Microphone Inputs XLR balanced

Microphone Input Impedance 2.6kΩ (balanced)

Max. Microphone Input Level 0.3dBu – 800mV (Mín. Gain @ 1kHz before cut)
Microphone TRIM Gain Range 25dB (50mV IN @ 1kHz)
Line/ Stereo Input ¼¨ TRS balanced/unbalanced
Line Input Impedance 20kΩ (balanced)
Max. Line Input Level 19dBu – 6.8V (Mín. Gain @ 1kHz before cut)
Line TRIM GainRange 20dB (700mV IN @ 1 kHz)
S/N Ratio 111dB
Distortion (THD+N) 0.05% measured with weighting curve A
Frequency Response 20Hz- 20kHz ±1.2dB
EQ per channel Low 80 Hz ±15dB, Mid 2.5kHz ±15dB, High
12kHz ±15dB
EQ Master (63Hz, 200Hz, 500Hz, 1kHz, 4kHz, 6.3kHz y
16kHz) ±12dB
Auxiliary Output PLUG type¼¨ TS unbalanced
1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 USB
INPUT OUTPUT

Auxiliary Output Impedance 120 Ω (unbalanced)

CD/TAPE

L L
NVK-1602FX
16 CHANNEL ULTRA-SLIM MIXER
24-BIT MULTI-FX PROCESSOR
L R

Max. Auxiliary Output Level 22dBu MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
R R

MAIN OUTPUTS
SD

MainOuptputs PLUG type¼¨ TRS balanced INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R
MP3
DIGITAL
PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES

Main Output Impedance 120 Ω (unbalanced)

TRIM PREV GRAPHIC EQUALIZER
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH

Max. Main Output Level 28dBu (stereo) / 22dBu (simple channel) +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15
NEXT
+12

+6

0
+12

+6

PAN 0 MID PAN 0 MID PAN 0 MID PAN MID PAN MID PAN MID PAN MID PAN MID BAL MID BAL MID BAL MID BAL MID -6 -6

Earphone Output PLUG type ¼¨ STEREO L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15 L R -15 +15
PLAY -12

63 200 500 1k 4k 6.3k 16k

-12

00 HALL - 09 CHURCH - 10 ROOM - 19 CHAPEL - 20 PLATE - 27 SPRING - 30 GATED REV

LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW
1 0 2 0 3 0 4 0 5 0 6 0 7 0 8 0 9/10 0 11/12 0 13/14 0 15/16 0 36 REVERSE - 40 EARLY REFL - 44 AMBIENCE - 48 STADIUM - 49 AMBIENCE FX - 50 DELAY

Max. Earphones Output Level 22dBu

59 ECHO - 60 CHORUS - 66 FLANGER - 70 PHASER - 74 PITCH SHIFT - 80 CHORUS&REV
82 FLANGER&REV - 84 PHASER&REV - 86 PITCH&REV - 88 DLY&REV - 90 DLY&GATED
+dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB 91 DLY&REVERSE - 92 - DLY&CHORUS - 94 DLY&FLANGER - 96 DLY&PHASER - 98 DLY&PITCH

dB dB 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 RE
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 7
PROGRAM MP3 LEVEL
0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 4

MP3 Player 0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0

+15
0 0

+15
2
+
0

2
(PUSH)
10 10 10 10 10 10 10 10 10 10 10 10 10 10 AUX 1
0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 0 4

Compatible Audio Formats MP3 15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
15

20
7

10
20
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15
25 25 25 25 25 25 25 25 25 25 25 25 25 25
AUX 2/FX PHONES L R
0

DSP
30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30 PFL 30

40 40 40 40 40 40 40 40 40 40 40 40 40 40 POWER +48V
60 60 60 60 60 60 60 60 60 60 60 60 60 60 PFL
+15

1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX

Converter 24 bit Sygma-Delta

SampleFrequency 48 kHz
Power Supply Input 2 x 18V AC ~ 700mA
 1

MIC

INSERT LINE IN

INPUT OUTPUT
USB CD/TAPE

TRIM
dB 0 HIGH L L NVK-1602FX
16 CHANNEL ULTRA-SLIM MIXER
24-BIT MULTI-FX PROCESSOR
L R
+15 +40 PEAK -15 +15 R R

PAN 0 MID MAIN OUTPUTS

SD
MP3
LR -15 +15 DIGITAL
LOW PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES
1 0

+dB

10
-15 +15

0 AUX 1
PREV
GRAPHIC EQUALIZER
+
0
+12 +12

NEXT +6 +6
+15
10 0 0
0 AUX 2
-6 -6
15
PLAY -12 -12

20
+15
9/10 63 200 500 1k 4k 6.3k 16k
25

30 PFL
40
60

1 MIC
POWER
AC IN DSP PROFESSIONAL MIXER
NVK-1602FX 16 CHANNEL ULTRA-SLIM MIXER
SERIAL NUMBER

LINE IN L LINE IN R
dB dB 10
10 10 RE
7
PROGRAM MP3 LEVEL
0 4
+ + 2
0 0 +
0

+15 2
(PUSH)
10 10 AUX 1
0 0 4

15 15 7

10
20 20
+15 +15 20
25 25
AUX 2/FX PHONES LR
30 30 0
PFL
40 40 POWER +48V
60 60 PFL
+15

FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX
The equipment does not turn on • Is the equipment connected to a proper AC
net through the voltage cable provided by
the manufacturer?
No sound • Are the microphones and other sound
sources correctly connected to the equip-
ment inputs?
• Are the gain controls and faders correctly ad-
justed? Is the main output fader up?(MAIN MIX)
• Are the power cables correctly connected to the
speakers?
The sound is weak, distorted or noisy • Are the gain controls and faders cor-
rectly adjusted? Is the main output fader
up?(MAIN MIX)
• Are two different instruments connected to
the XLR microphone input and TRS line of
the same channel? Please connect only one
input instrument per channel.
• Has the input signal the correct level to get
to the equipment?
• Are you using effects at the correct level?
• Are the microphones connected to the XLR
inputs?
• If you are using a condenser microphone, is
the Phantom Power (+48V) on?
The effect cannot be heard • Make sure that the channels that you want
to be processed by the effects have the ef-
fect sending switch correctly set.
• Note if the effect fader is up.
I want to hear the voices clearly • Adjust the equalization parameters of each
channel.
Entradas de micrófono Tipo XLR balanceada
Impedancia de entrada de micrófono 2.6kΩ (balanceada)
Nivel de entrada máximo de micrófono 0.3dBu – 800mV (Mínima ganancia @ 1kHz
antes de recorte)
Rango de ganancia TRIM de micrófono 25dB (50mV IN @ 1kHz)
Entradas de línea / estéreo Tipo ¼¨ TRS balanceada/desbalanceada
Impedancia de entrada de línea 20kΩ (balanceada)
Nivel de entrada máximo de línea 19dBu – 6.8V (Mínima ganancia @ 1kHz antes
de recorte)
Rango de ganancia TRIM de línea 20dB (700mV IN @ 1 kHz)
Relación señal ruido (S/N Ratio) 111dB
Distorsión (THD+N) 0.05% medido con curva de ponderación A
Respuesta en frecuencia 20Hz- 20kHz ±1.2dB
EQ por canal Low 80 Hz ±15dB, Mid 2.5kHz ±15dB, High
12kHz ±15dB
EQ Master (63Hz, 200Hz, 500Hz, 1kHz, 4kHz, 6.3kHz y
16kHz) ±12dB 1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 USB
INPUT
CD/TAPE
OUTPUT

NVK-1602FX
Salida auxiliar Tipo PLUG ¼¨ TS desbalanceada L L 16 CHANNEL ULTRA-SLIM MIXER
24-BIT MULTI-FX PROCESSOR
L R
R R

Impedancia de salida auxiliar 120 Ω (desbalanceada) MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
SD
MAIN OUTPUTS

MP3

Máximo nivel de salida auxiliar 22dBu INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R DIGITAL
PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES

Salidas principales Tipo PLUG ¼¨ TRS balanceado TRIM

dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH PREV GRAPHIC EQUALIZER

+12 +12

Impedancia de salida principal 120 Ω (desbalanceada) NEXT +6 +6

+15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 0 0

PAN 0 MID PAN 0 MID PAN 0 MID PAN MID PAN MID PAN MID PAN MID PAN MID BAL MID BAL MID BAL MID BAL MID -6 -6

PLAY -12 -12

Máximo nivel de salida principal 28dBu (estéreo) / 22dBu (canal simple) L

1
R -15

0
+15
LOW
L

2
R -15

0
+15
LOW
L

3
R -15

0
+15
LOW
L

4
R -15

0
+15
LOW
L

5
R -15

0
+15
LOW
L

6
R -15

0
+15
LOW
L

7
R -15

0
+15
LOW
L

8
R -15

0
+15
LOW
L

9/10
R -15

0
+15
LOW
L

11/12
R -15

0
+15
LOW
L

13/14
R -15

0
+15
LOW
L

15/16
R -15

0
+15
LOW
63 200 500 1k 4k 6.3k 16k
00 HALL - 09 CHURCH - 10 ROOM - 19 CHAPEL - 20 PLATE - 27 SPRING - 30 GATED REV
36 REVERSE - 40 EARLY REFL - 44 AMBIENCE - 48 STADIUM - 49 AMBIENCE FX - 50 DELAY
59 ECHO - 60 CHORUS - 66 FLANGER - 70 PHASER - 74 PITCH SHIFT - 80 CHORUS&REV
82 FLANGER&REV - 84 PHASER&REV - 86 PITCH&REV - 88 DLY&REV - 90 DLY&GATED
+dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB 91 DLY&REVERSE - 92 - DLY&CHORUS - 94 DLY&FLANGER - 96 DLY&PHASER - 98 DLY&PITCH

Salida de auriculares Tipo PLUG ¼¨ STEREO

dB dB 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 RE
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 7
PROGRAM MP3 LEVEL
0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 4
2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 +

Máximo nivel de salida de auriculares 22dBu

0

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 2
(PUSH)
10 10 10 10 10 10 10 10 10 10 10 10 10 10 AUX 1
0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 0 4

15 15 15 15 15 15 15 15 15 15 15 15 15 15 7

Reproductor de MP3
10
20 20 20 20 20 20 20 20 20 20 20 20 20 20
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 20
25 25 25 25 25 25 25 25 25 25 25 25 25 25
AUX 2/FX PHONES L R
30 30 30 30 30 30 30 30 30 30 30 30 30 30 0
PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL
40 40 40 40 40 40 40 40 40 40 40 40 40 40 POWER +48V

Formatos de audio compatibles MP3

60 60 60 60 60 60 60 60 60 60 60 60 60 60 PFL
+15

1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX

DSP
Procesador de Audio 24 bit Sygma-Delta
Frecuencia de muestreo 48 kHz
Entrada de alimentación 2 x 18V AC ~ 700mA
 1

MIC

INSERT LINE IN

INPUT OUTPUT
USB CD/TAPE

L L NVK-1602FX
16 CHANNEL ULTRA-SLIM MIXER
TRIM 0 HIGH
dB 24-BIT MULTI-FX PROCESSOR
L R
R R

+15 +40 PEAK -15 +15 MAIN OUTPUTS

PAN 0 MID SD
MP3
DIGITAL
PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES
LR -15 +15
LOW
1 0

+dB

10
-15 +15 GRAPHIC EQUALIZER
PREV
0 AUX 1
+ +12 +12
0
NEXT +6 +6

0 0
+15
-6 -6
10
0 AUX 2 PLAY -12 -12

15

20
9/10 63 200 500 1k 4k 6.3k 16k

+15
25

30 PFL
40
60

MIC
1 AC IN
POWER
DSP PROFESSIONAL MIXER
NVK-1602FX 16 CHANNEL ULTRA-SLIM MIXER
SERIAL NUMBER

LINE IN L LINE IN R
dB dB 10
10 10 RE
7
PROGRAM MP3 LEVEL
0 4
+ + 2
0 0 +
0

+15 2
(PUSH)
10 10 AUX 1
0 0 4

15 15 7

10
20 20
+15 +15 20
25 25
AUX 2/FX PHONES LR
30 30 0
PFL
40 40 POWER +48V
60 60 PFL
+15

FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX
El equipo no prende • ¿Está conectado el equipo a una red de
corriente alterna adecuada mediante el
cable de voltaje provisto de fábrica?
No suena • ¿Están los micrófonos y otras fuentes de
sonido conectados en las entradas del
equipo correctamente?
• ¿Están los controles de ganancia y faders
ajustados correctamente? ¿Está levantado
el fader de la salida principal (MAIN MIX)?
• ¿Están conectados correctamente los
cables de potencia a los parlantes?
Suena débil, distorsionado o ruidoso • ¿Están los controles de ganancia y faders
ajustados correctamente? ¿Está levantado
el fader de la salida principal (MAIN MIX)?
• ¿Están conectados dos instrumentos
diferentes en la entrada de micrófono XLR y
de línea TRS de un mismo canal? Por favor
conecte un solo instrumento de entrada por
canal.
• ¿La señal de entrada tiene un nivel adec-
uado para ingresar al equipo?
• ¿Está usted aplicando efectos a un nivel
adecuado?
• ¿Los micrófonos están conectados en las
entradas XLR?
• Si usted está usando un micrófono de con-
densador, ¿Está el Phantom Power (+48V)
encendido?
No se escucha el efecto • Asegúrese que los canales que desee
enviar para ser procesados por el efecto
tengan la perilla de envío de efecto configu-
rada correctamente.
• También observe si el fader de efecto se
encuentra levantado.
Quiero que las voces se escuchen más • Ajuste los parámetros de ecualización de
claramente cada canal.
Entradas de microfone Tipo XLR balanceada
Impedância de entrada de microfone 2.6kΩ (balanceada)
Nível de entrada máximo de microfone 0.3dBu – 800mV (Mínimo ganho @ 1kHz antes
de recorte)
Parâmetro de ganho TRIM do microfone 25dB (50mV IN @ 1kHz)
Entradas de linha/estéreo Tipo ¼¨ TRS balanceada/não balanceada
Impedância de entrada de linha 20kΩ (balanceada)
Nível de entrada máximo de linha 19dBu – 6.8V (Mínimo ganho @ 1kHz antes de
recorte)
Parâmetro de ganho TRIM da linha 20dB (700mV IN @ 1 kHz)
Proporção sinal/ruído (S/N Ratio) 111dB
Distorção (THD+N) 0,05% medido com curva de ponderação A
Resposta em frequência 20Hz- 20kHz ±1.2dB
EQ por canal Low 80 Hz ±15dB, Mid 2.5kHz ±15dB, High
12kHz ±15dB
EQ Master (63Hz, 200Hz, 500Hz, 1kHz, 4kHz, 6.3kHz e
16kHz) ±12dB 1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 USB
INPUT
CD/TAPE
OUTPUT

NVK-1602FX
Saída auxiliar Tipo PLUG ¼¨ TS não balanceada L L 16 CHANNEL ULTRA-SLIM MIXER
24-BIT MULTI-FX PROCESSOR
L R
R R

Impedância de saída auxiliar 120 Ω (não balanceada) MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
SD
MAIN OUTPUTS

MP3

Máximo nível de saída auxiliar 22dBu INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN INSERT LINE IN LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R LINE IN L LINE IN R DIGITAL
PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES

Principais saídas Tipo PLUG ¼¨ TRS balanceado TRIM

dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH TRIM
dB 0 HIGH PREV GRAPHIC EQUALIZER

+12 +12

Impedância de saída principal 120 Ω (não balanceada) NEXT +6 +6

+15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 +15 +40 PEAK -15 +15 0 0

PAN 0 MID PAN 0 MID PAN 0 MID PAN MID PAN MID PAN MID PAN MID PAN MID BAL MID BAL MID BAL MID BAL MID -6 -6

PLAY -12 -12

Máximo nível de saída principal 28dBu (estéreo) / 22dBu (canal simples) L

1
R -15

0
+15
LOW
L

2
R -15

0
+15
LOW
L

3
R -15

0
+15
LOW
L

4
R -15

0
+15
LOW
L

5
R -15

0
+15
LOW
L

6
R -15

0
+15
LOW
L

7
R -15

0
+15
LOW
L

8
R -15

0
+15
LOW
L

9/10
R -15

0
+15
LOW
L

11/12
R -15

0
+15
LOW
L

13/14
R -15

0
+15
LOW
L

15/16
R -15

0
+15
LOW
63 200 500 1k 4k 6.3k 16k
00 HALL - 09 CHURCH - 10 ROOM - 19 CHAPEL - 20 PLATE - 27 SPRING - 30 GATED REV
36 REVERSE - 40 EARLY REFL - 44 AMBIENCE - 48 STADIUM - 49 AMBIENCE FX - 50 DELAY
59 ECHO - 60 CHORUS - 66 FLANGER - 70 PHASER - 74 PITCH SHIFT - 80 CHORUS&REV
82 FLANGER&REV - 84 PHASER&REV - 86 PITCH&REV - 88 DLY&REV - 90 DLY&GATED
+dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB +dB 91 DLY&REVERSE - 92 - DLY&CHORUS - 94 DLY&FLANGER - 96 DLY&PHASER - 98 DLY&PITCH

Saída para fones Tipo PLUG ¼¨ ESTÉREO

dB dB 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 RE
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 7
PROGRAM MP3 LEVEL
0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 AUX 1 0 4
2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 +

Máximo nível de saída de fones 22dBu

0

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 2
(PUSH)
10 10 10 10 10 10 10 10 10 10 10 10 10 10 AUX 1
0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 AUX 2 0 0 4

15 15 15 15 15 15 15 15 15 15 15 15 15 15 7

Reprodutor MP3
10
20 20 20 20 20 20 20 20 20 20 20 20 20 20
+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 20
25 25 25 25 25 25 25 25 25 25 25 25 25 25
AUX 2/FX PHONES L R
30 30 30 30 30 30 30 30 30 30 30 30 30 30 0
PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL
40 40 40 40 40 40 40 40 40 40 40 40 40 40 POWER +48V

Formatos de áudio compatíveis MP3

60 60 60 60 60 60 60 60 60 60 60 60 60 60 PFL
+15

1 2 3 4 5 6 7 8 9/10 11/12 13/14 15/16 FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX

DSP
Conversor 24 bit Sygma-Delta
Frequência de amostragem 48 kHz
Entrada de alimentação 2 x 18V AC ~ 700mA
 1

MIC

INSERT LINE IN

INPUT OUTPUT
USB CD/TAPE

L L NVK-1602FX
16 CHANNEL ULTRA-SLIM MIXER
TRIM 0 HIGH
dB 24-BIT MULTI-FX PROCESSOR
L R
R R

+15 +40 PEAK -15 +15 MAIN OUTPUTS

PAN 0 MID SD
MP3
DIGITAL
PLAYER AUX 2 OUT AUX 1 OUT PHANTOM PHONES
LR -15 +15
LOW
1 0

+dB

10
-15 +15 GRAPHIC EQUALIZER
PREV
0 AUX 1
+ +12 +12
0
NEXT +6 +6

0 0
+15
-6 -6
10
0 AUX 2 PLAY -12 -12

15

20
9/10 63 200 500 1k 4k 6.3k 16k

+15
25

30 PFL
40
60

MIC
1 AC IN
POWER
DSP PROFESSIONAL MIXER
NVK-1602FX 16 CHANNEL ULTRA-SLIM MIXER
SERIAL NUMBER

LINE IN L LINE IN R
dB dB 10
10 10 RE
7
PROGRAM MP3 LEVEL
0 4
+ + 2
0 0 +
0

+15 2
(PUSH)
10 10 AUX 1
0 0 4

15 15 7

10
20 20
+15 +15 20
25 25
AUX 2/FX PHONES LR
30 30 0
PFL
40 40 POWER +48V
60 60 PFL
+15

FX LEVEL MAIN MIX DSP PROCESSOR

DIGITAL FX
O equipamento não acende • Está conectado o equipamento a uma rede
de corrente alterna adequada mediante o
cabo de voltagem fornecido de fábrica?
Não há som • Estão os microfones e outras fontes de som
conectados nas entradas do equipamento
corretamente?
• Estão os controles de ganho e faders
ajustados corretamente? Está levantado o
fader da saída principal (MAIN MIX)?
• Estão conectados corretamente os cabos
de potência nos alto-falantes?
O som é fraco, distorcido ou barulhento • Estão os controles de ganho e faders
ajustados corretamente? Está levantado o
fader da saída principal (MAIN MIX)?
• Estão conectados dois instrumentos difer-
entes na entrada de microfone XLR e da
linha TRS de um mesmo canal? Por favor,
conecte um único instrumento de entrada
por canal.
• O sinal de entrada tem um nível adequado
para entrar ao equipamento?
• Você está aplicando efeitos com níveis
adequados?
• Os microfones estão conectados nas entra-
das XLR?
• Se você está usando um microfone de con-
densador: está o Phantom Power (+48V)
ligado?
Não possível ouvir o efeito • Confira se os canais que deseja enviar para
serem processados pelo efeito têm a chave
de envio de efeito configurada correta-
mente.
• Também observe se o fader de efeito se
encontra levantado.
Quero que as vozes sejam escutadas com • Ajuste os parâmetros de equalização de
mais clareza cada canal.