning decreased by the selected
amount.

5
Taking Photographs

96
 Bracketing

s Bracketing

O AE BKT
Use A SHOOTING SETTING  > AE BKT SETTING to choose the
bracketing amount, bracketing order, and number of shots. The
camera will take the specified number of shots in sequence: one
using the metered value for exposure and the others over- or un-
der-exposed by multiples of the selected bracketing amount.
N Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.

X FILM SIMULATION BKT

Each time the shutter is released, the camera takes one shot and
processes it to create copies with different film simulation settings,
chosen using A SHOOTING SETTING > FILM SIMULATION BKT.
5
Y DYNAMIC RANGE BKT

Taking Photographs
Each time the shutter button is pressed, the camera takes three
shots with different dynamic ranges: 100% for the first, 200% for
the second, and 400% for the third.
N While dynamic range bracketing is in effect, sensitivity will be restrict-
ed to a minimum of ISO 400; the sensitivity previously in effect is re-
stored when bracketing ends.

97
 Z FOCUS BKT
Each time the shutter button is pressed, the camera takes a se-
ries of photos, varying focus with each shot. The A SHOOTING
SETTING > FOCUS BKT SETTING item offers a choice of MANUAL
and AUTO bracketing.
N • Do not adjust zoom during shooting.
• Use of a tripod is recommended.
MANUAL
In MANUAL mode, you choose the following.
Option Description
FRAMES Choose the number of shots.
STEP Choose the amount focus changes with each shot.
INTERVAL Choose the interval between shots.

Focus and FRAMES/STEP

5 The relation between focus and the options chosen for FRAMES and
STEP is shown in the illustration.
Taking Photographs

Step

Frames 1 2 3 4 5

Starting focus position

• Focus proceeds from the starting position toward infinity.
• Small STEP values translate to small changes in focus, larger values to larger
changes.
• Regardless of the option chosen for FRAMES, shooting ends when focus
reaches infinity.

98
 Bracketing

AUTO
In AUTO mode, the camera calculates FRAMES and STEP auto-
matically.

1 Select A SHOOTING SETTING in the shooting menu, high-

light FOCUS BKT SETTING, and press MENU/OK.

2 Select AUTO and choose an INTERVAL.

The view through the lens will be displayed.

3 Focus on the nearest end of the sub- FOCUS BKT SETTING

SET POINT A
CONTROL THE FOCUS RING
ject and press MENU/OK.
The selected focus distance appears
as A on the focus distance indicator.
SET POINT B SET

N The same focus range can be chosen by focusing on the farthest

end of the subject first. 5
4 Focus on the farthest end of the sub- FOCUS BKT SETTING

Taking Photographs
SET POINT B
CONTROL THE FOCUS RING
ject and press DISP/BACK.
The selected focus distance (B) and
focus range (A to B) appear on the
SET POINT A SET
focus distance indicator.

N Instead of pressing the DISP/BACK button, you can press MENU/OK

and select A again.

5 Take photographs.
The camera will calculate values for
FRAMES and STEP automatically. The
number of frames will appear in the
display. NO

99
 Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.

1 Press the DRIVE button to display

drive mode options.

2 If CL LOW SPEED BURST or CH HIGH SPEED BURST is se-

lected, the camera will take pictures continuously while the
shutter-release button is pressed.
Shooting ends when the shutter button is released or the
memory card is full.
O • If file numbering reaches 999 before shooting is complete, the re-
5 maining pictures will be recorded to a new folder.
• Shooting ends when the memory card is full; the camera will record
Taking Photographs

all photos shot to that point. Burst shooting may not begin if the
space available on the memory card is insufficient.
• Frame rates may slow as more shots are taken.
• Frame rate varies with the scene, shutter speed, sensitivity, and focus
mode.
• Depending on shooting conditions, frame rates may slow or the flash
may not fire.
• Recording times may increase during burst shooting.

100
 Continuous Shooting (Burst Mode)

Focus and Exposure

• Select focus mode C to vary focus with shot.
• To vary exposure with each shot, select OFF for D BUTTON/DIAL
SETTING > SHUTTER AE.

N Depending on such factors as aperture, sensitivity, and exposure com-

pensation, exposure may not be adjusted automatically.

Taking Photographs

101
 Multiple Exposures
Create a photograph that combines multiple exposures.

1 Press the DRIVE button to display

the drive mode options and select
MULTIPLE EXPOSURE.

5
2 Choose a blend mode.
Option Description
Taking Photographs

The camera adds the exposures together. You may need to

ADDITIVE lower exposure compensation depending on the number
of shots.
The camera automatically optimizes exposure for the final
AVERAGE picture. The background in series shot without changing
the composition will be optimally exposed.
The camera compares the exposures and chooses only the
BRIGHT brightest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.
The camera compares the exposures and chooses only the
DARK darkest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.

3 Take the first shot.

102
 Multiple Exposures

4 Press MENU/OK. The first shot will be

shown superimposed on the view
through the lens and you will be
prompted to take the second shot.

NEXT
RETRY EXIT

N • To return to the previous step and retake the first shot, press the
focus stick (focus lever) left.
• To save the first shot and exit without creating a multiple expo-
sure, press DISP/BACK.

5 Take the second shot, using the first

frame as a guide.

EXIT

5
6 Press MENU/OK.
The combined exposures will be dis-

Taking Photographs
played as a guide to composing the
next shot.

RETRY EXIT

N • To return to the previous step and retake the second shot, press
the focus stick left.
• To end shooting and create a multiple exposure from the shots
taken to this point, press DISP/BACK.

7 Make additional exposures.

Each photograph can contain up to nine exposures.

8 Press DISP/BACK to end shooting.

The camera will create the combined image and multiple ex-
posure shooting will end.

103
 Pixel-Shift Multi-Shot
The camera takes a series of 16 shots, using in-body image
stabilization to move the image sensor by half a pixel with
each shot and recording each frame in RAW format. Using
specialized computer software, the frames can then be
combined to create a high-resolution RAW picture.

1 Press the DRIVE button to view drive mode options.

2 Select PIXEL SHIFT MULTI SHOT and choose a value for

INTERVAL.
• We recommend setting INTERVAL to SHORTEST.
• If you intend to use the flash with every shot, choose a val-
ue for INTERVAL long enough to allow the flash to charge
between shots.

3 Press the shutter button to start shooting.

5 • The shots are recorded to the memory card in RAW format.
• To minimize vibration, use the self-timer or a remote re-
Taking Photographs

lease.

4 Combine the shots on a computer.

• The shots can be combined using FUJIFILM Pixel Shift Combiner.
• To save high-resolution RAW pictures in other formats, use
Capture One Express Fujifilm, Capture One Pro Fujifilm, or
Capture One Pro, available from Capture One A/S. FUJIFILM
X RAW STUDIO and RAW FILE CONVERTER EX powered by
SILKYPIX cannot be used for this purpose.

104
 Pixel-Shift Multi-Shot

N • Visit the websites below to learn more about or download the follow-
ing computer software:
- FUJIFILM Pixel Shift Combiner:
https://fujifilm-x.com/products/software/pixel-shift-combiner/
- Capture One Express Fujifilm:
https://www.captureone.com/products-plans/capture-one-express/fujifilm
- Capture One Pro Fujifilm:
https://www.captureone.com/explore-features/fujifilm
- Capture One Pro:
https://www.captureone.com/explore-features
• Pixel-shift multi-shot photography can be performed via tethered
shooting. For this purpose, use FUJIFILM Pixel Shift Combiner.
• The flash will synchronize with the shutter at shutter speeds of 1⁄5 s or
slower (14-bit RAW) or ½.5 s or slower (16-bit RAW).
• The following limitations apply to the use of the pixel-shift multi-shot
option:
- Pixel-shift multi-shot photography can only be performed using the elec-
tronic shutter.
- Sensitivity is restricted to a maximum of ISO 1600. Choosing higher values
5
or a setting of AUTO results in a sensitivity of ISO 1600, while lower values
remain unchanged.

Taking Photographs
- The only option available for RAW RECORDING > RECORDING TYPE is
LOSSLESS.
- Pictures taken with C (AF-C) selected for focus mode will be shot in focus
mode S (AF-S). Pictures taken with S (AF-S) or M (manual) selected are shot
in the chosen focus mode.
- If the subject or camera moves during shooting, the desired results may
not be achieved when the shots are combined.
- A SHOOTING SETTING > FLICKER REDUCTION is automatically set to OFF.
- The value selected for exposure compensation applies to all 16 shots.

Playback
Pictures taken using the pixel-shift multi-shot
option are indicated by a pixel-shift multi-shot
icon in full-frame playback (P 184).

105
MEMO

106
The Shooting Menus

107
 IMAGE QUALITY SETTING (Still Photography)
Adjust image quality settings for still photography.
To display image quality settings, press IMAGE QUALITY SETTING

IMAGE SIZE
MENU/OK in the photo shooting display and IMAGE QUALITY
RAW RECORDING
select the H (IMAGE QUALITY SETTING) FILM SIMULATION
MONOCHROMATIC COLOR
tab. GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
EXIT

N The options available vary with the shooting mode selected.

IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option Image size Option Image size
O4:3 11648 × 8736 O 65 : 24 11648 × 4304
O3:2 11648 × 7768 O5:4 10928 × 8736
O 16 : 9 11648 × 6552 O7:6 10192 × 8736
O1:1 8736 × 8736
6 Option Image size Option Image size
P4:3 8256 × 6192 P 65 : 24 8256 × 3048
The Shooting Menus

P3:2 8256 × 5504 P5:4 7744 × 6192

P 16 : 9 8256 × 4640 P7:6 7232 × 6192
P1:1 6192 × 6192

Option Image size Option Image size

Q4:3 4000 × 3000 Q 65 : 24 4000 × 1480
Q3:2 4000 × 2664 Q5:4 3744 × 3000
Q 16 : 9 4000 × 2248 Q7:6 3504 × 3000
Q1:1 2992 × 2992

N IMAGE SIZE is not reset when the camera is turned off or another
shooting mode is selected.

108
 IMAGE QUALITY SETTING (Still Photography)

IMAGE QUALITY
Choose a file format and compression ratio.
Option Description
SUPER FINE Very low compression ratios are used for maximum image quality.
FINE Low compression ratios are used for higher-quality images.
Higher compression ratios are used to increase the number of
NORMAL
images that can be stored.
SUPER FINE + RAW Record both RAW and super-fine quality JPEG pictures.
FINE + RAW Record both RAW and fine-quality JPEG images.
NORMAL + RAW Record both RAW and normal-quality JPEG images.
RAW Record RAW images only.

The Function Buttons

To toggle RAW image quality on or off for a single shot, assign RAW to a
function button (P 263). Press the button once to select the option in
the right column, again to return to the original setting (left column).
Option currently selected for Option selected by pressing function
IMAGE QUALITY button to which RAW is assigned
SUPER FINE SUPER FINE + RAW
FINE FINE + RAW 6
NORMAL NORMAL + RAW

The Shooting Menus

SUPER FINE + RAW SUPER FINE
FINE + RAW FINE
NORMAL + RAW NORMAL
RAW FINE

109
 RAW RECORDING
Choose whether to compress RAW images.

RECORDING TYPE
Option Description
UNCOMPRESSED RAW images are not compressed.
RAW images are compressed using a reversible algorithm
that reduces file size with no loss of image data. The im-
ages can be viewed in Capture One Express Fujifilm, RAW
FILE CONVERTER EX powered by SILKYPIX, FUJIFILM X RAW
LOSSLESS STUDIO, or other software that supports “lossless” RAW
compression. Quality is the same as UNCOMPRESSED,
but the resulting files are anywhere from about 30 to 90
percent (14-bit RAW) or 45 to 100 percent (16-bit RAW) of
their uncompressed size.
RAW images are compressed using a “lossy”, non-reversible
algorithm. Quality is about the same as UNCOMPRESSED,
COMPRESSED but the resulting files are anywhere from about 25 to 35 per-
cent (14-bit RAW) or 30 to 40 percent (16-bit RAW) of their
6 uncompressed size.
The Shooting Menus

OUTPUT DEPTH(bit)
Option Description
16bit RAW pictures are recorded at a bit depth of 16 bits.
14bit RAW pictures are recorded at a bit depth of 14 bits.

O 16bit is available in STILL IMAGE and PIXEL SHIFT MULTI SHOT drive
modes only.

110
 IMAGE QUALITY SETTING (Still Photography)

FILM SIMULATION
Simulate the effects of different kinds of film, including black-
and-white (with or without color filters). Choose a palette ac-
cording to your subject and creative intent.
Option Description
c PROVIA/STANDARD Ideal for a wide range of subjects.

d Velvia/VIVID Vibrant reproduction, ideal for landscape and nature.

e ASTIA/SOFT Softer color and contrast for a more subdued look.

i CLASSIC CHROME Soft color and enhanced shadow contrast for a calm look.

g PRO Neg. Hi Ideal for portrait with slightly enhanced contrast.

h PRO Neg. Std Ideal for portrait with soft gradations and skin tones.
Enhanced color with hard tonality to increase image
g CLASSIC Neg. depth.
Amber tinted highlights and rich shadow tone for printed 6
n NOSTALGIC Neg. photo look.

The Shooting Menus

Soft color and rich shadow tone suitable for film look
X ETERNA/CINEMA movie.
N ETERNA BLEACH Unique color with low saturation and high contrast. Suit-
BYPASS able for still and movie.
Shoot in Black and White In rich details with sharpness.
Available with yellow (Ye), red (R), and green (G) filters,
which deepen shades of gray corresponding to hues
complementary to the selected color.
a ACROS • d ACROS+Ye FILTER: Slightly enhances contrast and
darkens skies.
• c ACROS+R FILTER: Enhances contrast and darkens skies
considerably.
• b ACROS+G FILTER: Produces pleasing skin tones in portrait.

111
 Option Description
Shoots in black and white. Available with yellow (Ye), red
(R), and green (G) filters, which deepen shades of gray cor-
responding to hues complementary to the selected color.
• e MONOCHROME+Ye FILTER: Slightly enhances contrast
b MONOCHROME and darkens skies.
• d MONOCHROME+R FILTER: Enhances contrast and dark-
ens skies considerably.
• f MONOCHROME+G FILTER: Produces pleasing skin tones
in portrait.
f SEPIA Shoots in sepia tone.

N • Film simulation options can be combined with tone and sharpness

settings.
• Film simulation settings can also be accessed via shortcuts (P 254).
• For more information, visit:
https://fujifilm-x.com/global/tag/the-world-of-film-simulation/?post_type=xstories

6
The Shooting Menus

112
 IMAGE QUALITY SETTING (Still Photography)

MONOCHROMATIC COLOR
Add a reddish or bluish tinge (warm or MONOCHROMATIC COLOR

cool color cast) to the a ACROS and

b MONOCHROME monochrome film
simulations. Color can be adjusted on the
WARM–COOL and G (Green)–M (Magenta)
axes. SET

GRAIN EFFECT
Add a film grain effect.

ROUGHNESS
Option Description
STRONG Choose for rougher grains.
WEAK Choose for smoother grains.
OFF Turn the effect off.

SIZE
6
Option Description

The Shooting Menus

LARGE Choose for coarser grains.
SMALL Choose for finer grains.

COLOR CHROME EFFECT

Increase the range of tones available for rendering colors that
tend to be highly saturated, such as reds, yellows, and greens.
Option Description
STRONG Choose for a strong effect.
WEAK Choose for a weak effect.
OFF Turn the effect off.

113
 COLOR CHROME FX BLUE
Increase the range of tones available for rendering blues.
Option Description
STRONG Choose for a strong effect.
WEAK Choose for a weak effect.
OFF Turn the effect off.

SMOOTH SKIN EFFECT

Smooth complexions.
Options
STRONG WEAK OFF

6
The Shooting Menus

114
 IMAGE QUALITY SETTING (Still Photography)

DYNAMIC RANGE
Adjust dynamic range. Wide dynamic ranges reduce loss of de-
tail in highlights for more natural results with high-contrast or
backlit scenes.
Option Description
V 100% Choose for increased contrast.
AUTO
W 200%
X 400% Reduce loss of detail in highlights.

O Mottling may appear in pictures taken at higher values. Choose a val-

ue according to the scene.

N • If AUTO is selected, the camera will automatically choose either

V 100% or W 200% according to the subject and shooting con-
ditions. Shutter speed and aperture will be displayed when the shut-
ter button is pressed halfway.
• W 200% is available at sensitivities of from ISO 200 to ISO 12800,
X 400% at sensitivities of from ISO 400 to 12800.

The Shooting Menus

115
 D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-look-
ing results when photographing high-contrast scenes.
Option Description
Contrast is adjusted automatically in response to lighting con-
AUTO
ditions.
Adjust dynamic range by a large amount for very high-contrast
STRONG
scenes.
Adjust dynamic range by a smaller amount for moderately
WEAK
high-contrast scenes.
OFF Contrast reduction off.

N • WEAK is available at sensitivities of from ISO  200 to ISO  12800,

STRONG at sensitivities of from ISO 400 to 12800.
• When an option other than OFF is selected, TONE CURVE, and
DYNAMIC RANGE will be adjusted automatically; if you wish to ad-
just these settings manually, choose OFF.

6
The Shooting Menus

116
 IMAGE QUALITY SETTING (Still Photography)

WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
Option Description
WA WHITE White balance is adjusted automatically. Choose for whiter
PRIORITY whites in scenes lit by incandescent bulbs.
AUTO White balance is adjusted automatically.
AA AMBIENCE White balance is adjusted automatically. Choose for warmer
PRIORITY whites in scenes lit by incandescent bulbs.
k CUSTOM 1
l CUSTOM 2 Measure a value for white balance.
m CUSTOM 3
k COLOR
Choose a color temperature.
TEMPERATURE
i DAYLIGHT For subjects in direct sunlight.
j SHADE For subjects in the shade.
k FLUORESCENT
Use under “daylight” fluorescent lights.
LIGHT-1
l FLUORESCENT
Use under “warm white” fluorescent lights. 6
LIGHT-2
m FLUORESCENT

The Shooting Menus

Use under “cool white” fluorescent lights.
LIGHT-3
n INCANDESCENT
Use under incandescent lighting.
Reduces the blue cast typically associated with underwater
g UNDERWATER
lighting.

N • In conditions in which AUTO fails to produce the desired results—for

example, under certain types of lighting or in close-ups of portrait
subjects—use custom white balance or choose a white balance op-
tion suited to the light source.
• White balance is adjusted for flash lighting only in AUTO, WA WHITE
PRIORITY, AA AMBIENCE PRIORITY, and g modes. Turn the
flash off using other white balance options.
• White balance options can also be accessed via shortcuts (P 254).

117
 Fine-Tuning White Balance
Pressing MENU/OK after selecting a white WB SHIFT

balance option displays a fine-tuning

dialog; use the focus stick (focus lever) to
fine-tune white balance.

SET

N • To exit without fine-tuning white balance, press DISP/BACK after se-

lecting a white balance option.
• You cannot tilt the focus stick diagonally when fine-tuning white bal-
ance.

6
The Shooting Menus

118
 IMAGE QUALITY SETTING (Still Photography)

Custom White Balance

Choose k, l, or m to adjust white CUSTOM 1

balance for unusual lighting conditions

using a white object as a reference (col-
ored objects can also be used to lend
photos a color cast). A white balance tar- SHUTTER : NEW WB

get will be displayed; position and size SHIFT NOT CHANGE

the target so that it is filled by the reference object and press the
shutter button all the way down to measure white balance (to
select the most recent custom value and exit without measuring
white balance, press DISP/BACK, or press MENU/OK to select the most
recent value and display the fine-tuning dialog).
• If “COMPLETED !” is displayed, press MENU/OK COMPLETED !

to set white balance to the measured

value.
• If “UNDER” is displayed, raise exposure
compensation and try again.
• If “OVER” is displayed, lower exposure com- SET CANCEL

pensation and try again. 6

The Shooting Menus

119
 k: Color Temperature
Adjust white balance to match the color temperature of the light
source.
N Color temperature can be adjusted to make pictures “warmer” or “cold-
er” or deliberately produce colors that differ radically from those in real
life.

1 Select k in the white balance menu. WHITE BALANCE

The option currently selected for col-

or temperature will be displayed. COLOR TEMPERATURE
R:0 B:0

SET SHIFT

2 Edit the color temperature using the COLOR TEMPERATURE

focus stick (focus lever) and press

MENU/OK.
A fine-tuning dialog will be dis-
played.
6 SET SHIFT

N • You can also adjust color temperature in increments of 10 K by

The Shooting Menus

rotating the rear command dial.

• Choose from values of from 2500 to 10000 K.
• To exit without fine-tuning white balance, press DISP/BACK after
choosing a color temperature.

3 Highlight a fine-tuning amount using the focus stick.

4 Press MENU/OK.
The changes will be applied. The se-
lected color temperature will appear
in the display.

120
 IMAGE QUALITY SETTING (Still Photography)

Color Temperature
Color temperature is an objective measure of the color of a light source, ex-
pressed in Kelvin (K). Light sources with a color temperature close to that of
direct sunlight appear white; light sources with a lower color temperature
have a yellow or red cast, while those with a higher color temperature are
tinged with blue.

TONE CURVE
With reference to a tone curve, adjust the TONE CURVE
HIGHLIGHTS SHADOWS
appearance of highlights or shadows,
making them harsher or softer. Choose
higher values to make shadows and
highlights harsher, lower values to make
them softer. SET CANCEL

Option Description
HIGHLIGHTS -2 to +4
SHADOWS -2 to +4

COLOR 6
Adjust color density.

The Shooting Menus

Options
−4 −3 −2 −1 0 +1 +2 +3 +4

SHARPNESS
Sharpen or soften outlines.
Options
−4 −3 −2 −1 0 +1 +2 +3 +4

121
 HIGH ISO NR
Reduce noise in pictures taken at high sensitivities. Choose high-
er values to reduce noise and smooth outlines, lower values to
leave outlines visible.
Options
−4 −3 −2 −1 0 +1 +2 +3 +4

CLARITY
Increase definition while altering tones in highlights and shad-
ows as little as possible. Choose higher values for increased defi-
nition, lower values for a softer effect.
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5

O The additional processing required at settings other than 0 increases

the time need to save each shot.

LONG EXPOSURE NR
6 Select ON to reduce mottling in long time-exposures.
Options
The Shooting Menus

ON OFF

O The additional processing required when ON is selected increases save

times.

122
 IMAGE QUALITY SETTING (Still Photography)

LENS MODULATION OPTIMIZER

Select ON to improve definition by adjusting for diffraction and
the slight loss of focus at the periphery of the lens.
Options
ON OFF

COLOR SPACE
Choose the gamut of colors available for color reproduction.
Option Description
sRGB Recommended in most situations.
Adobe RGB For commercial printing.

The Shooting Menus

123
 PIXEL MAPPING
Use this option if you notice bright spots in your pictures.

1 Press MENU/OK in the shooting display and select the H IMAGE

QUALITY SETTING tab.

2 Highlight PIXEL MAPPING and press MENU/OK to perform pix-

el mapping.
O • Results are not guaranteed.
• Be sure the battery is fully charged before beginning pixel mapping.
• Pixel mapping is not available when the camera temperature is ele-
vated.
• Processing may take a few seconds.
EDIT/SAVE CUSTOM SETTING
Save custom camera settings for commonly-encountered situa-
tions. Saved settings can be recalled by rotating the mode dial to
positions C1 (CUSTOM 1) through C6 (CUSTOM 6) (P 74).

6
The Shooting Menus

124
 IMAGE QUALITY SETTING (Still Photography)

xF MOUNT ADAPTOR SETTING

Adjust settings for lenses attached via a mount adapter.
N Any changes made using this item also apply in movie mode (P 171).
Shutter Select
When using lenses with an internal shutter, choose whether to
use the shutter on the camera (BODY) or the lens (LENS).
O This option may have no effect with some lenses.
Saved Settings
Store settings for up to 6 lenses, or choose OFF to disable correc-
tions for focal length, distortion, color shading, and peripheral
illumination.
Choosing a Focal Length
Use the focus stick (focus lever) to enter LENS 5

INPUT FOCAL LENGTH

the focal length.

The Shooting Menus

SET CANCEL

Distortion Correction
Choose from STRONG, MEDIUM, or LENS5 DISTORTION CORRECTION

BARREL STRONG
WEAK options to correct BARREL or BARREL MEDIUM
BARREL WEAK
PINCUSHION distortion. OFF
PINCUSHION WEAK
PINCUSHION MEDIUM
PINCUSHION STRONG

125
 Color Shading Correction
Color (shading) variations between the
center and edges of the frame can be ad-
justed separately for each corner.
To use color shading correction, follow the
steps below. NEXT SET

1 Rotate the rear command dial to choose a corner. The select-

ed corner is indicated by a triangle.

2 Use the focus stick (focus lever) to adjust shading until there is
no visible difference in color between the selected corner and
the center of the image.
• Press the focus stick left or right to adjust colors on the
cyan–red axis.
• Press the focus stick up or down to adjust colors on the
blue–yellow axis.
N To determine the amount required, adjust color shading correction
6 while taking photos of blue sky or a sheet of gray paper.
The Shooting Menus

126
 IMAGE QUALITY SETTING (Still Photography)

Peripheral Illumination Correction

Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral il-
lumination. Positive values are recom-
mended for vintage lenses, negative val- SET CANCEL

ues to create the effect of images taken

with an antique lens or a pinhole camera.
N To determine the amount required, adjust peripheral illumination cor-
rection while taking photos of blue sky or a sheet of gray paper.
EDIT LENS NAME
Change the lens name.

The Shooting Menus

127
 AF/MF SETTING (Still Photography)
Adjust focus settings for still photography.
To display AF/MF settings, press MENU/OK AF/MF SETTING
FOCUS AREA
in the photo shooting display and select AF MODE
AF-C CUSTOM SETTINGS
the G (AF/MF SETTING) tab. STORE AF MODE BY ORIENTATION
AF POINT DISPLAY
NUMBER OF FOCUS POINTS
PRE-AF
xFAF ILLUMINATOR
EXIT

N The options available vary with the shooting mode selected.

FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom (P 81).

AF MODE
Choose the AF mode for focus modes S and C (P 79).

6
The Shooting Menus

128
 AF/MF SETTING (Still Photography)

AF-C CUSTOM SETTINGS

Select focus-tracking options for focus AF-C CUSTOM SETTINGS
SET 1 MULTI PURPOSE
mode C. Choose from Sets 1–5 according
to your subject or select Set 6 for custom
focus-tracking options. TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
ZONE AREA SWITCHING AUTO
OK

Option Description
A standard tracking option that works well with
SET 1 MULTI PURPOSE
the typical range of moving subjects.
The focus system attempts to track the chosen
SET 2 IGNORE OBSTACLES & subject. Choose with subjects that are hard to
CONTINUE TO TRACK SUBJECT keep in the focus area or if other objects are likely
to enter the focus area with the subject.
The focus system attempts to compensate for
SET 3 FOR ACCELERATING/
subject acceleration or deceleration. Choose for
DECELERATING SUBJECT
subjects prone to rapid changes in velocity.
The focus system attempts to focus quickly on
SET 4 FOR SUDDENLY APPEARING subjects entering the focus area. Choose for
SUBJECT subjects that appear abruptly or when rapidly 6
switching subjects.

The Shooting Menus

Choose for hard-to-track subjects prone not only
SET 5 FOR ERRATICALLY MOVING
to sudden changes in velocity but also to large
& ACCEL./DECEL. SUBJECT
movements front to back and left to right.
Adjust TRACKING SENSITIVITY, SPEED
TRACKING SENSITIVITY, and ZONE AREA
SET 6 CUSTOM
SWITCHING to suit your preferences based on
the values for Sets 1–5 (P 130, 132).

129
 Focus Tracking Options
The individual parameters that are part of a focus tracking set are
described below.
TRACKING SENSITIVITY
This parameter determines how long the TRACKING SENSITIVITY

camera waits to switch focus when an

QUICK LOCKED ON
object enters the focus area behind or in
front of the current subject. The higher
SETS THE TRACKING
the value, the longer the camera will wait. SENSITIVITY ON THE SUBJECT

ADJUST SWITCH

Options
0 1 2 3 4

O • The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
• The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
6 This parameter determines how sensi- SPEED TRACKING SENSITIVITY

tive the tracking system is to changes in

The Shooting Menus

STEADY ACCEL./DECEL.
subject velocity. The higher the value,
the greater the precision with which the
SETS THE SPEED TRACKING
system attempts to respond to sudden SENSITIVITY FOR MOVING SUBJECT

movement. ADJUST SWITCH

Options
0 1 2

O The higher the value, the more difficulty the camera will have focusing
in situations in which autofocus does not perform well, such as when
the subject is highly reflective or low in contrast.

130
 AF/MF SETTING (Still Photography)

ZONE AREA SWITCHING

This parameter determines the focus ZONE AREA SWITCHING

area given priority in zone AF.

CENTER AUTO FRONT

SETS THE SWITCHING SENSITIVITY

OF FOCUS FRAME IN ZONE AREA

ADJUST SWITCH

Option Description
FRONT Zone AF assigns priority to the subjects closest to the camera.
The camera locks focus on the subject at the center of the zone
AUTO
and then switches focus areas as necessary to track it.
CENTER Zone AF assigns priority to subjects in the center of the zone.

O This option takes effect only when y ZONE is selected for AF mode.
Set Values
Parameter values for the different sets are listed below.
TRACKING SPEED TRACKING ZONE AREA
SENSITIVITY SENSITIVITY SWITCHING
SET 1 2 0 AUTO
SET 2 3 0 CENTER 6
SET 3 2 2 AUTO
SET 4 0 1 FRONT

The Shooting Menus

SET 5 3 2 AUTO

131
 Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.

1 Select AF-C CUSTOM SETTINGS  > AF-C CUSTOM SETTINGS

SET 6 CUSTOM
SET 6 CUSTOM.

TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
ZONE AREA SWITCHING AUTO
ADJUST SET DETAIL RESET

2 Highlight items using the focus stick (focus lever) and rotate
the front command dial to change. To reset settings to their
original values, press b.

3 Press DISP/BACK when settings are complete.

STORE AF MODE BY ORIENTATION

Choose whether the AF mode used when the camera is in por-
trait orientation is stored separately from that used when the
6 camera is in landscape orientation.
Option Description
The Shooting Menus

OFF The same settings are used in both orientations.

FOCUS AREA ONLY The focus area for each orientation can be selected separately.
ON The focus mode and focus area can be selected separately.

AF POINT DISPLAY yz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING  >
AF MODE.
Options
ON OFF

132
 AF/MF SETTING (Still Photography)

NUMBER OF FOCUS POINTS

Choose the number of focus points available for focus-point se-
lection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
Option Description
117 POINTS
Choose from 117 focus points arranged in a 9- by 13-point grid.
(9 × 13)
425 POINTS
Choose from 425 focus points arranged in a 17- by 25-point grid.
(17 × 25)

PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. The camera
adjusts focus continuously, allowing it to focus faster when the
shutter button is pressed halfway. Choosing this option helps
prevent missed shots.
Options
ON OFF
6
O Choosing ON increases the drain on the battery.

The Shooting Menus

xF AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
Options
ON OFF

O • The camera may be unable to focus using the AF-assist illuminator

in some cases.
• If the camera is unable to focus, try increasing the distance to the
subject.
• Avoid shining the AF-assist illuminator directly into your subject’s
eyes.
N Any changes made using this item also apply in movie mode (P 173).

133
 FACE/EYE DETECTION SETTING
If the camera detects human faces, it will
assign them priority over the background
and adjust settings appropriately for por-
traits when setting focus and exposure.
You can also choose whether the camera
focuses on the left or right eye when face
detection is on.
Option Description
Adjust settings for Intelligent Face Detection. You can also adjust
eye detection settings.
• g EYE OFF: Intelligent Face Detection only.
FACE DETECTION •
u EYE AUTO: The camera automatically chooses which eye
to focus on when a face is detected.
ON
• w RIGHT EYE PRIORITY: The camera focuses on the right
eye of subjects detected using Intelligent Face Detection.
• v LEFT EYE PRIORITY: The camera focuses on the left eye
of subjects detected using Intelligent Face Detection.
OFF Intelligent Face Detection and eye priority off.
6
O • If the subject moves as the shutter button is pressed, the face may
The Shooting Menus

not be in the area indicated by the green border when the picture
is taken.
• In some modes, the camera may set exposure for the frame as a
whole rather than the portrait subject.

134
 AF/MF SETTING (Still Photography)

N • The face selected by the camera is indicated by a green border. Any

other faces detected by the camera are indicated by gray borders.
To have the camera focus on a different subject, tap inside the gray
border. The g icon will change from white to green.
• You can also switch subjects by pressing the function button to which
FACE SELECT op is assigned and then using the focus stick (focus
lever) or (during viewfinder photography) touch controls (P 27).
• To switch from face detection to manual focus-area selection, press
the center of the focus stick (focus lever). Press again to re-enable
face detection.
• If the selected subject leaves the frame, the camera will wait a set
time for its return and consequently the green frame may sometimes
appear in locations where no face is seen.
• You cannot switch subjects during burst photography.
• Depending on shooting conditions, face selection may be suspend-
ed at the close of burst shooting.
• Faces can be detected with the camera in vertical or horizontal ori-
entation.
• If the camera is unable to detect the subject’s eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces. 6
• Face/eye detection options can also be accessed via shortcuts

The Shooting Menus

(P 254).

135
 AF+MF
If ON is selected in focus mode S and focus has been locked
(whether by pressing the shutter button halfway or by other
means), focus lock can be ended and focus adjusted manually by
rotating the focus ring.
Options
ON OFF

O • Lenses with a focus distance indicator must be set to manual focus

mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator.
• If the lens is equipped with a focus distance indicator, set the focus
ring to the center, as the camera may fail to focus if the ring is set to
infinity or the minimum focus distance.

N Standard and focus peaking MF assist options are supported.

AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING > FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
6 selected focus area. The zoom ratio can be selected using the rear com-
mand dial.
The Shooting Menus

136
 AF/MF SETTING (Still Photography)

MF ASSIST
Choose how focus is displayed in manual focus mode.
Option Description
Focus is displayed normally (focus peaking, digital split image, and
STANDARD
digital microprism are not available).
Displays a black-and-white (MONOCHROME) or color (COLOR)
DIGITAL SPLIT split image in the center of the frame. Frame the subject in the
IMAGE split-image area and rotate the focus ring until the four parts of
the split image are correctly aligned.
A grid pattern that emphasizes blur is displayed when the subject
DIGITAL
is out of focus, disappearing to be replaced by a sharp image when
MICROPRISM
the subject is in focus.
FOCUS PEAK The camera heightens high-contrast outlines. Choose a color and
HIGHLIGHT peaking level.

N You can also choose MF assist options by holding the center of the
rear command dial.

FOCUS CHECK
If ON is selected, the display will automatically zoom in on the 6
selected focus area when the focus ring is rotated in manual fo-

The Shooting Menus

cus mode.
Options
ON OFF

N • Pressing the center of the rear command dial cancels focus zoom.
• The zoom position is centered on the current focus area and changes
when the focus area is changed.

137
 INTERLOCK SPOT AE & FOCUS AREA
Choose ON to meter the current focus frame when SPOT or
MULTI metering is selected.
Options
ON OFF

xF INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or
continuous AF (AF-C) when a button to which focus lock or
AF-ON is assigned is pressed in manual focus mode.
Options
AF-S AF-C

N Any changes made using this item also apply in movie mode (P 175).

6
The Shooting Menus

138
 AF/MF SETTING (Still Photography)

xF DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assess-
ments of depth of field for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of field for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
Options
PIXEL BASIS FILM FORMAT BASIS

N Any changes made using this item also apply in movie mode (P 175).
RELEASE/FOCUS PRIORITY
Choose how the camera behaves when the shutter button
is pressed all the way down. Settings for AF-S and AF-C focus
modes can be selected separately.
Option Description
Shutter response is prioritized over focus. Pictures can be taken
RELEASE
when the camera is not in focus.
Focus is prioritized over shutter response. Pictures can be only 6
FOCUS
taken when the camera is in focus.

The Shooting Menus

139
 xF AF RANGE LIMITER
Limit the range of available focus distances for increased focus
speed.
Option Description
OFF Focus limiter disabled.
Limit focus to a range of distances defined by a minimum and
maximum.
CUSTOM • OK: Limit focus to the selected range.
• SET: Choose two objects and limit focus to the distance be-
tween them.
PRESET1
Limit focus to a preset range.
PRESET2

O • Choosing a focus range that includes distances shorter than the min-
imum focus distance of the lens disables the focus limiter.
• The values listed and displayed for the focus limiter may differ from
the actual focus distance.
N • The following additional operations can be performed when CUSTOM
is selected:
6 - You can tap objects in the touch screen display to choose the focus
range.
The Shooting Menus

- Instead of tapping an object in the display, you set the maximum

focus distance to infinity by rotating the focus ring.
• Any changes made using this item also apply in movie mode (P 175).

140
 AF/MF SETTING (Still Photography)

xF TOUCH SCREEN MODE

Choose the shooting operations performed using touch controls.
Mode Description
• In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
AF you tap the AF OFF icon.
• In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AF OFF icon.
AF OFF
• In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.

Tap to select a point for focus or zoom. The focus frame will
AREA move to the selected point.

OFF Touch controls disabled.

6
N • To disable touch controls and hide the touch screen mode indica-
tor, select OFF for D BUTTON/DIAL SETTING  > TOUCH SCREEN

The Shooting Menus

SETTING > x TOUCH SCREEN SETTING.
• Any changes made using this item also apply in movie mode (P 176).

141
 AF/MF SETTING (Still Photography)

Touch Controls for Focus Zoom

Different touch controls are used during focus zoom (focus check enabled).
Central Area
Tapping the center of the display performs the
operations below.

Mode Operation performed

AF-S: AF
AF
MF: Instant AF
AF-S: AF
AREA
MF: Instant AF
OFF AF-S/MF: OFF
Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
6 cording and regardless of the option selected
for touch screen mode.
The Shooting Menus

142
 SHOOTING SETTING (Still Photography)
Adjust shooting options for still photography.
To display shooting settings, press MENU/OK SHOOTING SETTING
SELF-TIMER
in the photo shooting display and select SAVE SELF-TIMER SETTING
SELF-TIMER LAMP
the A (SHOOTING SETTING) tab. INTERVAL TIMER SHOOTING
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING

N The options available vary with the shoot- AE BKT SETTING

FILM SIMULATION BKT
ing mode selected. FOCUS BKT SETTING
EXIT

SELF-TIMER
Choose a shutter release delay.
Option Description
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
R 2 SEC
button is pressed. The self-timer lamp blinks as the timer counts
down.
The shutter is released ten seconds after the shutter button is pressed.
S 10 SEC Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken. 6
OFF Self-timer off.

The Shooting Menus

If an option other than OFF is select-
ed, the timer will start when the shutter
9
button is pressed all the way down. The
display shows the number of seconds re-
maining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
O • Stand behind the camera when using the shutter button. Standing in
front of the lens can interfere with focus and exposure.
• The self-timer turns off automatically when the camera is turned off.

143
 SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in ef-
fect after a picture is taken or the camera is turned off.
Options
ON OFF

SELF-TIMER LAMP
If ON is selected, the self-timer lamp will light during self-timer
photography. Select OFF when shooting night scenes or in other
situations in which you would prefer that the lamp remain unlit.
Options
ON OFF

6
The Shooting Menus

144
 SHOOTING SETTING (Still Photography)

INTERVAL TIMER SHOOTING

Configure the camera to take photos automatically at a preset
interval.

1 Highlight INTERVAL TIMER SHOOTING INTERVAL/NUMBER OF TIMES

INTERVAL NUMBER OF TIMES
in the A (SHOOTING SETTING) tab
and press MENU/OK.

END CANCEL

2 Use the focus stick (focus lever) to START WAITING TIME

choose the interval and number of

shots. Press MENU/OK to proceed. LATER

ESTIMATED START TIME 11 : 00 PM

START CANCEL

3 Use the focus stick to choose the

starting time and then press MENU/OK.
Shooting will start automatically. 6

The Shooting Menus

CANCEL

O Interval timer photography cannot be used at a shutter speed of

“bulb” or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.

N • Use of a tripod is recommended.

• We recommend using an AC-5VJ AC power adapter.
• The display turns off between shots and lights a few seconds before
the next shot is taken.
• The display can be activated at any time by pressing the shutter button.
• To continue shooting until the number of shots taken equals the
number of exposures remaining at the time interval-timer photogra-
phy started, set the number of shots to ∞.

145
 INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer
photography to prevent it changing dramatically between shots.
Options
ON OFF

O • Large changes in subject brightness may make exposure appear er-

ratic. We recommend that you choose shorter values for INTERVAL
TIMER SHOOTING > INTERVAL with subjects that brighten or dim
dramatically during shooting.
• In manual mode (mode M), exposure smoothing is only available if an
AUTO option is selected for ISO.

6
The Shooting Menus

146
 SHOOTING SETTING (Still Photography)

AE BKT SETTING
Adjust exposure bracketing settings.
Option Description
Choose the number of shots in the bracketing sequence
and the amount exposure is varied with each shot.
FRAMES/STEP SETTING • FRAMES: Choose the number of shots in the bracketing
sequence.
• STEP: Choose the amount exposure is varied with each
shot.
• 1 FRAME: The shots in the bracketing sequence are taken
one at a time.
1 FRAME/CONTINUOUS
• CONTINUOUS: The shots in the bracketing sequence are
taken in a single burst.
SEQUENCE SETTING Choose the order in which the shots are taken.

FILM SIMULATION BKT

Choose the three film simulation types used for film simulation
bracketing (P 111).

FOCUS BKT SETTING 6

Choose from AUTO and MANUAL focus bracketing modes

The Shooting Menus

(P 98).

PHOTOMETRY
Choose how the camera meters exposure (P 91).

147
 SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
Option Description
t MECHANICAL SHUTTER Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER Take pictures with the electronic shutter.
t E-FRONT CURTAIN The camera chooses the mechanical or electronic
SHUTTER front curtain shutter according to shooting conditions.
u MECHANICAL + The camera chooses the mechanical or electronic
ELECTRONIC shutter according to shooting conditions.
The camera chooses the mechanical, electronic, or
r E-FRONT + ELECTRONIC electronic front curtain shutter according to shooting
conditions.
If t E-FRONT CURTAIN SHUTTER is selected, t MECHANICAL
SHUTTER will automatically take effect at high shutter speeds.
O • When using the electronic shutter, note the following:
- Distortion may be visible in shots of moving subjects.
- Distortion may also be visible in hand-held shots taken at high
6 shutter speeds; use of a tripod is recommended.
- Banding and fog may occur in shots taken under fluorescent lights
or other flickering or erratic illumination.
The Shooting Menus

- When taking pictures with the shutter muted (P 216), respect

your subjects’ image rights and right to privacy.
• When using the electronic front-curtain shutter, note the following:
- Faster shutter speeds are more likely to result in uneven exposure
and loss of resolution in out-of-focus areas of the frame.

N The following restrictions apply when the electronic shutter is used:

• Sensitivity is restricted to values of ISO 12800–100
• Long exposure noise reduction has no effect
• The flash will not fire unless pixel-shift multi-shot is enabled.

148
 SHOOTING SETTING (Still Photography)

FLICKER REDUCTION
Reduce flicker in pictures and the display when shooting under
fluorescent lighting and other similar light sources.
Option Description
Flicker reduction is applied to all frames continuous
ALL FRAMES
shooting frame rate reduces.
Flicker measurement is taken prior to the first frame only
FIRST FRAME and the same reduction amount is applied to all subse-
quent frames that flicker may occur.
OFF Flicker reduction disabled.

O • Flicker reduction increases the time needed to record pictures.

• OFF is selected for FLICKER REDUCTION when the electronic shut-
ter is used.
• Flicker reduction is not available during movie recording.
ISO
Adjust the camera’s sensitivity to light (P 89).
6

The Shooting Menus

149
 IS MODE
Turn image stabilization on or off.
Option Description
CONTINUOUS Image stabilization on.
Image stabilization enabled only when the shutter button
SHOOTING ONLY
is pressed halfway (focus mode C) or the shutter is released.
Image stabilization off ; x appears in the display. Choose
OFF when the camera is mounted on a tripod or otherwise
fixed in place.

N • The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with IS MODE.
• Note that vibration or camera sounds may be noticeable as image
stabilization takes effect.

6
The Shooting Menus

150
 SHOOTING SETTING (Still Photography)

35mm FORMAT MODE

Enabling A SHOOTING SETTING > 35mm
FORMAT MODE in the shooting menu sets
the picture angle to 35 mm; the change is
reflected in the display.

Option Description
The picture angle is set to 35 mm; the change is reflected in the
ON
display.
OFF 35 mm format mode disabled.
35  mm format mode is enabled automatically when a mount
AUTO
adapter that supports automatic detection is attached.

N • The D SCREEN SET-UP > DISP. CUSTOM SETTING item in the setup

menu (P 20, 223) includes an option (enabled by default) for dis-
playing a 35mm FORMAT MODE icon.
• The H IMAGE QUALITY SETTING > IMAGE SIZE item in the shoot-
ing menu is fixed at O 3 : 2.
6

The Shooting Menus

151
 SHOOTING SETTING (Still Photography)

xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
• Control the camera and take pictures remotely
• Receive pictures uploaded from the camera
• Browse the pictures on the camera and download selected pic-
tures
• Upload location data to the camera
N For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/

6
The Shooting Menus

152
 FLASH SETTING (Still Photography)
Adjust flash-related settings for still photography.
To display flash settings, press MENU/OK FLASH SETTING
FLASH FUNCTION SETTING
in the photo shooting display and select RED EYE REMOVAL
TTL-LOCK MODE
the F (FLASH SETTING) tab. LED LIGHT SETTING
COMMANDER SETTING
CH SETTING

EXIT

FLASH FUNCTION SETTING

Choose a flash control mode, flash mode, MODE
SHOE MOUNT FLASH
or sync mode or adjust the flash level.
The options available vary with the flash.
N For more information on flash settings, see
“External Flash Units” (P 273) in “Periph-
ADJUST END
erals and Optional Accessories”.

RED EYE REMOVAL

6
Remove red-eye effects caused by the flash.

The Shooting Menus

Option Description
A red-eye reduction pre-flash is combined with digital red-eye
FLASH+REMOVAL
removal.
FLASH Flash red-eye reduction only.
REMOVAL Digital red-eye removal only.
OFF Flash red-eye reduction and digital red-eye removal off.

N • Flash red-eye reduction can be used in TTL flash control mode.

• Digital red-eye removal is performed only when a face is detected.
• Digital red-eye removal is not available with RAW images.

153
 TTL-LOCK MODE
Instead of adjusting flash level with each shot, TTL flash control
can be locked for consistent results across a series of photo-
graphs.
Option Description
Flash output is locked at the value metered for the most
LOCK WITH LAST FLASH
recent photo.
LOCK WITH METERING The camera emits a series of pre-flashes and locks flash
FLASH output at the metered value.

N • To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 263).
• Flash compensation can be adjusted while TTL lock is in effect.
• Selecting LOCK WITH LAST FLASH displays an error message if no
previously metered value exists.

LED LIGHT SETTING

Choose whether to use the flash unit’s LED video light (if avail-
able) as a catchlight or AF-assist illuminator when taking photos.
6
Option Role of LED video light in still photography
The Shooting Menus

CATCHLIGHT Catchlight
AF ASSIST AF-assist illuminator
AF ASSIST+CATCHLIGHT AF-assist illuminator and catchlight
OFF None

N In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.

154
 FLASH SETTING (Still Photography)

COMMANDER SETTING
Choose groups when using the camera flash unit as a command-
er for Fujifilm optical wireless remote flash control. This option is
available when the camera is used with clip-on flash units that
support Fujifilm optical wireless flash control.

Options
Gr A Gr B Gr C OFF

N In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.

CH SETTING
Choose the channel used for communication between the com-
mander and remote flash units. Separate channels can be used
for different flash systems or to prevent interference when multi-
ple systems are operating in close proximity.
Options
CH1 CH2 CH3 CH4
6

The Shooting Menus

155
 MOVIE SETTING (Movie Recording)
Adjust movie-recording options.
To display options for movie recording, MOVIE SETTING

MOVIE MODE
press MENU/OK in the movie shooting dis- FILE FORMAT
MOVIE COMPRESSION
play and select the B (MOVIE SETTING) FIX MOVIE CROP MAGNIFICATION
F-Log/HLG/RAW RECORDING
tab. 4K MOVIE OUTPUT
FULL HD MOVIE OUTPUT
HDMI OUTPUT INFO DISPLAY
EXIT

MOVIE MODE
MOVIE MODE
Before shooting movies, choose the
frame rate, bit rate, and frame size and 16:9

aspect ratio.

1 In the shooting menu, select B MOVIE SETTING, then high-

6 light MOVIE MODE and press MENU/OK.
The Shooting Menus

2 Press the focus stick (focus lever) up or down to highlight the

desired frame size and aspect ratio (A) and press the stick
right.
• Choose V16 : 9 or d17 : 9 for 4K movies with aspect ra-
tios of 16 or 17 to 9.
• Choose W16 : 9 or W17 : 9 for Full HD movies with aspect
ratios of 16 or 17 to 9.

156
 MOVIE SETTING (Movie Recording)

3 Press the focus stick (focus lever) up or down to highlight a

frame rate (B) and press the stick right.
Options
23.98P 24P 25P 29.97P 50P 59.94P

4 Press the focus stick up or down to highlight a bit rate (C)

and press MENU/OK.
Options
50Mbps 100Mbps 200Mbps 400Mbps

N The choice of frame and bit rates varies with the movie mode.
FILE FORMAT
Choose a movie format.
Option Description
A high-compression format that offers very high picture
quality and high sound quality. Files are recorded to the
MOV/H.265(HEVC) LPCM
memory card in 10-bit 4∶2∶0 and output to HDMI in
10-bit 4∶2∶2.
High picture and sound quality. b HLG Y HLG cannot be
6
MOV/H.264 LPCM
selected for F-Log/HLG/RAW RECORDING.

The Shooting Menus

A format suitable for movies that will be uploaded to the
web. The following options are not available:
MP4/H.264 AAC
• F-Log/HLG/RAW RECORDING: b HLG Y HLG,
bPY F-Log, or b F-Log YP

N Movies shot using MOV/H.264 LPCM or MP4/H.264 AAC are record-

ed to the memory card in 8-bit 4∶2∶0 and output to HDMI in 10-bit
4∶2∶2.

157
 MOV/MP4
Selecting MOV/H.264 LPCM or MP4/H.264 AAC changes settings as follows:
Original setting Final setting
b HLG Y HLG bPYP
F-Log/HLG/RAW RECORDING bPY F-Log *
b F-Log YF-Log
b F-Log YP *
* Changes only if MP4/H.264 AAC is selected.

MOVIE COMPRESSION
Choose type of compression used to record movies.
Option Description
Each frame is compressed separately. Files are larger, but the fact
ALL-Intra that the data for each frame are saved separately makes this a
good choice for footage that will be further processed.
Balances good image quality with high compression. Files are
Long GOP
smaller, making this a good choice for longer movies.

6
The Shooting Menus

158
 MOVIE SETTING (Movie Recording)

FIX MOVIE CROP MAGNIFICATION

Fix the movie crop ratio at 1.1∶1. This makes it easier to match
crops when filming in different formats.
Options
ON OFF

The Shooting Menus

159
 F-Log/HLG/RAW RECORDING
Choose the destination for F-Log, HLG (Hybrid Log-Gamma), or
RAW movies shot while the camera is connected to an HDMI de-
vice.
Option Description
The footage is processed using film simulation and both
bPYP
saved to the memory card and output to the HDMI device.
The footage is recorded to the memory card and output to
b F-Log Y F-Log
the HDMI device in F-Log format.
The footage is output to the HDMI device in F-Log format
b P Y F-Log
but saved to the memory card with film simulation applied.
The footage is recorded to the memory card in F-Log format
b F-Log Y P
but output to the HDMI device with film simulation applied.
The footage is recorded to the memory card and output to
b HLG Y HLG
the HDMI device in HLG format.
The footage is output to the HDMI device in RAW format but
b P Y RAW
saved to the memory card with film simulation applied.
The footage is recorded to the memory card in F-Log format
b F-Log Y RAW
and output to the HDMI device in RAW format.
6 The footage is recorded to the memory card in HLG format
b HLG Y RAW
and output to the HDMI device in RAW format.
The Shooting Menus

160
 MOVIE SETTING (Movie Recording)

N • F-Log offers a gentle gamma curve with a wide gamut suitable for
further processing post-production. Sensitivity is restricted to values
between ISO 800 and ISO 12800.
• The HLG (Hybrid Log-Gamma) recording format conforms to the inter-
national ITU-R BT2100 standard. When viewed on HLG-compatible dis-
plays, high-quality HLG footage faithfully captures high-contrast scenes
and vivid colors. Sensitivity is restricted to values between ISO 1250 and
ISO 12800. HLG recording is available when H.265(HEVC) is selected
for B MOVIE SETTING > H.265(HEVC)/H.264 in the shooting menu.
• Film simulation (P) footage is recorded using the option selected for
B MOVIE SETTING > F FILM SIMULATION in the shooting menu.
• Footage shot with b P Y F-Log or b F-Log Y P cannot be recorded
to the memory card and output to the HDMI at different frame sizes
(4K, Full HD). In addition, the following B MOVIE SETTING options
are unavailable:
- MOVIE MODE frame rate options of 59.94P and 50P
- V INTERFRAME NR
- HDMI OUTPUT INFO DISPLAY
• RAW output cannot be recorded to the memory card.
• In-camera image enhancements are not applied to the RAW output. 6
• The crop (picture angle) and quality of footage output to external
devices differs from that shown in the camera monitor. View the RAW

The Shooting Menus

footage on the external device.
• Footage output to external devices is generated from the original
RAW data and its quality, which varies with device specifications, may
not be equal to that achieved as the end result of post-production
or the like.
• Focus zoom is not available when RAW is selected for HDMI output.
• RAW footage output via HDMI to incompatible devices will not dis-
play correctly but will instead will display as a mosaic.
• The minimum and maximum sensitivities for P, F-Log, or HLG footage
recorded to the memory card when RAW is selected for HDMI output
are ISO 1250 and ISO 12800, respectively.

161
 4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is
connected to an HDMI recorder or other device that supports 4K.
Option Description
4K movies are recorded to the camera memory card and out-
b 4K Y 4K
put to the HDMI device in 4K.
4K movies are recorded to a camera memory card in 4K and
b 4K Y FHD
output to the HDMI device in Full HD.
4K movies are output to the HDMI device in 4K and recorded to
b FHD Y 4K
the camera memory card in Full HD.
4K movies are output to the HDMI device in 4K. The camera
b − Y 4K
does not record 4K movies to a memory card.

N This option is only available when V 16 : 9 or d 17 : 9 is selected for

B MOVIE SETTING > MOVIE MODE in the shooting menu.

FULL HD MOVIE OUTPUT

Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
6
Option Description
The Shooting Menus

Full HD movies are output to the HDMI device and recorded to

b FHD Y FHD
the camera memory card.
Full HD movies are not recorded to the camera memory card
b − Y FHD
but are output to the HDMI device.

N • This option is only available when W 16 : 9 or W 17 : 9 is selected

for B MOVIE SETTING > MOVIE MODE in the shooting menu.
• When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will
be output to the HDMI device in 4:2:2 10-bit format.

162
 MOVIE SETTING (Movie Recording)

HDMI OUTPUT INFO DISPLAY

If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
Options
ON OFF

4K HDMI STANDBY QUALITY

Choose whether output to connected HDMI devices switches
from 4K to Full HD during standby.
Option Description
V Output to HDMI devices continues at 4K during standby.
Output to HDMI devices switches to Full HD during standby,
W
reducing the drain on the battery.

HDMI REC CONTROL

Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording. 6
Options

The Shooting Menus

ON OFF

F PHOTOMETRY
Options are the same as those for still photography, but settings
must be adjusted separately (P 147).

163
 F IS MODE
Turn image stabilization on or off.
Option Description
Enable in-body (IBIS) and optical (OIS) image stabilization.
IBIS/OIS
IBIS is used with lenses that do not support OIS.
Enable in-body (IBIS), optical (OIS), and digital (DIS) image
IBIS/OIS + DIS stabilization. The crop is adjusted according to the option
selected for MOVIE MODE.
Image stabilization off ; x appears in the display. Choose
OFF when the camera is mounted on a tripod or otherwise
fixed in place.

N • The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with the IS mode.
• Note that vibration or camera sounds may be noticeable as image
stabilization takes effect.

F IS MODE BOOST
Choose the image stabilization level.
6 Option Description
ON Suitable for hand-held shooting with no panning.
The Shooting Menus

OFF Suitable for hand-held shooting with panning.

N Assigning IS MODE BOOST to a function button allows the image sta-

bilization level to be changed while recording is in progress (P 263).

164
 MOVIE SETTING (Movie Recording)

F ISO
Adjust the camera’s sensitivity to light.
Option Description
Choose for special situations. Note that dynamic range may be
H (25600)
reduced and that pictures may be mottled.
200–12800 Adjust sensitivity manually. Selected value is shown in display.
Sensitivity is automatically adjusted in response to shooting
AUTO
conditions.

ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes
in the movie mode display.
Option Description
ZEBRA RIGHT Right-slanting stripes.
ZEBRA LEFT Left-slanting stripes.
OFF Stripes off.

ZEBRA LEVEL 6
Choose the brightness threshold for the zebra stripe display.

The Shooting Menus

Options
50 55 60 65 70 75 80 85 90 95 100

165
 MOVIE OPTIMIZED CONTROL oL
Select ON to allow movie settings to be adjusted using only the
command dials and touch-screen controls. You may find this
helpful in preventing the sounds of camera controls being re-
corded with movies (P 29).
Options
ON OFF

TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.

6 Indicator lamp AF-assist illuminator

Option Description
The Shooting Menus

FRONT OFF
The indicator lamp lights during movie recording.
REAR z
FRONT OFF
The indicator lamp blinks during movie recording.
REAR y
FRONT z
The indicator and AF-assist lamps light during movie recording.
REAR z
FRONT z
The AF-assist lamp lights during movie recording.
REAR OFF
FRONT y
The indicator and AF-assist lamps blink during movie recording.
REAR y
FRONT y
The AF-assist lamp blinks during movie recording.
REAR OFF
FRONT OFF
The indicator and AF-assist lamps remain off during movie recording.
REAR OFF

166
 MOVIE SETTING (Movie Recording)

F EDIT/SAVE CUSTOM SETTING

Options are the same as those for still photography, but settings
must be adjusted separately (P 124).

xF WIRELESS COMMUNICATION
This item is also found in the photo menus (P 152).

The Shooting Menus

167
 IMAGE QUALITY SETTING (Movie Recording)
Adjust image quality settings for movies.
To display image quality settings, press IMAGE QUALITY SETTING

FFILM SIMULATION
MENU/OK in the movie shooting display and FMONOCHROMATIC COLOR
FDYNAMIC RANGE
select the H (IMAGE QUALITY SETTING) FWHITE BALANCE
FTONE CURVE
tab. FCOLOR
FSHARPNESS
FHIGH ISO NR
EXIT

N The options available vary with the shooting mode selected.

F FILM SIMULATION
Options are the same as those for still photography, but settings
must be adjusted separately (P 111).

F MONOCHROMATIC COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 113).
6
The Shooting Menus

168
 IMAGE QUALITY SETTING (Movie Recording)

F DYNAMIC RANGE
Choose a dynamic range for movie recording.
Option Description
V100%
W200% See “DYNAMIC RANGE” (P 115).
X400%

N • AUTO  (automatic dynamic range control) is not available during

movie recording.
• W200% is available at sensitivities of from ISO 400 to ISO 12800,
X400% at sensitivities of from ISO 800 to 12800.
• This
item is available when bPYP is selected for B MOVIE
SETTING > F-Log/HLG/RAW RECORDING.

F WHITE BALANCE
Options are the same as those for still photography, but settings
must be adjusted separately (P 117).

F TONE CURVE
6
Options are the same as those for still photography, but settings

The Shooting Menus

must be adjusted separately (P 121).

F COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 121).

169
 F SHARPNESS
Options are the same as those for still photography, but settings
must be adjusted separately (P 121).

F HIGH ISO NR
Options are the same as those for still photography, but settings
must be adjusted separately (P 122).

V INTERFRAME NR
Select ON to enable interframe noise reduction.
Options
ON OFF

N • Interframe noise reduction is available only when frame rates of

29.97P or slower are selected at a frame size of V or d.
• “Ghosting” may occur with moving subjects or if the camera is moved
during shooting.

6
The Shooting Menus

170
 IMAGE QUALITY SETTING (Movie Recording)

F PERIPHERAL LIGHT CORRECTION

Select ON to enable peripheral illumination correction during
movie recording.
Options
ON OFF

N • If ON is selected when a lens that does not transmit data to the camera
is attached, peripheral illumination will be adjusted according to the
option selected for H IMAGE QUALITY SETTING  > xF MOUNT
ADAPTER SETTING > PERIPHERAL ILLUMINATION CORRECTION
in the shooting menu (P 125).
• Select OFF if you notice banding in movies recorded using this op-
tion.

xF MOUNT ADAPTOR SETTING

This item is also found in the photo menus (P 125). Changes to
one apply to the other.

The Shooting Menus

171
 AF/MF SETTING (Movie Recording)
Adjust focus settings for movies.
To display AF/MF settings, press MENU/OK AF/MF SETTING

FFOCUS AREA
in the movie shooting display and select FAF MODE
FAF-C CUSTOM SETTING
the G (AF/MF SETTING) tab. xFAF ILLUMINATOR
FFACE/EYE DETECTION SETTING
FMF ASSIST
FFOCUS CHECK
xFINSTANT AF SETTING
EXIT

N The options available vary with the shooting mode selected.

F FOCUS AREA
Options are the same as those for still photography, but settings
must be adjusted separately (P 128).

F AF MODE
Choose how the camera selects the focus point for movie recording.
Option Description
6 MULTI The camera selects the focus area automatically.
AREA The camera focuses on the subject in the selected focus area.
The Shooting Menus

172
 AF/MF SETTING (Movie Recording)

F AF-C CUSTOM SETTING

Select focus-tracking options when recording movies in focus
mode C.

TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an ob-
ject enters the focus area behind or in front of the current sub-
ject. See “TRACKING SENSITIVITY” (P 130).
Options
0 1 2 3 4

O • The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
• The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.

AF SPEED
Adjust the autofocus response speed. Choose higher values for
faster response times, lower values for slower response times.
6
Options

The Shooting Menus

−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5

xF AF ILLUMINATOR
This item is also found in the photo menus (P 133). Changes to
one apply to the other.

173
 F FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording
movies.
Option Description
FACE DETECTION ON See “FACE/EYE DETECTION SETTING” (P 134).
OFF Intelligent Face Detection and eye priority off.

O When Intelligent Face Detection is enabled, the camera will focus

using continuous AF even when single AF (S) is chosen with the
focus mode selector. Intelligent Face Detection is not available in
manual focus mode.

F MF ASSIST
Choose how focus is displayed in manual focus mode.
Option Description
STANDARD Focus is displayed normally (focus peaking is not available).
The camera heightens high-contrast outlines. Choose a
FOCUS PEAK HIGHLIGHT
color and peaking level.
6
The Shooting Menus

174
 AF/MF SETTING (Movie Recording)

F FOCUS CHECK
Options are the same as those for still photography, but settings
must be adjusted separately (P 137).

xF INSTANT AF SETTING
This item is also found in the photo menus (P 138). Changes to
one apply to the other.

xF DEPTH-OF-FIELD SCALE
This item is also found in the photo menus (P 139). Changes to
one apply to the other.

xF AF RANGE LIMITER
This item is also found in the photo menus (P 140). Changes to
one apply to the other.

The Shooting Menus

175
 xF TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Mode Description
Tapping the display focuses the camera on the selected point.
Use the shutter button to start and stop recording.
• In focus mode S (AF-S), you can refocus at any time by tapping
your subject in the display.
• In focus mode C (AF-C), the camera will continuously adjust
AF focus for changes in the distance to the subject at point se-
lected by tapping the display.
• When shooting movies in focus mode M (MF), you can tap the
display before recording begins to focus on the selected point
using Instant AF, and tap the display during recording to posi-
tion the focus point.
Tap to position the focus area. Use the shutter button to start
and stop recording.
• In focus mode S (AF-S), you can reposition the focus area at
any time by tapping your subject in the display. To focus, use
the button to which AF-ON is assigned.
AREA
6 • In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
The Shooting Menus

lected by tapping the display.

• In manual focus mode (MF), you can tap the display to posi-
tion the focus area over your subject.

OFF Touch controls disabled.

176
 AF/MF SETTING (Movie Recording)

N • To disable touch controls and hide the touch screen mode indica-
tor, select OFF for D BUTTON/DIAL SETTING  > TOUCH SCREEN
SETTING > x TOUCH SCREEN SETTING.
• This item is also found in the photo menus (P 141). Changes to one
apply to the other.
Touch Controls for Focus Zoom
Different touch controls are used during focus zoom (focus check enabled).
Central Area
Tapping the center of the display performs the
operations below.

Mode Operation performed

AF-S: AF
AF
MF: Instant AF
AF-S: AF
AREA
MF: Instant AF 6
OFF AF-S/MF: OFF

The Shooting Menus

Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.

177
 AF/MF SETTING (Movie Recording)

FOCUS CHECK LOCK

Choose whether focus zoom remains in effect once movie re-
cording begins.
Options
ON OFF

6
The Shooting Menus

178
 AUDIO SETTING (Movie Recording)
Adjust settings for audio recorded during filming.
To display audio settings, press MENU/OK AUDIO SETTING

INTERNAL MIC LEVEL ADJUSTMENT

in the movie shooting display and select EXTERNAL MIC LEVEL ADJUSTMENT
MIC JACK SETTING
the P (AUDIO SETTING) tab. MIC LEVEL LIMITER
WIND FILTER
LOW CUT FILTER
HEADPHONES VOLUME

EXIT

INTERNAL MIC LEVEL ADJUSTMENT

Adjust the recording level for the built-in microphone.
Option Description
AUTO The camera adjusts the recording level automatically.
Adjust the recording level manually. Press the focus stick (focus
MANUAL
lever) right to choose from 25 recording levels.
OFF Turn the built-in microphone off.

EXTERNAL MIC LEVEL ADJUSTMENT

6
Adjust the recording level for external microphones.

The Shooting Menus

Option Description
AUTO The camera adjusts the recording level automatically.
Adjust the recording level manually. Press the focus stick (focus
MANUAL
lever) right to choose from 25 recording levels.
OFF Disable recording using external microphones.

179
 AUDIO SETTING (Movie Recording)

MIC JACK SETTING

Specify the type of hardware connected to the microphone jack.
Option Description
Choose this option for direct connection to an external micro-
MIC
phone.
Choose this option for external audio devices connected via
LINE
line output.

MIC LEVEL LIMITER

Reduces distortion caused by input that exceeds the limits of the
microphone’s audio circuits.
Options
ON OFF

WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
6 Options
ON OFF
The Shooting Menus

LOW CUT FILTER

Choose whether to enable the low-cut filter, reducing low-fre-
quency noise during movie recording.
Options
ON OFF

HEADPHONES VOLUME
Adjust the headphone volume.
Option Description
0 Mute output to the headphones.
1—10 Choose a volume of from 1 to 10.

180
 TIME CODE SETTING (Movie Recording)
Adjust time code (hour, minute, second, and frame num-
ber) display settings for movie recording.
To display time code settings, press TIME CODE SETTING

TIME CODE DISPLAY

MENU/OK in the movie shooting display START TIME SETTING
COUNT UP SETTING
and select the Q (TIME CODE SETTING) DROP FRAME
HDMI TIME CODE OUTPUT
tab.

EXIT

TIME CODE DISPLAY

Select ON to display time codes during movie recording and
playback.
Options
ON OFF

START TIME SETTING

Choose the time code starting time. 6
Option Description

The Shooting Menus

Highlight this option and press the focus stick (focus lever)
MANUAL INPUT
right to choose a start time manually.
CURRENT TIME Set the start time to the current time.
RESET Set the start time to 00:00:00.

COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
Option Description
REC RUN Time is clocked only during movie recording.
FREE RUN Time is clocked continuously.

181
 TIME CODE SETTING (Movie Recording)

DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradu-
ally develop between the time code (measured in seconds) and
the actual recording time (measured in fractions of a second).
Choose whether the camera drops frames as necessary to match
the recording time to the time code.
Option Description
The camera drops frames as necessary to maintain a strict
ON
match between the time code and the actual recording time.
OFF Frames are not dropped.

N • The time code display varies with the option selected.

ON

OFF
6 • Selecting a frame rate of 23.98P disables frame drop.
The Shooting Menus

HDMI TIME CODE OUTPUT

Choose whether time codes are output to HDMI devices.
Options
ON OFF

182
Playback and the Playback
Menu

183
 The Playback Display
This section lists the indicators that may be displayed
during playback.
O For illustrative purposes, displays are shown with all indicators lit.
A B C DE FG H I

f
J
e
K
Playback and the Playback Menu

d
L
c
b
a

M
Z
N
Y
O
X
P
W V U T S R Q
7 A Date and time..................................46, 48, 211 Q Film simulation ............................................111
B Frame-number display R Dynamic range ............................................115
C Face detection indicator ............................134 S White balance ..............................................117
D Bluetooth ON/OFF.......................................246 T Sensitivity .......................................................149
E Image transfer order ...................................202 U Exposure compensation ...............................92
F Image transfer status ........................246, 288 V Aperture...............................................65, 68, 70
G Number of frames selected for upload ...202 W Shutter speed .....................................65, 66, 70
H Card slot..........................................................189 X Playback mode indicator .............................53
I Frame number..............................................242 Y Movie icon ........................................................60
J Pixel-shift multi-shot ..................................104 Z Time code.......................................................181
K Protected image ...........................................196 a Red-eye removal indicator...............153, 198
L Location data.......................................251, 289 b Gift image .........................................................53
M Image quality................................................109 c Photobook assist indicator .......................204
N Movie mode ..................................................156 d DPOF print indicator ...................................206
O Image size ......................................................108 e Voice memo ..................................................199
P Film format ....................................................157 f Rating..............................................................200

184
 The Playback Display

The DISP/BACK Button

The DISP/BACK button controls the display
of indicators during playback.

Standard Information off

Playback and the Playback Menu

NEXT

7
Info display

185
 The Playback Display

Viewing Photo Information

The photo information display changes each
time the focus stick (focus lever) is pressed up.

Basic data Info display 1

Playback and the Playback Menu

NEXT

1/1000 5.6 12800 +1.0

S.S 1/1000 F 5.6 ISO 12800 +1.0

BACK NEXT

7 Info display 3 Info display 2

Zooming in on the Focus Point

Press the center of the rear command dial to zoom in on the focus point.
Press again to return to full-frame playback.

186
 Viewing Pictures
Read this section for information on playback zoom and
multi-frame playback.
Use the rear command dial to go from
full-frame playback to playback zoom or
multi-frame playback.

Full-frame playback

Playback and the Playback Menu

100-0001

Multi-frame Playback
playback zoom
DISP/BACK
MENU/OK
Nine-frame view Medium zoom

Hundred- frame view Maximum zoom

187
 Viewing Pictures

Playback Zoom
Rotate the rear command dial right to zoom in on the current
picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK,
or the center of the rear command dial.
N • The maximum zoom ratio varies with the option selected for
H IMAGE QUALITY SETTING > IMAGE SIZE.
• Playback zoom is not available with cropped or resized copies saved
at a size of a.
Scroll
When the picture is zoomed in, the focus stick
Playback and the Playback Menu

(focus lever) can be used to view areas of the

image not currently visible in the display.

Navigation window

Multi-Frame Playback
To change the number of images displayed, rotate the rear com-
mand dial left when a picture is displayed full frame.
7
N • Use the focus stick (focus lever) to highlight images and press MENU/OK
to view the highlighted image full frame.
• In the nine- and hundred-frame displays, press the focus stick up or
down to view more pictures.

188
 The Playback Menu
Adjust playback settings.
The playback menu is displayed when PLAY BACK MENU

SWITCH SLOT
you press MENU/OK in playback mode. RAW CONVERSION
ERASE
SIMULTANEOUS DELETE (RAW SLOT1/JPG SLOT2)
CROP
RESIZE
PROTECT
IMAGE ROTATE
EXIT

SWITCH SLOT

Playback and the Playback Menu

Choose the card from which images will be played back.
N If two memory cards are inserted, you can press and hold the a but-
ton to choose a card for playback.

189
 RAW CONVERSION
Even if you don’t have a computer, you can use the camera to
modify RAW pictures and save them in other formats.

Saving RAW Pictures in Another Format

1 Display a RAW picture.

2 Highlight RAW CONVERSION in the playback menu.
3 Press MENU/OK. RAW CONVERSION

A list of settings will be displayed. REFLECT SHOOTING COND.

FILE TYPE
Playback and the Playback Menu

IMAGE SIZE
IMAGE QUALITY
PUSH/PULL PROCESSING
DYNAMIC RANGE

CREATE CANCEL

4 Press the focus stick (focus lever) up or down to highlight a

setting.
5 Press the focus stick right to display RAW CONVERSION
options.
100%
200%
400%

6 Press the focus stick up or down to highlight the desired option.

7 Press MENU/OK to select the highlighted option. The settings
list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to
adjust additional settings.
8 Press the Q button.
A preview of the copy will be displayed.
9 Press MENU/OK.
The copy will be saved.
N RAW conversion options can also be displayed by pressing the Q but-
ton when a RAW pictures is displayed during playback.

190
 The Playback Menu

The settings that can be adjusted when converting pictures from

RAW to another format are:
Setting Description
Create a copy using the settings in effect at the time
REFLECT SHOOTING COND.
the photo was taken.
FILE TYPE Choose a file format.
IMAGE SIZE Choose an image size.
IMAGE QUALITY Adjust image quality.
PUSH/PULL PROCESSING Adjust exposure.
DYNAMIC RANGE Enhance details in highlights for natural contrast.
Reduce loss of detail in highlights and shadows
D RANGE PRIORITY for natural-looking results when photographing

Playback and the Playback Menu

high-contrast scenes.
FILM SIMULATION Simulate the effects of different types of film.
MONOCHROMATIC COLOR Add a warm or cool cast to monochrome pictures.
GRAIN EFFECT Add a film grain effect.
Increase the range of tones available for rendering
COLOR CHROME EFFECT colors that tend to be highly saturated, such as reds,
yellows, and greens.
Increase the range of tones available for rendering
COLOR CHROME FX BLUE
blues.
SMOOTH SKIN EFFECT Smooth complexions.
WHITE BALANCE Adjust white balance. 7
WB SHIFT Fine-tune white balance.
TONE CURVE Adjust highlights and shadows.
COLOR Adjust color density.
SHARPNESS Sharpen or soften outlines.
HIGH ISO NR Process the copy to reduce mottling.
CLARITY Increase definition.
Improve definition by adjusting for diffraction and
LENS MODULATION OPTIMIZER
the slight loss of focus at the periphery of the lens.
COLOR SPACE Choose the color space used for color reproduction.

O Some settings may be unavailable depending on the options chosen

when the picture was taken.

191
 ERASE
Delete individual pictures, multiple selected pictures, or all pic-
tures.
O Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
Option Description
FRAME Delete pictures one at a time.
SELECTED FRAMES Delete multiple selected pictures.
ALL FRAMES Delete all unprotected pictures.
Playback and the Playback Menu

FRAME
1 Select FRAME for ERASE in the playback menu.
2 Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete.
N • A confirmation dialog is not displayed before pictures are deleted; be
sure the correct picture is selected before pressing MENU/OK.
• Additional pictures can be deleted by pressing MENU/OK. Press the fo-
cus stick left or right to scroll through pictures and press MENU/OK to
delete.
7

192
 The Playback Menu

SELECTED FRAMES
1 Select SELECTED FRAMES for ERASE in the playback menu.
2 Highlight pictures and press MENU/OK to select.
• Selected pictures are indicated by check marks (R).
• To deselect a highlighted picture, press MENU/OK again.
3 When the operation is complete, press DISP/BACK to display a
confirmation dialog.

4 Highlight OK and press MENU/OK to delete the selected pic-

tures.

Playback and the Playback Menu

N Pictures in photobooks or printer orders are shown by S.
ALL FRAMES
1 Select ALL FRAMES for ERASE in the playback menu.
2 A confirmation dialog will be displayed; highlight OK and
press MENU/OK to delete all unprotected pictures.
N • Pressing DISP/BACK cancels deletion; note that any pictures deleted
before the button was pressed cannot be recovered.
• If a message appears stating that the selected images are part of a 7
DPOF print order, press MENU/OK to delete the pictures.

193
 SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
Taking photos with RAW / JPEG selected for D SAVE DATA
SET-UP  >  x CARD SLOT SETTING creates two copies. Choose
whether deleting the RAW image will also delete the JPEG copy.
Option Description
Deleting the RAW image from the card in Slot 1 also deletes the
ON
JPEG copy from the card in Slot 2.
Deleting the RAW image from the card in Slot 1 does not delete
OFF
the JPEG copy from the card in Slot 2.

CROP
Playback and the Playback Menu

Create a cropped copy of the current picture.

1 Display the desired picture.

2 Select CROP in the playback menu.

3 Use the rear command dial to zoom in and out and press the
focus stick (focus lever) up, down, left, or right to scroll the
picture until the desired portion is displayed.

4 Press MENU/OK to display a confirmation dialog.

7 5 Press MENU/OK again to save the cropped copy to a separate
file.
N • The higher the zoom ratio, the smaller the number of pixels in the
cropped copy.
• If the size of the final copy will be a, YES will be displayed in yellow.
• All copies have an aspect ratio of 4∶3.

194
 The Playback Menu

RESIZE
Create a small copy of the current picture.

1 Display the desired picture.

2 Select RESIZE in the playback menu.

3 Highlight a size and press MENU/OK to display a confirmation

dialog.

4 Press MENU/OK again to save the resized copy to a separate

file.

Playback and the Playback Menu

N The sizes available vary with the size of the original image.

195
 PROTECT
Protect pictures from accidental deletion. Highlight one of the
following options and press MENU/OK.
Option Description
Protect selected pictures. Press the focus stick (focus lever) left or
FRAME right to view pictures and press MENU/OK to select or deselect.
Press DISP/BACK when the operation is complete.
SET ALL Protect all pictures.
RESET ALL Remove protection from all pictures.

O Protected pictures will be deleted when the memory card is formatted.

Playback and the Playback Menu

N • Protecting images currently selected for upload to paired smart-

phones or tablets removes upload marking.
• Protection can also be added or removed by pressing the AFON but-
ton during playback.

196
 The Playback Menu

IMAGE ROTATE
Rotate pictures.

1 Select ON for D SCREEN SET-UP > AUTOROTATE PB.

2 Display the desired picture.

3 Select IMAGE ROTATE in the playback menu.

4 Press the focus stick (focus lever) down to rotate the picture
90° clockwise, up to rotate it 90° counterclockwise.

5 Press MENU/OK. The picture will automatically be displayed in

Playback and the Playback Menu

the selected orientation whenever it is played back on the
camera.
N • Protected pictures cannot be rotated. Remove protection before ro-
tating pictures.
• The camera may not be able to rotate pictures created with other
devices. Pictures rotated on the camera will not be rotated when
viewed on a computer or on other cameras.
• Pictures taken with D SCREEN SET-UP > AUTOROTATE PB are auto-
matically displayed in the correct orientation during playback.

197
 RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the im-
age; if red-eye is detected, the image will be processed to create
a copy with reduced red-eye.

1 Display the desired picture.

2 Select RED EYE REMOVAL in the playback menu.

3 Press MENU/OK.
N • Results vary depending on the scene and the camera’s success in de-
tecting faces.
Playback and the Playback Menu

• The amount of time needed to process the image varies with the
number of faces detected.
• Red eye cannot be removed from pictures that have already been
processed using red-eye removal, which are indicated by a e icon
during playback.
• Red eye removal cannot be performed on RAW images.

198
 The Playback Menu

VOICE MEMO SETTING

Add a voice memo to the current photograph.

1 Select ON for VOICE MEMO SETTING in the playback menu.

2 Display a photo to which you wish to add a voice memo.

3 Press and hold the center of the front command dial to re-
cord the memo. Recording ends after 30 s or when you re-
lease the dial.
N • The new memo will be recorded over any existing memos.
• Voice memos cannot be added to protected pictures.

Playback and the Playback Menu

• Deleting the picture also deletes the memo.
Playing Voice Memos
Pictures with voice memos are indicated by q icons during playback.
• To play a memo, select the picture and press the center of the front com-
mand dial.
• A progress bar will be displayed while the memo plays back.
• Volume can be adjusted by pressing MENU/OK to pause playback and then
pressing the focus stick (focus lever) up or down to adjust the volume.
Press MENU/OK again to resume playback. Volume can also be adjusted us-
ing D SOUND SET-UP > PLAYBACK VOLUME.
7

199
 RATING
Rate pictures using stars.

1 Select RATING in the playback menu.

2 Rotate the front command dial to choose a picture and the

rear command dial to choose a rating of from 0 to 5 stars
(“I”).

N • The focus stick (focus lever) can be used in place of the front com-
mand dial to choose a picture.
• The rating dialog can also be displayed by pressing the AEL button in
Playback and the Playback Menu

single-frame, nine-frame, or hundred-frame playback.

• Use touch controls to zoom in or out.
• Ratings cannot be applied to:
- Protected pictures
- Movies
- “Gift” pictures (pictures taken with other cameras)

200
 The Playback Menu

COPY
Copy pictures between the cards in the first and second slots.

1 Select COPY in the playback menu.

2 Highlight one of the following options.

Option Description
Copy pictures from the card in the first slot to the card in
SLOT1 y SLOT2
the second slot.
Copy pictures from the card in the second slot to the card
SLOT2 y SLOT1
in the first slot.

Playback and the Playback Menu

3 Press the focus stick (focus lever) right.

4 Highlight one of the following options and press MENU/OK.

Option Description
Copy selected pictures. Press the focus stick left or right to
FRAME
view pictures and press MENU/OK to copy the current picture.
ALL FRAMES Copy all pictures.

O • Copying ends when the destination is full.

• If you attempt to copy a file over 4 GB in size to a memory card with
a capacity of 32 GB or less, copying will end and the file will not be
copied.
7

201
 IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.

1 Select IMAGE TRANSFER ORDER  > SELECT FRAMES in the

playback menu.

2 Highlight photos and press MENU/OK to select or deselect. Re-

peat until all the desired photos have been selected.

3 Press DISP/BACK to exit to playback.

N If ON is selected for both D CONNECTION SETTING > Bluetooth
SETTINGS > Bluetooth ON/OFF and AUTO IMAGE TRANSFER,
Playback and the Playback Menu

upload will begin shortly after you exit to playback or turn the
camera off.

N • Image transfer orders can contain a maximum of 999 pictures.

• The following cannot be selected for upload:
- Protected pictures
- Movies
- RAW images
- “Gift” pictures (pictures taken with other cameras)
• If PAIRING/TRANSFER ORDER is selected for D CONNECTION
7 SETTING  > GENERAL SETTINGS  > r BUTTON SETTING, photos
can also be marked for upload using the d button.
• To remove upload marking from all pictures in the current order, se-
lect IMAGE TRANSFER ORDER > RESET ORDER.
• If ON is selected for D CONNECTION SETTING  > Bluetooth
SETTINGS > AUTO IMAGE TRANSFER, photos will automatically be
marked for upload as they are taken.

202
 The Playback Menu

xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
• Control the camera and take pictures remotely
• Receive pictures uploaded from the camera
• Browse the pictures on the camera and download selected pic-
tures
• Upload location data to the camera
N • For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/

Playback and the Playback Menu

• IfWIRELESS COMMUNICATION is selected for D CONNECTION
SETTING > GENERAL SETTINGS > r BUTTON SETTING, you can
connect to the smartphone using the d button.

203
 PHOTOBOOK ASSIST
Create books from your favorite photos.

Creating a Photobook
1 Select NEW BOOK for C PLAY BACK MENU > PHOTOBOOK
ASSIST.

2 Scroll through the images and press the focus stick (focus le-
ver) up to select or deselect. Press MENU/OK to exit when the
book is complete.
N • Neither photographs a or smaller nor movies can be selected
Playback and the Playback Menu

for photobooks.
• The first picture selected becomes the cover image. Press the fo-
cus stick down to select the current image for the cover instead.

3 Highlight COMPLETE PHOTOBOOK and press MENU/OK (to se-

lect all photos for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
N • Books can contain up to 300 pictures.
• Books that contain no photos are automatically deleted.
7

204
 The Playback Menu

Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK
to display the book, then press the focus stick (focus lever) left or
right to scroll through the pictures.

Editing and Deleting Photobooks

Display the photobook and press MENU/OK. The following options
will be displayed; select the desired option and follow the on-
screen instructions.
• EDIT: Edit the book as described in “Creating a Photobook”.
• ERASE: Delete the book.

Playback and the Playback Menu

7

205
 PRINT ORDER (DPOF)
Create a digital “print order” for DPOF-compatible printers.

1 Select C PLAY BACK MENU > PRINT ORDER (DPOF).

2 Select WITH DATE s to print the date of recording on pic-

tures, WITHOUT DATE to print pictures without dates, or
RESET ALL to remove all pictures from the print order before
proceeding.

3 Display a picture you wish to include in or remove from the

print order.
Playback and the Playback Menu

4 Press the focus stick (focus lever) up PRINT ORDER (DPOF)

DPOF: 00001
or down to choose the number of
copies (up to 99).
N To remove a picture from the order, 01 SHEETS
press the focus stick down until the FRAME SET
number of copies is 0.
Total number
of prints
Number of copies

7 N Repeat steps 3–4 to complete the print order.

5 The total number of prints is displayed in the monitor. Press
MENU/OK to exit.
N • The pictures in the current print order are indicated by a u icon
during playback.
• Print orders can contain a maximum of 999 pictures from a single
memory card.
• If a memory card is inserted containing a print order created by an-
other camera, you will need to delete the order before creating as
described above.

206
 The Playback Menu

instax PRINTER PRINT

To print pictures to optional Fujifilm instax SHARE printers, first se-
lect D CONNECTION SETTING > instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and
password, then follow the steps below.

1 Turn the printer on.

2 Select C PLAY BACK MENU > instax PRINTER PRINT

PRINTER PRINT. The camera will con- instax-12345678

nect to the printer. CONNECTING
FUJIFILM-CAMERA-1234

Playback and the Playback Menu

CANCEL

3 Use the focus stick (focus lever) to PRINTER PRINT

100-0020
display the picture you want to print,
then press MENU/OK. The picture will
be sent to the printer and printing
will start. SET CANCEL
instax-12345678

N • Pictures taken with other cameras cannot be printed. 7

• The area printed is smaller than the area visible in the LCD
monitor.
• The displays may vary depending on the printer connected.

207
 The Playback Menu

DISP ASPECT
Choose how High Definition (HD) devices display pictures with
an aspect ratio of 4∶3 (this option is available only when an HDMI
cable is connected).

16:9
4: 3

Option
16∶9 4∶3
Playback and the Playback Menu

Display

N Select 16∶9 to display the image so that it fills the screen with its top
and bottom cropped out, 4∶3 to display the entire image with black
bands at either side.
7

208
The Setup Menus

209
 USER SETTING
Adjust basic camera settings.
To access basic camera settings, press USER SETTING
FORMAT
MENU/OK, select the D (SET UP) tab, and DATE/TIME
TIME DIFFERENCE
choose USER SETTING.
x MY MENU SETTING
FMY MENU SETTING
SENSOR CLEANING
BATTERY AGE
EXIT

FORMAT
To format a memory card:

1 Select D USER SETTING > FORMAT in the D (SET UP) tab.

2 Highlight the slot containing the card you wish to format and
press MENU/OK.

3 A confirmation dialog will be dis- FORMAT

FORMAT CARD IN SLOT 1, OK?

The Setup Menus

played. To format the memory card, ERASE ALL DATA

highlight OK and press MENU/OK.

N To exit without formatting the memory OK
CANCEL
card, select CANCEL or press DISP/BACK.

8 O • All data—including protected pictures—will be deleted from the

memory card. Be sure important files have been copied to a comput-
er or other storage device.
• Do not open the battery-chamber cover during formatting.
N The format menu can also be displayed by pressing the center of the
rear command dial while pressing and holding the b button.

210
 USER SETTING

DATE/TIME
To set the camera clock:

1 Select D USER SETTING > DATE/TIME in the D (SET UP) tab.

2 Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. To change the order in which the year, month, and
day are displayed, highlight the date format and press the
focus stick up or down.

3 Press MENU/OK to set the clock.

TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to
the local time at your destination when traveling. To specify the
difference between your local and home time zone:

1 Highlight g LOCAL and press MENU/OK.

The Setup Menus

2 Use the focus stick (focus lever) to choose the time difference
between local time and your home time zone. Press MENU/OK
when settings are complete.
To set the camera clock to local time, highlight g LOCAL and
press MENU/OK. To set the clock to the time in your home time
8
zone, select h HOME.
Options
g LOCAL h HOME

N If g LOCAL is selected, g will be displayed in yellow for about three

seconds when the camera is turned on.

211
 Qa
Choose a language.

x MY MENU SETTING
Edit the items listed in the E (MY MENU) tab, a personalized cus-
tom menu of frequently-used photo menu options (P 255).

F MY MENU SETTING
Edit the items listed in the E (MY MENU) tab, a personalized cus-
tom menu of frequently-used movie menu options (P 255).
The Setup Menus

212
 USER SETTING

SENSOR CLEANING
Remove dust from the camera image sensor.
Option Description
OK Clean the sensor immediately.
Sensor cleaning will be performed when the camera is
WHEN SWITCHED ON
turned on.
Sensor cleaning will be performed when the camera turns
WHEN SWITCHED OFF off (sensor cleaning is not however performed if the cam-
era turns off in playback mode).

N Dust that cannot be removed using sensor cleaning can be removed

using a blower (P 320).

BATTERY AGE
Check battery age. Age is expressed as a BATTERY AGE

number between 0 and 4. The higher the

number, the older the battery.

The Setup Menus

N The older the battery, the faster it loses its charge. We recommend that
batteries be replaced as they wear out.

213
 USER SETTING

RESET
Reset shooting or setup menu options to default values.

1 Highlight the desired option and press MENU/OK.

Option Description
Reset all photo menu settings other than custom white
STILL MENU RESET balance and custom settings banks created using EDIT/
SAVE CUSTOM SETTING to default values.
Reset all movie menu settings other than custom white
MOVIE MENU RESET balance and custom settings banks created using EDIT/
SAVE CUSTOM SETTING to default values.
Reset all setup menu settings other than DATE/TIME,
TIME DIFFERENCE, COPYRIGHT INFO, and con-
SET-UP RESET
nection-related CONNECTION SETTING options to
default values.

2 A confirmation dialog will be displayed; highlight OK and

press MENU/OK.
The Setup Menus

REGULATORY
To view electronic copies of the product model number, and
other certificates, select D USER SETTING > REGULATORY in the
setup menu.

214
 SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK, SOUND SETTING
AF BEEP VOL.
select the D (SET UP) tab, and choose SELF-TIMER BEEP VOL.
OPERATION VOL.
SOUND SET-UP. SHUTTER VOLUME
SHUTTER SOUND
PLAYBACK VOLUME

EXIT

AF BEEP VOL.
Choose the volume of the beep that sounds when the camera
focuses. The beep can be muted by selecting eOFF.
Options
b (high) c (medium) d (low) eOFF (mute)

SELF-TIMER BEEP VOL.

Choose the volume of the beep that sounds while the self-timer

The Setup Menus

is active. The beep can be muted by selecting eOFF.
Options
b (high) c (medium) d (low) eOFF (mute)

215
 SOUND SETTING

OPERATION VOL.
Adjust the volume of the sounds produced when camera con-
trols are operated. Choose eOFF to disable control sounds.
Options
b (high) c (medium) d (low) eOFF (mute)

SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic
shutter. Choose eOFF to disable the shutter sound.
Options
b (high) c (medium) d (low) eOFF (mute)

SHUTTER SOUND
Choose the sound made by the electronic shutter.
Options
i SOUND 1 j SOUND 2 k SOUND 3
The Setup Menus

PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
0 1 2 3 4 5 6 7 8 9 10
8

216
 SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK, SCREEN SETTING
EVF BRIGHTNESS
select the D (SET UP) tab, and choose EVF COLOR
EVF COLOR ADJUSTMENT
SCREEN SET-UP. LCD BRIGHTNESS
LCD COLOR
LCD COLOR ADJUSTMENT
IMAGE DISP.
AUTOROTATE DISPLAYS
EXIT

EVF BRIGHTNESS
Adjust the brightness of the display in the electronic viewfinder.
Option Description
AUTO Automatic brightness adjustment.
Adjust brightness manually; choose from options between −7
MANUAL
and +5.

EVF COLOR

The Setup Menus

Adjust the saturation of the display in the electronic viewfinder.
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5

EVF COLOR ADJUSTMENT

Adjust the color of the display in the electronic viewfinder. 8

1 Adjust colors using the focus stick EVF COLOR ADJUSTMENT

(focus lever).

SET CANCEL

2 Press MENU/OK.

217
 LCD BRIGHTNESS
Adjust monitor brightness.
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5

LCD COLOR
Adjust monitor saturation.
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5

LCD COLOR ADJUSTMENT

Adjust the color of the display in the LCD monitor.

1 Adjust colors using the focus stick (focus lever).

2 Press MENU/OK.
The Setup Menus

218
 SCREEN SETTING

IMAGE DISP.
Choose how long images are displayed after shooting.
Option Description
Pictures are displayed until the MENU/OK button is pressed or the
shutter button is pressed halfway. To zoom in on the active focus
CONTINUOUS
point, press the center of the rear command dial; press again to
cancel zoom.
1.5 SEC Pictures are displayed for the selected time or until the shutter
0.5 SEC button is pressed halfway.
OFF Pictures are not displayed after shooting.

N • Colors may differ slightly from those in the final image.

• “Noise” mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the viewfinder and LCD monitor
rotate to match camera orientation.
Options

The Setup Menus

ON OFF

219
 PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview
in manual exposure mode.
Option Description
PREVIEW EXP./WB Enable exposure and white balance preview.
Preview white balance only. Choose this option in situations in
which exposure and white balance are likely to change during
PREVIEW WB
shooting, as may be the case when you use a flash with an
incandescent monitoring lamp.
Disable exposure and white balance preview. Choose this op-
OFF tion when using a flash or on other occasions on which expo-
sure may change when the picture is taken.

NATURAL LIVE VIEW

Choose whether the effects of film simulation, white balance,
and other settings are visible in the monitor.
Option Description
The Setup Menus

The effects of camera settings are not visible in the monitor,

but shadows in low-contrast, back-lit scenes and other hard-
ON to-see subjects more visible. Colors and tone will differ from
those in the final picture. The display will however be adjusted
to show the effects of monochrome and sepia settings.
The effects of film simulation, white balance, and other settings
OFF
8 can be previewed in the monitor.

220
 SCREEN SETTING

F-Log VIEW ASSIST

Select ON to display a tone-corrected preview (equivalent to
BT.709) when recording or viewing F-log movies.
Options
ON OFF

FRAMING GUIDELINE
Choose a framing grid for shooting mode.
Option
F GRID 9 G GRID 24 H HD FRAMING
Display

P P P

For “rule of thirds” compo- A six-by-four grid. Frame HD pictures in the

The Setup Menus

sition. crop shown by the lines at
the top and bottom of the
display.

N Framing guides are not shown at default settings but can be displayed
using D SCREEN SET-UP > DISP. CUSTOM SETTING (P 223).

221
 AUTOROTATE PB
Choose ON to automatically rotate “tall” (portrait-orientation)
pictures during playback.
Options
ON OFF

PLAYBACK MAGNIFICATION
Choose the zoom ratio selected when the center of the rear com-
mand dial is pressed during playback.
Option Description
2x (FROM CENTER) View the center area of the picture at the selected zoom
4x (FROM CENTER) ratio. Regardless of the setting selected, pictures will not be
8x (FROM CENTER) displayed at greater than actual size.
ACTUAL SIZE View the picture at a zoom ratio of 100%, centered on the
(FROM FOCUS POINT) focus area.
Display each picture at the same zoom ratio as the previous
PREVIOUS MAG.
picture, starting at the center of the image. Pictures will not,
(FROM CENTER)
The Setup Menus

however, be displayed at greater than actual size.

FOCUS SCALE UNITS

Choose the units used for the focus distance indicator.
Options
8 METERS FEET

222
 SCREEN SETTING

DUAL DISPLAY SETTING

Choose the content of the two windows in the dual display.
Option Description
The right (small) window shows a close-up of the focus area,
R:FOCUS L:FRAME
while the left (large) window shows the entire frame.
The right (small) window shows the entire frame, while the left
R:FRAME L:FOCUS
(large) window shows a close-up of the focus area.

DISP. CUSTOM SETTING

Choose the items shown in the standard indicator display
(P 20).

The Setup Menus

8

223
 LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic viewfind-
er. The indicators displayed can be selected using D SCREEN
SET-UP > LARGE INDICATORS DISP. SETTING.

5
4
3
2
1
0
-1
-2
-3
-4
-5

OFF ON

O Some icons are not displayed when ON is selected for LARGE

INDICATORS MODE(EVF) (P 13).

N If LARGE INDICATORS MODE is assigned to a function button, the

button can be used to toggle LARGE INDICATORS MODE on (ON)
and off (OFF) (P 263).
The Setup Menus

LARGE INDICATORS MODE(LCD)

Select ON to display large indicators in the LCD monitor. The in-
dicators displayed can be selected using D SCREEN SET-UP  >
LARGE INDICATORS DISP. SETTING.

OFF ON

O Some icons are not displayed when ON is selected for LARGE

INDICATORS MODE(LCD) (P 15).

N If LARGE INDICATORS MODE is assigned to a function button, the

button can be used to toggle LARGE INDICATORS MODE on (ON)
and off (OFF) (P 263).

224
 SCREEN SETTING

LARGE INDICATORS DISP. SETTING

Choose the indicators displayed when LARGE INDICATORS DISP. SETTING
Expo. DISP.
ON is selected for D SCREEN SET-UP > Scale

LARGE INDICATORS MODE(EVF) or

LARGE INDICATORS MODE(LCD).

Option Description
Choose the items listed at the bottom of the display.
A Expo. DISP. Selected items are indicated by check marks (R); to
deselect, highlight the check marks and press MENU/OK.
B d Scale Select ON to display the exposure indicator.
Choose up to four large icons for display on the left side
C L1, L2, L3, L4
of the screen.
Choose up to four large icons for display on the right
D R1, R2, R3, R4
side of the screen.

INFORMATION CONTRAST ADJ.

The Setup Menus

Adjust display contrast.
Option Description
HIGH CONTRAST High contrast.
STANDARD Normal contrast.
LOW CONTRAST Low contrast.
DARK AMBIENT LIGHTING Contrast adjusted for dim ambient lighting.
8

225
 SUB MONITOR SETTING
Choose the indicators displayed in the secondary LCD monitor.
Separate displays are available for still photography and movie
recording. Choose from the following:
Option Description
Display camera settings. You can choose the settings
INFORMATION
displayed.
DIALS Display dials showing ISO sensitivity and shutter speed.
HISTOGRAM Display a histogram.

N You can switch between displays by pressing the secondary LCD mon-
itor mode button.

The INFORMATION Display

Follow the steps below to choose the indicators shown in the
INFORMATION display.

1 Select D SCREEN SET-UP > SUB MONITOR SETTING in the

The Setup Menus

setup menu.

2 Highlight STILL MODE or MOVIE MODE and press MENU/OK.

3 Highlight INFORMATION and press SUB MONITOR SETTING(STILL)

MENU/OK.
INFORMATION
DIALS
8 HISTOGRAM

226
 SCREEN SETTING

4 Highlight the indicator you wish to change and press MENU/OK.

SUB MONITOR SETTING INFORMATION(STILL)
SHUTTER SPEED
APERTURE
ISO
SHOOTING MODE
IMAGE SIZE/QUALITY
WHITE BALANCE
FILM SIMULATION
BATTERY LEVEL

5 Highlight the indicator you wish to DISPLAY 1 SETTING

SHUTTER SPEED
display and press MENU/OK. APERTURE
EXPO. COMP.
ISO
MOVIE MODE
SHOOTING MODE
PHOTOMETRY
DRIVE MODE

Choose from:
• SHUTTER SPEED • IMAGE SIZE/QUALITY
• APERTURE • SHUTTER TYPE

The Setup Menus

• EXPO. COMP. • FILM SIMULATION
• ISO • DYNAMIC RANGE
• MOVIE MODE • 35mm FORMAT MODE
• SHOOTING MODE • BOOST MODE
• PHOTOMETRY • DUAL IS MODE
• DRIVE MODE • SELF-TIMER 8
• FOCUS MODE • NONE
• WHITE BALANCE

227
 6 Repeat Steps 4 and 5 to change additional indicators.
N The d Scale indicator can only be enabled
or disabled.

d Scale

SUB MONITOR BACKGROUND COLOR

Adjusting the background color of the secondary LCD monitor
according to lighting conditions makes the display easier to read.
Option Description
BLACK Recommended for use with dark ambient lighting.
WHITE Recommended for use with bright ambient lighting.

N The background is displayed in white when the secondary LCD moni-

The Setup Menus

tor backlight is on.

228
 SCREEN SETTING

x Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during still photography.
Options
TRANSPARENT BLACK

F Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during movie recording.
Options
TRANSPARENT BLACK

The Setup Menus

8

229
 BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK, BUTTON/DIAL SETTING
FOCUS LEVER SETTING
select the D (SET UP) tab, and choose xEDIT/SAVE QUICK MENU
FEDIT/SAVE QUICK MENU
BUTTON/DIAL SETTING. FUNCTION (Fn) SETTING
COMMAND DIAL SETTING
COMMAND DIAL DIRECTION
SHUTTER AF
SHUTTER AE
EXIT

FOCUS LEVER SETTING

Choose the functions performed by the focus stick (focus lever).
Option Description
LOCK (OFF) The focus stick cannot be used during shooting.
Press the stick to view the focus-point display and tilt the stick
PUSH n TO UNLOCK
to select a focus point.
Tilt the stick to view the focus-point display and select a focus
ON
point.
The Setup Menus

x EDIT/SAVE QUICK MENU

Choose the items displayed in the quick menu during still pho-
tography (P 257).

F EDIT/SAVE QUICK MENU

8
Choose the items displayed in the quick menu when filming
movies (P 257).

230
 BUTTON/DIAL SETTING

FUNCTION (Fn) SETTING

Choose the roles played by the function buttons (P 263).

COMMAND DIAL SETTING

Choose the roles played by the command dials.
Option Description
Assign shutter speed (S.S. (PROGRAM SHIFT)) or ap-
FRONT COMMAND
erture (APERTURE (PROGRAM SHIFT)) * to FRONT
DIAL 1
COMMAND DIAL 1.
FRONT COMMAND Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture
DIAL 2 (APERTURE (PROGRAM SHIFT)) *, sensitivity (ISO), or no
FRONT COMMAND role (NONE) to FRONT COMMAND DIAL 2 or FRONT
DIAL 3 COMMAND DIAL 3.
Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture
REAR COMMAND
(APERTURE (PROGRAM SHIFT)) *, sensitivity (ISO), or no
DIAL
role (NONE) to the rear command dial.
Exposure compensation can be adjusted using either or
EXP. COMPENSATION
both of the front and rear command dials while the d (ex-

The Setup Menus

ASSIGNMENT
posure compensation) button is pressed.
* Aperture ring rotated to C.

N • COMMAND DIAL SETTING can also be accessed by pressing and

holding the center of the front command dial.
• You can also press the center of the front command dial to cycle
through settings in the order FRONT COMMAND DIAL 1, FRONT 8
COMMAND DIAL 2, and FRONT COMMAND DIAL 3.

231
 COMMAND DIAL DIRECTION
Choose the direction in which the command dials are rotated to
choose values. Settings for the front and rear command dials can
be adjusted separately.
Option Description
Rotate the dial right for higher values or to move to the next
- ––––– +
item.
+ ––––– - Rotate the dial left for higher values or to move to the next item.

SHUTTER AF
Choose whether the camera focuses when the shutter button is
pressed halfway.
Option Description
• ON: Focus locks when the shutter button is pressed halfway.
AF-S • OFF: No focus operation is performed when the shutter but-
ton is pressed halfway.
• ON: The camera focuses while the shutter button is pressed
The Setup Menus

halfway.
AF-C
• OFF: No focus operation is performed when the shutter but-
ton is pressed halfway.

232
 BUTTON/DIAL SETTING

SHUTTER AE
If ON is selected, exposure will lock while the shutter button is
pressed halfway.
N Select OFF to allow the camera to adjust exposure before each shot
taken in burst mode.

The Setup Menus

8

233
 SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is at-
tached.
Options
ON OFF

SHOOT WITHOUT CARD

Choose whether the shutter can be released without a memory
card inserted in the camera.
Option Description
When no memory card is inserted, the shutter can be released
ON to test camera function and the shooting and setup menus can
be displayed.
The shutter is disabled if no memory card is inserted, preventing
OFF
accidental loss of pictures taken without a memory card.
The Setup Menus

234
 BUTTON/DIAL SETTING

FOCUS RING
Choose the direction in which the focus ring is rotated to in-
crease the focus distance.
Options
X CW (clockwise) Y CCW (counterclockwise)

FOCUS RING OPERATION

Choose how the camera adjusts focus in response to the move-
ment of the focus ring.
Option Description
NONLINEAR Focus is adjusted at the same rate as the ring is rotated.
Focus is adjusted linearly according to the amount the ring is ro-
LINEAR tated, but the focusing speed is unaffected by the speed the ring
is rotated.

The Setup Menus

8

235
 AE/AF-LOCK MODE
This option determines the behavior of the button to which
exposure and/or focus lock is assigned.
Option Description
AE&AF ON WHEN
Exposure and/or focus will lock while the button is pressed.
PRESSING
AE&AF ON/OFF Exposure and/or focus will lock when the button is pressed and re-
SWITCH main locked until it is pressed again.

AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white
balance (AWB) lock. Auto white balance lock is used to lock white
balance at the value metered by the camera when WA WHITE
PRIORITY, AUTO, or AA AMBIENCE PRIORITY is selected for
white balance.
Option Description
AWB ON WHEN
The Setup Menus

Auto white balance locks while the button is pressed.

PRESSING
AWB ON/OFF Press the button once to lock auto white balance and again to end
SWITCH the lock.

EXPO. COMP. BUTTON SETTING

Control the behavior of the rear command dial and the button
8
to which exposure compensation is assigned. If d ON WHEN
PRESSING is selected, exposure compensation can be adjusted
by holding the button while rotating dial; if d ON/OFF SWITCH
is selected, exposure compensation can be set by pressing the
button once, rotating the dial, and then pressing the button
again.
Options
d ON WHEN PRESSING d ON/OFF SWITCH

236
 BUTTON/DIAL SETTING

TOUCH SCREEN SETTING

Enable or disable touch-screen controls.

x TOUCH SCREEN SETTING

Option Description
ON The LCD monitor functions as a touch screen during shooting.
OFF Touch controls disabled.

x DOUBLE TAP SETTING

Option Description
Tap the LCD monitor twice to zoom in on your subject during
ON
shooting.
OFF Touch zoom disabled.

c TOUCH FUNCTION
Option Description

The Setup Menus

ON Enable touch-function gestures.
OFF Disable touch-function gestures.

a TOUCH SCREEN SETTING

Option Description
ON The LCD monitor functions as a touch screen during playback. 8
OFF Touch controls disabled.

237
 BUTTON/DIAL SETTING

EVF TOUCH SCREEN AREA SETTINGS

Select the area of the LCD monitor used for touch controls while
the viewfinder is active. The area used for touch controls can be
selected from:
Option Description
6 All.
0 Right half.
2 Top right quarter.
4 Bottom right quarter.
1 Left half.
3 Top left quarter.
5 Bottom left quarter.
OFF Touch controls disabled.

LOCK
Lock selected controls to prevent unintended operation.
The Setup Menus

Option Description
Choose from the following:
• UNLOCK: Reset lock options.
LOCK SETTING •
ALL FUNCTION: Lock all controls in the FUNCTION
SELECTION list.
• SELECTED FUNCTION: Lock only the controls selected in
8 the FUNCTION SELECTION list.
FUNCTION Choose the controls locked when SELECTED FUNCTION is
SELECTION chosen for LOCK SETTING.

N The controls selected using SELECTED FUNCTION can be locked at any

time during shooting by pressing and holding MENU/OK. To unlock the
controls, press and hold the button again.

238
 POWER MANAGEMENT
Adjust power management settings.
To access power management settings, POWER MANAGEMENT
AUTO POWER OFF
press MENU/OK, select the D (SET UP) tab, PERFORMANCE
SHOOTING STAND BY MODE
and choose POWER MANAGEMENT. AUTO POWER SAVE
AUTO POWER OFF TEMP.

EXIT

AUTO POWER OFF

Choose the length of time before the camera turns off automati-
cally when no operations are performed. Shorter times increase
battery life; if OFF is selected, the camera must be turned off
manually.
Options
5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF

The Setup Menus

8

239
 PERFORMANCE
Select BOOST to improve focus and EVF display performance.
Option Description
Boost camera focus and EVF display performance. The battery
drains faster than when is NORMAL selected.
You can choose to assign priority to:
• AF PRIORITY - NORMAL: Focus speed.
• AF PRIORITY - LOW LIGHT: Focus speed while adjusting EVF
and LCD brightness to make objects in shadows easier to see.
BOOST Some ghosting may be visible with blurred images.
• EVF RESOLUTION PRIORITY: Viewfinder resolution.
• EVF FRAME RATE PRIORITY: Viewfinder frame rate for
smoother motion.
N Regardless of the option selected, the camera functions
in AF PRIORITY  - NORMAL mode while the monitor
is on.
Choose for standard focus and EVF display performance and bat-
NORMAL
tery endurance.
The Setup Menus

240
 POWER MANAGEMENT

SHOOTING STAND BY MODE

Choose the delay before the camera enters shooting standby
mode.
Option Description
5 MIN
2 MIN The camera will suspend all functions and enter power-
1 MIN ing-saving (standby) mode if no operations are performed
30 SEC for the selected period.
15 SEC
OFF Shooting standby mode disabled.

AUTO POWER SAVE

If ON is selected, the display frame rate will drop to save power if
no operations are performed for a short period, but the normal
frame rate can be restored by operating camera controls.
Options
ON OFF

The Setup Menus

AUTO POWER OFF TEMP.
If its temperature rises beyond a certain point, the camera will first
display a message and then, if the temperature rise continues, auto-
matically end shooting and power down. Choose the temperature
at which the camera turns off automatically. 8
Option Description
The camera turns off automatically when its temperature reach-
STANDARD
es the STANDARD value.
Shooting can continue at temperatures higher than the
STANDARD value, extending the time available to record
movies and the like. Because remaining in contact with the
HIGH camera at these high temperatures could result in low-tem-
perature burns, this option should only be used after mounting
the camera on a tripod or taking other steps to avoid prolonged
contact with the camera.

241
 SAVE DATA SETTING
Make changes to file management settings.
To access file management settings, SAVE DATA SETTING
FRAME NO.
press MENU/OK, select the D (SET UP) tab, SAVE ORG IMAGE
EDIT FILE NAME
and choose SAVE DATA SET-UP. xCARD SLOT SETTING
FCARD SLOT SETTING
SELECT SLOT( SEQUENTIAL)
SELECT SLOT( SEQUENTIAL)
SELECT FOLDER
EXIT

FRAME NO.
New pictures are stored in image files named Frame number
using a four-digit file number assigned by
adding one to the last file number used. The
file number is displayed during playback as Directory File
number number
shown. FRAME NO. controls whether file num-
bering is reset to 0001 when a new memory card is inserted or
the current memory card is formatted.
The Setup Menus

Option Description
Numbering continues from the last file number used or the first
CONTINUOUS available file number, whichever is higher. Choose this option to
reduce the number of pictures with duplicate file names.
Numbering is reset to 0001 after formatting or when a new
RENEW
8 memory card is inserted.

N • If the frame number reaches 999-9999, the shutter release will be

disabled. Format the memory card after transferring to a computer
any pictures you wish to keep. Next, reset frame numbering to 100-
0001 by inserting a formatted memory card, selecting RENEW for
FRAME NO., and taking a picture. You can then set FRAME NO. to
CONTINUOUS once more and continue shooting.
• Selecting D USER SETTING  > RESET sets FRAME NO. to
CONTINUOUS but does not reset the file number.
• Frame numbers for pictures taken with other cameras may differ.

242
 SAVE DATA SETTING

SAVE ORG IMAGE

Choose ON to save unprocessed copies of pictures taken using
RED EYE REMOVAL.
Options
ON OFF

EDIT FILE NAME

Change the file name prefix. sRGB images use a four-letter prefix
(default “DSCF”), Adobe RGB images a three-letter prefix (“DSF”)
preceded by an underscore.
Option Default prefix Sample file name
sRGB DSCF ABCD0001
AdobeRGB _DSF _ABC0001

x CARD SLOT SETTING

Choose the role played by the card in the second slot.

The Setup Menus

Option Description
The card in the second slot is used only when the card in the
SEQUENTIAL
first slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW pictures will be saved to the card in the first slot and
JPEG pictures to the card in the second slot. This option
RAW / JPEG only takes effect when SUPER FINE+RAW, FINE+RAW 8
or NORMAL+RAW is selected for H IMAGE QUALITY
SETTING > IMAGE QUALITY.

243
 SAVE DATA SETTING

F CARD SLOT SETTING

Choose the role played by the card in the second slot.
Option Description
The card in the second slot is used only when the card in the
SEQUENTIAL
first slot is full.
BACKUP Each picture is recorded twice, once to each card.

O • The current movie mode applies to both copies; settings for backup
copies cannot be adjusted separately.
• Backup recording may not be available with movies, depending on
the option selected for movie mode.

SELECT SLOT(xSEQUENTIAL)
Choose the card that is recorded to first when SEQUENTIAL is
selected for x CARD SLOT SETTING.
Options
SLOT 1 SLOT 2
The Setup Menus

SELECT SLOT(FSEQUENTIAL)
Choose the card that is recorded to first when SEQUENTIAL is
selected for F CARD SLOT SETTING.
Options
SLOT 1 SLOT 2
8

244
 SAVE DATA SETTING

SELECT FOLDER
Create folders and choose the folder used to store subsequent
pictures.
Option Description
To choose the folder in which subsequent pictures will be
SELECT FOLDER stored, press the focus stick (focus lever) up or down to
highlight an existing folder and press MENU/OK.
Enter a five-character folder name to create a new folder
in which to store subsequent pictures. The new folder will
CREATE FOLDER
be created with the next picture you take and subsequent
pictures will be stored in that folder.

COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to
new images as they are taken. Changes to copyright information
are reflected only in images taken after the changes are made.
Option Description

The Setup Menus

DISP COPYRIGHT INFO View the current copyright information.
ENTER AUTHOR’S INFO Enter the creator’s name.
ENTER COPYRIGHT INFO Enter the name of the copyright holder.
Delete the current copyright information. This change applies
DELETE COPYRIGHT INFO only to images taken after this option is selected; copyright
information recorded with existing images is not affected.
8

245
 CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press CONNECTION SETTING
Bluetooth SETTINGS
MENU/OK, select the D (SET UP) tab, and NETWORK SETTING
instax PRINTER CONNECTION SETTING
choose CONNECTION SETTING. CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
EXIT

N For more information on wireless connections, visit:

http://fujifilm-dsc.com/wifi/

Bluetooth SETTINGS
Adjust Bluetooth settings.
Option Description
PAIRING Pair the camera with a smartphone running the FUJIFILM Camera
REGISTRATION Remote app.
The Setup Menus

Choose a connection from a list of devices with which the

SELECT PAIRING
camera has been paired using PAIRING REGISTRATION.
DESTINATION
Select NO CONNECTION to exit without connecting.
Delete pairing information for selected devices. Choose the de-
DELETE PAIRING
vice in the device list. The selected device will also be removed
REG.
from the devices listed in SELECT PAIRING DESTINATION.
8 • ON: The camera automatically establishes a Bluetooth con-
Bluetooth ON/OFF nection with paired devices when turned on.
• OFF: The camera does not connect via Bluetooth.
AUTO IMAGE • ON: Mark photos for upload as they are taken. Mark JPEG
photos for upload as they are taken.
TRANSFER
• OFF: Photos are not marked for upload as they are taken.
Choose whether to synchronize the camera to the time and/or
location provided by a paired smartphone.
SMARTPHONE • LOCATION&TIME: Synchronize the time and location.
SYNC. SETTING • LOCATION: Synchronize the location.
• TIME: Synchronize the time.
• OFF: Synchronization off.
246
 CONNECTION SETTING

N • Install the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet before pairing the device with your camera or
uploading images.
• When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE
TRANSFER or images are currently selected for upload using the IMAGE
TRANSFER ORDER option in the C (playback) menu, upload to paired
devices will begin shortly after you exit to playback or turn the camera
off. IMAGE TRANSFER ORDER can also be used to select pictures for
upload when AUTO IMAGE TRANSFER is off.

NETWORK SETTING
Adjust settings for connection to wireless networks.
Option Description
• SIMPLE SETUP: Connect to an access point using simple
settings.
WIRELESS ACCESS • MANUAL SETUP: Manually adjust settings for connec-
POINT SETTING tion to a wireless network. Choose the network from a list
(SELECT FROM NETWORK LIST) or enter the name manu-

The Setup Menus

ally (ENTER SSID).
• AUTO: The IP address is assigned automatically.
WIRELESS IP • MANUAL: Assign an IP address manually. Manually choose
ADDRESS SETTING the IP address (IP ADDRESS), network mask (NETMASK),
and gateway address (GATEWAY ADDRESS).

247
 instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fujifilm instax SHARE
printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a different
password to print from a smartphone, enter
that password instead.
The Setup Menus

248
 CONNECTION SETTING

CONNECTION MODE
Adjust settings for connection to external devices.
Option Description
Connecting the camera to a computer via USB automatically
enables data transfer mode, allowing data to be copied to
USB CARD READER
the computer. The camera functions normally when not con-
nected.
The camera can be controlled from computers, gimbals,
drones, or other devices connected via USB. The camera au-
tomatically enters “tethered shooting” (i.e., remote-control)
mode when the external device is turned on and returns to
normal operation when the external device turned off or dis-
connected.
• Photographs can be taken remotely and automatically
downloaded to computers running Capture One, Ado-
USB TETHER be® Photoshop® Lightroom® + Tether Plugin, FUJIFILM X
SHOOTING AUTO Acquire, or FUJIFILM Pixel Shift Combiner. FUJIFILM X Ac-
quire can also be used to save and load camera settings.

The Setup Menus

• The camera can be used as a webcam when connected to
a computer running FUJIFILM X Webcam.
• Remote photography and movie recording are available
when the camera is connected to a compatible device
such as a gimbal or drone. Use camera controls to switch
between still photography and movie recording. The fea-
tures available vary with the device connected. 8
As for USB TETHER SHOOTING AUTO, except that the
camera remains in “tethered shooting” (remote-control)
mode when the external device is off or not connected, al-
USB TETHER
lowing the device to resume control when the connection
SHOOTING FIXED
is re-established after an accidental disconnection or other
disruption. At default settings, pictures are not recorded to
the memory card.
Choose this option for wireless remote photography. Select a
WIRELESS TETHER
network using D CONNECTION SETTING > NETWORK
SHOOTING FIXED
SETTING.

249
 Option Description
Connecting the camera to a computer via USB automatical-
ly enables USB RAW conversion/backup restore mode. The
camera functions normally when not connected.
USB RAW CONV./ •
USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the cam-
era’s image processing engine to rapidly convert RAW files
BACKUP RESTORE
to other formats while maintaining image quality.
• BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load
camera settings. Reconfigure the camera in an instant or
share settings with other cameras of the same type.

O D POWER MANAGEMENT > AUTO POWER OFF settings also apply

during tethered shooting. To prevent the camera turning off automat-
ically, select OFF for AUTO POWER OFF.

N For information on compatible computer software, see “Software for

Use with Your Camera” (P 306).

USB POWER SUPPLY SETTING

Choose whether power is supplied to the camera when it is con-
The Setup Menus

nected to a computer or other device via a USB cable.

Option Description
The camera draws power from the connected device, reducing
ON
the drain on the camera battery.
OFF The camera does not draw power from the connected device.
8
O The camera cannot draw power from Lightning connections or from
devices that do not supply power. Select OFF before connecting the
camera to such devices. The connection may not be available for data
transfer or the like when ON is selected.
N Regardless of the option selected, the battery will charge while the
camera is off.

250
 CONNECTION SETTING

GENERAL SETTINGS
Adjust settings for connection to wireless networks.
Option Description
Choose a name (NAME) to identify the camera on the wireless
NAME
network (the camera is assigned a unique name by default).
Choose whether to resize images for upload to smartphones.
Resizing applies only to the copy uploaded to the smartphone;
RESIZE IMAGE FOR
the original is not affected.
SMARTPHONE
H • ON: Larger images are resized to H for upload. This setting
is recommended.
• OFF: Images are uploaded at their original size.
Choose whether location data downloaded from a smartphone
GEOTAGGING
are embedded in pictures as they are taken.
LOCATION INFO Display the location data last downloaded from a smartphone.
Choose the role played by the d button during playback.
r BUTTON • s PAIRING/TRANSFER ORDER: The button can be used for
pairing and selecting images for transfer.
SETTING

The Setup Menus

• r WIRELESS COMMUNICATION: The button can be used
for wireless connections.

INFORMATION
View the camera’s MAC and Bluetooth address.

RESET WIRELESS SETTING 8

Restore wireless settings to their default values.

251
MEMO

252
Shortcuts

253
 Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to the Q menu or a cus-
tom “my” menu or assigned to a function button or touch-func-
tion gesture for direct access:
Shortcut Option Description P
Add frequently-used options to this custom menu,
“My menu” which can be viewed by pressing MENU/OK and se- 255
lecting the E (“MY MENU”) tab.
The Q menu is displayed by pressing the Q button.
The Quick Menu Use the Q menu to view or change the options se- 257
lected for frequently-used menu items.
Use the function buttons for direct access to select-
The function buttons 263
ed features.
Use touch function button flick gestures (T-Fn1,
Touch-function
T-Fn2, T-Fn3, and T-Fn4) for direct access to selected 267
gestures
features.
Shortcuts

254
 MY MENU
Access a personalized menu of frequently-used options.
To display “my menu”, press MENU/OK in the MY MENU

SELF-TIMER
shooting display and select the E (MY INTERVAL TIMER SHOOTING
FILM SIMULATION
MENU) tab. GRAIN EFFECT
SHUTTER TYPE
IS MODE
FACE/EYE DETECTION SETTING
ISO
EXIT

O The E tab is only available if options have been assigned to

MY MENU.

MY MENU SETTING
To choose the items listed in the E (MY MENU) tab:

1 In the setup menu, select D USER MY MENU SETTING

SETTING > x MY MENU SETTING or

ADD ITEMS
F MY MENU SETTING. RANK ITEMS
REMOVE ITEMS

N To reorder items, select RANK ITEMS.

To delete items, select REMOVE ITEMS.

2 Press the focus stick (focus lever) up MY MENU SETTING

Shortcuts
IMAGE SIZE
or down to highlight ADD ITEMS and IMAGE QUALITY
RAW RECORDING
press MENU/OK. Options that can be FILM SIMULATION
MONOCHROMATIC COLOR
added to “my menu” are highlighted GRAIN EFFECT

in blue. COLOR CHROME EFFECT

COLOR CHROME FX BLUE 9
OK SELECT CANCEL

N Items currently in “my menu” are indicated by check marks.

255
 MY MENU

3 Choose a position for the item and SELECT ITEM LOCATION

1 IMAGE SIZE
press MENU/OK. The item will be added 2 IMAGE QUALITY

to “my menu”.

MOVE SAVE

4 Press MENU/OK to return to the edit display.

5 Repeat Steps 3 and 4 until all the desired items have been
added.
N “My menu” can contain up to 16 items.
Shortcuts

256
 The Quick Menu
Use the quick menu for quick access to selected options. To
view the quick menu, press the Q button.

The Quick Menu Display

The quick menu offers different options in photo and movie
modes. At default settings, it contains the following items:

Still photography

SHOOTING MODE

SET LONG PRESS EDIT/SAVE CUSTOM

Default

Shortcuts
A SHOOTING MODE I HIGHLIGHT TONE
B ISO J SHADOW TONE
C DYNAMIC RANGE K COLOR
D WHITE BALANCE L SHARPNESS
9
E HIGH ISO NR M SELF-TIMER
F IMAGE SIZE N AF MODE
G IMAGE QUALITY O FLASH FUNCTION SETTING
H FILM SIMULATION P EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items
B–P, which can be changed.

257
 Movie recording

SHOOTING MODE

SET LONG PRESS EDIT/SAVE CUSTOM

Default
A SHOOTING MODE G MOVIE MODE FRAME RATE
B SHUTTER SPEED H WHITE BALANCE COLOR TEMP.
(WHEN k SELECTED)
C MOVIE MODE RESOLUTION/ I FILM SIMULATION
ASPECT RATIO
D F WHITE BALANCE J DYNAMIC RANGE
E APERTURE (MOVIE OPTIMIZED K MOVIE MODE BIT RATE
CONTROL oL)
Shortcuts

F F ISO L FACE/EYE DETECTION SETTING

The quick menu shows the options currently selected for items
B–L, which can be changed.
9

258
 The Quick Menu

Viewing and Changing Settings

1 Press Q to display the quick menu
during shooting.

2 Use the focus stick (focus lever) to ISO

highlight items and rotate the rear

command dial to change.

SET LONG PRESS EDIT/SAVE CUSTOM

N When DISABLE is selected for H IMAGE QUALITY SETTING  >

EDIT/SAVE CUSTOM SETTING  > AUTO UPDATE SETTING in
modes C1 through C6, settings altered from saved values are indi-

Shortcuts
cated by red icons.

3 Press Q to exit when settings are complete.

N • The quick menu can also be edited using touch controls. 9
• Using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING, you
can assign the Q  button roles normally reserved for the function
buttons or assign the Q  button’s default role to a function button
(P 263).
• To disable the Q (quick menu) button, select NONE for D BUTTON/
DIAL SETTING > FUNCTION (Fn) SETTING > Q BUTTON SETTING.

259
 Editing the Quick Menu
To choose the items displayed in the quick menu:

1 Press and hold the Q button during

shooting.

N The camera displays the photo quick menu during still photogra-
phy and the movie quick menu when in movie mode.

2 The current quick menu will be displayed; use the focus stick
(focus lever) to highlight the item you wish to change and
press MENU/OK.

3 Highlight the item you wish to change and press MENU/OK.

The following can be assigned to the quick menu.
N The quick menus can also be edited using D BUTTON/DIAL SETTING >
x EDIT/SAVE QUICK MENU or F EDIT/SAVE QUICK MENU.
Shortcuts

260
 The Quick Menu

Available Items (Still Photography)

Choose from:
• IMAGE SIZE • HIGH ISO NR
• IMAGE QUALITY • AF MODE
• FILM SIMULATION • AF-C CUSTOM SETTINGS
• GRAIN EFFECT • FACE/EYE DETECTION SETTING
• COLOR CHROME EFFECT • MF ASSIST
• COLOR CHROME FX BLUE • TOUCH SCREEN MODE
• SMOOTH SKIN EFFECT • SELF-TIMER
• DYNAMIC RANGE • PHOTOMETRY
• D RANGE PRIORITY • SHUTTER TYPE
• WHITE BALANCE • FLICKER REDUCTION
• WHITE BALANCE COLOR TEMP. • ISO
(WHEN k SELECTED) • FLASH FUNCTION SETTING
• HIGHLIGHT TONE • FLASH COMPENSATION
• SHADOW TONE • EVF/LCD BRIGHTNESS
• COLOR • EVF/LCD COLOR
• SHARPNESS • NONE
• CLARITY
N To disable the function button, choose NONE.

Shortcuts

261
 The Quick Menu

Available Items (Movies)

• FILM SIMULATION • MOVIE MODE FRAME RATE
• DYNAMIC RANGE • MOVIE MODE BIT RATE
• WHITE BALANCE • MOVIE AF MODE
• WHITE BALANCE COLOR TEMP. • FIX MOVIE CROP MAGNIFICATION
(WHEN k SELECTED) • F IS MODE
• HIGHLIGHT TONE • F IS MODE BOOST
• SHADOW TONE • SHUTTER SPEED
• COLOR • APERTURE
• SHARPNESS (MOVIE OPTIMIZED CONTROL oL)
• HIGH ISO NR • INTERNAL/EXTERNAL MIC LEVEL
• FACE/EYE DETECTION SETTING ADJUSTMENT
• MF ASSIST • EVF/LCD BRIGHTNESS
• TOUCH SCREEN MODE • EVF/LCD COLOR
• PHOTOMETRY • NONE
• MOVIE ISO
• MOVIE MODE RESOLUTION/
ASPECT RATIO

N To disable the function button, choose NONE.

Shortcuts

262
 Function Controls
Assign a role to each function button or touch-function
gesture for quick access to the selected feature.

The Function Buttons

Assign a role to the function buttons for quick access to the se-
lected feature.

Function Button Defaults

The default assignments are:
Back-of-Camera Function Buttons

Function buttons Default

Shortcuts
A AFON button AF-ON
B Q (quick menu) button QUICK MENU
C AEL (exposure lock) button AE LOCK ONLY
D Center of rear command dial FOCUS CHECK
9

263
 Front-of-Camera Function Buttons

Function buttons Default

A Fn3 button SUB MONITOR MODE
B Fn2 button FACE DETECTION ON/OFF
C Fn1 button EXPO. COMP.
D Fn4 button PERFORMANCE
Shortcuts

264
 Function Controls

Assigning Roles to the Function Buttons

The roles played by the function buttons can be selected using
the D BUTTON/DIAL SETTING  > FUNCTION (Fn) SETTING op-
tion in the setup menu.
• EXPO. COMP. • FLASH FUNCTION SETTING
• IMAGE SIZE • TTL-LOCK
• IMAGE QUALITY • MODELING FLASH
• RAW • FIX MOVIE CROP MAGNIFICATION
• FILM SIMULATION • F IS MODE BOOST
• GRAIN EFFECT • ZEBRA SETTING
• COLOR CHROME EFFECT • INTERNAL/EXTERNAL MIC LEVEL
• COLOR CHROME FX BLUE ADJUSTMENT
• SMOOTH SKIN EFFECT • MOVIE OPTIMIZED CONTROL oL
• DYNAMIC RANGE • SUB MONITOR MODE
• D RANGE PRIORITY • PREVIEW DEPTH OF FIELD
• WHITE BALANCE • PREVIEW EXP./WB IN MANUAL MODE
• CLARITY • NATURAL LIVE VIEW
• FOCUS AREA • HISTOGRAM
• FOCUS CHECK • ELECTRONIC LEVEL
• AF MODE • LARGE INDICATORS MODE
• AF-C CUSTOM SETTINGS • F-Log VIEW ASSIST
• FACE SELECT op • AE LOCK ONLY
• FACE DETECTION ON/OFF • AF LOCK ONLY
• AF RANGE LIMITER • AE/AF LOCK
Shortcuts
• FOCUS CHECK LOCK • AF-ON
• SELF-TIMER • AWB LOCK ONLY
• AE BKT SETTING • S.S. LOCK
• FOCUS BKT SETTING • LOCK SETTING 9
• PHOTOMETRY • PERFORMANCE
• SHUTTER TYPE • AUTO IMAGE TRANSFER
• FLICKER REDUCTION • SELECT PAIRING DESTINATION
• ISO • Bluetooth ON/OFF
• IS MODE • QUICK MENU
• 35mm FORMAT MODE • PLAYBACK
• WIRELESS COMMUNICATION • NONE
N To disable the function button, choose NONE.
265
 AF-ON
Controls to which AF-ON is assigned can be used for autofocus.

MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed flash unit is attached, you can press the control to test-fire the
flash and check for shadows and the like (modeling flash).

TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock flash
output according to the option selected for F FLASH SETTING >
TTL-LOCK MODE (P 154).

FACE SELECT op
FACE SELECT op can be enabled or
disabled by pressing the button to which
FACE SELECT op is assigned. Enabling
FACE SELECT op allows the focus stick FACE SELECT ON
(focus lever) or (during viewfinder pho-
tography) touch controls (P 27) to be
used to select the face that will be used
for focus.
Shortcuts

The following features can be accessed using the focus stick or

during viewfinder photography when FACE SELECT op is en-
9 abled:
• The face used to set focus can be selected using the focus stick.
To switch from face detection to manual focus-area selection,
press the center of the focus stick (focus lever) (P 81). Press
again to re-enable face detection.
• The touch screen (monitor) or focus stick can be used to select
the face used to set focus during viewfinder photography.

266
 Function Controls

Touch-Function Gestures
Assign roles to touch-function gestures (T-Fn1, T-Fn2, T-Fn3, or T-Fn4)
for quick access to selected features.
N Touch-function gestures are disabled by default. To enable touch-func-
tion gestures, select ON for D BUTTON/DIAL SETTING  > TOUCH
SCREEN SETTING > c TOUCH FUNCTION.

Touch-Function Gesture Defaults

The default assignments for the different gestures are:

Touch-Function Gestures Default

Shortcuts
A T-Fn1 (flick up) HISTOGRAM
B T-Fn2 (flick left) FILM SIMULATION
C T-Fn3 (flick right) WHITE BALANCE
D T-Fn4 (flick down) ELECTRONIC LEVEL
9

267
 Function Controls

Assigning Roles to Touch-Function Gestures

The roles played by touch-function gestures can be selected us-
ing the D BUTTON/DIAL SETTING  > FUNCTION (Fn) SETTING
option in the setup menu.
• IMAGE SIZE • 35mm FORMAT MODE
• IMAGE QUALITY • WIRELESS COMMUNICATION
• RAW • FLASH FUNCTION SETTING
• FILM SIMULATION • TTL-LOCK
• GRAIN EFFECT • MODELING FLASH
• COLOR CHROME EFFECT • FIX MOVIE CROP MAGNIFICATION
• COLOR CHROME FX BLUE • F IS MODE BOOST
• SMOOTH SKIN EFFECT • ZEBRA SETTING
• DYNAMIC RANGE • INTERNAL/EXTERNAL MIC LEVEL
• D RANGE PRIORITY ADJUSTMENT
• WHITE BALANCE • MOVIE OPTIMIZED CONTROL oL
• CLARITY • SUB MONITOR MODE
• FOCUS AREA • PREVIEW DEPTH OF FIELD
• FOCUS CHECK • PREVIEW EXP./WB IN MANUAL MODE
• AF MODE • NATURAL LIVE VIEW
• AF-C CUSTOM SETTINGS • HISTOGRAM
• FACE SELECT op • ELECTRONIC LEVEL
• FACE DETECTION ON/OFF • LARGE INDICATORS MODE
• AF RANGE LIMITER • F-Log VIEW ASSIST
• FOCUS CHECK LOCK • S.S. LOCK
Shortcuts

• SELF-TIMER • LOCK SETTING

• AE BKT SETTING • PERFORMANCE
• FOCUS BKT SETTING • AUTO IMAGE TRANSFER
9 • PHOTOMETRY • SELECT PAIRING DESTINATION
• SHUTTER TYPE • Bluetooth ON/OFF
• FLICKER REDUCTION • QUICK MENU
• ISO • PLAYBACK
• IS MODE • NONE
N To disable touch-function gestures, choose NONE.

268
Peripherals and Optional
Accessories

269
 Lenses
The camera can be used with lenses for the FUJIFILM
G-mount.

Lens Parts
Peripherals and Optional Accessories

A Lens hood F Aperture ring

B Mounting marks G Lens signal contacts
C Focus ring H Front lens cap
D Aperture ring lock release I Rear lens cap
E Mounting marks (focal length)
N A GF63mmF2.8 R WR lens is used here for illustrative purposes.
10

270
 Lenses

Lens Care
• Use a blower to remove dust, then gently wipe with a soft, dry
cloth. Any remaining stains can be removed by wiping gently
with a piece of Fujifilm lens-cleaning paper to which a small
amount of lens-cleaning fluid has been applied.
• Replace the front and rear caps when the lens is not in use.
Removing Lens Caps
Remove lens caps as shown.

O Lens caps may differ from those shown.

Peripherals and Optional Accessories

Attaching Lens Hoods
When attached, lens hoods reduce glare and protect the front
lens element.

10

271
 Lenses

Aperture Rings
In modes A (aperture-priority AE) and M (manual), you can choose
the aperture (f-number) by rotating the lens aperture ring.

Aperture ring Aperture ring

lock release
Setting Description
With the aperture ring in the C or A position, you can choose
C( )
the aperture (f-number) by rotating the camera command
A( ) dial.
Other values ( ) Set aperture to the selected value.
Peripherals and Optional Accessories

N To select C or A, or to select another value after selecting C or A, press the

aperture ring lock release while rotating the aperture ring.

10

272
 External Flash Units
Use optional external flash units for flash photography.
Some units support high-speed sync (FP) and can be used
at shutter speeds faster than the flash sync speed, while
others can function as commanders controlling remote
units via optical wireless flash control.
O You may be unable to test-fire the flash in some circumstances, for ex-
ample when a setup menu is displayed on the camera.

Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING > RED EYE REMOVAL and G AF/MF SETTING >
FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye re-
moval minimizes “red-eye” caused when light from the flash is reflected
from the subject’s retinas.

Peripherals and Optional Accessories

10

273
 Flash Settings
1 Connect the unit to the camera.
2 In shooting mode, select FLASH FLASH SETTING
FLASH FUNCTION SETTING
FUNCTION SETTING in the F (FLASH RED EYE REMOVAL
TTL-LOCK MODE
SETTING) menu tab. The options LED LIGHT SETTING
COMMANDER SETTING
available vary with the flash unit. CH SETTING

EXIT

Menu Description P
Displayed when no compatible flash unit is connected or
SYNC
if a unit is connected via the sync terminal or uses only 275
TERMINAL
the X-contact on the hot shoe.
SHOE MOUNT Displayed when an optional flash unit is mounted on the
276
FLASH hot shoe and turned on.
Displayed if an optional flash unit functioning as a com-
COMMANDER
mander for Fujifilm optical wireless remote flash control is 279
Peripherals and Optional Accessories

(OPTICAL)
connected and turned on.

N SYNC TERMINAL will be also displayed if an incompatible flash

unit or no flash unit is connected.

3 Highlight items using the focus stick MODE

SHOE MOUNT FLASH
(focus lever) and rotate the rear com-
mand dial to change the highlighted
setting.

ADJUST END

10
4 Press DISP/BACK to put the changes into effect.

274
 External Flash Units

SYNC TERMINAL
The following options are available when no compatible flash
unit is connected or if a unit is connected via the sync terminal or
uses only the X-contact on the hot shoe.
MODE
SYNC TERMINAL

ADJUST END

Setting Description
Choose from the following options:
• M: A trigger signal is transmitted via the hot shoe X contacts
when a picture is taken. Choose a shutter speed slower than
A Flash control mode the sync speed; even slower speeds may be required if the

Peripherals and Optional Accessories

unit uses long flashes or has a slow response time.
• D (OFF): The trigger signal is disabled.
Choose whether the flash is timed to fire immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
B Sync it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
The Sync Terminal
Use the sync terminal to connect flash units
that require a sync cable.

10

275
 SHOE MOUNT FLASH
The following options are available when an optional
shoe-mounted flash unit is attached and turned on.
MODE
SHOE MOUNT FLASH

ADJUST END

Setting Description
The flash control mode selected with the flash unit. This can
in some cases be adjusted from the camera; the options avail-
able vary with the flash.
• TTL: TTL mode. Adjust flash compensation (B).
Peripherals and Optional Accessories

• M: The flash fires at the selected output regardless of subject

A Flash control mode brightness or camera settings. Output in some cases can be
adjusted from the camera (B).
• MULTI: Repeating flash. Compatible shoe-mounted flash
units will fire multiple times with each shot.
• D (OFF): The flash does not fire. Some flash units can be
turned off from the camera.

10

276
 External Flash Units

Setting Description
The options available vary with flash control mode.
• TTL: Adjust flash compensation (the full value may not be
applied if the limits of the flash control system are exceed-
ed). In the cases of the EF-X20, EF-20, and EF-42, the select-
ed value is added to the value selected with the flash unit.
B Flash compensation/ • M/MULTI: Adjust flash output (compatible units only).
output
Choose from values expressed as fractions of full power,
from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments
equivalent to ⁄ EV. The desired results may not be achieved
at low values if they exceed the limits of the flash control
system; take a test shot and check the results.
Choose a flash mode for TTL flash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
• E (FLASH AUTO): The flash fires only as required; flash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the flash will fire when the photo is taken.
• F (STANDARD): The flash fires with every shot if possible;

Peripherals and Optional Accessories

C Flash mode (TTL) flash level is adjusted according to subject brightness. The
flash will not fire if not fully charged when the shutter is
released.
• G (SLOW SYNC.): Combine the flash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The flash will not fire if not fully
charged when the shutter is released.

10

277
 Setting Description
Control flash timing.
• H (1ST CURTAIN): The flash fires immediately after the shut-
ter opens (generally the best choice).
• I (2ND CURTAIN): The flash fires immediately before the
shutter closes.
D Sync • R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the flash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for flash control mode.
The angle of illumination (flash coverage) for units that sup-
port flash zoom. Some units allow the adjustment to be
E Zoom made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
If the unit supports this feature, choose from:
• J (FLASH POWER PRIORITY): Gain range by slightly reducing
coverage.
F Lighting • K (STANDARD): Match coverage to picture angle.
Peripherals and Optional Accessories

• L (EVEN COVERAGE PRIORITY): Slightly increase coverage for

more even lighting.
Choose how the built-in LED light functions during still photog-
raphy (compatible units only): as a catchlight (M/CATCHLIGHT),
G LED light as an AF-assist illuminator (N/AF ASSIST), or as both a catch-
light and an AF-assist illuminator (O/AF ASSIST+CATCHLIGHT).
Choose OFF to disable the LED during photography.
Choose the number of times the flash fires each time the
G Number of flashes * shutter is released in MULTI mode.
H Frequency * Choose the frequency at which the flash fires in MULTI mode.
* Full value may not be applied if limits of flash control system are exceeded.
10

278
 External Flash Units

COMMANDER(OPTICAL)
The options will be displayed if the unit is currently functioning
as a commander for Fujifilm optical wireless remote flash control.
MODE
COMMANDER(OPTICAL)

ADJUST END

Fujifilm optical wireless remote flash control offers a choice of

four channels (Channels 1 through 4) for the exchange of optical
signals between the commander and remote flash units. Sepa-
rate channels can be used for different flash systems or to pre-
vent interference when multiple systems are operating in close

Peripherals and Optional Accessories

proximity.
The flash units can also be placed in up to
three groups (A, B, and C) and flash mode
and flash level adjusted separately for C
each group. A

10

279
 Setting Description
Choose flash control modes for groups A, B, and C. TTL%
is available for groups A and B only.
A Flash control mode • TTL: The units in the group fire in TTL mode. Flash com-
(group A)
pensation can be adjusted separately for each group.
• TTL%: If TTL% is selected for either group A or B, you can
specify the output of the selected group as a percent-
age of the other and adjust overall flash compensation
B Flash control mode for both groups.
(group B)
• M: In mode M, the units in the group fire at the selected
output (expressed as a fraction of full power) regardless
of subject brightness or camera settings.
• MULTI: Choosing MULTI for any group sets all the units
C Flash control mode in all groups to repeating flash mode. All units will fire
(group C) multiple times with each shot.
• D (OFF): If OFF is selected, the units in the group will
not fire.
Adjust flash level for the selected group according to
D Flash compensation/
option selected for flash control mode. Note that the full
Peripherals and Optional Accessories

output (group A)
value may not be applied if the limits of the flash control
E Flash compensation/ system are exceeded.
output (group B) • TTL: Adjust flash compensation.
• M/MULTI: Adjust flash output.
F Flash compensation/ • TTL%: Choose the balance between groups A and B and
output (group C) adjust overall flash compensation.

10

280
 External Flash Units

Setting Description
Choose a flash mode for TTL flash control. The options
available vary with the shooting mode (P, S, A, or M) se-
lected.
• E (FLASH AUTO): The flash fires only as required; flash
level is adjusted according to subject brightness. A
p icon displayed when the shutter button is pressed
halfway indicates that the flash will fire when the photo
is taken.
G Flash mode (TTL) • F (STANDARD): The flash fires with every shot if possi-
ble; flash level is adjusted according to subject bright-
ness. The flash will not fire if not fully charged when the
shutter is released.
• G (SLOW SYNC.): Combine the flash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The flash will not fire if not
fully charged when the shutter is released.
Control flash timing.
• H (1ST CURTAIN): The flash fires immediately after the

Peripherals and Optional Accessories

shutter opens (generally the best choice).
• I (2ND CURTAIN): The flash fires immediately before the
shutter closes.
H Sync • R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the flash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for flash control mode.
The angle of illumination (flash coverage) for units that sup-
port flash zoom. Some units allow the adjustment to be
I Zoom made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
10
If the unit supports this feature, choose from:
• J (FLASH POWER PRIORITY): Gain range by slightly re-
ducing coverage.
J Lighting • K (STANDARD): Match coverage to picture angle.
• L (EVEN COVERAGE PRIORITY): Slightly increase coverage
for more even lighting.

281
 External Flash Units

Setting Description
Choose the group for units functioning as a command-
er for Fujifilm optical wireless remote flash control in TTL,
TTL%, or M mode. This option is available only with clip-
on flash units that support Fujifilm optical wireless remote
flash control.
K Commander • Gr A: Assign the commander to group A.
• Gr B: Assign the commander to group B.
• Gr C: Assign the commander to group C.
• OFF: Output from the commander is held to a level that
does not affect the final picture.
Choose the number of times the flash fires each time the
K Number of flashes shutter is released in MULTI mode.
Choose the channel used by the commander for commu-
nication with the remote flash units. Separate channels
L Channel can be used for different flash systems or to prevent in-
terference when multiple systems are operating in close
proximity.
Peripherals and Optional Accessories

Choose the frequency at which the flash fires in MULTI

L Frequency mode.

10

282
 Handgrips
Attach an MHG-GFX S handgrip to the camera for improved
handling.

Attaching the Handgrip

Attach the handgrip as shown.

Peripherals and Optional Accessories

10

283
MEMO

284
Connections

285
 HDMI Output
Camera shooting and playback displays can be output to
HDMI devices.

Connecting to HDMI Devices

Connect the camera to TVs or other HDMI devices using a
third-party HDMI cable.

1 Turn the camera off.

2 Connect the cable as shown below.

Insert into
HDMI connector

Insert into HDMI Micro

connector (Type D)

3 Configure the device for HDMI input as described in the doc-

umentation supplied with the device.

4 Turn the camera on. The contents of the camera display will
Connections

be shown on the HDMI device. The camera display turns off

in playback mode (P 287).
O • Making sure the connectors are fully inserted.
• Use an HDMI cable no more than 1.5 m (4.9 ft.) long.
11

286
 HDMI Output

Shooting
Shoot photos and record movies while viewing the scene through
the camera lens on or saving footage to the HDMI device.
N This feature can be used to save 4K and Full HD movies to an HDMI
recorder.

Playback
To start playback, press the camera a button. The camera mon-
itor turns off and pictures and movies are output to the HDMI
device. Note that the camera volume controls have no effect on
sounds played on the TV; use the television volume controls to
adjust the volume.
N Some televisions may briefly display a black screen when movie play-
back begins.

Connections

11

287
 Wireless Connections
(Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers,
smartphones, or tablets. For more information, visit:
http://fujifilm-dsc.com/wifi/

Smartphones and Tablets: FUJIFILM Camera Remote

Connect to the camera via Bluetooth or wireless LAN.
N To establish a wireless connection to the camera, you will need to in-
stall the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet.
FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera
Remote to:
• Control the camera and take pictures remotely
• Receive pictures uploaded from the camera
• Browse the pictures on the camera and download selected pictures
• Upload location data to the camera
• Release the camera shutter
• Update camera firmware
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
Connections

11

288
 Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)

SmartPhones and Tablets: Bluetooth® Pairing

Use D CONNECTION SETTING > Bluetooth SETTINGS > PAIRING
REGISTRATION to pair the camera with smartphones or tablets.
Pairing offers a simple method for downloading photos from the
camera.

N • Photos are downloaded via a wireless connection.

• Once pairing is complete, you will be able to synchronize the camera
clock and location data with the smartphone or tablet (P 246).
• You can choose a connection from up to 7 paired smartphones or
tablets.

Smartphones and Tablets: Wireless LAN

Establish wireless LAN connections to smartphones or tablets us-
ing WIRELESS COMMUNICATION in the A SHOOTING SETTING,
B MOVIE SETTING, or C PLAY BACK MENU.

Connections

11

289
 Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)

Tethered Shooting: Capture One Pro Fujifilm/

Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
• Before proceeding, adjust settings CONNECTION
u
N SETTING
USB CARD READER
Bluetooth SETTINGS
USB TETHER SHOOTING AUTO
using D CONNECTION SETTING > NETWORK
ET SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
NETWORK SETTING and then select WIRELESS TETHER SHOOTING FIXED
CONNECTION
ON MODE
USB RAW CONV./BACKUP RESTORE
SB POWER SUPPLY SETTING
USB
WIRELESS TETHER SHOOTING FIXED GENERAL
EN SETTINGS
for D CONNECTION SETTING > INFORMATION
F
RESET
ESET WIRELESS SETTING
CONNECTION MODE (P 249).
• Tethered shooting can be performed using software such as
Capture One Pro Fujifilm, Adobe® Photoshop® Lightroom®
Classic  CC, and FUJIFILM X Acquire. If you use Adobe®
Photoshop® Lightroom® Classic CC, download FUJIFILM Tether
Shooting Plug-in PRO for GFX from the Adobe Exchange web-
site. FUJIFILM Tether Shooting Plug-in PRO for GFX is available
free of charge.
N • For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
• For more information on FUJIFILM X Acquire and FUJIFILM Tether
Shooting Plug-in PRO for GFX, see “Software for Use with Your Camera”
(P 306).
Connections

11

290
 Connecting via USB
The camera can be connected to computers and smart-
phones via USB.
N Before downloading pictures or taking pictures remotely, connect the
camera to a computer and check that it functions normally.
1 Turn the computer on.
2 Adjust settings according to how the camera will be used.
• “Tethered Shooting: Capture One Pro Fujifilm/Adobe®
Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting
Plug-in PRO for GFX/FUJIFILM X Acquire/FUJIFILM Pixel Shift
Combiner” (P 294)
• “Copying Pictures from a Memory Card to a Computer”
(P 295)
• “Using Your Camera as a Webcam (FUJIFILM X Webcam)”
(P 295)
• “Converting RAW Images: FUJIFILM X RAW STUDIO” (P 296)
• “Backing up and Restoring Camera Settings (FUJIFILM X
Acquire)” (P 296)
• “Pixel Shift Multishot” (P 104)
3 Turn the camera off.
4 Connect a USB cable.

Connections

11
USB connector (Type-C)
O The USB cable must be no more than 1.5 m (4.9 ft.) long and be
suitable for data transfer.

291
 5 Turn the camera on.

6 Copy pictures to your computer.

• Tethered shooting: During tethered shooting, you can copy
pictures using tethered shooting software such as the
Capture One Pro Fujifilm/Adobe® Photoshop® Lightroom®
Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire.
• Image transfer: Use applications provided with your operat-
ing system.
• Using your camera as a webcam: Launch FUJIFILM X Webcam.
• RAW conversion: Process RAW images using FUJIFILM X RAW
STUDIO. The power of the camera’s image processing en-
gine is used for rapid processing.
• Saving and loading camera settings: Use FUJIFILM X Acquire to
save or load camera settings. Save your preferred settings
to a file in a single operation and copy them to multiple
cameras.
• Pixel Shift Multishot: Pixel-shift multi-shot photography can
be performed via tethered shooting. For this purpose, use
FUJIFILM Pixel Shift Combiner.
Connections

11

292
 Connecting via USB

O • Turn the camera off before disconnecting the USB cable.

• When connecting USB cables, be sure the connectors are fully in-
serted in the correct orientation. Connect the camera directly to the
computer; do not use a USB hub or keyboard.
• Loss of power during transfer could result in loss of data or damage to
the memory card. Insert a fresh or fully-charged battery before con-
necting the camera.
• If a memory card containing a large number of images is inserted,
there may be a delay before the software starts and you may be un-
able to import or save images. Use a memory card reader to transfer
pictures.
• Make sure that the indicator lamp is off or lit green before turning
the camera off.
• Do not disconnect the USB cable while transfer is in progress. Failure
to observe this precaution could result in loss of data or damage to
the memory card.
• Disconnect the camera before inserting or removing memory cards.
• In some cases, it may not be possible to access pictures saved to a
network server using the software in the same way as on a stand-
alone computer.
• Do not immediately remove the camera from the system or dis-
connect the USB cable once the message stating that copying is in
progress clears from the computer display. If the number of images
copied is very large, data transfer may continue after the message has
ceased to be displayed.
• The user bears all applicable fees charged by the phone company or
Internet service provider when using services that require an Internet
connection.
Connections

11

293
 Tethered Shooting: Capture One Pro Fujifilm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire/FUJIFILM Pixel Shift Combiner
• Before proceeding, select USB TETHER CONNECTION
u
N SETTING
USB CARD READER
Bluetooth SETTINGS
SHOOTING AUTO for D CONNECTION ET
USB TETHER SHOOTING AUTO
NETWORK SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
SETTING > CONNECTION MODE in the WIRELESS TETHER SHOOTING FIXED
CONNECTION
ON MODE
USB RAW CONV./BACKUP RESTORE
USB
SB POWER SUPPLY SETTING
camera menus. EN
GENERAL SETTINGS

• Capture One Pro Fujifilm, Adobe® INFORMATION

F
RESET
ESET WIRELESS SETTING
Photoshop® Lightroom® Classic CC +
FUJIFILM Tether Shooting Plug-in PRO for GFX, FUJIFILM X
Acquire, and FUJIFILM Pixel Shift Combiner can be used for
tethered shooting.

N • Choose USB TETHER SHOOTING FIXED if the camera will be used

solely for tethered shooting. Note that if the USB cable is disconnect-
ed, the camera will continue to function in tethered mode and pic-
tures will not be saved to the camera memory card.
• For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
• For more information on Capture One Pro Fujifilm, Adobe®
Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting
Plug-in PRO for GFX, FUJIFILM X Acquire, and FUJIFILM Pixel Shift
Combiner, see “Software for Use with Your Camera” (P 306).
Connections

11

294
 Connecting via USB

Copying Pictures from a Memory Card to a Computer

• Before copying pictures to a com- CONNECTION
N
Bluetooth
u
SETTING
USB CARD READER
SETTINGS
USB TETHER SHOOTING AUTO
puter, select USB CARD READER for NETWORK
ET SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
DCONNECTION SETTING  > CONNEC- WIRELESS TETHER SHOOTING FIXED
CONNECTION
ON MODE
USB RAW CONV./BACKUP RESTORE
USB
SB POWER SUPPLY SETTING
TION MODE. EN
GENERAL SETTINGS

• The software that can be used to copy INFORMATION

F
RESET
ESET WIRELESS SETTING
pictures varies with your computer op-
erating system.

Mac OS X/macOS
Pictures can be copied to your computer using Image Capture
(supplied with your computer) or other software.
O Use a card reader to copy files over 4 GB in size.
Windows
Pictures can be copied to your computer using applications sup-
plied with the operating system.

Using Your Camera as a Webcam (FUJIFILM X Webcam)

• Before proceeding, select USB TETHER CONNECTION
u
N SETTING
USB CARD READER
Bluetooth SETTINGS
SHOOTING AUTO for D CONNECTION ET
USB TETHER SHOOTING AUTO
NETWORK SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
SETTING  > CONNECTION MODE in the WIRELESS TETHER SHOOTING FIXED
CONNECTION
ON MODE
USB RAW CONV./BACKUP RESTORE
USB
SB POWER SUPPLY SETTING
camera menus. EN
GENERAL SETTINGS

• Launch FUJIFILM X Webcam. INFORMATION

F
RESET
ESET WIRELESS SETTING
Connections

N For more information on FUJIFILM X Webcam, see “Software for Use

with Your Camera” (P 306).

11

295
 Connecting via USB

Converting RAW Images:

FUJIFILM X RAW STUDIO
• Before proceeding, select USB RAW CONNECTION
N
u
SETTING
USB CARD READER
Bluetooth SETTINGS
USB TETHER SHOOTING AUTO
CONV./BACKUP RESTORE for D CON- NETWORK
ET SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
NECTION SETTING  > CONNECTION WIRELESS TETHER SHOOTING FIXED
CONNECTION
ON MODE
USB RAW CONV./BACKUP RESTORE
USB
SB POWER SUPPLY SETTING
MODE in the camera menus. EN
GENERAL SETTINGS

• FUJIFILM X RAW STUDIO can be used INFORMATION

F
RESET
ESET WIRELESS SETTING
to convert RAW images to JPEG or TIFF
images.
N For more information on FUJIFILM X RAW STUDIO, see “Software for
Use with Your Camera” (P 306).

Backing up and Restoring Camera Settings

(FUJIFILM X Acquire)
• Before proceeding, select USB RAW CONNECTION
u
N
Bluetooth
SETTING
USB CARD READER
SETTINGS
USB TETHER SHOOTING AUTO
CONV./BACKUP RESTORE for D CON- NETWORK
ET SETTING
USB TETHER SHOOTING FIXED
PRINTER CONNECTION SETTING
NECTION SETTING  > CONNECTION ON
WIRELESS TETHER SHOOTING FIXED
CONNECTION MODE
USB RAW CONV./BACKUP RESTORE
SB POWER SUPPLY SETTING
USB
MODE in the camera menus. EN
GENERAL SETTINGS

• FUJIFILM X Acquire can be used to INFORMATION

F
RESET
ESET WIRELESS SETTING
backup and restore camera settings.

N For more information on FUJIFILM X Acquire, see “Software for

Use with Your Camera” (P 306).
Connections

11

296
Connecting to Smartphones
To copy pictures to a smartphone, select OFF for D CONNECTION
SETTING > USB POWER SUPPLY SETTING and connect the cam-
era to the phone using a USB cable.

For Customers Using Android Devices

How you will connect the camera depends on the type of USB
connector with which your smartphone is equipped.
Type-C
Use the supplied USB cable.
Supplied USB cable

Type-C connector (male) Type-C connector (male)

Micro-B
Use a USB on-the-go (OTG) cable.
Third-party USB cable USB OTG cable

Connections

Type-C connector (male) Micro-B connector (male)

Type-A connector Type-A connector

(male) (female)
11
O • The smartphone must support USB OTG.
• The desired results cannot be achieved with a USB Type-C–to–
Mirco-B cable. Use an OTG cable.

297
 1 Set the camera’s D CONNECTION SETTING  > USB POWER
SUPPLY SETTING to OFF.

2 Connect the camera and smartphone using a USB cable.

N If the smartphone asks for permission for an application other
than the “Camera Importer” to access the camera, tap “Cancel” and
move on to the next step.

3 On your smartphone, tap the notification “Connected to USB

PTP”.

4 From the recommended applications, select “Camera

Importer”.
The app will automatically start and allow you to import pho-
tos and movies to your smartphone.
N If the message “There is no MTP device connected” appears on the
app, please try again from step 2.
Connections

11

298
 Connecting via USB

For Customers Using iOS

Use a camera adapter. Given that the camera is equipped with a
USB Type-C connector, you will need to supply a cable with a USB
Type-A connector for connection to the camera adapter.
Apple Lightning to
Third-party USB cable USB Camera Adapter

Type-C connector (male) Use an Apple Lightning to

USB Camera Adapter

Type-A connector (male)

1 Set the camera’s D CONNECTION SETTING  > USB POWER

SUPPLY SETTING to OFF.

2 Connect the camera and smartphone using a USB cable.

Launch the Photos app to import photos and movies to your
smartphone.
O The desired results cannot be achieved with a USB Type-C–to–
Lightning cable. Use a camera adapter.

Connections

11

299
 instax SHARE Printers
Print pictures from your digital camera to instax SHARE
printers.

Establishing a Connection
Select D CONNECTION SETTING  > instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and pass-
word.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a different
password to print from a smartphone, enter
that password instead.
Connections

11

300
 instax SHARE Printers

Printing Pictures
1 Turn the printer on.
2 Select C PLAY BACK MENU > instax PRINTER PRINT

PRINTER PRINT. The camera will con- instax-12345678

nect to the printer. CONNECTING
FUJIFILM-CAMERA-1234

CANCEL

3 Use the focus stick (focus lever) to PRINTER PRINT

100-0020
display the picture you want to print,
then press MENU/OK.

SET CANCEL
instax-12345678

N • Pictures taken with other cameras cannot be printed.

• The area printed is smaller than the area visible in the LCD
monitor.
• The displays may vary depending on the printer connected.
4 The picture will be sent to the printer and printing will start.

Connections

11

301
MEMO

302
Technical Notes

303
 Accessories from Fujifilm
The following optional accessories are available from Fujifilm.
For the latest information on the accessories available in your
region, check with your local Fujifilm representative or visit
https://fujifilm-x.com/support/compatibility/cameras/.
Rechargeable Li-ion batteries
NP-W235: Additional high-capacity NP-W235 rechargeable batteries can be purchased
as required.
Dual battery chargers
BC-W235: The BC-W235 can charge up to two NP-W235 batteries at a time. At
+25  °C/+77  °F, the batteries will charge in about 200  minutes. Using a device that
supplies power with an outputs of 30 W or above reduces charging times to as little
as 150 minutes.
FUJINON lenses
GF-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM G-mount.
Eye cups
EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfinder eyecups to prevent light
leaking into the viewfinder window.
Mount adapters
H MOUNT ADAPTER G: This mount adapter allows the camera to be used with SUPER EBC
FUJINON accessories for the GX645AF, giving you the use of one additional telecon-
verter and nine different lenses.
Macro extension tubes
MCEX-18G WR/MCEX-45G WR: Mount this adapter between the lens and the camera
body for macro photography with large reproduction ratios.
View camera adapters
VIEW CAMERA ADAPTER G: This adapter is for use with lenses for older FUJINON large-for-
Technical Notes

mat cameras, including lenses in the CM FUJINON series.

Shoe-mounted flash units
EF-X500: In addition to manual and TTL flash control, this clip-on flash unit has a Guide
Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to
be used at shutter speeds that exceed the flash sync speed. Featuring support for the
optional EF-BP1 battery pack and Fujifilm optical wireless flash control, it can be used
12 as a commander or remote flash unit for remote wireless flash photography.

304
 Accessories from Fujifilm

Shoe-mounted flash units

EF-BP1: A battery pack for EF-X500 flash units. Takes up to 8 AA batteries.
EF-60: In addition to manual and TTL flash control, this clip-on flash unit has a Guide
Number of 60/197 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be
used at shutter speeds that exceed the flash sync speed. It can also be used as remote
flash under the control of an optional EF-W1 wireless commander.
EF-W1: With support for the NAS * wireless communication standard developed by
Nissin Japan, this wireless flash commander can be used with optional EF-60 clip-on
flash units and other NAS-compliant units.
* NAS is a registered trademark of Nissin Japan Ltd.
EF-42: This clip-on flash unit (powered by four AA batteries) has a Guide Number of
42/137 (ISO 100, m/ft.) and supports manual and TTL flash control and auto power
zoom in the range 24–105 mm (35 mm format equivalent). The flash head can be ro-
tated 90° up, 180° left, or 120° right for bounce lighting.
EF-X20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.). Powered
by two AAA batteries, this light, compact unit features a dial for adjusting TTL flash
compensation or manual flash output.
EF-20: This clip-on flash unit (powered by two AA batteries) has a Guide Number of
20/65 (ISO 100, m/ft.) and supports TTL flash control (manual flash control is not sup-
ported). The flash head can be rotated upwards 90° for bounce lighting.
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time exposure.
Stereo microphones
MIC-ST1: An external microphone for movie recording.
Handgrips
MHG-GFX S: Features an improved grip. The MHG-GFX S is equipped with a rail for
quick-shoe camera mounts.
Grip belts
GB-001: Improves grip.
Body caps
Technical Notes

BCP-002: Cover the camera lens mount when no lens is attached.

instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax film.

12

305
 Software for Use with Your Camera
The camera can be used with the following software. For the
latest information on software available from Fujifilm, visit
https://fujifilm-x.com/support/compatibility/cameras/.

FUJIFILM Camera Remote

Establish a wireless connection between your camera and a
smartphone or tablet (P 288).
http://app.fujifilm-dsc.com/en/camera_remote/

RAW FILE CONVERTER EX powered by SILKYPIX

RAW FILE CONVERTER EX powered by SILKYPIX is RAW conver-
sion software from Ichikawa Soft Laboratory Co., Ltd. View RAW
pictures on your computer and convert them into other formats.
RAW FILE CONVERTER EX powered by SILKYPIX is available free of
charge from the Fujifilm website.
https://fujifilm-x.com/support/download/software/raw-file-converter-
ex-powered-by-silkypix/
N “RAW FILE CONVERTER EX powered by SILKYPIX” is supplied by Ichikawa
Soft Laboratory Co., Ltd.

Capture One Express Fujifilm

Capture One Express Fujifilm is image edit software from Capture
One A/S. View RAW pictures on your computer and convert them
into other formats. Capture One Express Fujifilm is available free
of charge from Capture One A/S.
https://www.captureone.com/products-plans/capture-one-express/fujifilm
Technical Notes

Capture One Pro Fujifilm

Capture One Pro Fujifilm is workflow software from Capture One
A/S. Capture One Pro Fujifilm supports tethered shooting and
12 the conversion of RAW pictures into other formats.
https://www.captureone.com/explore-features/fujifilm

306
 Software for Use with Your Camera

Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM

Tether Shooting Plug-in PRO for GFX
Installing this dedicated plug-in allows tethered shooting us-
ing Adobe® Photoshop® Lightroom® Classic CC. FUJIFILM Tether
Shooting Plug-in PRO for GFX is available free of charge from the
Adobe Exchange website.
FUJIFILM Tether Shooting Plug-in PRO for GFX
https://fujifilm-x.com/products/software/adobe-photoshop-lightroom-
tether-plugin/

FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the
camera via USB or Wi-Fi and automatically download photos to
a specified folder as they are taken, or backup and restore the
camera via USB.
https://fujifilm-x.com/products/software/x-acquire/
O Auto download (tethered shooting) is not supported with some cam-
eras.

FUJIFILM X Webcam
Connect the camera to a computer via USB to turn it into a web-
cam.
https://fujifilm-x.com/products/software/x-webcam/ Technical Notes

12

307
 Software for Use with Your Camera

FUJIFILM X RAW STUDIO

When the camera is connected to a computer via USB, FUJIFILM
X RAW STUDIO can use the camera’s unique image processing
engine to rapidly convert RAW files to create high-quality images
in other formats.
https://fujifilm-x.com/products/software/x-raw-studio/

FUJIFILM Pixel Shift Combiner

Computer software for combining pictures taken using pixel-shift
multi-shot or reducing false colors (P 104).
https://fujifilm-x.com/products/software/pixel-shift-combiner/
Technical Notes

12

308
 For Your Safety
IMPORTANT SAFETY INSTRUCTIONS
• Read Instructions
Instructions: All the safety and operating instructions Power-Cord Protection: Power-supply cords should be routed
should be read before the appliance is operated. so that they are not likely to be walked on or pinched by
• Retain Ins
Instructions
tructions: The safety and operating instructions items placed upon or against them, paying particular atten-
should be retained for future reference. tion to cords at plugs, convenience receptacles, and the point
• Heed Warni
Warnings
ngs: All warnings on the appliance and in the where they exit from the appliance.
operating instructions should be adhered to. Accessories: Do not place this video product on an unstable
• Follow InInstructions
structions: All operating and use instructions cart, stand, tripod, bracket, or table. The video product may
should be followed. fall, causing serious injury to a child or adult, and serious
Installation damage to the appliance. Use only with a cart, stand, tripod,
Power Sources: This video product should be operated only bracket, or table recommended by the manufacturer, or sold
from the type of power source indicated on the marking la- with the video product. Any mounting of the appliance
bel. If you are not sure of the type of power supply to your should follow the manufacturer’s instructions, and should
home, consult your appliance dealer or local power com- use a mounting accessory recommended by the manufac-
pany. For video products intended to operate from battery turer.
power, or other sources, refer to the operating instructions. An appliance and cart combination
Grounding or Polarization: This video product is equipped should be moved with care. Quick
with a polarized alternating-current line plug (a plug having stops, excessive force, and uneven
one blade wider than the other). This plug will fit into the surfaces may cause the appliance and
power outlet only one way. This is a safety feature. If you are cart combination to overturn.
unable to insert the plug fully into the outlet, try reversing
the plug. If the plug should still fail to fit, contact your electri-
cian to replace your obsolete outlet. Do not defeat the safety Antennas
purpose of the polarized plug. Outdoor Antenna Grounding: If an outside antenna or cable
system is connected to the video product, be sure the an-
Alternate Warnings: This video product is equipped with tenna or cable system is grounded so as to provide some
a three-wire grounding-type plug, a plug having a third protection against voltage surges and built-up static charges.
(grounding) pin. This plug will only fit into a grounding-type Section 810 of the National Electrical Code, ANSI/NFPA No.
power outlet. This is a safety feature. If you are unable to 70, provides information with respect to proper grounding of
insert the plug into the outlet, contact your electrician to re- the mast and supporting structure, grounding of the lead-in
place your obsolete outlet. Do not defeat the safety purpose wire to an antenna discharge unit, size of grounding con-
of the grounding type plug. ductors, location of antenna discharge unit, connection to
Overloading: Do not overload wall outlets and extension grounding electrodes, and requirements for the grounding
cords as this can result in a risk of fire or electric shock. electrode.
Ventilation: Slots and openings in the cabinet are provided EXAMPLE OF ANTENNA GROUNDING AS
for ventilation, to ensure reliable operation of the video prod- PER NATIONAL ELECTRICAL CODE
uct and to protect it from overheating, and these openings
Ground Clamp Antenna Lead
must not be blocked or covered. The openings should never
in Wire
be blocked by placing the video product on a bed, sofa, rug,
or other similar surface. AAnntenna
This video product should not be placed in a built-in instal- Electric Servicee Equipmentt Discharge Unit
D
Technical Notes

lation such as a bookcase or rack unless proper ventilation is (NEC

N SECTION
provided or the manufacturer’s instructions have been ad- 8
810-20)
hered to. This video product should never be placed near or Ground Clamps
over a radiator or heat register. Grounding
Power Service Grounding Electrode Conductors (NEC
Attachments: Do not use attachments not recommended by
System (NEC ART 250. PART H) SECTION 810-21)
the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near wa-
ter—for example, near a bath tub, wash bowl, kitchen sink,
or laundry tub, in a wet basement, or near a swimming pool, 12
and the like.

309
 Power Lines: An outside antenna system should not be locat- Damage Requiring Service: Unplug this video product from
ed in the vicinity of overhead power lines or other electric the wall outlet and refer servicing to qualified service person-
light or power circuits, or where it can fall into such power nel under the following conditions:
lines or circuits. When installing an outside antenna system, • When the power-supply cord or plug is damaged
extreme care should be taken to keep from touching such • If liquid has been spilled, or objects have fallen into the
power lines or circuits as contact with them might be fatal. video product.
Use • If the video product has been exposed to rain or water.
Cleaning: Unplug this video product from the wall outlet be- •
If the video product has been dropped or the cabinet has
been damaged.
fore cleaning. Do not use liquid cleaners or aerosol cleaners.
If the video product does not operate normally follow the
Use a damp cloth for cleaning.
operating instructions. Adjust only those controls that are
Object and Liquid Entry: Never push objects of any kind into covered by the operating instructions as an improper adjust-
this video product through openings as they may touch dan- ment of other controls may result in damage and will often
gerous voltage points or short out parts that could result in require extensive work by a qualified technician to restore
a fire or electric shock. Never spill liquid of any kind on the the video product to its normal operation.
video product.
When the video product exhibits a distinct change in perfor-
Lightning: For added protection for this video product re- mance — this indicates a need for service.
ceiver during a lightning storm, or when it is left unattended
Replacement Parts: When replacement parts are required, be
and unused for long periods of time, unplug it from the wall
sure the service technician has used replacement parts spec-
outlet and disconnect the antenna or cable system. This will
ified by the manufacturer or have the same characteristics as
prevent damage to the video product due to lightning and
the original part. Unauthorized substitutions may result in
power-line surges.
fire, electric shock or other hazards.
Service Safety Check: Upon completion of any service or repairs to
Servicing: Do not attempt to service this video product this video product, ask the service technician to perform
yourself as opening or removing covers may expose you to safety checks to determine that the video product is in prop-
dangerous voltage or other hazards. Refer all servicing to er operating condition.
qualified service personnel.

Be sure to read these notes before use

Safety Notes The symbols on the product (including the accesories) rep-
resent the following:
• Make sure that you use your camera correctly. Read these
safety notes and your Basic Manual carefully before use. AC
• After reading these safety notes, store them in a safe place. DC
About the Icons Class II equipment (The construction of the product
The icons shown below are used in this document to indicate is double-insulated.)
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is  WARNING
used incorrectly as a result.
If a problem arises, turn the camera off, remove the
This icon indicates that death or serious in- battery, disconnect the USB cable, and unplug the AC
WARNING jury can result if the information is ignored.
power adapter. Continued use of the camera when
This icon indicates that personal injury or
Unplug it is emitting smoke, is emitting any unusual odor,
from power
or is in any other abnormal state can cause a fire or
CAUTION material damage can result if the informa-
Technical Notes

socket
tion is ignored. electric shock. Contact your Fujifilm dealer.

The icons shown below are used to indicate the nature of the Do not allow water or foreign objects to enter the cam-
instructions which are to be observed. era or connecting cables. Do not use the camera or
connecting cables following ingress of fresh or salt
Triangular icons tell you that this information re- water, milk, beverages, detergents, or other liquids.
quires attention (“Important”). Should liquid find its way into the camera or con-
Circular icons with a diagonal bar tell you that the necting cables, turn the camera off, remove the
action indicated is prohibited (“Prohibited”). battery, disconnect the USB cable, and disconnect
12 Filled circles with an exclamation mark indicate an
and unplug the AC adapter. Continued use of the
camera can cause a fire or electric shock. Contact
action that must be performed (“Required”).
your Fujifilm dealer.

310
 For Your Safety

 WARNING  WARNING
If the battery leaks and fluid gets in contact with your
Do not use the camera in the bathroom or shower. This eyes, skin or clothing, flush the affected area with clean
Do not use in can cause a fire or electric shock. water and seek medical attention or call an emergency
the bathroom
or shower number right away.
Never attempt to change or take apart the camera (nev- Do not use the charger to charge batteries other than
er open the case). Failure to observe this precaution those specified here. The supplied charger is for use
Do not
disassemble
can cause fire or electric shock. only with batteries of the type supplied with the
Should the case break open as the result of a fall or other camera. Using the charger to charge conventional
accident, do not touch the exposed parts. Failure to ob- batteries or other types of rechargeable batteries
serve this precaution could result in electric shock can cause the battery to leak, overheat or burst.
or in injury from touching the damaged parts. Re- Using a flash too close to a person’s eyes may cause
Do not touch
internal move the battery immediately, taking care to avoid visual impairment. Take particular care when pho-
parts injury or electric shock, and take the product to the tographing infants and young children.
point of purchase for consultation. Do not remain in prolonged contact with hot surfaces.
Do not change, heat or unduly twist or pull the connec- Do not leave one part of the body in contact with the
tion cord and do not place heavy objects on the connec- product for prolonged periods while the product is on.
tion cord. These actions could damage the cord and Failure to observe this precaution could result in
cause a fire or electric shock. If the cord is damaged, low-temperature burns, particularly during pro-
contact your Fujifilm dealer. Do not use cables with longed use, at high ambient temperatures, when
bent connectors. HIGH is selected for AUTO POWER OFF TEMP.,
Do not place the camera on an unstable surface. This or with users who suffer from poor circulation or
can cause the camera to fall or tip over and cause reduced sensation, in which case use of a tripod or
injury. similar precautions are recommended.

Never attempt to take pictures while in motion. Do Do not use in the presence of flammable objects, explo-
not use the camera while walking or driving. This sive gases, or dust.
can result in you falling down or being involved in When carrying the battery, install it in a digital camera
a traffic accident. or keep it in the hard case. When storing the battery,
Do not touch any metal parts of the camera during a keep it in the hard case. When discarding, cover the
thunderstorm. This can cause an electric shock due battery terminals with insulation tape. Contact with
to induced current from the lightning discharge. other metallic objects or batteries could cause the
battery to ignite or burst.
Do not use the battery except as specified. Load the
battery as shown by the indicator. Keep memory cards, hot shoes, and other small parts
out of the reach of small children. Children may
Do not disassemble, modify, or heat batteries. Do not swallow small parts; keep out of reach of children.
drop, strike, or throw batteries or otherwise subject Should a child swallow a small part, seek medical
them to strong impacts. Do not use batteries that show attention or call emergency.
signs of leaking, deformation, discoloration, or other
abnormalities. Use only designated chargers to re- Keep out of reach of small children. Among the ele-
charge rechargeable batteries and do not attempt to re- ments that could cause injury are the strap, which
charge non-rechargeable Li-ion or alkaline batteries. Do could become entangled about a child’s neck,
not short batteries or store them with metallic objects. causing strangulation, and the flash, which could
cause visual impairment.
Technical Notes

Failure to observe these precautions could result

in the batteries overheating, igniting, rupturing, or Follow the directions of airline and hospital personnel.
leaking, causing fire, burns, or other injury. This product generates radio-frequency emissions
Use only batteries or AC power adapters specified for that could interfere with navigational or medical
use with this camera. Do not use voltages other than the equipment.
power supply voltage shown. The use of other power
sources can cause a fire.

12

311
  CAUTION
Do not use this camera
camera in locations affected
ected by oil
fumes, steam,
steam, humidity or dust.
dust. This can cause a fire
or electric shock.
Do not leave th
this
is camera in places subject to extremely
high temperatures. Do not leave the camera in loca-
tions such as a sealed vehicle or in direct sunlight.
This can cause a fire.
Do not place heavy objects on th
thee camera. This can
cause the heavy object to tip over or fall and cause
injury.
Do not move the camera whi
whilele the AC power adap
adapter
ter is
still connected.
connected. Do not pull on the connection cord to
disconnect the AC power adapter. This can damage
the power cord or cables and cause a fire or electric
shock.
Do not cover
cover or wrap the camera
camera or the AC power adapt-
er in a cloth oorr blanket. This can cause heat to build
up and distort the casing or cause a fire.
Do not use the pl
plug
ug if it is damaged or if it does not fit
securely into the outlet. Failure to observe this pre-
caution could result in fire or electric shock.
When you are clea
cleaning
ning the camera or yyou
ou do not plan to
usee the camera for an extended period, rem
us remove
ove the bat-
tery and disconnect and unplu
unplugg the AC power adapt
adapter.
er.
Failure to do so can cause a fire or electric shock.
When charging ends, unp
When unplug
lug the charger from the
power socket. Leaving the charger plugged into the
power socket can cause a fire.
When a memory card is removed, the the card could come
outt of the slot too quickly.
ou quickly. Use your finger
nger to hold it and
gently
ge ntly release the card.
card. Injury could result to those
struck by the ejected card.
Request regular intern
internal
al testing and clean
cleaning
ing for your
camera. Build-up of dust in your camera can cause
a fire or electric shock. Contact your Fujifilm dealer
to request internal cleaning every two years. Please
note that this service is not free of charge.
Danger of explosion if battery is incorrectly
Danger incorrectly replaced.
Replace only with the same or equivalent type.
Technical Notes

Batteries (battery pack or batteries

batteries installed) shall not
be exposed to excessive heat ssuch
uch as sunshine, firere or
the like.

12

312
 For Your Safety

The Battery and Power Supply

Note: Check the type of battery used in your camera and read ■ Cautions: Handling the Battery
the appropriate sections. • Do not transport or store with metal objects such as neck-
  WARNING: Battery shall not be exposed to excessive heat
laces or hairpins.
such as sunshine, fire or the like. • Do not expose to flame or heat.
The following describes the proper use of batteries and how •
Do not disassemble or modify.
to prolong their life. Incorrect use can shorten battery life or •
Do not expose to low atmospheric pressures.
cause leakage, overheating, fire, or explosion. • Use with designated chargers only.
• Dispose of used batteries promptly.
Li-ion Batteries • Do not drop or subject to strong physical shocks.
Read this section if your camera uses a rechargeable Li-ion • Do not expose to water.
battery. • Keep the terminals clean.
The battery is not charged at shipment. Charge the battery • The battery and camera body may become warm to the
before use. Keep the battery in its case when not in use. touch after extended use. This is normal.
■ Notes on the Battery ■ Caution: Disposal

The battery gradually loses its charge when not in use. Dispose of used batteries in accord with local regulations.
Charge the battery one or two days before use. Attention should be drawn to the environmental aspects of
battery disposal. Use the apparatus under moderate climate.
Battery life can be extended by turning the camera off when
not in use. Do not mechanically crush or split batteries.
Battery capacity decreases at low temperatures; a depleted AC Power Adapters
battery may not function when cold. Keep a fully charged • The AC power adapter is for indoor use only.
spare battery in a warm place and exchange as necessary, • Be sure the cable is securely connected to the camera.
or keep the battery in your pocket or other warm place and • Turn the camera off before disconnecting the adapter. Dis-
insert it in the camera only when shooting. Do not place the connect the adapter by the plug, not the cable.
battery in direct contact with hand warmers or other heating • Do not disassemble.
devices. • Do not expose to high heat and humidity.
■ Charging the Battery • Do not subject to strong physical shocks.
The battery can be charged using the camera and supplied • The adapter may hum or become hot to the touch during
AC adapter or an optional BC-W235 dual battery charger. use. This is normal.
Charging times will increase at ambient temperatures below • If the adapter causes radio interference, reorient or relocate
+10 °C (+50 °F) or above +35 °C (+95 °F). Do not attempt to the receiving antenna.
charge the battery at temperatures above +40 °C (+104 °F); at
temperatures below +5 °C (+41 °F), the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery
does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after
charging or use. This is normal.
■ Battery Life
A noticeable decrease in the length of time the battery will
hold a charge indicates that it has reached the end of its ser-
vice life and should be replaced.
If the battery is left for long periods without charging, you
may find that its quality degrades or that it no longer holds a
Technical Notes

charge. Charge the battery regularly.

■ Storage
If the camera will not be used for an extended period, store
it at room temperature with the battery charged to approxi-
mately one half to ⁄ capacity.
If the camera will not be used for an extended period, re-
move the battery and store it in a dry place with an ambient
temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do
not store in locations exposed to extremes of temperature. 12

313
 Using the Camera
• Do not aim the camera at extremely bright light sources, Trademark Information
including artificial light sources or natural light sources Digital Split Image is a trademark or registered trademark of
such as the sun in a cloudless sky. Failure to observe this FUJIFILM Corporation. Digital Micro Prism is a trademark or
precaution could damage the camera image sensor. registered trademark of FUJIFILM Corporation. The typefaces
• Strong sunlight focused through the viewfinder may dam- included herein are solely developed by DynaComware
age the panel of electronic viewfinder (EVF). Do not aim Taiwan Inc. Android is a trademark or registered trademark
the electronic viewfinder at the sun. of Google LLC. Adobe, the Adobe logo, Photoshop, and
Lightroom are trademarks or registered trademarks of Adobe
Take Test Shots
Systems Incorporated in the U.S.A. and other countries.
Before taking photographs on important occasions (such as
Wi-Fi® and Wi-Fi Protected Setup® are registered trademarks
at weddings or before taking the camera on a trip), take a
of the Wi-Fi Alliance. The Bluetooth® word mark and logos
test shot and view the results to ensure that the camera is
are registered trademarks owned by the Bluetooth SIG, Inc.,
functioning normally. FUJIFILM  Corporation cannot accept
and any use of such marks by Fujifilm is under license. The
liability for damages or lost profits incurred as a result of
SDHC and SDXC logos are trademarks of SD-3C, LLC. The
product malfunction.
HDMI logo is a trademark or registered trademark of HDMI
Notes on Copyright Licensing LLC. All other trade names mentioned in this
Unless intended solely for personal use, images recorded manual are the trademarks or registered trademarks of their
using your digital camera system cannot be used in ways respective owners.
that infringe copyright laws without the consent of the own-
Electrical Interference
er. Note that some restrictions apply to the photographing
This camera may interfere with hospital or aviation equip-
of stage performances, entertainments, and exhibits, even
ment. Consult with hospital or airline staff before using the
when intended purely for personal use. Users are also asked
camera in a hospital or on an aircraft.
to note that the transfer of memory cards containing images
or data protected under copyright laws is only permissible Color Television Systems
within the restrictions imposed by those copyright laws. NTSC (National Television System Committee) is a color tele-
vision telecasting specification adopted mainly in the U.S.A.,
Handling
Canada, and Japan. PAL (Phase Alternation by Line) is a color
To ensure that images are recorded correctly, do not subject
television system adopted mainly in European countries and
the camera to impact or physical shocks while images are
China.
being recorded.
Exif Print (Exif Version 2.32)
Liquid Crystal
Exif Print is a newly revised digital camera file format in which
In the event that the display is damaged, care should be tak-
information stored with photographs is used for optimal col-
en to avoid contact with liquid crystal. Take the urgent action
or reproduction during printing.
indicated should any of the following situations arise:
• If liquid crystal comes in contact with your skin, clean the IMPORTANT NOTICE: Read Before Using the Software
area with a cloth and then wash thoroughly with soap and Direct or indirect export, in whole or in part, of licensed soft-
running water. ware without the permission of the applicable governing
• If liquid crystal enters your eyes, flush the affected eye with bodies is prohibited.
clean water for at least 15 minutes and then seek medical
assistance. Lenses and Other Accessories
• If liquid crystal is swallowed, rinse your mouth thoroughly • Use a screw 4.5 mm or shorter when attaching a tripod.
with water. Drink large quantities of water and induce vom- • Fujifilm will not be held liable for performance issues or
iting, then seek medical assistance. damage caused by the use of third-party accessories.
Although the display is manufactured using extremely
Technical Notes

high-precision technology, it may contain pixels that are

always lit or that do not light. This is not a malfunction, and
images recorded with the product are unaffected.

12

314
 For Your Safety

NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the “Safety Notes” and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U. S. A.
Tested To Comply With FCC Standards Radiation Exposure Statement: This device meets the gov-
FOR HOME OR OFFICE USE ernment’s requirements for exposure to radio waves. This
device is designed and manufactured not to exceed the
emission limits for exposure to radio frequency (RF) energy
set by the Federal Communications Commission of the U.S.
Contains IC : 10293A-WMBNBM26A Government.
Contains FCC ID : COF-WMBNBM26A
The exposure standard for wireless device employs a unit of
FCC Statement: This device complies with Part 15 of the FCC measurement known as the Specific Absorption Rate, or SAR.
Rules. Operation is subject to the following two conditions: The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are
(1)  This device may not cause harmful interference, and conducted using standard operating positions accepted by
(2) this device must accept any interference received, includ- the FCC with the device transmitting at its highest certified
ing interference that may cause undesired operation. power level in all tested frequency bands.
CAUTION: This equipment has been tested and found to Notes on the Grant: To comply with Part 15 of the FCC Rules,
comply with the limits for a Class B digital device, pursuant this product must be used with a Fujifilm-specified fer-
to Part 15 of the FCC Rules. These limits are designed to pro- rite-core A/V cable, USB cable, and DC supply cord.
vide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses, and A lithium ion battery that is recyclable powers
can radiate radio frequency energy and, if not installed and the product you have purchased. Please call
used in accordance with the instructions, may cause harmful 1-800-8-BATTERY for information on how to
interference to radio communications. However, there is no recycle this battery.
guarantee that interference will not occur in a particular in-
California Code of Regulations, Title  20, Di-
stallation. If this equipment does cause harmful interference
vision  2, Chapter  4, Article  4, Appliance Ef-
to radio or television reception, which can be determined by
ficiency Regulations, Sections 1601 through
turning the equipment off and on, the user is encouraged
1609
to try to correct the interference by one or more of the fol-
lowing measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and re-
ceiver.
• Connect the equipment into an outlet on a circuit different
from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician
for help.
FCC Caution: Any changes or modifications not expressly ap-
proved by the party responsible for compliance could void
the user’s authority to operate this equipment.
This transmitter must not be co-located or operating in con-
Technical Notes

junction with any other antenna or transmitter.

12

315
 For Customers in Canada Disposal of Electrical and Electronic Equipment in Private Households
CAN ICES-3 (B)/NMB-3(B) In the European Union, Norway, Iceland and
CAUTION: This Class B digital apparatus complies with Cana- Liechtenstein: This symbol on the product, or in
dian ICES-003. the manual and in the warranty, and/or on its
Industry Canada statement: This device complies with Indus- packaging indicates that this product shall not
try Canada’s licence-exempt RSSs. Operation is subject to the be treated as household waste. Instead it should
following two conditions: (1) This device may not cause in- be taken to an applicable collection point for the recycling of
terference; and (2) This device must accept any interference, electrical and electronic equipment.
including interference that may cause undesired operation By ensuring this product is disposed of correctly, you will
of the device. help prevent potential negative consequences to the en-
This device and its antenna(s) must not be co-located or op- vironment and human health, which could otherwise be
erating in conjunction with any other antenna or transmitter, caused by inappropriate waste handling of this product.
except tested built-in radios. The County Code Selection This symbol on the batteries or accumulators
feature is disabled for products marketed in the US/ Canada. indicates that those batteries shall not be treated
Radiation Exposure Statement: The available scientific evi- as household waste.
dence does not show that any health problems are asso-
ciated with using low power wireless devices. There is no If your equipment contains easy removable batteries or accu-
proof, however, that these low power wireless devices are mulators please dispose these separately according to your
absolutely safe. Low power Wireless devices emit low levels local requirements.
of radio frequency energy (RF) in the microwave range while The recycling of materials will help to conserve natural re-
being used. Whereas high levels of RF can produce health sources. For more detailed information about recycling this
effects (by heating tissue), exposure of low-level RF that does product, please contact your local city office, your household
not produce heating effects causes no known adverse health waste disposal service or the shop where you purchased the
effects. Many studies of low-level RF exposures have not product.
found any biological effects. Some studies have suggested In Countries Outside the European Union, Norway, Iceland and
that some biological effects might occur, but such findings Liechtenstein: If you wish to discard this product, including
have not been confirmed by additional research. GFX100S the batteries or accumulators, please contact your local au-
has been tested and found to comply with IC radiation ex- thorities and ask for the correct way of disposal.
posure limits set forth for an uncontrolled environment and In Japan: This symbol on the batteries indicates
meets RSS-102 of the IC radio frequency (RF) Exposure rules. that they are to be disposed of separately.

Caring for the Camera

To ensure continued enjoyment of the product, observe the following precautions.
Storage and Use
If the camera will not be used for an extended period, remove the battery and memory card. Do not store or use the camera
in locations that are:
• exposed to rain, steam, or smoke
• very humid or extremely dusty
• exposed to direct sunlight or very high temperatures, such as in a closed vehicle on a sunny day
• extremely cold
• subject to strong vibration
Technical Notes

• exposed to strong magnetic fields, such as near a broadcasting antenna, power line, radar emitter, motor, transformer,
or magnet
• in contact with volatile chemicals such as pesticides
• next to rubber or vinyl products

12

316
 For Your Safety

Wireless Network and Bluetooth Devices: Cautions

This product complies with the following EU Directives: • The wireless transmitter operates in the 2.4  GHz band using
• RoHS Directive 2011/65/EU DSSS, OFDM andand GFSK modulation.
• RE Directive 2014/53/EU • Security: Wireless network and Bluetooth devices transmit
Hereby, FUJIFILM Corporation declares that the radio data via radio and consequently their use requires great-
equipment type FF200003 is in compliance with Directive er attention to security than applies in the case of wired
2014/53/EU. networks.
The full text of the EU declaration of conformity is available at - Do not connect to unknown networks or networks to
which you do not have access rights, even if they are
the following internet address:
displayed on your device, as such access may be consid-
https://dl.fujifilm-x.com/global/products/cameras/gfx100s/
ered unauthorized. Connect only to networks to which
pdf/gfx100s_doc-aar.pdf
you have access rights.
This compliance is indicated by the following conformity - Be aware that wireless transmissions may be vulnerable
marking placed on the product: to interception by third parties.
- This device cannot be directly connected to telecom-
munications networks (including public wireless LANs)
This marking is valid for non-Telecom products and EU harmo- operated by providers or mobile, landline, Internet, or
nized Telecom products (e.g. Bluetooth®). other telecommunications services.
• Maximum radio-frequency power (EIRP): • The following may be punishable by law: law:
WLAN: 11.36 dBm - Disassembly or modification or this device
Bluetooth: 3.78 dBm - Removal of device certification labels
IMPORTANT: Read the following notices before using the cam- •
This device oper
operates
ates on the same fre
frequency
quency as commercial,
commercial, edu-
cational, and medical
medical devices and w wireless
ireless transmitters.
transmitters. It also
era’s built-in wireless transmitter.
operates on the same frequency as licensed transmitters
Q This product, which contains encryption function de- and special unlicensed low-voltage transmitters used in
veloped in the United States, is controlled by the United RFID tracking systems for assembly lines and in other sim-
States Export Administration Regulations and may not ilar applications.
be exported or re-exported to any country to which the • To prevent interference interference with the above devdevices,
ices, observe the fol-
fol-
United States embargoes goods. lowing precautions. Confirm that the RFID transmitter is not
• Use only a wwireless
ireless network or BBluetooth device. Fujifilm does in operation before using this device. Should you observe
luetooth device.
not accept liability for damages resulting from unautho- that the device causes interference in licensed transmitters
rized use. Do not use in applications requiring a high de- used for RFID tracking, immediately stop using the affected
gree of reliability, for example in medical devices or other frequency or move the device to another location. If you
systems that may directly or indirectly impact human life. notice that this device causes interference in low-voltage
When using the device in computer and other systems that RFID tracing systems, contact a Fujifilm representative.
demand a greater degree of reliability than offered by wire- • Do not us usee this device on boa
board
rd an aircraft. Note that Bluetooth
less network or Bluetooth devices, be sure to take all neces- may remain on even when the camera is off. Bluetooth can
sary precautions to ensure safety and prevent malfunction. be disabled by selecting OFF for D CONNECTION SET-
• Us
Usee only in the country devicee was purchased. This TING > Bluetooth SETTINGS > Bluetooth ON/OFF.
country in which the devic
device conforms to regulations governing wireless network
and Bluetooth devices in the country in which it was pur-
chased. Observe all location regulations when using the
device. Fujifilm does not accept liability for problems aris-
ing from use in other jurisdictions.
• Do not use the device in locations magnetic fields, U.K. Importer:
locations subject to magnetic
Technical Notes

static ele
electricity,
ctricity, or radio iinterference.
nterference. Do not use the trans- FUJIFILM UK Limited
mitter in the vicinity of microwave ovens or in other loca-
Unit 10A, St Martins Business Centre, St Martins Way, Bedford
tions subject to magnetic fields, static electricity, or radio
MK42 0LF, United Kingdom
interference that may prevent reception of wireless signals.
Mutual interference may occur when the transmitter is EU Importer:
used in the vicinity of other wireless devices operating in
FUJIFILM Electronic Imaging Europe GmbH
the 2.4 GHz band.
Fujistrasse 1 47533 Kleve, Germany

12

317
 For Your Safety

Be sure to read these notes before using the lens

Safety Notes  WARNING
• Make sure that you use the lens correctly. Read these safety Do not iimmerse
mmerse in or expose to water. Failure to ob-
notes and the camera Basic Manual carefully before use.
serve this precaution can cause a fire or electric
• After reading these safety notes, store them in a safe place. Do not
shock.
immerse
About the Icons
Do not disassemble (do nonott open the case). Failure
The icons shown below are used in this document to indicate to observe this precaution can cause fire, electric
the severity of the injury or damage that can result if the in- Do not
shock, or injury due to product malfunction.
disassemble
formation indicated by the icon is ignored and the product is
used incorrectly as a result. Should th
thee case break open as the result of a fall
fall or other
accident, do not touch the ex
exposed
posed parts. Failure to ob-
This icon indicates that death or serious serve this precaution could result in electric shock
WARNING injury can result if the information is ig- or in injury from touching the damaged parts. Re-
Do not touch
nored. internal move the battery immediately, taking care to avoid
parts injury or electric shock, and take the product to the
This icon indicates that personal injury or
CAUTION material damage can result if the informa- point of purchase for consultation.
tion is ignored. Do not place on unstable surfaces.
surfaces. The product may
The icons shown below are used to indicate the nature of the fall, causing injury.
instructions which are to be observed. Do not view the sun through the lens or camera view-
Triangular icons tell you that this information re- finders. Failure to observe this precaution can cause
quires attention (“Important”). permanent visual impairment.

Circular icons with a diagonal bar tell you that the

action indicated is prohibited (“Prohibited”).
 CAUTION
Do not use or store in locations tthat
hat are exposed to
Filled circles with an exclamation mark indicate an
steam, or smoke or ar
aree very humid or extr
extremely
emely dusty.
action that must be performed (“Required”).
Failure to observe this precaution can cause fire or
electric shock.
Do not leave in di
direct
rect sunlight or in locations subject
to very high temperatures,
temperatures, such as in a closed
closed vehicle
on a sunny
sunny day. Failure to observe this precaution
can cause fire.
Keep out of the reach
reach of small children. This product
could cause injury in the hands of a child.
Do not handle with wet hands. Failure to observe this
precaution can cause electric shock.
Keep the su
sunn out of the frame w
when
hen shooting backlit
subjects. Sunlight focused into the camera when
the sun is in or close to the frame can cause fire
or burns.
When the product
product is not in use,
use, replace the lens ccaps
aps and
Technical Notes

store out of direct sunlight. Sunlight focused by the

lens can cause fire or burns.
Do not carry
carry the camera or lens
lens while they are aattached
ttached
to a tripod. The product can fall or strike other ob-
jects, causing injury.

12

318
 Product Care
To ensure continued enjoyment of the product, observe
the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after
each use. Do not use alcohol, thinner, or other volatile chemicals,
which could discolor or deform the leather on the camera body.
Any liquid on the camera should be removed immediately with
a soft, dry cloth. Use a blower to remove dust from the monitor,
taking care to avoid scratches, and then gently wipe with a soft,
dry cloth. Any remaining stains can be removed by wiping gen-
tly with a piece of Fujifilm lens-cleaning paper to which a small
amount of lens-cleaning fluid has been applied. To prevent dust
entering the camera, replace the body cap when no lens is in
place.
Image sensor: Multiple photographs marred by spots or blotches in
identical locations may indicate the presence of dust on the im-
age sensor. Clean the sensor using D USER SETTING > SENSOR
CLEANING.

Technical Notes

12

319
 Cleaning the Image Sensor
Dust that cannot be removed using D USER SETTING  >
SENSOR CLEANING can be removed manually as de-
scribed below.
O Note that there will be a charge to repair or replace the image sensor
if it is damaged during cleaning.

1 Use a blower (not a brush) to remove

dust from the sensor.

N Do not use a brush or blower brush.

Failure to observe this precaution
could damage the sensor.

2 Check whether the dust has been successfully removed. Re-

peat Steps 1 and 2 as necessary.

3 Replace the body cap or lens.

Technical Notes

12

320
 Firmware Updates
Updates to product firmware may result in changes not
described in the manual. For more information, visit:
https://fujifilm-x.com/support/download/firmware/cameras/

Checking the Firmware Version

O The camera will only display the firmware version if a memory card is
inserted.

1 Turn the camera off and check that a memory card is inserted.

2 Turn the camera on while pressing the DISP/BACK button. The

current firmware version will be displayed; check the firm-
ware version.

3 Turn the camera off.

N To view the firmware version or update firmware for optional acces-
sories such as interchangeable lenses, shoe-mounted flash units, and
mount adapters, mount the accessories on the camera.

Technical Notes

12

321
 Troubleshooting
Consult the table below should you encounter problems
using your camera. If you don’t find the solution here, con-
tact your local Fujifilm distributor.

Power and Battery

Problem Solution
• The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
The camera does not • The battery is inserted incorrectly: Reinsert in the correct ori-
turn on. entation (P 36).
• The battery-chamber cover is not latched: Latch the bat-
tery-chamber cover (P 36).
The monitor may not turn on if the camera is turned off
The monitor does not
and then on again very quickly. Keep the shutter button
turn on.
pressed halfway until the monitor activates.
• The battery is cold: Warm the battery by placing it in a pock-
et or other warm place and reinsert it in the camera im-
mediately before taking a picture.
• There is dirt on the battery terminals: Clean the terminals
The battery runs down with a soft, dry cloth.
quickly. • ON is selected for G AF/MF SETTING > PRE-AF: Turn
PRE-AF off (P 133).
• The battery has been charged many times: Select BATTERY
AGE to view the battery age; if the battery is old, replace
it with a new battery (P 213).
The camera turns off The battery is exhausted: Charge the battery or insert a
suddenly. fully-charged spare battery (P 41).
Technical Notes

12

322
 Troubleshooting

Problem Solution
• Make sure that the AC power adapter is correctly plugged
in (P 41).
• Ensure that the plug adapter is correctly connected to the
AC power adapter (P 41).
Charging does not start.
• The battery has not been recharged for an extended period: If
the battery has not been charged for an extended period,
charging will be disabled to ensure safety. Replace it with
a new battery.
• Insert the camera battery (P 36).
• Reinsert the camera battery in the correct orientation
(P 36).
Charging does not start • Confirm that the camera is connected to the computer
(USB). (P 43).
• If the computer is off or in sleep mode, turn on or wake
the computer and disconnect and reconnect the USB ca-
ble (P 43).
• Insert the battery.
Charging does not start • Reinsert the battery in the correct orientation.
(battery charger). • The AC adapter is not correctly connected to the charger: Check
that adapter is correctly connected to the charger.
Charging is slow. Charge the battery at room temperature.
• There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth (P 36).
The indicator lamp
blinks, but the battery • The battery has been charged many times: Select BATTERY
AGE to view the battery age; if the battery is old, replace
does not charge.
it with a new battery (P 213). If the battery still fails to
charge, contact your Fujifilm dealer (P 304).
The power supply icon is Confirm that ON is selected for USB POWER SUPPLY
not displayed. SETTING (P 250).
Technical Notes

Menus and Displays

Problem Solution
Select ENGLISH for D USER SETTING > Qa
Display is not in English.
(P 48, 212).
12

323
 Shooting
Problem Solution
• The memory card is full: Insert a new memory card or delete
pictures (P 38, 192).
• The memory card is not formatted: Format the memory card
in the camera (P 210).
• There is dirt on the memory card contacts: Clean the contacts
with a soft, dry cloth.
No picture is taken when
the shutter button is • The memory card is damaged: Insert a new memory card
(P 38).
pressed.
• The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
• The camera has turned off automatically: Turn the camera on
(P 44).
• You are using a third-party mount adapter: Select ON for
SHOOT WITHOUT LENS (P 234).
Mottling (“noise”)
Gain is increased to aid composition when the subject is
appears in the monitor
poorly lit and aperture is stopped down, which may result
or viewfinder when
in noticeable mottling when images are previewed in the
the shutter button is
displays. Images taken with the camera are unaffected.
pressed halfway.
The camera does not The subject is not suited to autofocus: Use focus lock or manual
focus. focus (P 93).
• The subject’s face is obscured by sunglasses, a hat, long hair, or
other objects: Remove the obstructions (P 134).
• The subject’s face occupies only a small area of the frame:
Change the composition so that the subject’s face occu-
No face is detected. pies a larger area of the frame (P 134).
• The subject’s face is turned away from the camera: Ask the sub-
ject to face the camera (P 134).
Technical Notes

• The camera is tilted: Keep the camera level.

• The subject’s face is poorly lit: Shoot in bright light.

12

324
 Troubleshooting

Problem Solution
• The flash is disabled: Adjust settings (P 153).
• The battery is exhausted: Charge the battery or insert a ful-
The flash does not fire. ly-charged spare battery (P 41).
• The camera is in bracketing or continuous mode: Select single
frame mode (P 7).
• The subject is not in range of the flash: Position the subject in
range of the flash.
The flash does not fully
light the subject. • The flash window is obstructed: Hold the camera correctly.
• Shutter speed is faster than the sync speed: Choose a slower
shutter speed (P 66, 70, 337).
• The lens is dirty: Clean the lens.
• The lens is blocked: Keep objects away from the lens
Pictures are blurred. (P 51).
• s is displayed during shooting and the focus frame is dis-
played in red: Check focus before shooting (P 52).
• Shutter speed is slow and the ambient temperature is* high: This
is normal and does not indicate a malfunction. Use pixel
mapping (P 124).
* X-rays, cosmic rays, and other forms of radiation interacting
with the image sensor may cause bright spots of various col-
ors such as white, red, and blue. Pixel mapping helps reduce
Pictures are mottled. the occurrence of such bright spots.

• The camera has been used continuously at high temperatures:

Turn the camera off and wait for it to cool down (P 44,
333).
• A temperature warning is displayed: Turn the camera off and
wait for it to cool down (P 44, 333).
Technical Notes

12

325
 Playback
Problem Solution
The pictures were taken with a different make or model of
Pictures are grainy.
camera.
Playback zoom is The pictures were created using RESIZE or with a different
unavailable. make or model of camera.
• Playback volume is too low: Adjust playback volume
(P 216).
No sound in movie • The microphone was obstructed: Hold the camera correctly
playback. during recording.
• The speaker is obstructed: Hold the camera correctly during
playback.
Selected pictures are not
deleted. Some of the pictures selected for deletion are protected.
Pictures remain after Remove protection using the device with which it was
ERASE > ALL FRAMES is originally applied (P 196).
selected.
The battery-chamber cover was opened while the cam-
File numbering is
era was on. Turn the camera off before opening the bat-
unexpectedly reset.
tery-chamber cover (P 242).
Technical Notes

12

326
 Troubleshooting

Connections
Problem Solution
The camera is connected to a TV: Pictures will be displayed on
The monitor is blank.
the TV instead of in the camera monitor (P 286).
The display mode selected with the VIEW MODE button is
Both the TV and camera EVF ONLY + E: Put your eye to the viewfinder. Use
monitor are blank. the VIEW MODE button to choose another display mode
(P 16).
• The camera is not properly connected: Connect the camera
properly (P 286).
No picture or sound • Input on the television is set to “TV”: Set input to “HDMI”
on TV. (P 286).
• The volume on the TV is too low: Use the controls on the tele-
vision to adjust the volume (P 286).
The computer does not Be sure the camera and computer are correctly connected
recognize the camera. (P 291).
FUJIFILM X RAW STUDIO
Check the option selected for CONNECTION MODE
or FUJIFILM X Acquire
on the camera. Select USB RAW CONV./BACKUP
fails to correctly detect
RESTORE before connecting the USB cable (P 296).
the camera.
ON is selected for USB POWER SUPPLY SETTING. Se-
Cannot connect to
lect OFF when the camera is connected via a Lightning
iPhones or iPads.
connection to a device that do not supply power (P 250).
Cannot connect to Confirm that the camera is correctly connected: The procedure
smartphone. for connecting the camera varies with the type of connec-
tor with which the smartphone is equipped (P 297). Technical Notes

12

327
 Wireless Transfer
For additional information on troubleshooting wireless connec-
tions, visit:
https://digitalcamera-support-en.fujifilm.com/
Problem Solution
Cannot connect to
smartphone.
The camera is slow • The smartphone is too far away: Move the devices closer
(P 288).
to connect or upload
pictures to the • Nearby devices are causing radio interference: Move the cam-
era and smartphone away from microwave ovens or cord-
smartphone.
less phones (P 288).
Upload fails or is
interrupted.
• The smartphone is connected to another device: The smart-
phone and camera can connect to only one device at a
time. End the connection and try again (P 288).
• There are several smartphones in the vicinity: Try connecting
again. The presence of multiple smartphones can make
Cannot upload images. connection difficult (P 288).
• The image was created on another device: The camera may
not be able to upload images created on other devices.
• The image is a movie: Uploading movies takes some time. In
addition, smartphones may not accept upload of movies in
formats they do not support.
Select ON for GENERAL SETTINGS > RESIZE IMAGE
Smartphone will not FOR SMARTPHONE H. Selecting OFF increases up-
display pictures. load times for larger images; in addition, some phones may
not display images over a certain size (P 251).
Technical Notes

12

328
 Troubleshooting

Miscellaneous
Problem Solution
• Temporary camera malfunction: Remove and reinsert the
battery (P 36).
• The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 41).
The camera is unresponsive.
• The camera is connected to a wireless LAN: End the con-
nection.
• The controls are locked: Press and hold the MENU/OK but-
ton to unlock the controls (P 13, 15).
The camera does not func- Remove and reinsert the battery (P 36). If the prob-
tion as expected. lem persists, contact your Fujifilm dealer.
When NORMAL is selected for PERFORMANCE, the
Motion in the viewfinder
frame rate will drop if no operations are performed for a
or monitor appears jerky
set period. The normal frame rate will be restored after
rather than smooth.
you operate camera controls (P 240).
No sound. Adjust the volume (P 215).
Pressing the Q button does
TTL-LOCK is active: End TTL-LOCK (P 154).
not display the quick menu.

Technical Notes

12

329
 Warning Messages and Displays
The following warnings appear in the display.
Warning Description
Low battery. Charge the battery or insert a fully-charged
i (red)
spare battery.
Battery exhausted. Charge the battery or insert a ful-
j (blinks red)
ly-charged spare battery.
The camera cannot focus. Use focus lock to focus on an-
s (displayed in red with
other subject at the same distance, then recompose the
red focus frame)
picture.
The subject is too bright or too dark and the picture will be
Aperture or shutter
over- or under-exposed. Use the flash for additional light-
speed displayed in red
ing when taking photographs of poorly-lit subject.
FOCUS ERROR
LENS CONTROL ERROR Camera malfunction. Turn the camera off and then on
TURN OFF THE CAMERA again. If the message persists, contact a Fujifilm dealer.
AND TURN ON AGAIN
• The memory card is not formatted or the memory card has been
formatted in a computer or other device: Format the memory
card using D USER SETTING > FORMAT.
CARD NOT INITIALIZED • The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
• Camera malfunction: Contact a Fujifilm dealer.
Turn the camera off, remove the lens, and clean the mount-
LENS ERROR ing surfaces, then replace the lens and turn the camera on.
If the problem persists, contact a Fujifilm dealer.
Technical Notes

12

330
 Warning Messages and Displays

Warning Description
• The memory card is not formatted for use in the camera: For-
mat the card.
• The memory card contacts require cleaning or the memory card
is damaged: Clean the contacts with a soft, dry cloth. If the
CARD ERROR
message is repeated, format the card. If the message per-
sists, replace the card.
• Incompatible memory card: Use a compatible card.
• Camera malfunction: Contact a Fujifilm dealer.
PROTECTED CARD The memory card is locked. Unlock the card.
The memory card is incorrectly formatted. Use the camera
BUSY
to format the card.
The memory card is full and pictures cannot be recorded.
b MEMORY FULL Delete pictures or insert a memory card with more free
space.
• Memory card error or connection error: Reinsert the card or
turn the camera off and then on again. If the message
persists, contact a Fujifilm dealer.
• Not enough memory remaining to record additional pictures:
WRITE ERROR Delete pictures or insert a memory card with more free
space.
• The memory card is not formatted: Format the memory card.
• The memory card was removed while data were being recorded:
Do not remove the memory card during recording.
The camera has run out of frame numbers (current frame
number is 999-9999). Insert a formatted memory card and
FRAME NO. FULL select RENEW for D SAVE DATA SET-UP > FRAME NO..
Take a picture to reset frame numbering to 100-0001, then
select CONTINUOUS for FRAME NO..
Technical Notes

12

331
 Warning Description
• The file is corrupt or was not created with the camera: The file
cannot be viewed.
READ ERROR
• The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
• Camera malfunction: Contact a Fujifilm dealer.
An attempt was made to delete or rotate to a protected pic-
PROTECTED FRAME
ture. Remove protection and try again.
CAN NOT CROP The picture is damaged or was not created with the camera.
Print orders can contain no more than 999 pictures. Copy
DPOF FILE ERROR any additional pictures you wish to print to another memo-
ry card and create a second print order.
CAN NOT SET DPOF The picture cannot be printed using DPOF.
F CAN NOT SET DPOF Movies cannot be printed using DPOF.
CAN NOT ROTATE The selected picture cannot be rotated.
F CAN NOT ROTATE Movies cannot be rotated.
F CANNOT EXECUTE Red-eye removal cannot be applied to movies.
Red-eye removal cannot be applied to pictures created
m CANNOT EXECUTE with other devices.
MISMATCH: 4K MODE The movie mode selected with the camera is not compat-
AND EXTERNAL MONITOR ible with the device to which the camera is connected via
CHANGE MOVIE MODE HDMI. Try selecting a different movie mode (P 156).
Technical Notes

12

332
 Warning Messages and Displays

Warning Description
p (yellow) The camera is approaching the maximum temperature al-
CAMERA IS APPROACHING lowed when STANDARD is selected for AUTO POWER
STANDARD OFF TEMP. and will shortly turn off automatically. Turn the
TEMPERATURE LIMIT camera off and wait for it to cool.
The camera is approaching the maximum temperature
allowed when HIGH is selected for AUTO POWER OFF
p (yellow)
TEMP. and will shortly turn off automatically. Remaining
CAMERA IS APPROACHING
in contact with the camera could result in low-temperature
HIGH TEMPER-
burns; mount the camera on a tripod or take other steps to
ATURE LIMIT.DO NOT
avoid prolonged contact with the camera. The camera will
HOLD CAMERA FOR
shortly turn off automatically. Turn the camera off and wait
LONG PERIODS OF TIME
for it to cool. Mottling may increase in pictures taken when
this warning is displayed.
p (red) The camera temperature has reached the cutoff point and
HIGH TEMPERATURE the camera is about to turn off automatically. Turn the cam-
LIMIT REACHED era off and wait for it to cool. Mottling may increase in pic-
SHUTTING DOWN tures taken when this warning is displayed.

Technical Notes

12

333
 Memory Card Capacity
The following table shows the recording time or number
of pictures available at different image sizes. All figures are
approximate; file size varies with the scene recorded, pro-
ducing wide variations in the number of files that can be
stored. The number of exposures or length remaining may
not diminish at an even rate.
Capacity 16 GB 32 GB
SUPER SUPER
T FINE FINE NORMAL FINE FINE NORMAL
O 4∶3 260 390 630 530 790 1260
RAW (UNCOMPRESSED) 70 150
Photos
RAW (LOSSLESS COMPRESSED) 140 300
RAW (COMPRESSED) 220 440
 1, 2
V2160 20 minutes 40 minutes
Movies
W1080 20 minutes 40 minutes
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.
O If the memory card has a capacity of over 32 GB, movies will be recorded
in single files, regardless of size. If the card has a capacity of 32 GB or less,
movies over 4 GB in size will be recorded uninterrupted across multiple files.
Technical Notes

12

334
 Specifications
System
Model FUJIFILM GFX100S
Product Number FF200003
Effective pixels Approx. 102 million
Image sensor 43.8 mm × 32.9 mm Bayer array with primary color filter
Storage media Fujifilm-recommended SD/SDHC/SDXC memory cards
Memory card slots Two SD memory card slots (UHS-II compliant)
File system Compliant with Design Rule for Camera File System (DCF2.0),
Exif 2.32, and Digital Print Order Format (DPOF)
File format • Still pictures: Exif 2.32 JPEG (compressed); RAW (original RAF
format, uncompressed or compressed using a lossless algo-
rithm; special purpose software required); RAW+JPEG avail-
able; TIFF (RGB)
• Movies: H.265/H.264 standard with stereo sound (MOV/MP4)
• Audio (voice memos): Stereo sound (WAV)
Image size O 4∶3 (11648 × 8736) O 65∶24 (11648 × 4304)
O 3∶2 (11648 × 7768) O 5∶4 (10928 × 8736)
O 16∶9 (11648 × 6552) O 7∶6 (10192 × 8736)
O 1∶1 (8736 × 8736)
P 4∶3 (8256 × 6192) P 65∶24 (8256 × 3048)
P 3∶2 (8256 × 5504) P 5∶4 (7744 × 6192)
P 16∶9 (8256 × 4640) P 7∶6 (7232 × 6192)
P 1∶1 (6192 × 6192)
Q 4∶3 (4000 × 3000) Q 65∶24 (4000 × 1480)
Q 3∶2 (4000 × 2664) Q 5∶4 (3744 × 3000)
Q 16∶9 (4000 × 2248) Q 7∶6 (3504 × 3000)
Q 1∶1 (2992 × 2992)
Technical Notes

RAW (11808 × 8754) TIFF (11648 × 8736)

Lens mount FUJIFILM G mount
Sensitivity • Still pictures: Standard output sensitivity equivalent to
ISO  100 – 12800 in increments of ⁄  EV; AUTO1 – 3; extended
output sensitivity equivalent to ISO 50, 25600, 51200, or 102400
• Movies: Standard output sensitivity equivalent to
ISO  200 – 12800 in increments of ⁄  EV; AUTO; extended 12
output sensitivity equivalent to ISO 25600
335
 System
Metering 256-segment through-the-lens (TTL) metering;
MULTI, SPOT, AVERAGE, CENTER WEIGHTED
Exposure control Programmed AE (with program shift); shutter-priority AE;
aperture-priority AE; manual exposure
Exposure compensation • Still pictures: −5 EV – +5 EV in increments of ⁄ EV
• Movies: −2 EV–+2 EV in increments of ⁄ EV
Shutter speed • MECHANICAL SHUTTER, E-FRONT CURTAIN SHUTTER
⁃ Mode P: 4 s to ¼ s
⁃ Mode A: 30 s to ¼ s
⁃ Modes S and M: 60 min. to ¼ s
⁃ Bulb: Max. 60 min.
• ELECTRONIC SHUTTER, MECHANICAL + ELECTRONIC,
E-FRONT + ELECTRONIC
⁃ Mode P: 4 s to ⁄ s
⁃ Mode A: 30 s to ⁄ s
⁃ Modes S and M: 60 min. to ⁄ s
⁃ Bulb: Max. 60 min.
Continuous Available frame advance rates (JPEG)
CONTINUOUS MECHANICAL ELECTRONIC
MODE SHUTTER SHUTTER
CH HIGH SPEED BURST 5.0 2.9
CL LOW SPEED BURST 2.0
O The frame rate and number of frames per burst var-
ies with shooting conditions and type of memory
card used.
Focus • Mode: Single or continuous AF; manual focus with focus ring
• Autofocus system: Intelligent hybrid AF (TTL contrast-detect/
phase-detection AF) with AF-assist illuminator
Technical Notes

• Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING,

ALL
White balance Auto (WA WHITE PRIORITY, AUTO, AA AMBIENCE PRIORITY),
Custom 1, Custom 2, Custom 3, color temperature selection, direct
sunlight, shade, daylight fluorescent, warm white fluorescent,
cool white fluorescent, incandescent, underwater
12 Self-timer Off, 2 sec., 10 sec.

336
 Specifications

System
Flash mode • MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
MANUAL, MULTI, OFF
• SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-
speed sync)
• RED EYE REMOVAL: e FLASH+REMOVAL, L FLASH,
d REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as
fast as ⁄ s
Sync contact X contact; supports sync speeds as fast as ⁄ s
Sync terminal Provided
Electronic viewfinder 0.5-in., 3690k-dot OLED viewfinder; magnification 0.77× with
(EVF) 50 mm lens (35 mm format equivalent) at infinity and diopter
set to −1.0  m−1; diagonal angle of view approximately 38°
(horizontal angle of view approximately 30°)
• Diopter adjustment: −4 to +2 m−1
• Eyepoint: Approximately 23 mm
LCD monitor • Rear monitor: 3.2-in/8.1 cm, 2360k-dot color LCD touch
screen with 3-way tilt
• Shoulder monitor: 1.80-in/4.57 cm, 303 × 230-dot memory
LCD monitor
Movies • Movie size: V 16∶9, d 17∶9, W 16∶9, W 17∶9
(with stereo sound) • Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P
• Bit rate: 400Mbps, 200Mbps, 100Mbps, 50Mbps
• Recording/output format
⁃ H.265: SD card, 4∶2∶0, 10-bit/HDMI output, 4∶2∶2, 10-bit
⁃ H.264: SD card, 4∶2∶0, 8-bit/HDMI output, 4∶2∶2, 10-bit
Input/output terminals
Microphone connector ⌀3.5 mm mini-stereo jack
Headphone jack socket ⌀3.5 mm mini-stereo jack
Technical Notes

Remote release connector ⌀2.5 mm 3-pole mini jack

Digital input/output USB connector (Type-C) USB3.2Gen1x1
HDMI output HDMI Micro connector (type D)

12

337
 Power supply/other
Power supply NP-W235 rechargeable battery (supplied with camera)
Battery life • Battery type: NP-W235
• Lens: GF63mmF2.8 R WR
• External flash units: Disabled
• Shooting mode: Mode P
• AUTO POWER SAVE: ON
Number of shots
PERFORMANCE LCD EVF
BOOST Approx. 400 Approx. 320
NORMAL Approx. 460 Approx. 430
Total length of footage that can be recorded on
a single charge
Continuance
Actual Battery life of Battery life of movie
Mode movie capture capture
V 1 Approx. 60 minutes Approx. 95 minutes
W 2 Approx. 65 minutes Approx. 110 minutes
1 At a frame rate of 29.97 fps.
2 At a frame rate of 59.94 fps.
CIPA standard. Measured using battery supplied with camera
and SD memory card.
Note: Battery endurance varies with battery charge level and
the figures given above are not guaranteed. Battery endur-
ance will decline at low temperatures.
Camera size 150.0 mm × 104.2 mm × 87.2 mm (44.0 mm excluding projections,
(W × H × D) measured at thinnest part)/5.91 in. × 4.10 in. × 3.43 in. (1.73 in.)
Camera weight Approx. 819 g/28.9 oz., excluding battery, accessories, and
memory card
Technical Notes

Shooting weight Approx. 900 g/31.7 oz., including battery and memory card
Operating conditions • Temperature: −10 °C to +40 °C/+14 °F to +104 °F (+5 °C to
+40 °C/+41 °F to +104 °F when battery is charging)
• Humidity: 10% to 80% (no condensation)

12

338
 Specifications

Wireless transmitter
Wireless LAN
Standards IEEE 802.11b/g/n (standard wireless protocol)
Operating frequency 2,412 MHz–2,462 MHz (11 channels)
(center frequency)
Access protocols Infrastructure
Bluetooth®
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency 2,402 MHz–2,480 MHz
(center frequency)

Technical Notes

12

339
 Specifications

NP-W235 rechargeable battery

Nominal voltage 7.2 V
Nominal capacity 2350 mAh
Rating capacity 2200 mAh
Operating 0 °C to +40 °C/+32 °F to +104 °F
temperature
Dimensions 38.92 mm × 22.8 mm × 52.26 mm/
(W × H × D) 1.5 in. × 0.9 in. × 2.1 in.
Weight Approx. 79 g/2.8 oz.
AC-5VJ AC power adapter
Manufacturer Dongguan Yingiu Power Co.,Ltd.
Address No.6 Yongxing Road, Shayao Village, Shijie Town,
523292 Dongguan City, Guangdong Province,
PEOPLE'S REPUBLIC OF CHINA
Model name AC-5VJ
Rated input 100 V – 240 V AC, 50/60 Hz
Input capacity Max. 50 VA
Rated output DC5.0V 3.0A 15.0W
Average active efficiency 84.8 %
Efficiency at load 10% 84.2 %
No-load power consumption 0.02 W
Operating temperature 0 °C to +40 °C/+32 °F to +104 °F
Weight Approx. 45 g ± 2 g/1.6 oz. ± 0.1 oz.

N Weight and dimensions vary with the country or region of sale.

O Specifications and performance are subject to change without notice.
Fujifilm will not be held liable for any errors this manual may contain.
The appearance of the product may differ from that described in this
manual.
Technical Notes

12

340
MEMO

341
MEMO

342
MEMO

343
7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN
https://fujifilm-x.com