GCE Chinese 2017 Getting Started Guide
GCE Chinese 2017 Getting Started Guide
Guide
Specification overview 5
Changes to specification content 5
3 Planning 7
3.1 Planning and delivering linear AS and A level courses 7
4 Content guidance 10
4.1 Themes and sub-themes 10
5 Assessment guidance 47
5.1 Implications of linear assessment 47
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2 What’s changed?
2.1 How have AS and A level changed?
Changes to AS and A level qualifications
From September 2017, A level Chinese will be a fully linear qualification. This means that all
examinations must be sat (and the speaking assessment conducted) at the end of the course.
More information about the implications of the move to linear assessment is given on page 11.
From September 2017, AS level Chinese will be a stand-alone qualification. This means that it
cannot be used to contribute towards an A level Chinese grade. More information about the
relationship between AS and A level is given on page 9.
AO4 Show knowledge and understanding of, and respond critically and
A level analytically to, different aspects of the culture and society of
countries/communities where the language is spoken
20%
AO4 Show knowledge and understanding of, and respond critically to,
AS level different aspects of the culture and society of countries/communities
where the language is spoken
20%
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2.2 Changes to Edexcel GCE Chinese
Specification overview
AS level
A level
Theme 2: 中國文化
Within these two broad themes there are a number of sub-themes, which can be found below.
The content of these themes is assessed in Paper 1 (listening, reading and translation), and
Paper 3 (speaking).
As part of the AS, students are also required to study either one text or one film, which will be
assessed in Paper 2 (the writing paper).
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Students taking the A level will study four themes, of which the first two are the same as for the
AS:
Theme 1: 當代華人社會的變遷
Theme 2: 中國文化
Theme 3: 演變中的華人社會
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Independent Must be linked to the social and Must link to Chinese culture
research cultural context of the Chinese- and/or society
speaking world
(A level only)
N/A No equivalent in new specification Units 1, 2 and 3: Food, diet and
health
Unit 3 Research-based essay
topic areas:
● Modern history (20th
Century) 1911–1976
● Women’s issues (1911 to the
present)
● Film: Nan Hai 13 (Mad
Phoenix)
● Film: Han Yan Cui (Mist Over
Dream Lake)
● Book: Ba Jin: Chun (Spring)
3 Planning
3.1 Planning and delivering linear AS and A level
courses
Naturally, the key difference of linear qualifications is that students need to retain all that they
have learned for examination at the end of the course. In terms of language learning, this is a
logical and positive development because students must retain and build on everything they
learn in order to master a language effectively.
In terms of planning, teachers will need to consider the following:
● AS assessment is at the end of year 1, though can be done over two years if required;
students taking A level do not need to take AS examinations
● A level assessment is at the end of year 2
● retakes are only possible for the entire qualification, not for individual modules.
Course planning needs to cover:
● two themes at AS and four themes at A level
● one literary work or film at AS level and either two texts, or a text and a film, at A level
● sufficient practice in listening, speaking, reading, writing and translation
● a broad range of grammar and opportunities to use this to generate language independently
● independent research at A level
● development of critical and analytical thinking.
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3.2 Suggested resources
The Edexcel AS and A level course is supported by a range of resources:
Liu Xun — Practical Chinese Reader volume III volume IV
[Note that the following book aligns to the legacy specification and, as such, won’t provide
completely coverage of the new specification.]
Xiaoming Zhang — Chinese for A-Level (Cypress Book Co, 2006) ISBN 9781845700119
Our free online support for teachers includes:
● approaches to teaching film and literature
● guides on how to analyse a text and how to develop research skills
● PowerPoints to support the teaching and learning of film and literature.
Other useful resources include:
Grammar
Hung-nin Samuel Cheung in collaboration with Sze-yun Liu and Li-lin Shih – A Practical Chinese
Grammar (Chinese University Press, 2002)
Yip Po-Ching and Rimmington D — Intermediate Chinese: A Grammar and Workbook (Routledge,
2009)
Vocabulary
Vocabulary List (to be updated) provided by Edexcel
Literature
There are some books about the authors on the AS and A level specifications, though this is by
no means an exhaustive list:
錢理群、溫儒敏、吳福輝:《中國現代文學三十年》,北京:北京大學出版社,1998。
蒲葦:《中學生文學精讀.曹文軒》,香港:三聯書店,2016。
夏祖麗:《從城南走來:林海音傳》,台北:天下遠見,2000。
Films
An internet search for your chosen film should generate plenty of resources. Some examples
about the film directors include:
鄺保威:《許鞍華說許鞍華》,香港:至高圖書,1998。
程青松:《青年電影手册》第七輯《青春電影手册》,中國友誼出版公司,2017。
王小帥:《薄薄的故鄉》,重慶:重慶大學出版社,2015。
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3.3 Co-teaching AS and A level
AS and A level have the same basic structure and overlapping content to facilitate co-teaching. It
will be possible to teach Themes 1 and 2 and one literary work or film to both AS and A level
students.
A level students will, however, need to achieve a higher level, in terms of both linguistic and
cognitive development. This means that:
● A level students should receive extension work during the first year, encouraging them to
develop beyond the requirements of AS
● work from Themes 1 and 2 and the first literary work/film may need to be revisited in year 2
to ensure that students fully apply their more developed linguistic and cognitive skills to the
content.
independent research
AS & A Theme 2 Grammar
Transferable listening,
writing, translation,
level
speaking, reading,
development
Revision (AS students)
thinking
Year 2 Theme 3 Literary Grammar revision
A level work/Film
Theme 4 Grammar
only development
Revision
Model 2
Literary work/Film
translation, thinking
Year 2 Theme 3
A level only Theme 4
Independent research
Literary work/Film
Revision
Model 1 offers a more integrated learning experience, developing all skills together, whereas
Model 2 presents a clearer order. Model 1 is potentially more complex to manage, but Model 2
could result in teachers and students running out of time on the second literary work/film and
independent research.
More detailed Schemes of work and other useful planning documents are available as free
resources on the Edexcel website:
https://qualifications.pearson.com/en/qualifications/edexcel-a-levels/chinese-
2017.coursematerials.html#filterQuery=Pearson-UK:Category%2FTeaching-and-learning-
materials
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4 Content guidance
The themes and sub-themes identified below are vehicles for the development of linguistic and
cognitive skills, as well as cross-cultural awareness. Assessment is predominantly related to the
ability to use the target language. Assessment will take place within the themes and sub-themes.
Students will need to demonstrate knowledge, understanding and critical – and at A level,
analytical – response relating to the target language community and culture.
● 人口老齡化
教育與工作 ● 學校生活
● 學生議題
● 工作機會
● 工作和生活的平衡
When exploring each sub-theme, teachers and students may wish to refer to the key
words and phrases listed below in addition to other relevant words and phrases. These
lists are not exhaustive but simply provide a starting point.
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Theme 1 Changes in contemporary Chinese society
Education and the world of work (school life and student issues; work
opportunities and work-life balance)
/休閒時間 闲暇时间 /
休闲时间
management
管理 管理
manual labour
體力勞動 体力劳动
office
辦公室 办公室
potential
潛力/潛能/潛質 潜力/潜能/潜质
professions and trades
行業 行业
professor
教授 教授
promotion (in a job)
升遷 升迁
recruitment agency
招聘代理/招聘機構 招聘代理 /
招聘机构
research
研究 研究
resignation
辭職 辞职
scholar
學者 学者
scholarship
獎學金 奖学金
school bullying
校園欺凌 校园欺凌
secretary
秘書 秘书
self-confident / confidence
自信 自信
specialism
專業 专业
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Traditional Chinese English words Simplified Chinese
characters characters
spoon-feeding approach
填鴨方式 填鸭方式
struggle
奮鬥 奋斗
talented / qualified people
人才 人才
to ask for leave / holiday
請假 请假
to attend a lecture
聽講座 /上課 听讲座 / 上课
to be unemployed
失業 失业
to fit in with
適應 适应
to give up drugs
戒毒 戒毒
to instill (knowledge)
灌輸 灌输
to master (a subject)
精通 / 掌握 精通 / 掌握
to obtain employment
就業 就业
to operate a business
經營生意 / 營商 经营生意 / 营商
to practise / put into
實踐 practice 實踐
to receive private tuition
補習 补习
to run a company
開公司 开公司
to scold
責罵 责骂
to set up a business
創業 创业
to take initiative
主動 主动
to work shifts
輪班工作 轮班工作
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Traditional Chinese English words Simplified Chinese
characters characters
university degree
大學學位 大学学位
vacancy
空缺 空缺
wisdom
智慧 智慧
work position
工作崗位 / 職位 工作崗位 / 職位
When exploring each sub-theme, teachers and students may wish to refer to the key
words and phrases listed below in addition to other relevant words and phrases. These
lists are not exhaustive but simply provide a starting point.
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Traditional Chinese English words Simplified Chinese
characters characters
habit / be accustomed to
習慣 习惯
handicraft items
手工藝品 手工艺品
hotpot
火鍋 火锅
lantern
燈籠 灯笼
legend
傳說 传说
lifestyle
生活方式 生活方式
marriage practices
結婚禮俗 结婚礼俗
long history
歷史悠久 历史悠久
myth
神話 神话
national minorities
少數民族 少数民族
New Year cake
年糕 年糕
paper cuts
剪紙 剪纸
Qu Yuan
屈原 屈原
red packet money / gift
壓歲錢/紅封包/ money 压岁钱/红封包/
利是錢 利是钱
Confucianism
儒家 儒家
sacrificial offerings
祭品 祭品
scented sachet (Dragon
香包 Boat Festival) 香包
seasonal division points
節氣 节气
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Traditional Chinese English words Simplified Chinese
characters characters
sense of belonging
歸屬感 归属感
sense of identity
認同感 认同感
Spring Festival Gala
春節聯歡晚會/春晚 春节联欢晚会/
春晚
superstitious
迷信 迷信
taboo
禁忌 禁忌
Taoism
道教 道教
temple
寺廟 寺庙
to admire the full moon
賞月 赏月
to beat drums
打鼓 打鼓
to burn incense
燒香 烧香
to burn paper money
燒紙錢 (ritual money) 烧纸钱
to celebrate the Chinese
過年 New Year 过年
to clean up the house (on
大掃除 Chinese New Year’s Eve) 大扫除
to congratulate,
恭喜 congratulations 恭喜
to celebrate / celebration
慶祝/喜慶 庆祝/喜庆
to decorate
裝飾/佈置/擺設 装饰/布置/摆设
to do shopping for the
辦年貨 Spring Festival 办年货
to enjoy, appreciate
欣賞 欣赏
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Traditional Chinese English words Simplified Chinese
characters characters
to get together as a family
團聚 / 團圓 团聚 / 团圆
to give a present
送禮 送礼
to go for a walk in the
踏青 countryside 踏青
to originate from
源於/來源於 源于/来源于
to pass away / die
去世/死了 去世/死了
to pass from generation to
世代相傳 generation 世代相传
to pray for blessing (good
祈福 fortune) 祈福
to remember,
懷念/紀念 commemorate 怀念/纪念
to seek good fortune and
趨吉避凶 avoid mishaps 趋吉避凶
to set off fireworks
放煙花 放烟花
to stay up all night on
守歲 Chinese New Year’s Eve 守岁
to think about, long for
思念 思念
to visit the flower fair
逛花市 逛花市
to wear a traditional
穿旗袍 Chinese qipao 穿旗袍
to wish someone a happy
拜年 Chinese New Year 拜年
to write New Year’s
寫春聯 couplets 写春联
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Theme 2 Chinese culture
Cultural activities (films, television, music and reading (in relation to Chinese
culture))
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Traditional Chinese English words Simplified Chinese
characters characters
documentary
紀錄片 纪录片
drama series
連續劇 连续剧
entertainment industry
娛樂圈 娱乐圈
erhu
二胡 二胡
excellent
精彩 精彩
film fan
影迷 影迷
film star
電影明星 电影明星
folk song
民歌 民歌
food programme
美食節目 美食节目
guzheng (Chinese zither)
古箏 古筝
horror film
恐怖片 恐怖片
hot topic
熱門話題 热门话题
information
資訊 / 信息 资讯 / 信息
large scale
大型 大型
main role / character
主角 主角
martial arts film
武俠片 武侠片
moving / to feel moved
感動 感动
musical instrument
樂器 乐器
novel
小說 小说
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Traditional Chinese English words Simplified Chinese
characters characters
opera (Chinese)
戲曲 戏曲
opera (Western)
歌劇 歌剧
photography
攝影 摄影
piano
鋼琴 钢琴
pipa
琵琶 琵琶
plot
劇情/情節 剧情/情节
poetry
詩/詩歌 诗/诗歌
pop concert
演唱會 演唱会
popular
流行 流行
prose
散文 散文
reader
讀者 读者
reality show
真人秀 真人秀
rock ‘n’ roll
搖滾樂 摇滚乐
role / character
角色 角色
romance
浪漫/愛情 浪漫/爱情
satire
諷刺 讽刺
scene
場景/場面 场景/场面
science fiction/fantasy
科幻 科幻
score (of a film)
配樂 配乐
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Traditional Chinese English words Simplified Chinese
characters characters
scriptwriter
編劇 编剧
sensational
煽情 煽情
sense of humour
幽默感 幽默感
show
演出/表演/秀 演出/表演/秀
stage
舞臺 舞台
story
故事 故事
strange / weird
古怪離奇 古怪离奇
subject matter
題材/內容 题材/內容
supporting actor
配角 配角
to broadcast
廣播 广播
to film / photograph,
拍攝 photography 拍摄
to sing and dance
載歌載舞 载歌载舞
tragedy
悲劇 悲剧
trend
潮流/趨勢 潮流/趋势
TV presenter
電視主持人 电视主持人
variety show
綜藝節目 综艺节目
video
視頻 视频
violin
小提琴 小提琴
war film
戰爭片 战争片
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Traditional Chinese English words Simplified Chinese
characters characters
weekly magazine
週刊 周刊
writer
作家/作者 作家/作者
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Theme 4 The impact of reform and opening up in 1978 on China
中英關係 ● 貿易
● 文化交流
● 教育交流
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Traditional Chinese English words Simplified Chinese
characters characters
overseas students
海外生/留學生 海外生/留学生
partnership
夥伴關係 伙伴关系
peace
和平 和平
performing arts
表演藝術 表演艺术
retail industry
零售業 零售业
risk / hazard
風險 风险
sister city relationships
友好城市關係 友好城市关系
soft power
軟實力 软实力
state leaders
國家領導人 国家领导人
strategy
策略 策略
strengths / advantages
優勢 优势
study tour
學習團/考察團 学习团/考察团
summit
高峰會/峰會 高峰会/峰会
symphony orchestra
交響樂團 交响乐团
talks
會談/講座 会谈 / 讲座
taste (in aesthetics)
品味/欣賞力/ 品味/欣赏力/
鑑賞力 鉴赏力
teaching methods
教學方法 教学方法
to broaden (horizons)
拓寬/擴闊 拓宽/扩阔
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Traditional Chinese English words Simplified Chinese
characters characters
to co-ordinate
協調/統籌 协调/统筹
to promote / further the
促進 / 提升/推動 progress of 促进 / 提升/推动
to sponsor (an event)
贊助/資助 赞助/资助
to strengthen
加強/鞏固 加強/巩固
topics of common interest
共同關心的議題/ 共同关心的议题/
共同關注的問題 共同关注的问题
total value
總值 总值
tour (theatrical)
巡迴演出/巡演 巡回演出/巡演
transaction
交易 交易
two-way communication /
雙向交流 interaction 双向交流
United Nations
聯合國 联合国
vocational education
職業教育 职业教育
world-class
世界一流 世界一流
Themes 1, 2 and 3 relate to the wider Chinese-speaking world. Theme 4 relates to China only.
This means that in the listening, reading and translation papers, the content may be related to a
country other than China, though only standard Chinese will be used. In the speaking test,
students will not be asked to demonstrate specific knowledge about one particular country, but
they must be able to justify their viewpoints in relation to a Chinese-speaking country they have
studied. Note that the listening and speaking assessments will be available in Mandarin and
Cantonese.
Teachers should refer to the guides and other resources available on the Edexcel website for
support on how to approach the themes.
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4.2 Prescribed works
Literary AS
works
● 曹文軒:《一隻叫鳳的鴿子》, 2014 (short story)
Films AS
● 《請投我一票》(又名《請投票給我》、《請為我投票》)(導演:陳為軍),
2007
● 《天水圍的日與夜》(導演:許鞍華), 2008
A level (in addition to the AS titles)
● 《十七歲的單車》(導演:王小帥), 2001
For each of the prescribed literary works and films there is a teaching PowerPoint on the
Edexcel website. The teaching PowerPoint gives detailed information on:
● Author/director
● Relevant background
● Plot
● Main character(s)
● Themes
● Important quotations/dialogue and scenes
● Reference materials and extended reading
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5 Assessment guidance
5.1 Implications of linear assessment
● AS level assessment is at the end of year 1; students taking A level need not take AS level
examinations.
● A level assessment is at the end of year 2.
● Retakes are only possible for the entire qualification, not for individual modules.
● Some centres may wish to use AS level as an end-of-year assessment, but this is not
compulsory.
Total 20 30 30 20 100%
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Section B is a reading assessment based on a variety of text-types and genres. The texts
contain both factual and abstract content and will be authentic or adapted from authentic
sources, written for different purposes and audiences.
Question formats require both multiple-choice and open responses. Questions are set in
Chinese and responses must be in Chinese, though students will not be marked on their quality
of language unless it impedes communication.
The reading comprehension will require students to:
● understand the main points, gist and detail from spoken and written material
● infer meaning from complex spoken and written material
● assimilate and use information from spoken and written sources, including material from
online media.
This section is worth 28 marks.
For questions in which students respond in the target language, they may use words from the
listening passage or reading extract, but they must not transcribe or copy down whole sections.
For example:
Text: 年青人喜歡去書店。很多書店都有咖啡店,看書看累了,還可以喝喝東西。而且,夏天的時候書店都有空
調,環境很舒適。
Question: 年青人為什麼去書店?
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In each of Sections B and C, students have a choice of two questions. Students must only
respond to one from either Section B or Section C. There are bullet points to help them
structure their answer. It is not compulsory to use the bullet points in a response. However, as
can be seen in the indicative content, the bullet points do generally refer to the most obvious
responses. If students are able to respond to the question fully, without using the bullet
points, then they will, of course, be rewarded for doing so. They will not be penalised if they do
not use the bullet points but have provided a full and relevant response.
Note: students are not permitted access to a dictionary or any documentation relating to the
works during the examination.
Paper 3: Speaking
A level
Paper 1: Listening, reading and translation
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Paper 2: Written response to works and translation
分析電影如何呈現農民工在城市的社會地位。
In this example, it is clear that having some understanding of the social changes in China since
the reform and opening up policies in 1978 (e.g. migrant workers in cities) would help students
in their understanding of the film’s plot. However, the question still relates to what they see in
the film. It is essential that students use evidence from the works in order to answer the
questions, and do not write a generic response that is based on their knowledge of, for example,
the reform and opening up policies in 1978.
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Can students study more than two works? Do they declare all the works on the RP3 form?
If there is time, students can certainly study as many of the set works as they wish, and this
would then, of course, afford them a greater choice in the assessment. However, it is important
that students have in-depth knowledge of the works studied, including the ability to use
quotations. On the RP3 form they should list all the works from the set list that they have
studied, and on which, therefore, they can possibly answer in the written examination, especially
as the oral assessment will take place before the written assessment. Students should therefore
be encouraged to conduct their independent research away from the set lists of works in order to
ensure they can meet the criteria of both assessments.
How many quotations do students need to use?
There is no requirement for a specific number of quotations, although quotations are needed to
provide a critical analysis with convincing interpretations. This is made clear in the mark scheme
Critical and analytical response (AO4):
Critical analysis of issues/themes/cultural or social contexts is frequently
demonstrated, with some convincing interpretations and points of view,
predominantly justified with appropriately selected evidence from the
work.
Paper 3: Speaking
The speaking assessment is conducted internally and is externally assessed. Students may also
attend a regional Pearson office to be assessed by a Pearson-appointed examiner. It is worth 72
marks and comprises 30% of the qualification.
Total assessment time: between 21 and 23 minutes, which includes 5 minutes’ formal
preparation time
Task 1 requires students to choose one sub-theme from a choice of two (these can be any of the
eight sub-themes from one of the four overall themes). They will then discuss a statement on
their chosen stimulus card. Task 1 is worth 30 marks.
Task 2 is the Independent Research Presentation and requires students to give a short summary
of their chosen topic, followed by a discussion with the examiner on their research. Task 2 is
worth 42 marks.
The assessment will be available in Mandarin and Cantonese.
Full details of the expectations of the speaking assessment can be found in the next section.
NB: All mark schemes can be found in the Sample Assessment Materials.
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5.4 Further details on the speaking assessment
Paper 3 in both AS and A level is the speaking assessment, which is technically considered a
non-examination assessment. In both cases, either the teacher or a Pearson-appointed examiner
at a regional Pearson office will conduct the assessment and send the recordings to Edexcel for
marking.
AS level
The total assessment time will be between 27 and 30 minutes, including 15 minutes’ preparation
time.
Assessments will be conducted by teachers-examiners in one session within a prescribed five-
week assessment period. This will take place in April and May in any single year.
Before the assessment
Teachers may open the materials up to three working days before the exam. This time does not
include weekends so if, for example, an exam is scheduled for a Monday then materials can be
opened on the previous Wednesday. This is to ensure the smooth running of the examination
and to allow teachers to prepare. The teacher must not share information about the material
with anyone in advance of the assessment. Edexcel will provide the centre with a grid detailing
the different cards that each candidate will be allocated (an example can be found on page 111
of the Sample Assessment Materials). The teacher can use this grid to plan for the assessment,
but must not share details with students.
The assessment
Each student is given 15 minutes’ preparation time for the whole of the assessment. This must
be in a secure area and students must be invigilated. Students are allowed to make notes on
both tasks (maximum of one side of A4 paper), and they can bring these notes into the
examination room. The student will be given the stimulus material for Tasks 1 and 2 to prepare
within this time.
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Task 2: This is to last between 5 and 6 minutes.
The card relates to Theme 2 only: Artistic culture in Chinese-speaking countries.
The student will have been given one card out of six for Theme 2 (following the sequence
outlined by Edexcel) just before the start of the 15 minutes’ preparation time. Students do not
have a choice of cards for this task.
Each card has three prompts for the student to consider. For example:
Sub-theme: 文化活動
中國電影
Prompts: 你必須考慮下面幾點:
● 介紹一個主要類型的中國電影。
● 中國年輕人為什麼喜歡這個類型的中國電影﹖
● 中國電影對外國觀眾的吸引力。
The examiner must first ask the three compulsory questions in the order in which they appear on
the examiner card. Questions may be repeated, but rephrasing is not allowed.
The examiner then develops the discussion by asking appropriate follow-up questions relating to
the subject matter of the stimulus. In the example above, the examiner could ask:
● 你可以舉例來支持這個看法嗎?
● 為什麼這很重要?
After this, the examiner must broaden the discussion by moving on to any other aspect(s) of the
same sub-theme. In the example above, this means the examiner can then ask questions on 電視
or 音樂 or 閱讀.
Questions asked should allow students to demonstrate understanding of the cultural and social
context by expressing and justifying relevant ideas and opinions, providing relevant
exemplification/information, and developing arguments and drawing conclusions.
In both Tasks 1 and 2, students should ask questions which elicit opinions as part of the natural
discourse and to confirm that their own points of view have been understood. For example: 你明
白我的意思嗎?
The examiner must ensure that he or she keeps within the time limit and that students spend
the appropriate time on each section. However, students will not be penalised for small
variations in timings.
After the assessment:
● Students must sign a declaration form
● Forms and recordings are then submitted to Edexcel for marking.
Frequently-asked questions on AS speaking
How much time do you spend on the compulsory questions?
Examiners must ensure they adhere to the timings as closely as possible for each task. Within
the tasks, the examiner should allow as much time as necessary for students to access the full
mark range. However, if students are obviously struggling on a question, then the examiner
should move on.
Can you repeat questions, even if students do not ask you to?
It is not necessary to repeat questions. However, if the student has not answered the question
correctly, you may wish to ask the question again (note, however, that this could also prove
confusing for the student).
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Questioning by students: can Edexcel provide a list of typical questions which students are
expected to ask?
There are examples of questions which students could ask on page 110 of the Sample
Assessment Materials.
Further support is available on the Edexcel website and through training – see the
Training for Pearson website.
A level
The total assessment time will be between 21 and 23 minutes, including five minutes’
preparation time.
Task 1
Before the assessment
The centre will inform Edexcel of the date(s) on which it intends to conduct the speaking
assessment. Three days before the centre’s assessment window, the teacher-examiner will be
able to download the secure material in order to ensure smooth running of the examination. The
teacher must not share information about the material with anyone in advance of the
assessment. Edexcel will provide the centre with a grid detailing the different cards that each
candidate will be allocated (an example can be found on page 125 of the Sample Assessment
Materials). The teacher can use this grid to plan for the assessment, but must not share details
with students.
On the day
Part 1 (discussion on a Theme): Students have approximately 6 to 7 minutes’ discussion time
for this task.
Content for this task will be based on any of the 8 sub-themes from one of the four overall
themes listed on pages 9–10 of the specification. For example, 家庭, 經濟與環境, 變革, etc.
The invigilator offers the student a choice of two cards just before the preparation time begins.
The invigilator will ask the student, for example, whether he or she wants the card on Traditions
or the card on Communications and technology. N.B. the student must not see the card until the
choice has been made.
On each card is one statement.
The student is then given five minutes to prepare.
After the five minutes’ preparation time, the assessment begins:
● The examiner will start by asking which card the student has chosen.
● The examiner will then ask the two compulsory questions relating to the statement.
● The examiner will then ask follow-up questions relating to the subject matter on the card.
For example, student 1 is given the choice of Traditions or Communications and technology. The
student chooses Traditions. There is one statement on the card with prompts:
年輕人對中國傳統節日失去興趣。
你必須考慮下面兩點:
● 年輕人對中國傳統節日失去興趣的原因。
● 怎樣去改變這種情況?
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The examiner will then ask the two questions on the card:
年輕人對中國傳統節日失去興趣。
1 為什麼年輕人對中國傳統節日失去興趣?
2 怎樣去改變這種情況?
The examiner will then follow up with additional questions relating to the statement on the
stimulus card.
Part 2
The examiner must then broaden the discussion to cover other aspects of the overall theme. In
the example above, this would mean the examiner could ask questions on other aspects of
traditions, customs or cultural activities.
The questions must enable the student to meet the assessment criteria, i.e. to elicit examples
and information to demonstrate their knowledge and understanding of the cultural and social
context, and to analyse aspects of the theme by developing and justifying arguments and
forming conclusions. The examiner may use some of the generic questions as provided in the
Sample Assessment Materials. For example: 你可以舉例說明……嗎?
Frequently-asked questions
In Part 1 do students need to adopt a ‘for/against’ position on the statement?
No, this is not necessary, as the statement might not necessarily allow them to do this. However,
they must be able to justify their opinions.
How much factual knowledge do students need to have?
Teachers should consult the Knowledge and understanding mark grid in the specification or the
Sample Assessment Materials, as this provides detail on how students are rewarded. There is no
requirement for students to be able to list facts. However, they do need to provide examples and
justify these examples.
Note also that Task 1 is marked as a whole, so it might be possible for students to provide fuller
detail in the follow-up questions.
In the speaking assessment, can the examiner change the formal question to the informal form,
or is that considered to be rephrasing?
Questions should be asked as they are written on the card.
If a student says “Do you mean …?” after the examiner asks the question, can you answer “Yes”
or “No”?
We would encourage the examiner to repeat the question as phrased on the card. However, if
the student is struggling, then we would expect there to be some additional support, though this
may affect the mark the student is ultimately awarded.
Can you ask the invigilator which cards students have chosen, or do you have to wait until the
students tell you?
It is fine for the invigilator to tell you which card students have chosen.
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Task 2: Independent research project (IRP)
Students have approximately 10 to 11 minutes for this task.
Prior to the exam
Choosing the project
The independent research project (IRP) allows students to conduct in-depth research into an
aspect of Chinese-speaking culture or life in which they are particularly interested. Students
should be encouraged to think carefully about what they want to research, as the subject must
allow them not only to showcase what they have learned about the subject, but also to analyse
the subject in some depth.
The IRP may be based on any of the four themes of study or on a subject of interest of the
student’s choosing, but must relate to the Chinese-speaking cultural and social context. Should
students choose a subject relating to one of the specification themes, it is possible that the same
theme could come up in Task 1. Students should therefore go beyond the specification sub-
themes and should ensure they have conducted wider reading on their chosen subject.
The IRP must not be based on one of the literary works or films studied for Paper 2. Students
will receive a mark of zero for Task 2 if their IRP focuses on a work studied for Paper 2.
However, an IRP could focus on a wider exploration of the author or film-maker of those works
studied. For example, if studying a novel by a particular author for Paper 2, the IRP must not
focus on that novel, as this would be a duplication of content. However, the independent
research could focus on the life of the author, or the aspects of society which motivated the
author in the broader sense.
Once students have chosen the subject which they wish to research, they will need to decide
upon a question or statement which they will then investigate individually. This might also help
students to narrow down their choice of subject.
When to start the independent research project (IRP)
The IRP can be started at any point within the two-year course. However, the IRP form must be
submitted to Edexcel at least three weeks before the start of the assessment. This form requires
students to note down key findings, as well as sources. This is to allow examiners the time to
prepare their questions.
Sources
As part of the assessment, students must refer to at least two written Chinese-speaking sources
and the student’s declaration form provides space for up to four. These could, of course, be from
newspaper articles, perhaps found on the internet. We advise students to keep a record of all the
sources they have used, and teachers to give some support in how to use sources. There are
many websites to which students can be directed, and it is also advisable that teachers help
students locate resources.
The assessment
Part 1: Students give a presentation of a maximum of two minutes. This presentation must
include:
● a summary of at least two of the written Chinese-speaking sources they have used as part of
their research
● the authors’ main points/ideas
● a personal response.
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Part 2: Following on from the presentation, the examiner then moves on to a discussion of the
student’s research, including a wider exploration of the content of the student’s presentation and
of the research as a whole. The examiner should use the RP3 form, completed by the student, to
identify questions in advance, in order to ensure that the discussion remains focused on the
research.
In both tasks, students are expected to ask questions which elicit opinions as part of the natural
discourse and to confirm that their own points of view have been understood. A list of suggested
questions has been provided in the specification and should be shared with students.
Examiners should not give lengthy answers, but acknowledge the question and move on. If the
student does not ask a question, this can be prompted by the examiner.
Frequently-asked questions
Can students make comparisons with the home country?
There may, of course, be instances where it is necessary or interesting to bring in examples or
comparisons with the home country. For example, this could be used to strengthen an argument.
However, the assessment criteria for Knowledge and understanding of society and culture (AO4)
clearly rewards students who focus on Chinese-speaking cultural and social contexts, so we
would recommend that comparison with the home country is limited.
Can students refer to their literary works/films as evidence to support their argument?
Quotations from the literary works or close reference to the films may be applicable for use as
evidence to support an argument. However, students must refer to two other written Chinese-
speaking sources in order to access marks from the grid Responding to written language in
speech (AO2)
Can all my students cover the same topic?
It is envisaged, especially in large centres, that some students might have similar interests and
might therefore wish to cover the same topic. This is acceptable and encourages teamwork.
However, the statement or question for each student’s project must be different, as well as the
angle from which they are approaching it.
What can teachers help their students with?
Below is a list of what teachers must and must not do. Further clarification can also be sought
from the assessment team and the FAQs on Conducting the AS/A level speaking exam.
What sources should my students use?
Teachers should help their students in identifying suitable sources, and also help them analyse
sources. Students should be encouraged to use a variety of sources, including (but not limited
to):
● newspaper articles
● videos from the period in time (such as news reports or speeches)
● academic articles
● critical reviews for books and films.
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Teachers must:
● confirm that the question or statement has the potential to meet the requirements of the
assessment criteria, and offer general guidance on any necessary amendments
● ensure that the question or statement does not correspond with one of the literary works or
films which the student has studied for Paper 2: teachers will be able to identify this from the
information given on Form RP3; students will receive a mark of zero for Task 2 if their IRP
focuses on a work studied for Paper 2
● review each student’s Form RP3; teachers should ensure that the research can suitably fulfil
the specification requirements and should give general guidance on the methodology and
analytical tools which the student could use
● promote good practice, such as referencing and using a bibliography system
● sign the student’s Form RP3 before the examination to declare that the IRP is wholly the
student’s work
● monitor the different research projects being undertaken in a centre to ensure that
independence is being maintained; if more than one student chooses to research the same
topic, the teacher must ensure that each student has a different question or statement and,
therefore, an independent focus.
Teachers must not:
● give students a choice of questions or statements from which they then choose, including a
group question or statement for whole-class research
● give detailed feedback or guidance to individual students about how to improve their work to
meet the requirements of the assessment criteria; the guidance provided should only enable
students to take the initiative in making amendments, rather than detailing what
amendments should be made; this could include:
● suggesting additional sources to consult
● broadening or narrowing their topic of research
● rehearse or provisionally assess the student’s presentation
● provide access to, or rehearse, questions which will be used in the assessment of the
student’s independent research.
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