VERSION 01 www.getwsodo.

com MAY 2020

www.getwsodo.com

Copy
Arsenal

A lexicon of copy that you can use to prepare visual Section Headers Grid suggestions
identity guidelines for brands that last. Just copy, Section Descriptions Color Descriptions
paste, and tweak to fit your brand. Logo Guidelines Typography Rules
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Introduction
Section
This is the section of the style guide that kicks
everything off. It sets the tone and gives the reader
some context about what follows.

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Welcome Message

Warm & Heartfelt

Since you are holding this guide and reading these words, we’re
trusting you with our very identity: our brand.

We aren’t interested in all of the buzzwords and catchphrases and

marketing jargon surrounding the word brand. But we do care about
what people think about us. We care about our reputation. We care
about building great relationships.

We also care about growing our business. But, for us, it’s not all about
revenue and sales. Anyone can hawk a decent cup of joe. We are
passionate about being a centering force in people’s lives. We hope to
become a healthy ritual.

The following pages are full of guidelines, rules, and handy tips that
we hope will help you communicate our values, realize our vision, and
reinforce our brand.

It is impossible to predict every situation, brand execution, or

implementation, but this guide will help refine your approach.

Whether you are a new store manager, an outside designer, or one of

our amazing vendors, thank you for helping us achieve our goals and
pursue our mission.

Sincerely, welcome to the family.

Document Intent

Professional & Clear

This style guide is a reference for our internal design team, vendors,
and others who are authorized to work with the Pebble brand.

The standards, guidelines, and references within this document

are grounded in the years of research, experimentation, and brand
executions that have preceded our new brand look and feel.

Our intent with this guide is not to restrict creativity and innovation: far
from it. We believe in the creative spirit, and innovation is one of our

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core values.

What we strive for is a coordinated, consistent, and effective brand

presence in everything we create. If we make something, we want to
make sure that people know where it came from.

While some of our brand executions and graphics have been

standardized—like business cards, letterhead, and envelopes—these
are not intended as the focus of this guide. Each one of our execution
templates have internal documentation that is easier to update, follow
and implement in today’s digital environment.

Instead, the focus of this guide is to empower you, the creative, with
the elements you need to create. By utilizing these tools, resources,
and adhering to the guidelines within, you’ll make things that look like
the Pebble brand, every time.

Please refer back to this guide often. We believe that our style guide
is a living document. It should evolve over time, just as our brand
inevitably will.

If you have any questions concerning the content of this guide,

please don’t hesitate to reach out to our Design Team at design@
pebblecoffee.com.

The Use of Brand Materials

We are reasonable people—and open to most things—but when it
comes to our brand, our reputation, we maintain strict control. We
hold ourselves to incredibly high standards, and we expect the same
wherever our brand is represented.

You must have specific permission and authorization to use any of our
brand materials, including any resources, graphics, or visual elements
found within this guide and its accompanying files. Simply being in
possession of these materials does not imply or imbue permission in
any way.

The approval process for materials and implementations of our brand

will vary. Please contact an authorized Pebble representative (usually
your point of contact) with questions.

We reserve the right to disapprove or deny any use or uses of our logo,
our brand visuals, or other brand elements at any time, for any reason.

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About the brand

Obviously, this section will vary, but really flex those brand voice
muscles here. I've included some of the example copy from the Pebble
Brand for your inspiration. Bottom line: Make the reader a believer.

Section Header

Within this section, you will learn who we are, what we stand for, and
where we came from.

We are the sum of the things we’ve done, the people we cherish, and
the places we’ve been. After this section, we hope you’ll come to know
us a little bit more than [what we do].

Our Personality

It helps to reference a feeling, a character people are familiar with, or

perhaps an actor who has a particular voice: Morgan Freeman versus
Will Ferrel, for example.

Think of that one special friend that you have: they’ve been there and
done that, but they’re always here when you need them. Whether
you need a shoulder to cry on or a joyful partner in crime, you feel
comforted merely picking up the phone and reading their message.

You could go months without speaking, and yet when you reconnect, it
feels like no time has passed. With this friend, you feel at home in your
own skin. And together, you are unstoppable. That’s us. Or at least,
that’s who we try to be.

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Voice & Tone

Section
Have you ever written about writing about writing?
That's what you'll find here. This section covers
instructions for the way the brand speaks to people.

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Voice & Tone

Again, this section will heavily depend on your brand. Use the following
copy as inspiration to write your own, or copy it directly if it fits the tone
and voice that you're going for.

Section Header

Our customers and our team members are the reason we’re here. They
are our everything. Our purpose.

The way we speak to them should reflect how important they are. We
should strive to ensure that every brand execution communicates this
tone of voice.

In this section, you will find guidance on how to communicate in our

brand voice and style.

Writing Tone & Voice

Pull your adjectives from the discovery session. CORE is great to

discover these attributes. Then support them with examples.

We speak to our customers, our team, and others with kindness,

calmness, and confidence. We’re genuine, honest, transparent, friendly,
and relatable.

And while we like to have a good time, we aren’t a particularly witty

brand. And when we decide to have fun, it’s never at the expense of
others, or in bad taste.

Our marketing and advertising language should not feel like we’re
selling. In fact, we think there’s something wrong if we feel the urge to
sell. Our products do that work for us.

We aren’t afraid of using contractions. As a matter of fact, we prefer

them. We like to write like people talk. We speak human.

Our Tagline

Either give a breakdown of each brand tagline, with context, or list them
on a single page. Then follow up with the guidelines.

The purpose of our brand tagline(s) are to capture and summarize our
brand promise, brand values, and product experience.

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Tagline(s) may be used in any marketing materials, advertising, or brand

execution where we see to communicate our personality, mission, or
brand values.

Each tagline may be used in combination with the brand logo and
brand images as a standalone brand marketing campaign. The brand
taglines should not be combined with campaign-specific taglines or
phrases.

Avoid rewriting, rewording, or editing the tagline(s) in any way.

Master Style Guide

While we do have universally acceptable grammatical, spelling, and
formatting rules for most things, there are still some grey areas that
brands may like to cover. This section does so. It should be simple:
it's just a list of simple rules. Remember, if these rules don't fit, or you
disagree with them, just tweak the language to fit.

Page Description

This is a guide to the grey areas in grammar, spelling, and commonly

confused styles. This list is not comprehensive. When in doubt, refer to
a recent version of the AP Style Guide.

Headlines

Headlines should be short, clear, and “hook” the user into reading more

Use “&” instead of “and”

Use Title Case, not sentence case

Use periods when writing in sentences

Punctuation

Use consistent punctuation

Do not use spaces around the em-dash

Do not end bulleted or numbered lists in periods, unless the list item
contains multiple sentences.

Do not hyphenate paragraphs

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Correct Spelling

Use grey, not gray

Formatting

Capitalize the first word in a sentence

Contact Information & Times

Phone numbers should be written with hyphens. Do not use periods or

parenthesis. For example: 123-456-7890

Use military time formatting. For example: use 1330, not 1:30PM or
1:30 p.m. Do not use hrs or hours after the numbers.

Military time should never use a colon

Use en-dash when referring to time ranges instead of words like

“through, to, or thru”

Do not use AM or PM in any form.

List 0000 hours as midnight

List 1200 as noon

Use 24-hour instead of 24 hour

Days should never be abbreviated. Use the full spelling: Monday –

Thursday

Only the state or province should be abbreviated in addresses:

Pebble Coffee
1234 Main Street
Long Beach, CA 12345

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Brand Logo
Section
This is the big leagues. The main event. The logo is
what everyone is here for, and it’s what everyone­—
unfortunately & and inevitably—messes up.

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Section Header

The heart, soul, and center of our brand identity.

Our logo is how our customers tell us apart from a crowded industry.
It’s a promise of quality, consistency, and reliability.

As such, it is vital that our logo is presented correctly in every

execution. This section covers these guidelines in detail.

Any use of our brand logo outside of or conflicting with the contents of
this section will be considered unauthorized.

Brand Logo

Logo Meaning

It's helpful and authentic to communicate how the logo was visually
constructed. This little bit of context is fun for the client and the reader.
Use the copy below as inspiration to write your own breakdown.

Strength. Patience. Innovation. Growth. Our logo signifies these brand

values.

The symbol was born of years spent around the Reedy River in
Greenville, SC. Skipping stones across the calm, tranquil, flowing water
felt meditative. Relaxing.

One stone, discovered by our founder, John Smith, had been curiously
shaped by nature. With one side smoothed by a millennium of flowing
water, and the other cracked, the stone looked like a coffee bean.

The stone now rests above the door of the first Pebble Coffee
Roastery: a reminder to all of the beauty that nature can create with a
little time, a little water, and a little patience.

Slow down and have a cup of slow coffee.

Primary Brand Logo

This page should display the version of the brand logo that will be used
more than any other.

The brand logo both identifies the Pebble Coffee brand as a whole. Use
this logo to represent individual locations, products, merchandise, and

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wholesale operations.

This logo is a carefully created piece of locked artwork that should not
be altered in any way.

Service Marks
This section covers the versions of the logo that have an associated
service mark like ™ and/or ®. Since this is a very legal-y section, I would
recommend checking in with the clients lawyer or legal counsel for
details. Also, if they don't ask for a service mark version, don't give
them one. Using service marks without registration or application can
get them into a lot of legal trouble.

Overall Description

Each lockup of the brand logo has two acceptable versions, depending
on where and how the logo is used.

Our service marks provide notice of registered ownership within

certain countries.

When in doubt, simply use the version without a service mark. The
standard logo is acceptable for normal, day-to-day use, and as a
secondary iteration in a longer document when the registered mark is
used first.

Registered Trademark

Our brand has been trademarked in the [countries]. Implementations

within these countries may use the Registered Service Mark above.

Each lockup of the brand logo has a Registered Service Mark version
for use: find these exports in the accompanying files.

Note: The logo and the registered mark should scale independently.
There is no fixed ratio, but the service mark should never be less than
2mm (printed) or 5px (digital).

A general rule of thumb is to keep the registered mark at a maximum of

half the x-height in small sizes.

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Logo Variations

Why we have logo variations

A Scalable Identity System:

Trying to fit the same mark simultaneously on a billboard and on the

bottom of an espresso cup is a challenge. Our identity system is
designed for flexibility, consistency, and brand recognition.

We have provided different logo lockups that should cover every

space imaginable. Instead of trying to fit a logo into a space that is too
small or crowded, simply use a different version for maximum visual
impact and clarity.

When using the icon-only mark, ensure that our brand name is
visible near or in relationship with the icon. For example, an espresso
cup bearing the icon design on the inside of the cup should have a
hang tag or box which displays our brand name legibly. This will help
reinforce our brand recognition across multiple touchpoints.

Color Variations

Each brand logo lockup has several color variations for use on different
background types, tones, and colors.

When in doubt, use the most legible version of the logo for the
available background.
For printed executions, special care should be given to ensure logo
legibility on the final media or material used.

Horizontal Lockup

While the vertical lockup is our primary logo, we expect this lockup to
be used often in spaces that are vertically challenged.

Designed specifically to be vertically efficient, the horizontal lockup

is a perfect fit for wide, short areas. While we generally prefer the full
vertical logo, there are no specific restrictions that would prevent this
version from use.

Vertical Lockup

While the horizontal lockup is our primary logo, we expect this lockup

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to be used often in spaces that are horizontally challenged.

Designed specifically to be horizontally efficient, the vertical lockup

is a perfect fit for tall, skinny areas. While we generally prefer the full
horizontal logo, there are no specific restrictions that would prevent
this version from use.

Location-Specific Marks

If desired, each individual store may use a location-specific mark for

signage, merchandise, and marketing.

Special care must be given to typography and spacing in order to

remain consistent across the brand (and world).

Location-specific marks may not be used on brand-level packaging

and stationery.

Badge Lockup

The badge lockup is designed for square or circular areas where

symmetry is desired and the primary logo is not a good fit.

This can be used in conjunction with the primary logo simultaneously.

On packaging, for example, the vertical lockup can be used as the
primary identifying logo, and the badge lockup can be used as a
closure seal/sticker on the rear of the package.

This lockup can also be used as a graphic element by replacing the

text within the circle.

Icon-Only Lockup

When space is at an ultimate premium, the icon can be used in place of

a full brand logo lockup.

When this mark is used, ensure that our brand name is visible near or
in relationship with the icon. For example, an espresso cup bearing the
icon design on the inside of the cup should have a hang tag or box
which displays our brand name legibly. This will help reinforce brand
recognition.

The icon-only lockup should only be used when the primary logo is too
complex, too large, or is otherwise unavailable.

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Logo Sizing
Maintaining optimal and minimal logo sizing is vital to the legibility of
the mark and overall brand recognition.

The execution will often dictate the right logo size. But in order to
maximize legibility, try to use the largest size (within reason) for each
logo version listed. In some circumstances, it may be acceptable to
use the minimum size.

Never reproduce our logos smaller than the minimum sizes listed on
this page.

Clear Space
Clear space, or negative space, is the area that surrounds the logo
that is completely clear of any other graphical element. Clear space
helps the logo stand out from the rest of the elements on the page and
ensures legibility, even at small sizes.

As a general rule, the more clear, or negative, space around the logo,
the better.

At a minimum, there should be clear space equal to the height of the

[pick some element from your logo] on all four sides of the logo. Using
an element from the logo as a unit of measurement ensures enough
clear space as the logo changes in size.

Background Control
Contrast is the name of the game when considering placing the logo
on any background.

Our logo should not only be legible; it should also make a clear, strong
statement when used. If there is not enough contrast between the
logo and the background, the presence of the logo is weakened.

The logo may be placed on photographs, textures, and patterns as

long as there is enough contrast for the logo to be visible.

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Solid Color Backgrounds

Any version of the logo may be used on any solid-color background.

Use the dark or light version to achieve maximum contrast.

Dark Photographic Backgrounds

The one-color, light version of the logo may used on any dark
photographic background. Do not use the two-color version in
photographs.

Light Photographic Backgrounds

The one-color, dark version of the logo may be used on any light
photographic background. Do not use the two-color version on
photographs.

Pattern Backgrounds

The one-color version of the logo may be used on low-contrast

patterns. Use the dark or light version to achieve maximum contrast.

Logo Placement

Section Header

Placement of the logo on canvas is vital to a consistent visual style.

Where our logo is placed communicates a great deal about our brand’s
visual style. In this chapter, you will find high-level guidance on how the
logo should be positioned on a variety of touchpoints and media.

As a general rule, our logo should not be centered in an area. We

typically favor a left-aligned layout with the logo aligned to the primary
grid line—the spine.

Exceptions to this rule will inevitably surface. When in doubt, connect

with a member of our team to review your situation.

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On The Page

Place the logo left-aligned on the primary grid line. If this space is not
available, the logo belongs in the top or bottom left page corners.

Specific stationery layouts are provided in the Brand Collateral section

of this document.

As Signage

When used on the exterior of the building, signage should follow the
same left-aligned placement of the logo on other touchpoints.

As our locations are all renovated buildings, each situation is unique.

In order to achieve consistency between locations, we recommend
aligning the sign placement to a significant building feature, like a large
window or doorway.

On Merchandise

Branded merchandise like t-shirts, hats, and coffee mugs should all
follow a left-aligned logo placement if possible.

If possible, look for unique and uncommon imprint areas to utilize.

Areas like t-shirt sleeves, mug handles are rarely used and make a
striking visual statement.

Each piece of merchandise will carry unique limitations. Use the

images on the right as general guidance.

On The Web

On the Pebble website, the logo will be placed in the upper left-hand
corner of the navigation bar. Do not center the logo on screen, even on
small screens.

On Social Media

When used as social media avatars, the icon-only logo should be used
with the right amount of clear space on all sides.

We have developed two approved avatar images found here on this

page. They are each approved for both circular and square avatars
shapes of all sizes.

While the layout of these avatars should not be altered in any way,

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approved secondary brand colors may used to address special events,

holidays, and seasonal changes.

Common Errors
Do not stretch, squash, skew, or distort the logo in any way.

Do not edit the logo color, use an off-brand color, or reduce the logo
opacity.

Do not add graphic effects to the logo, including drop shadows.

Do not place the logo on a high-contrast pattern or busy photograph.

Do not change the layout or relationship between logo elements.

Do not encroach on the required clear space surrounding the logo.

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Brand Colors
Section
Pretty self-explanatory. You’ll want to cover the details
on how brand colors can be reproduced, but also put a
lot of effort into how colors can be combined.

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Section Header
Color sets us apart & helps to invoke emotion.

The colors we’ve chosen for our brand is a key factor in differentiation
and brand recognition.

As such, it is vital that our colors are reproduced faithfully and

combined in the right way. This section covers these guidelines in
detail.

Any color outside of those outlined within this section will be

considered unauthorized.

Primary Color Palette

The consistent use of color is vital to effective brand recognition.

Our brand should always be represented in one of the colors on this

page, aside from specific recommendations within this guide.

Do not use any other/unauthorized colors.

Use of the Pantone Matching System is highly recommended to

ensure color consistency across any and all touchpoints. If Pantone
color matching is not available or out of budget, please take great care
to match the hues above precisely.
We prefer a natural matte/uncoated paper stock, so always match to
the Uncoated Pantone book.

Using White & Black

Black and white are vital components to the brand palette. Whenever
possible, avoid true black and true white in favor of these subdued
tones.

Both white and black are used to define space on the page, on the
package, and on the website.

Create high contrast by combining both: perfect for legible typography.

This guide serves as an excellent example of this.

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We recommend an expansive use of negative space in brand

executions, which can be created using either white or black.

Secondary Palette
We get it: one color is not enough for many situations. While the brand
logo should be represented in our primary colors, this palette can be
used for other executions that require a different emotional approach.

Each color on this page is approved for use, but this list is not
comprehensive or restrictive. We recognize executions may require
additional colors.

Using Tints
We prefer our brand colors used without editing, but some situations
require the use of color tints, especially on the web. For example, when
a user hovers over a button on our web site, using a tint change can
help confirm their action.

If necessary, use a 20% tint step system, keeping legibility in mind. Any
tint below 60% used as a background will require dark text.

Approved Pairings
Nearly all of the colors within our primary palette can be used in
combination. Whenever possible, strive for legibility with contrast,
especially when setting typography.

Common Errors
Do not combine [specific colors]. This pairing does not have enough
contrast.

Do not combine [specific colors]. The values are too close together to

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be legible.

Do not use true black and true white in combination. This produces too
much contrast for our brand.

Do not change or adjust our colors in any way. Consistency in color is

vital to brand recognition.

Do not use tints as primary colors. They should be reserved for effects
and secondary tones in illustration.

Do not use off-brand colors, especially in combination with approved

brand colors.

Ensure Accessibility

Everyone should be able to read what we write and see what we

make. Color contrast is vital to ensure an accessible execution. We
recommend maintaining a minimum contrast ratio of 4.5:1.

When in doubt, be sure to check the contrast ratio using online tools
like contrast-ratio.com.

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Typography
Section
My personal favorite. The section that covers how to
combine letters, numbers, and symbols in beautiful
ways. Use this section to educate non-designer users.

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Section Header
We are obsessed with the beauty of typography.

Few things communicate the look and feel of a brand more clearly than
the way letters, numbers, and symbols are put together. We believe
typography should strike a balance between legibility and interest.

This section will cover approved typefaces, the way we use typography
to communicate clearly, and some helpful usage tips.

Any typeface not referenced in this section will be considered

unauthorized for use.

Primary Brand Typeface

[Insert typeface name here}: The typeface we chose for all brand
executions.

A workhorse sans-serif. Inter, designed by Rasmus Andersson, is a

sans-serif typeface designed specifically for screens. Inter features a
tall x-height that increases legibility using all sizes, and includes a wide
array of glyphs, weights, and special features. We love it.

Inter is free and open source: As such, neither paid licenses nor
accreditation are required for use. Download it free from Google Fonts.

Acceptable Alternatives

Inter should be used for every brand execution. In rare circumstances,

however, we recognize it is not realistic to use custom fonts. In which
case, system default sans-serif fonts should be used: Helvetica and
Arial, respectively.

Note: this should not occur frequently.

Hierarchy & Weight

Inter is a variable-weight typeface, which means you are able to
customize weights and angles to create an infinite number of weights.
That being said, we typically stay within these four weights.

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Use contrast between heavy and lighter weights to communicate

relevant importance, otherwise known as hierarchy, of information.

The Six Type Commandments

When constructing layouts, these tips will help you build dynamic,
interesting, and on-brand compositions with typography.

While these rules are proven and sound, sometimes breaking them is
the right call.

Stay Left-Aligned, Rag Right

Legibility and clarity are vitally important to great typographical layouts.

Since most people read from left to right, we should align our type
accordingly. And besides, we’re a little off-center as a brand anyway.

Skip Weights & Double Size

Contrast is the name of the game when it comes to great design.

When in doubt, skip a weight when pairing two weights, and double the
size between two text elements.

Align X-Heights or Baselines

Whenever you place text next to each other, either align the baselines
(the line that the bottom of a lowercase x sits on) or align the x-heights
(the top of a lowercase x). This helps align each line visually.

Watch The Rag

When setting paragraphs, keep an eye on the right (ragged) edge. If the
rag unintentionally creates a recognizable shape, consider tweaking
the language or resizing the container. Also, try to prevent single-word
lines (orphans).

Give Things Space, If Needed

Negative space, or the space around elements is vitally important.

That being said, if informational elements belong together, move them
closer together. Use grouping wisely: just try not to cram too many

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things in one space!

Keep Line Length Reasonable

It is easy for the user to get lost in long lines of text, and short ones are
easily ignored. It’s best to keep lines between 45 and 70 characters
long, depending on the size of the font. This will ensure legibility as the
font sizes increase or decrease.

Digital Typography
While I am planning on adding more language and templates
surrounding a digital design system, I felt it was important to include
instructions for digital typography in the kit. The end user can use
these guidelines as inspirations for other deliverables, like brochures.

Website Headings

The heading structure on this page is in direct reference to our current

website design. This is the basic breakdown of standard heading sizes,
and their relationship to body copy.

Obviously, exceptions exist, especially between different page

templates. Also, the h-level of each heading should be set in
accordance with search-engine and development best practices.

Body Text

The root body text size, line width, line height, and tracking are set to
enhance visibility and legibility on all screens.

Certain typographic situations specific to digital type like block quotes

and text links are also outlined on this page.

Lists

List styling is another important element of digital typography.

Typically, lists are found in the body of blog articles, pages, and product
descriptions.

Styling for both ordered lists (ol) and unordered lists can be found on
this page.

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Common Errors
Do not use unauthorized fonts or typefaces. The only exception is
stylized merchandise or illustrations on a case-by-case basis.

Keep tracking, kerning, and leading reasonable and legible. Do not

stray far from the examples in this guide.

Do not use centered or completely justified alignment for multi-line

text. There are no exceptions.

Do not stretch, squish, or otherwise mangle typography. Use the

appropriate weight instead.

Do not use a stroke or outline on typography. Also avoid using a drop

shadow on typography at all costs.

Do not use typography on any angle other than 0° or 90°. Our

typography should always read up if 90°.

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Visual Style
Section
This section is really where the magic happens. Give
a variety of parts and pieces at different levels of the
design system to arm them with the right assets.

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Section Header
Ingredients for on-brand layouts and composition.

While brand consistency relies heavily on logo usage, color, and

typography, we recognize that these are not the only elements within a
brand identity design system.

This section contains guidelines on grid usage and references to

approved visual elements like icons, illustrations, patterns, frames and
more.

Grids
The Grids chapter of this section should include detailed instructions
on how to recreate acceptable grid systems on a variety of aspect
ratios. It helps the end user to see these in action, so focus on
common deliverable-based shapes like letter stationery, desktop
websites, mobile UI, and presentation layouts.

Iconography and Illustration

Depending on your brand, you may have an extensive iconography
or illustration library. If that's the case, you should provide detailed
instruction on use that mimics the basic logo rules: sizing, color, clear
space, containers, etc.

Iconography is integral part of our merchandising, packaging, website,

and wayfinding. We have developed a library of over 2000 approved
icons that may be used in any brand execution. Examples of the set are
above.

When it comes to iconography style, we like thick outlines and

geometric shapes. If you need to construct new icons, keep the overall
shape simple. Reduce the subject matter down to its essence, ending
at a easily recognizable outline.

When placing icons in a layout, they should never be partially cut

off. The icons shape, line weights, and construction should not be
altered. Do not use the icons in place of or as an element within our

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logo. Ensure enough clear space is used so that the subject matter is
legible.

A full iconography library is available in our asset library, including

seasonal varieties. Before constructing new icons, check there.

Visual Elements

Shapes

Drawing inspiration from our logo, several geometric shapes can be

used in graphic compositions in a variety of ways.

Whenever possible, avoid using curved shapes in favor of straight lines

and geometric angles.

Containers & Frames

Adapting our shapes for use as frames or containers is an excellent

use in many graphic compositions and motion design.

Once again, whenever possible, refrain from using curved lines and
shapes in favor of straight lines, geometric shapes, and definitive
edges.

Patterns

We have developed four pattern styles that are approved for usage as
backgrounds, in print materials, and in packaging.

When using these patterns, feel free to invert the colorways (switch the
background and foreground colors), but do not otherwise modify the
colors.

Other Visual Assets

As I've said before, customize this section to your brand’s needs.

Feel free to create and describe guidelines for things like lower-thirds
designs for videos, or common layout tools used in packaging.

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Photography
Section
Have you ever tried to design a website or a document
without photographs? It's hard to make it interesting.
That's why photography is so important.

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Before we dig into this section, it's important to note that these
descriptions are targeted towards a specific look and feel of
photographs. Make sure you customize each section to fit that of your
brand.

Think about the way two visually opposing brands use photography:
Bank of America versus Spotify. Describe your vision in clear simple,
terms. And for those of you who don't have the best visual vocabulary,
I've included a free download by Matthew Encina that covers a few
terms you can use.

Section Header
Photographs: worth more than 1,000 words.

A great photograph can change the entire trajectory of our business.

In other words, photography is vital to the success of our brand and
should be treated as an essential part of our brand executions.

In this section, you will find guidelines on photographic composition,

content, tone, and usage. Standardizing these facets of photography
will ensure a consistent look and feel across our entire image library.

Tone

Fresh, But Subtle

Brand photographs should feel clean, fresh, and dynamic. But we

should strive to use a humble, natural, and subtle tone.

The content of each photograph should convey our brand values,

reflect our customers in the best light, express each store’s unique
qualities, and above all, inspire a craving for a cup of coffee.

Always seek excellent lighting that provides contrast between

highlights and shadows, even if the light source is simply an open
window.

Lifting the black values and slightly desaturating red and blue values
will shift the photograph’s tone towards a peaceful, natural color tone.

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Framing

Flat, But Interesting

An interesting shooting angle is essential to great composition. In

an effort to maintain consistency, most exterior, still life, and product
shots should be shot “flat.” The camera should always be on the same
level as the subject, and great care should be taken to ensure that all
lines are straight and aligned to the frame.

Of course, there will be exceptions to this rule, especially when

shooting people in action.

When using multiple photographs in a composition, mix the framing

distance for interesting contrast.

Composition

Dynamic & Intriguing

When composing a shot, use the foreground and background to ignite

visual interest and curiosity.

Consider partially obscuring the subject with an object in the

foreground. Or obscuring an otherwise dull background with a very
shallow depth of field.

Using lighting effects like interesting concealing shadows and bright

highlights can also create an interesting effect that draws the eye.

Specific Shot Guidance

Exterior Shots

Each location should be photographed using the same look, feel,

framing and composition as the wide shots portrayed on this page.

Ensure that no highlight is fully “blown out” and that the shadows still

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have recognizable details.

Each location is unique, closeup shots of textures, materials, and

points of interest can differentiate the store while remaining on-brand.

Still-Life Shots

Still-life shots should communicate the look, feel, and “vibe” of being
inside one of our locations.

Look for vignettes inside that offer interesting compositions. While

natural clutter does not need to be avoided, strive for a minimal look
and feel.

Remove all temporary printed materials and unsightly items like dirty
dishes from the frame.

Photographing People

People are the heart of our brand and should be treated with the
highest respect during all shoots.

In general, you should avoid capturing identifying features of

customers, unless they have signed a release prior to the shoot.

Whenever a person is the subject of a photograph, they should look

relaxed, happy, and engaged. In order for the subject to appear natural,
try to capture them “in the moment” instead of posing them. As a
general rule, do not have them look directly into the camera lens.

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Brand
Collateral
This section is the bucket where all of the guides that
refer to completed deliverables belong. Commonly, we
include a stationery kit here in basic style guides.

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Section Header
Pre-designed layouts, crafted with care.

From business cards to packaging, we’ve created several template

files for print and production.

In this section, you will find guidelines on using the accompanying

template files for standardized brand collateral.

Most of the specific guidelines, instructions, and details are contained

within the template files themselves.

Deliverables

Basic Format

Since the copy will depend exclusively the chosen deliverable, it's
impossible to break all the possibilities down for you here. But I would
recommend following this format:

• Introduce the template and its use

• Give details on sizing

• Outline any available customization

• Provide production details (paper, printing techniques, etc)

Any item that lives in the delivery folder that's ready to be sent off to
production can live here. Here are a basic breakdown of some of the
possibilities:

• Business Cards • Signage & Wayfinding

• Letterhead • Packaging

• Envelopes • Basic Web Designs

• Social Media Graphics • Merchandise

• Brochures • Stickers/Labels

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Closing
Section
Close out your style guide with a nice note and a back
cover. As my friend Brett says, decks without closing
slides are like a sentence without punctuation.

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Everything we forgot to mention before this. [OK, that may not fly with
some more professional clients. I think it's witty]

Though we’ve come to the end of this guide, this is only the beginning
of our journey.

In this section, you will find details on our approval process, several
points of contact within the brand department, and a warm thank you
note.

Why? Because we truly care.

Approvals
As previously stated, this guide is not a comprehensive list of rules.
We recognize the creative journey is full of twists and turns. New
approaches, new trends, and changes in technology will inevitably
have an effect on our brand and the way we execute it visually.

That being said, we insist that any brand execution follow the
guidelines listed within. Anything outside of these guidelines must be
approved by an authorized representative from Pebble Coffee.

Outside approvals may be submitted electronically by emailing the

concept to Ben Burns, Director of Brand, at hi@pebblecoffee.com.

If you are a vendor working on one of our brand executions, we require

an electronic or physical proof before any item is printed, published, or
otherwise executed. These proofs can be submitted to your point of
contact within Pebble Coffee.

Questions prevent mishaps: If you have a question about the use of

our brand materials or a brand execution, please do not hesitate to ask!

File Types
The files provided with this guide generally fall into two types: raster
and vector files. While both can be used for most applications, typically
one is more suited, depending on the usage intent.

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Raster Files

Raster files are comprised of a grid of pixels. These types of files

always have a set resolution and size. Once you increase the size past
its predetermined size, the quality decreases. You’ve probably seen
this before: images begin to appear pixel-lated if they’re pushed too far.

Graphics, like the brand logo, can be exported in raster versions.

Photographs are always raster files.

Raster files are typically used for web graphics and digital executions.
When used in print applications, you must ensure that the file exceeds
the minimum DPI (dots per inch) of 150DPI, or risk a low-quality print.

Typically, raster files end with .jpg, .png, .gif, and .psd. They are easy to
open and apply.

Vector files

Vector files are create their shapes by mathematical equations

between anchor points. Since they are crafted by ratios, and not a grid
of colored squares, vector images can be infinitely scaled.

Graphics, like the brand logo, are typically created as vector files.
Illustrations, iconography, and many of our simple shapes and graphic
elements are created as vector files.

The limitations of vector files lie in their strengths: because each

relationship is an equation, complex items, gradients, photographs
often make vector file sizes too large. Raster images are more efficient
in those situations.

Vector files are typically used for printing or producing the logo or
other graphics in most forms. If you’re ever asked for a high-resolution
logo file, send a vector file.

Typically, vector files end with .ai, .eps and .svg. Without special
programs, these files will be difficult to open.

Thank You Note

Use your best judgment to write the thank you note, and remember,
this should come from the brand (your client), and be directed towards
the end user/reader of the style guide.

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You are the best. From everyone at Pebble, thank you for your attention
to detail, your unwavering support, and your commitment to making
our brand vision a reality for so many people.

Building a brand is like raising a child: it takes a village. Without you, we

would not exist.

To all of our vendors, creative teams, and outside consultants: we are

here for you. If you need any help with our brand at all, especially when
working on a brand execution, please do not hesitate to reach out to
our team at hi@pebblecoffee.com.

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VERSION 01—MAY 2020

Arsenal BY BEN BURNS