Aperture Getting Started
Aperture Getting Started
Getting Started
K Apple Computer, Inc.
© 2006 Apple Computer, Inc. All rights reserved.
The owner or authorized user of a valid copy of Aperture
software may reproduce this publication for the purpose
of learning to use such software. No part of this
publication may be reproduced or transmitted for
commercial purposes, such as selling copies of this
publication or for providing paid for support services.
3
Chapter 6 69 Working with Images in the Browser
69 An Overview of the Browser
70 Viewing Images in the Browser
73 Navigating Through and Selecting Images
75 Rearranging Images in the Browser
76 Rotating Images
76 Displaying Specific Metadata with Your Images
78 Creating Versions of an Image
80 Copying Images and Moving Images to Different Locations
80 Working with Referenced Images
4 Contents
Chapter 10 113 Rating Images
113 An Overview of the Rating System
114 Rating Images
115 Sorting Images by Rating
117 Comparing and Rating Images
119 Keyboard Shortcuts for Rating Images
120 Keyboard Shortcuts for Displaying Images with Specific Ratings
Contents 5
Chapter 15 159 Creating Slideshow Presentations
159 An Overview of Slideshows
160 Creating a Slideshow Using Presets
161 Controlling a Slideshow
161 Changing a Slideshow’s Images
6 Contents
Chapter 20 193 Creating Books
193 An Overview of the Book Creation Process
194 Creating a Book Album
195 Controls in the Book Layout Editor
198 Placing Images in a Book
198 Adding Pages to a Book
198 Removing Pages from a Book
199 Resizing and Aligning Images on a Page
199 Adding Text to Pages
200 Changing the Theme
200 Ordering a Printed Book
Index 211
Contents 7
1 An Overview of Aperture
1
Aperture is a powerful and easy-to-use digital image
management system that can track thousands of digital
images and provides professional-quality tools for working
with your photos.
Aperture is a nondestructive image processing and database application that lets
you efficiently acquire digital images, perform photo edits, adjust and retouch
images, publish images on the web or in print, export images, and back up your
images for safekeeping.
Before starting work, you need to understand how Aperture is used in your workflow.
You’ll also need to find out about the basic elements used as you work with your
images in Aperture.
9
Aperture Workflow
Acquire Images
Import from Import from Import from Import folders Drag from
card/camera hard disk or iPhoto (maintaining Finder
media structure)
Create Projects
Before or during import
Photo Edit
Sort Group
• Rate • Using Query HUD
• Apply keywords • Using Smart Albums
• Compare
• Stack
Apply Adjustments
• Exposure • White balance
• Levels
Distribute
Back Up
• Set up vault
• Back up to vault
Apply adjustments
Create projects in the using the Adjustments
Projects panel. Inspector.
You can also import all or just a portion of your iPhoto Library. When you import your
iPhoto Library, Aperture maintains the structure as well as all adjustments and
information, also known as metadata, applied to the images.
You can also group images to further organize them. You can find images using the
Query HUD (heads-up display), a floating panel with search options. You can also create
containers, such as folders and albums, within projects to further manage your images.
Aperture also uses Smart Albums, which are albums that can be dynamically generated
and updated based on specific search criteria you specify in the Query HUD. This can
save you time and effort finding just the right images.
For details about each of these elements and how you work with them in Aperture, see
the next few sections.
For information about importing your digital master files, see Chapter 5, “Importing
Images,” on page 55.
1A
1B Versions
1 from
1C Master 1
Master 1D
2A Versions
2 from
2B Master 2
Pictures Aperture
Master
folder Library file
Computer 3A
Versions
3 3B from
Master 3
3C
Master
You can create as many versions of an image as you need. For example, a client may
request color, sepia, and black-and-white versions of the same wedding shot. Instead of
saving multiple copies of that image, as you would with other applications, you simply
create different versions of the master file.
You can easily transfer projects from one Aperture system to another. All links between
versions and their master files are maintained when projects are transferred. This is
particularly useful if you use a portable computer when on location or away from your
studio, and a workstation at your studio. For more information, see “Transferring
Projects from Another Aperture System” on page 67.
Examples of items in
the Projects panel
Projects
Albums created at the Library level are used to organize versions from multiple
projects. For example, you can create an album at the Library level to consolidate your
favorite images, known as selects, from multiple clients (each represented by a project).
You can then publish this collection of selects on your website or export the album’s
contents and burn them to a DVD for review by a prospective client.
Note: You can also place versions from other projects in an album that resides within
a project.
There are two main types of albums, each suited to a particular function:
 Album: A type of folder containing image versions. You can view only the versions
that you’ve placed in the album.
 Smart Albums: This type of album contains image versions as well, but the contents
are controlled by search criteria that you specify. When you change the criteria
associated with a particular Smart Album, the contents of the Smart Album
automatically change. For more information about Smart Albums, see Chapter 13,
“Grouping Images with Smart Albums,” on page 151.
Changes made to versions in albums have no effect on the original digital master files
on your computer’s hard disk. If you delete a version from one album, the digital
master file is not deleted from the hard disk.
Projects that you transfer from other Aperture systems to your Aperture system are also
added to the Library. And when you back up your digital master files to your vaults on
external FireWire drives, those actions are tracked by the Aperture Library as well.
You can change the location of the Library file to a different folder or a different disk.
You can create multiple Library files. For more information about working with multiple
Library files, see the Aperture User Manual in the Aperture Help menu.
Images whose digital master files are stored in the Aperture Library are called managed
images. These master files are stored in the Library exactly as they were in previous
versions of Aperture. Aperture manages master image files in the Library, keeping them
always accessible, and provides benefits such as one-click backup of digital master files
to vaults.
Imported images whose digital master files haven’t been placed in the Library are
called referenced images. Using referenced images in your Aperture system can provide
a number of substantial benefits to your photography workflow. You can incorporate
your existing portfolio of images into Aperture without changing the current location
of the files. Importing images by reference does not result in a duplication of your
image files in the Aperture Library, thus saving hard disk space. You can also connect
and disconnect hard disks holding your referenced images’ master files as you need
them. This allows you to keep master files for less-used images offline or to make
specific types of images available for editing or adjustments as needed. Using
referenced images in your Aperture system provides a means of building a flexible
image management system customized to your work style.
You specify that an image will be a managed image or a referenced image when you
import it. When importing images, you can:
 Specify that master files be stored in the Aperture Library.
 Import images as referenced images, so that their master files remain in their
current locations.
 Move or copy image files to a new location. For example, you might decide that a
certain group of referenced image files, such as wedding photos, will always be
placed in one hard disk location, while other groups, such as sports photos, will
reside in a different hard disk location.
You can also relocate master files, moving them out of the Library or moving referenced
master files to different hard disk locations. If needed, you can also move referenced
master files into the Aperture Library by choosing the Consolidate command.
You can search for images based on whether they are managed images, referenced
images, or online or offline images. Aperture also provides robust file-management
tools that let you quickly determine which images are offline and easily reconnect
images that have been moved to different volumes.
What Is a Vault?
A vault is a container consisting of an exact copy of your Library. This includes your
projects, managed digital master files, and any versions you’ve created. You can easily
create and update a vault to back up your Library. It’s best to store your vaults on
multiple external hard drives connected to your computer, usually via FireWire. A Vault
Status button changes color when your vaults need updating.
You can have as many vaults as you deem necessary. Creating more than one vault is
useful if you work at different locations; you can always keep one vault on a FireWire
drive onsite and another one offsite. All vaults and backup files are tracked by the Library
so that even if you disconnect the external hard drive that contains your vault, Aperture
will synchronize it the next time you reconnect the drive and update your vault.
All the managed master file images, versions, and all metadata, previews, and adjustment
information associated with your images are backed up. The versions, previews, and
metadata associated with referenced images’ master files are also backed up in the vault.
Referenced images’ master files are not backed up in the vault with the Library.
Computer
21
A basic Aperture system consists of the following equipment:
 A computer and display
 A digital camera or card reader (a FireWire card reader is strongly recommended
because it’s faster)
 A cable to connect your camera or card reader to your computer (typically a USB 2.0
cable or a 4-pin-to-6-pin FireWire cable that came with your camera or card reader)
For information about setting up a computer and display, see the documentation that
came with the computer and display.
To ensure proper setup, see the documentation that came with your camera or
card reader.
DC power
£ DVI H FireWire
d USB
Macintosh computers come with two possible display ports: Apple Display Connector
(ADC) ports to connect ADC displays, and Digital Visual Interface (DVI) ports to connect
digital displays that have DVI connectors (such as a flat-panel Apple Cinema Display).
 If your second display is an ADC display, connect it to an available ADC display port
on your computer, or use a DVI to ADC adapter to connect the display to a DVI
display port.
 If your second display is a DVI display, connect the display to an available DVI display
port on your computer, or use an ADC to DVI adapter to connect the display to an
ADC display port.
See the documentation that came with your computer or graphics card for more
information on the type of display cable or adapter you need.
Important: Make sure the cables are connected firmly, or you may not be able to see
an image on the display.
Power Mac G5
d USB ports
H FireWire 400 port
AC plug
Power
adapter
DC plug
Power
outlet
AC plug
Power
adapter
DC plug
Because Aperture controls the second display, you must keep your computer in this
mode for the application to operate properly. If you work in mirroring mode, where the
same contents appear on both displays, Aperture may not work properly.
The display screens temporarily refresh to accommodate the new arrangement. The
contents of the screen may be rearranged to accommodate the new position of the
menu bar.
Aperture can also uses external FireWire drives to store and back up image files. These
external drives can be “daisy-chained,” meaning that you can connect one drive to
another and another. The first drive in the chain is connected to your computer.
FireWire drives are “hot-swappable,” meaning that you can connect and disconnect
them from your computer without having to shut it down first. FireWire drives are also
a great way to add storage space if you are using Aperture on a portable computer.
29
To choose an option when you first open Aperture:
1 Click the button next to the option you want.
2 Click Continue.
Viewer
Toolbar
Metadata Inspector
Browser
Control bar
Note: The inspectors are not shown when you first open Aperture. To show or hide the
Inspectors panel, press I. You can also double-click an image to open the Inspectors panel.
To help you learn Aperture, you can hold the pointer over a control in Aperture and a
small box called a tooltip appears with a description of the control. Next to the
description is the keyboard shortcut for using the control. You can turn the display of
tooltips on or off in the Preferences window.
Example of a tooltip.
You can press Control-G
to switch the Browser
to grid view.
Project Action
pop-up menu
A project Add to Library
pop-up menu
 Projects pop-up menu: Provides options for showing all projects, your favorites, or
recently selected projects. You can create as many projects as you like.
 Add to Library pop-up menu: Provides a quick way to create new elements, such as
projects, folders, and albums.
 Project Action pop-up menu: Provides options for adding or removing selected items
from a list of favorites and exporting them.
For more information, see Chapter 4, “Working with Projects,” on page 49.
You can move, copy, and sort your images in the Browser. You can drag images from
the Browser into other projects and albums in the Projects panel. You can also classify
your images by applying ratings and keywords to them.
You can display images in the Browser in grid view or list view. In grid view (shown
above), thumbnails are displayed for every image contained in a project or album. In
grid view you can identify your images by sight, working with the thumbnails. In list
view, your images are listed by file information, such as filename, pixel size, file size, and
rating. List view provides an easy way to sort your images by category. For more
information about the Browser, see Chapter 6, “Working with Images in the Browser,”
on page 69.
The Viewer displays a detailed view of images selected in the Browser so you can make
adjustments, compare similar images, and inspect images at full resolution. In the
Viewer, you can see a magnified view of specific image details. You can also apply
adjustments to your images in the Viewer. You can set the Viewer to display one, three,
or multiple images at a time. For more information, see Chapter 7, “Displaying Images in
the Viewer,” on page 83.
The following sections provide descriptions of each button and control in the control bar.
Display Controls
 Viewer Mode pop-up menu: Choose how to view your images and arrange your
displays from this pop-up menu. For more information, see Chapter 7, “Displaying
Images in the Viewer,” on page 83.
 Zoom Viewer: Click this button to move between viewing an image at actual size and
fitting the image to the Viewer’s screen size.
 Show Master Image: Click this button to see an image of the original digital master file.
 Full Screen: Click this button to switch to Full Screen mode. For more information, see
Chapter 8, “Viewing Images in Full Screen Mode,” on page 93.
 Primary Only: Click this button to temporarily change between making metadata
changes to all selected images or the primary selection only.
 Rotate Left: Click this button to rotate the selected image to the left.
 Rotate Right: Click this button to rotate the selected image to the right.
Rating Buttons
Navigation Buttons
Note: If the Adjustments and Metadata Inspectors are open, there may not be enough
room to show the entire control bar. In that case, the keyword controls are not shown.
For more information, see Chapter 11, “Applying Keywords to Images,” on page 121.
Toolbar
The toolbar is a collection of buttons and tools located at the top of the Aperture main
window. Buttons and tools are grouped by function. There are buttons for creating
projects, organizing images, and configuring the Aperture workspace, as well as tools for
applying adjustments. The toolbar is shown by default, but you can hide it at any time.
Toolbar
 Import Panel: Click this button to reveal the Import panel. When you select either the
camera, a memory card, or a mounted drive, the Import dialog appears. For more
information, see “Import Panel” on page 41.
 New Project: Click this to create a new project.
 New Album: Click this to create a new album with your current image selection in it.
 New Smart Album: Click this to create a new Smart Album. For more information, see
Chapter 13, “Grouping Images with Smart Albums,” on page 151.
 New Book Album: Click this to create a new book album with your current image
selection in it. For more information, see Chapter 20, “Creating Books,” on page 193.
 New Web Gallery Album: Click this to create a new web gallery album with your
current image selection in it. For more information, see Chapter 19, “Creating Web
Journals and Web Galleries,” on page 183.
 New Light Table Album: Click this to create a Light Table album with your current
image selection in it. For more information, see Chapter 16, “Using the Light Table,”
on page 163.
 Email: Click this to open your email program and attach selected images.
 Slideshow: Click this to initiate a slideshow of the selected images.
Stacking Buttons
For details about working with stacks, see Chapter 9, “Stacking Images
and Making Picks,” on page 105.
 Stack: Click this to group the selected items in a stack.
 Stack Pick: Click this to mark a selected image as the stack’s pick, or best image.
Adjustment Tools
 Adjustments Inspector: Click this button to show or hide the Adjustments Inspector in
the Inspectors panel.
 Metadata Inspector: Click this button to show or hide the Metadata Inspector in the
Inspectors panel.
Adjustments Inspector
You can use controls in the Adjustments Inspector to apply, edit, and remove
adjustments to a selected image, such as exposure, levels, and white balance. Controls
in the Adjustments Inspector are grouped according to the type of image adjustment
they perform. You can see the controls for an adjustment category by clicking its
disclosure triangle.
Note: By default, the Adjustments Inspector and Metadata Inspector are shown at the
same time. You can also show them individually in the Inspectors panel by choosing
Window > Show Metadata or Window > Show Adjustments.
Adjustments Inspector
If the Adjustments Inspector is open when you view your images, you can easily see a
summary of the adjustments that have been applied by clicking the disclosure triangle
for each adjustment. To edit an adjustment applied to an image, click the disclosure
triangle for the adjustment and use its controls to make your changes. To remove an
adjustment, deselect the checkbox for the adjustment. For more information, see
Chapter 14, “An Overview of Image Adjustments,” on page 155. For in-depth explanations
of adjustments, see Performing Image Adjustments in the Aperture Help menu.
Note: Although you can apply initial adjustments with the Adjustments Inspector, it’s
often more convenient to use the Adjustments HUD in Full Screen mode. For more
information, see Chapter 8, “Viewing Images in Full Screen Mode,” on page 93.
You can create your own views of the types of metadata displayed with an image and
create metadata presets that you can use to apply combinations of metadata
repeatedly to multiple images.
Note: By default, the Adjustments Inspector and Metadata Inspector are shown at the
same time.
Metadata Inspector
Import Panel
The Import panel displays a list of connected card readers and external hard disk
drives, as well as local hard disks and mounted servers. If you want to import images
into Aperture, you select one of these devices, and the Import dialog appears. You
specify settings in that dialog to import images from that device to your Library or a
selected project.
As you store managed images in the Library, Aperture automatically tracks which files
have been backed up to your vault. When your vault is up to date, the Vault Status
button appears black. When a change to at least one version occurs, such as an
adjustment, the Vault Status button appears yellow. When Aperture determines that
even a single master file has not been backed up, the Vault Status button appears red.
You can have Aperture update your vaults whenever you want.
For more information, see Chapter 21, “Backing Up Your Images,” on page 201.
HUDs
HUDs, or heads-up displays, are collections of related controls contained in a floating
panel. You can open and then move a HUD wherever you wish, based on your display
setup. You can use HUDs in regular and Full Screen mode. Many of the adjustment tools
have HUDs, which are shown when you select the tool in the toolbar. Other HUDs, such
as the Keywords HUD and Adjustments HUD, are also available from the Window menu.
You’ll frequently use the Query HUD to search for images based on specific criteria,
such as ratings and keywords. For more information, see Chapter 12, “Searching for
and Displaying Images,” on page 139.
Query HUD
Note: The adjustment tools appear as a set in a particular order and cannot be
individually rearranged.
For example, to create a new folder, you press Command-Shift-N; this means you hold
down the Command key and the Shift key, and then press N. For a list of keyboard
shortcuts, see Quick Reference in the Aperture Help menu or refer to the printed
Aperture Quick Reference card.
Note: Although accessing these shortcut menus can help you work more quickly, keep
in mind that not all commands are available in shortcut menus.
Project Action
Disclosure triangle pop-up menu
Add to Library
pop-up menu
 Disclosure triangle: Click this to see all items within the Library, project, or folder.
 Projects pop-up menu: Choose to display all projects, favorites, or recent projects.
 Add to Library pop-up menu: Click this to add a new item, such as a project or Smart
Album, to the Library or selected project.
 Project Action pop-up menu: Click this to add the selected item to your favorites or
remove it.
49
Creating and Naming Projects
You can create projects at any time, although typically you create them when you
import images. When you import images and no project is selected, a new project is
created to contain those images. For more information, see Chapter 5, “Importing
Images,” on page 55. However, you can create a new empty project at any time.
A new, untitled
project appears in the
Projects panel.
2 Enter the name you want for the project, then press Return.
Warning: This action cannot be undone. Once you click the Move to Trash button, the
master file is moved to the Trash. All versions and their adjustments and metadata are
permanently deleted. To permanently remove the master files from your hard disk,
empty the Trash.
Note: If you delete a project or a project within a folder, the digital master files
contained in the project are also deleted.
Warning: This action cannot be undone. Once you click the Delete button, the master
files are moved to the Trash. All versions and their adjustments and metadata are
permanently deleted. To permanently remove the master files from your hard disk,
empty the Trash.
An Overview of Importing
When you import from a camera or card reader, Aperture places the images in a
project. If you don’t select an existing project, a new one is created automatically.
Import
Versions
Project
Aperture Library Digital
(system disk) master files
RAW
& JPEG
Importing
to Aperture Back up
Vault
Camera (FireWire drive)
You can import digital master images directly from a camera or card reader and from
your hard disk drives.
55
When you import images, you can choose whether to have the digital master files
stored in the Aperture Library or store them on your hard disk outside of the Library
where they can be accessed as referenced images.
As you import images, you can have Aperture automatically name and record
information about them. Aperture can assign filenames using custom naming
conventions, as well as record metadata such as captions, keywords, dates, copyright
and credit information, and IPTC information. You can even set Aperture to stack
related images together, keeping bracketed shots or a series of shots taken in quick
succession in groups that you can easily select and work with. For more information on
stacks, see Chapter 9, “Stacking Images and Making Picks,” on page 105.
Before you import images into Aperture, it’s a good idea to plan the organization of
your images. Eventually your image library may contain many thousands of images that
you’ll want organized in a flexible and easy-to-manage system.
Plan how you want to import your existing portfolio of digital images. Because you
may have many thousands of images previously stored on disk, you need to decide
whether you’ll import them into the Aperture Library, or import them as referenced
images, leaving them in their current hard disk locations. You can also copy or move
them into different hard disk locations when importing them.
As an import strategy, it’s best to try out importing images in a series of steps. Make
trial imports of a small group of images directly from your digital camera or card
reader. Try out the different methods for importing individual files into your system.
Once you’re familiar with how Aperture works, you can begin setting up your image
management system for long-term use.
To import all the images from a camera or card reader into Aperture:
1 Connect your camera or card reader to your computer.
The Import panel and Import dialog appear, showing the images on the camera or card.
Note: If iPhoto opens when you connect your camera or card reader, quit iPhoto and
then, in Aperture, choose Aperture > Preferences. Choose Aperture from the “When a
camera is connected” pop-up menu. Disconnect and reconnect your camera to have
Aperture open the Import dialog.
Import panel
Import arrow
Import dialog
Import button
 If you want to import the images into an existing project: Select the project. The Import
arrow points at the currently selected project, indicating the destination for the import.
The top-left portion of the Import dialog updates, displaying where the images are
being placed.
3 Choose a location for the imported images by doing one of the following:
 To store imported master image files in the Aperture Library: Choose In the Aperture
Library from the Store Files pop-up menu.
 To store imported master image files as referenced images in the Pictures folder on your
hard disk: Choose Pictures from the Store Files pop-up menu.
 To store imported master image files as referenced images in a location other than the
Pictures folder: Choose “Choose” from the Store Files pop-up menu and select the
folder you want. Choose “No folder” from the Subfolders pop-up menu to specify
that the files be stored as separate individual files in the selected folder. You can also
specify that Aperture create and store your files in a hierarchy of subfolders with
specific folder names. For more information about specifying folders to hold your
imported images, see the Aperture User Manual in the Aperture Help menu. Choose
whether you want the image files moved or copied to a new location by clicking the
“Move files” or “Copy files” button.
As the images appear in the Browser, you can begin working with them. Images may
temporarily appear as gray boxes until the loading is complete.
To reset the image selection so that no images are selected, click in the background
beside a thumbnail.
If necessary, adjust the size of the thumbnails by dragging the Thumbnail Resize slider
at the bottom of the dialog.
4 Choose a location for the imported images by doing one of the following:
 To store imported master image files in the Aperture Library: Choose In the Aperture
Library from the Store Files pop-up menu.
 To store imported master image files as referenced images in the Pictures folder on your
hard disk: Choose Pictures from the Store Files pop-up menu.
 To store imported master image files as referenced images in a location other than the
Pictures folder: Choose “Choose” from the Store Files pop-up menu and select the
folder you want. Choose “No folder” from the Subfolders pop-up menu to specify
that the files be stored as separate individual files in the selected folder. You can also
specify that Aperture create and store your files in a hierarchy of subfolders with
specific folder names. Choose whether you want the image files moved or copied to
a new location by clicking the “Move files” or “Copy files” button.
5 Choose a naming convention from the Version Name pop-up menu to specify how you
want the images named.
For example, choose Master Filename from the Version Name pop-up menu to have
your files stored using the current master file names from your camera or card. Choose
a name format from the Version Name pop-up menu to have your images stored using
a specified name. If you choose a custom name format, enter the name you want in the
Name Text field. You can also apply the name format to the master image as well.
Choose Edit from the Version Name pop-up menu to define a new naming scheme.
6 To add metadata to your images as they’re imported, choose a metadata preset from
the Add Metadata From pop-up menu.
Note: If you have folders of images to import, you can import them using the Import
Folders as Projects command.
You can import image files in many common image formats, including images scanned
from nondigital sources such as film and photographic prints. Adding these image files
to your Aperture database is as simple as navigating to the folder where they reside on
your hard disk using the Import dialog.
When you import images from a folder on your computer system, you have the choice
of importing the images into a new project or an existing one.
To import image files stored on your computer’s hard disk or other storage device:
1 If the Import panel is hidden, click the Import Panel button in the toolbar to show it (or
press Shift-I).
2 Select the disk that holds the image files you want to import.
The Import dialog appears with the file browser at the top.
When you have selected the folder containing the image files you want to import,
image thumbnails appear in the Import dialog.
4 In the Projects panel, do one of the following:
 Select Library to create a new, untitled project or choose File > New Project (or press
Command-N). (The Import arrow points at the Library.)
 Select an existing project to hold your images. (The Import arrow points at the
selected project.)
The top-left portion of the Import dialog updates, displaying where the images are
being placed.
5 Select the images you want to import by Shift-clicking to select a range of adjacent
images, Command-clicking to select nonadjacent images, or dragging a selection
rectangle around the images you want.
6 Choose a location for the imported images by doing one of the following:
 To store imported master image files in the Aperture Library: Choose In the Aperture
Library from the Store Files pop-up menu.
 To import the files as referenced images stored in their current locations on your hard
disk: Choose “In their current location” from the Store Files pop-up menu.
 To store imported master image files as referenced images in the Pictures folder on your
hard disk: Choose Pictures from the Store Files pop-up menu.
 To store imported master image files as referenced images in a location other than the
Pictures folder: Choose “Choose” from the Store Files pop-up menu and select the
folder you want. Choose “No folder” from the Subfolders pop-up menu to specify
that the files be stored as separate individual files in the selected folder. You can also
specify that Aperture create and store your files in a hierarchy of subfolders with
specific folder names. Choose whether you want the image files moved or copied to
a new location by clicking the “Move files” or “Copy files” button.
As the images appear in the Browser, you can begin working with them.
Note: If the folder contains subfolders of images and you want those imported too,
choose File > Import > Folders as Projects.
The import process begins and an indicator appears next to the project’s name,
showing the progress of the import.
Warning: When importing folders of images into Aperture, carefully plan how you
want your images organized before you begin. The top-level folder containing images
becomes a project containing all the images in the subfolders as well. This means that
if you import a folder with thousands of images contained within its subfolders,
Aperture will create a project with thousands of images. You can import a maximum
of 10,000 master images into a project. If you have over 10,000 images to import into
Aperture, consider importing the subfolders individually instead. Each subfolder will
then become its own project.
To import a folder of images from the Finder using the Import command:
1 In the Projects panel, select Library.
2 Choose File > Import > Folders into a Project.
3 Select the folder of images that you want to import.
4 Choose a location for the imported images by doing one of the following:
 To store imported master image files in the Aperture Library: Choose In the Aperture
Library from the Store Files pop-up menu.
 To import the files as referenced images stored in their current locations on your hard
disk: Choose “In their current location” from the Store Files pop-up menu.
 To store imported master image files as referenced images in the Pictures folder on your
hard disk: Choose Pictures from the Store Files pop-up menu.
 To store imported master image files as referenced images in a location other than the
Pictures folder: Choose “Choose” from the Store Files pop-up menu and select the
folder you want. Choose “No folder” from the Subfolders pop-up menu to specify
that the files be stored as separate individual files in the selected folder. You can also
specify that Aperture create and store your files in a hierarchy of subfolders with
specific folder names. Choose whether you want the image files moved or copied to
a new location by clicking the “Move files” or “Copy files” button.
The organization of your iPhoto images and albums is maintained as projects in the
Projects panel, as well as each image’s name, EXIF information, keywords, rating, and
any applied adjustments. You cannot import slideshows, books, and Smart Albums
from your iPhoto Library.
Note: You must upgrade to iPhoto version 5.0.4 or later before you can import photos
from your iPhoto Library into Aperture.
If you choose not to import your iPhoto Library right away, you can do it later.
If you choose to store the photos imported from your iPhoto Library in the Aperture
Library, Aperture makes a copy of each image file and places it in the Aperture Library.
This doubles the amount of disk space the image files occupy on your computer. To
save space, import the photos in your iPhoto Library as referenced images. You can also
delete images from your iPhoto Library after importing them, but you will no longer
have access to those images within iPhoto. If you choose not to delete the images in
your iPhoto Library, any changes you make to those images in iPhoto will not be
reflected in the duplicate images in Aperture.
Note: You can also import individual images or albums from your iPhoto Library.
It’s a good idea to back up your images as often as possible. To protect yourself from
the loss of image assets due to catastrophic failure, you should back up your digital
master files as soon as you’ve finished importing them into Aperture. For detailed
information, see Chapter 21, “Backing Up Your Images,” on page 201.
Scroll bar
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 Search field: Enter text to search for images associated with that text, such as a
version name or keywords.
 Shuttle control: Drag this to shuttle continuously through images in the Browser. You
can also use the J, K, and L keys.
 Scroll bar: Use this to navigate through all images in a project.
 Thumbnail Resize slider: Use this to increase or decrease the size of thumbnails
displayed in grid view.
You can also customize the information that appears with your images. For example,
you can set your images to appear with filename, ratings, and metadata.
One of the main advantages of list view is that you can quickly sort images based on a
category of information. When you click a column heading in list view, Aperture
reorders the images, sorting them by that category. For example, you might sort your
images by date.
When you work in list view, it may sometimes be difficult to determine the content of
an image based on the file information. You can enlarge the thumbnail icons that
appear in list view to give you a better look at the images.
You can also easily rename files after importing. When you rename a file, you are
renaming the image version, not the digital master file. The filename of the original
master file does not change.
Note: A darker background interferes less with the colors in your image, and is good
for performing color adjustments on your images.
Aperture provides fast and efficient ways of selecting images, depending on your work
style and preferences. Images you’ve selected have a white border. When you select a
group of images, the actively selected image, called the primary selection, appears with a
thick white border and the rest of the selected images appear with thin white borders.
You can drag images to new locations in the Browser. You can drag single images or
selections of multiple images. When you drag images to new locations, you create a
custom arrangement of your images; the Sorting pop-up menu changes to show the
Custom option. Aperture records the order of your images, and any time you choose
Custom from the Sorting pop-up menu, your images reappear in that order.
m Select the Rotate Left tool in the toolbar, then click an image.
In the Grid View section, you select the Set buttons and choose the information you
want displayed. You can also choose where the information should appear from the
Placement pop-up menus.
When you create a new image version, you have a choice of copying the original
master file or the currently selected version with any changes you’ve made. For
example, if you’ve made a series of adjustments to an image and now you’d like to start
from the original master file and make different adjustments, you can copy the master
file and start with a fresh, unchanged image.
If you create multiple versions of an image, Aperture tracks the versions within a stack.
The stack represents all the versions of a particular image that you have created. You can
open a stack and see the different versions you’ve created for an image.
When a stack is open, you can select any of its image versions to display that version in
the Viewer.
Aperture keeps all your image versions together so that you can view or work with
them whenever you wish. For example, you might open a stack and select a specific
image version to copy. The entire stack appears in all the different projects or albums
in which the image appears.
The instant you change a version in an album, a new version is added to the stack.
The first image in the stack is the pick and represents the stack, and is the image
you work with when you select the version stack in your album. You can also
specify that one of the versions in a stack is the pick for a specific album. You can
select the pick you want and make it the album pick, and that image appears with
an album pick icon. The pick is specific to the album it’s in. The original pick
remains selected in the other locations.
When you open a stack, you can reorder the image versions however you like.
Dragging an image version to the first position makes it the pick. You can reorder,
or promote or demote, the versions according to your needs. For more information
about stacks, see Chapter 9, “Stacking Images and Making Picks,” on page 105.
To move a master file into another project, removing it from the current project:
m Drag the image into a different project.
You can select and work with online referenced images using the same procedures you
use with images whose master files reside in the Aperture Library.
Aperture keeps track of referenced images’ master files when you simply move or
rename the files in the Finder, keeping them on the same hard disk or volume.
A referenced image appears as an offline image if the hard disk holding the referenced
image’s master file has been disconnected from your computer system. A referenced
image is listed as “not found” when its master file has been deleted, moved to the
Trash, or moved from its original hard disk location to another hard disk drive and
Aperture can’t find it.
You can select a group of images in the Browser and then have Aperture show a list of
the referenced images within the selection and where the master files are located.
A Finder window appears, displaying the selected referenced image’s master file.
Note: If you open a referenced image’s master file from the Finder in another
application, you will not see the changes or adjustments you’ve made to the image in
Aperture. Your changes appear in versions stored in the Aperture Library, and the
referenced image’s master file is always left unchanged. To see the adjusted photo, you
need to export a version of it.
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When rating or adjusting images, you can set the Viewer to compare two images at once.
You can select an image to compare against and then display other similar or related
images next to it for inspection. You might use the Aperture comparison feature to select
images from a series or compare versions of adjusted images to see which is the best.
You can also set Viewer options that determine the amount of information that
appears with each image. For example, you can display images in the Viewer with their
keywords, ratings, and other information, such as IPTC or EXIF metadata.
When the Viewer is set to show three images at a time, Aperture displays the selected
image in the center of the three images that appear in the Viewer.
When the Viewer is set to show multiple images, Aperture displays all selected images.
Comparing images involves setting a “compare” image and then viewing other images
against the compare image. You can also compare images in Full Screen mode. For
more information, see Chapter 8, “Viewing Images in Full Screen Mode,” on page 93.
If you wish, you can view multiple images against the compare image.
When you’ve finished comparing images, you can turn this feature off.
To turn off the comparison feature and select the compare item:
m Choose Edit > Select Compare Item (or press Option-Return).
To turn off the feature and select the image you’re viewing against
the compare item:
m Choose Edit > Clear Compare Item (or press Command-Return).
For information about the latest enhancements to the Loupe, see New Features in the
Aperture Help menu.
You can also change the size of the Loupe and increase or decrease its magnification level.
A full-resolution image shows every pixel of an image. You can set Aperture to display
your image at full resolution, even though the image may not fit within the Viewer.
Viewing images at full resolution allows you to inspect your images using the finest
level of detail possible.
When an image doesn’t fit within the area of the Viewer, a small, gray box appears on
your image with a red rectangle inside, showing the portion of the image that is
currently visible in the Viewer. You can drag the red rectangle within the gray box to
see other parts of the image, also known as panning.
When your system uses two displays, Aperture provides two Viewers in which you can
view multiple images. These Viewers are called the primary Viewer and secondary
Viewer. The primary Viewer is used for displaying the Aperture application and the
secondary Viewer for viewing images.
You can set the secondary Viewer to display images in different ways by choosing an
option from the Viewer Mode pop-up menu in the control bar.
 Desktop: Turns off the dual-display function.
 Blank: Sets the secondary Viewer to be a blank screen.
 Mirror: Displays the same images in the primary and secondary Viewers. For example,
if you have the primary Viewer set to display three images, the secondary Viewer
displays three images as well.
 Alternate: Displays the currently selected image in the secondary Viewer. The
secondary Viewer shows only one image even when you have the primary Viewer set
to display multiple images.
 Span: Splits the display of the currently selected images between the primary and
secondary Viewers. For example, if you select seven images to view, the primary
Viewer shows as many as fit its screen size, and the remaining images appear in the
secondary Viewer. Thus, one Viewer might show three images and the other Viewer
might show the remaining four of the seven. Span is also used if you want to
compare images and show one image per display.
To display the same images in both the primary and secondary Viewers,
do one of the following:
m Choose View > Secondary Viewer > Mirror (or press Option-M).
m Choose Mirror from the Viewer Mode pop-up menu in the control bar.
To display a selection of images across both the primary and secondary Viewers,
do one of the following:
m Choose View > Secondary Viewer > Span (or press Option-S).
m Choose Span from the Viewer Mode pop-up menu in the control bar.
You can also specify up to two sets of predefined information displays. For example,
one set of Viewer options can be set to show ratings only, and another set to show all
the IPTC information associated with an image. You can then switch between sets to
change the information that appears with your images.
The caption
and keywords are
displayed here.
Once you’re in Full Screen mode, you can view, sort, and stack your images. You can
also apply adjustments and keywords. When you’ve finished working with your images,
you can use this mode to preview and proof your images.
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Full Screen mode includes a toolbar and filmstrip to help you view, organize, and adjust
your images.
Toolbar available in
Full Screen mode
Filmstrip available
in Full Screen mode
 Toolbar: Contains version and stacking buttons, as well as the full set of image
adjustment tools.
Note: By default, the toolbar is hidden; to display it at the top of the screen, move
your pointer to the top of your primary screen.
 Filmstrip: Use this to move through, organize, and rate your images. You can dock
the filmstrip on the left, right, or bottom of the screen—wherever it best suits your
work habits.
Note: You can also use any of the Aperture HUDs in Full Screen mode. You can open
the Adjustments HUD or Keywords HUD by pressing its keyboard shortcut (see “Using
Keyboard Shortcuts in Full Screen Mode” on page 104).
The Aperture main window disappears and your images appear in Full Screen mode.
m Press Escape.
The workspace layout you were working in before entering Full Screen mode reappears.
Search field
The following controls are displayed on the left side of the filmstrip and control the
images shown in the filmstrip.
Search field
Rating buttons
Display controls
 Search field: Enter text; images that match appear in the full-screen view.
 Query HUD button: Opens the Query HUD. From the Query HUD, you can perform a
quick search or create a new album to hold the contents of your search.
 Rotate Left: Click this button to rotate the selected image counterclockwise.
 Rotate Right: Click this button to rotate the selected image clockwise.
 Previous Image: Click this button to display the previous image.
 Next Image: Click this button to display the next image.
Rating Buttons
Reject Select
Decrease Increase
Rating Rating
 Reject: Click this button to give the selected image a Reject rating.
 Decrease Rating: Click this button to decrease the selected image’s rating.
 Increase Rating: Click this button to increase the selected image’s rating.
 Select: Click this button to give the selected image a Select rating.
 Viewer Mode pop-up menu: Use this to choose how to view images on your display or
displays and how to position images on each display. You can also control the filmstrip
with this pop-up menu (see “Showing and Hiding the Filmstrip” on page 99).
Note: The display settings in Full Screen mode and the display settings in the control
bar in the Aperture main window are not shared. This allows you to have different
display settings in each mode. For example, you can set your main display setting to
Desktop while in the main window, and set your second display setting to Span
while in Full Screen mode.
 Zoom Viewer: Click this button to enlarge the image to a 100% pixel-for-pixel view.
 Exit Full Screen: Click this button to exit Full Screen mode.
 Primary Only: Click this button to temporarily change between making metadata
changes to all selected images or the primary selection only.
To view more than one image at the same time, do one of the following:
m Command-click images to select them.
m Change your view settings in the Viewer Mode pop-up menu.
There are several ways you can configure the filmstrip. You can choose to always show
the filmstrip, show it based on image dimensions, or have Aperture automatically fit
the images and filmstrip on your screens without overlapping.
To only show the filmstrip when you move the pointer over its docked position,
do one of the following:
m Choose Auto from the Viewer Mode pop-up menu.
m Press Control-period (.).
To have Aperture automatically fit the image and the filmstrip on the screen,
do one of the following:
m Choose Avoid from the Viewer Mode pop-up menu.
m Press Control-V.
Aperture fits your images and the filmstrip on your screen, keeping the filmstrip and
your images from overlapping.
Version Buttons
 Duplicate Version: Click this to create a new version of the selected image.
 New Version From Master: Click this to create a version from the original master file. A
duplicate of the master file is created.
Stacking Buttons
Promote Demote
button button
 Stack Pick: Select a stack item, then click this button to mark the image as its
stack’s pick.
 Promote: Select a stack item, then click this button to move the selected stack item
closer to the stack’s pick.
 Demote: Select a stack item, then click this button to move the selected stack item
farther from the stack’s pick.
 Album Pick: Select an image version to represent a stack, then click this button to
select the image as the stack pick within the album (the stack can have a different
pick image in another album).
 Open All Stacks: Click this button to open all the image stacks in the album or project
you’re viewing.
 Close All Stacks: Click this button to close all the image stacks in the album or project
you’re viewing.
Other Buttons
 Show Master Image: Click this to view an image of the original master file. If the image
selected is a duplicate (usually an adjusted version), the master image still appears.
 Always Show Toolbar: Click this to keep the toolbar in view.
 Loupe: Click this to open the Loupe, which you can use to minutely examine parts of
an image.
 Adjustments HUD: Click this to show or hide the Adjustments HUD.
Keywords HUD
Use the Keywords HUD to create and organize keywords, and to add keywords to
your images.
For more information about using the Keywords HUD, see Chapter 11, “Applying
Keywords to Images,” on page 121.
For more information, see Chapter 14, “An Overview of Image Adjustments,” on page 155.
Tools HUDs
Many of the adjustment tools have HUDs, and you can use all of them in Full Screen mode.
Go to previous image
An Overview of Stacks
A stack is a set of similar or related images from which one image will be selected for
use. Aperture can automatically group such photos into stacks when you import them
from a camera or memory card. You can also select images and create stacks manually.
A stack appears in the Browser as a group of images. The image that represents the
stack, called the pick, is selected and displayed on the left. You can select any image in
the stack as the pick, and it moves to the leftmost position in the stack. You can
rearrange the order of images in a stack. For example, you might choose an alternate
image and position it next to the pick. A Stack button appears in the upper-left corner
of the pick image in the stack, indicating the number of images in the stack.
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By default, a stack is shown expanded, with all images displayed. If you don’t want to
see all the images in a stack, you can close the stack. For more information, see
“Opening and Closing Stacks” on page 108.
Note: You can work with stacks in the Browser in grid view or list view. Because it’s
easier to work with stacks when you can see thumbnails of your images, this chapter
describes working with stacks in grid view.
 Image series: With a series of images shot in quick succession, Aperture can
determine the images in a sequence and group them in a single stack. For example,
sports photographers shoot rapid bursts of images to capture actions. Based on
timeline metadata—when a series of shots was taken and the interval between
shots—Aperture can determine which images fall into a sequence and group them
in stacks.
 Bracketed shots: These typically represent a series of three pictures with slightly
different exposure settings. Advanced digital cameras often have options for shooting
bracketed shots automatically. When Aperture detects a series of bracketed images, it
designates the first image as the pick and includes the other images in the stack.
As you drag the slider, the images in the Browser automatically stack themselves
according to the length of time specified. For example, if you typically shoot a series of
related images in a span of 10 seconds, set the slider to 10 seconds.
3 Inspect the stacks to determine if the time interval should be shortened or lengthened.
You can change the order of images within a stack to help you choose the pick and an
alternate. Moving an image to the left promotes it, and moving an image to the right
demotes it.
To split a stack:
1 In an expanded stack, select the image that you want as the first image in a new stack.
The new stack is marked with a white outline. The selected image becomes the pick of
the new stack.
Unstacking Images
At times you may decide to unstack a selection of images. When you do that, the
images that were in the stack appear individually in the Browser.
Note: When you make changes to a stack within an album, the same stack changes
appear in the project that contains the album.
Open/Close stack
shift K
Create stack
K
Unstack
shift K
Split stack
option K
Extract item
shift option K
Aperture provides a system for rating images from Select to Reject. The easily
decipherable image ratings appear on the images themselves as overlays. Positive
ratings appear as stars; you can rate images from one to five stars, with five being the
highest, or Select, rating. A negative, or Reject, rating appears as an X.
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You can quickly review and rate images one after another with speed and efficiency. You
can also select and rate multiple images at once. You can review and rate images in the
Viewer, Browser, and Light Table, as well as in Full Screen mode. When you’ve finished
rating the images, Aperture allows you to sort the images according to their ratings.
Rating Images
Aperture provides a set of six possible image ratings indicated by white overlays that
appear on the image. If no overlays are displayed on the image, the image is
considered neutral or is not rated. You can rate a single image or apply a rating to
several images at one time.
 To assign the highest rating to the image: Click the Select button.
 To assign a rating of Reject: Click the Reject button.
 To increase or decrease the image rating: Click the Increase Rating or Decrease
Rating button.
Note: As long as the image is still selected, you can change its rating.
3 To select the next image, press the Right or Left Arrow key or click the Previous Image
or Next Image button in the control bar.
Note: If you’ve selected multiple images to rate and find that only one image receives a
rating, check to see if the Primary Only button in the control bar is deselected. You can
quickly select or deselect the Primary Only option by pressing S.
Note: Image files are not deleted when sorted by rating. They are only temporarily
removed from view.
For example, choosing the best image from a series of head shots can be difficult. Even
in head shots captured within a short time span, the facial expressions of the subject
can change ever so slightly. By comparing images side by side and rating them, you
can more easily select among like images.
3 If you have a second display and want to view each image on a different display,
choose View > Secondary Viewer > Span.
If you discover that the new selection is a better choice or has the best rating, you can
make it the compare image by pressing Return or choosing Navigate > Set Compare
Item. You can then review and compare your alternates against this image to confirm it
as the best image.
Decrease rating
or
Apply Reject
9 or 9
Increase the rating of the selected image and cancel the rating
shift =
assigned to the previously rated image
Decrease the rating of the selected image and cancel the rating
shift -
assigned to the previously rated image
Reject the selected image and cancel the rating assigned to the
shift 0
previously rated image
Important: It’s possible to accidentally use a keyboard shortcut that performs a search,
unexpectedly changing the number of images that appear in the Browser and Viewer.
If this occurs, first open the Query HUD to determine if an unintentional search has
been made. If so, press Control-6 to show all your images again, or press Control–grave
accent (`) to show all images that are unrated or better.
Show all
control 6
An Overview of Keywords
Keywords are descriptive words about the subject in the image that are added to
image versions and saved as metadata. For example, a family portrait may include such
keywords as portrait, family, father, mother, daughter, husband, wife, park, green grass, red
sweater, smiling, smiles, Anderson, diffused light, client Select, and purchased.
Once you have applied keywords to your images in Aperture, you can view keywords
applied to your images as well as search for images by keywords. You can use the
Query HUD to quickly locate images by their keywords. For more information, see
Chapter 12, “Searching for and Displaying Images,” on page 139.
If you sell your images to image libraries, you can export the keywords as IPTC data.
During export, Aperture embeds your keywords individually in the image file as IPTC-
compliant keyword fields. The more keywords you apply to your images, the more
likely it is that your images will be located by potential customers. For more
information, see Chapter 18, “Exporting Images,” on page 177.
Important: If you are planning to export your keywords as IPTC data, make sure a
keyword entry no more than 64 characters in length. Longer keyword phrases may not
be displayed properly in other IPTC editors or operating systems.
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Applying Keywords Using the Keywords HUD
Using the Keywords HUD to add keywords is the most versatile way to apply
keywords to images. The Keywords HUD contains a library of predefined keywords
that you can browse and search. You can also add your own keywords, as well as
remove keywords. The Keywords HUD is automatically updated with any keywords
you add. For example, when you enter a new keyword in the Metadata Inspector, that
keyword also appears in the Keywords HUD. When you change a keyword, for
example, by changing its spelling or capitalization, the keyword is updated on all
images that have that keyword assigned.
The Keywords HUD is available for use in the Browser in grid and list views, in the Light
Table, and in Full Screen mode. You can also use the Keywords HUD when working with
book albums in the Book Layout Editor (see Chapter 20, “Creating Books,” on page 193)
and when working with web gallery and web journal albums in the Webpage Editor
(see Chapter 19, “Creating Web Journals and Web Galleries,” on page 183).
Close button
Search field
Disclosure triangle
Keyword list
Keyword group
Lock button
...to an image.
The keyword is applied to the currently selected image or group of images. To view
keywords applied to images, see “Viewing Keywords Applied to Images” on page 136.
 Type the keyword you’re looking for in the Keywords HUD search field.
Enter a keyword in
the search field.
The keyword list updates to reveal all instances of the keyword you entered.
A new, untitled
keyword appears in
the keyword list.
You can create new keyword categories, or groups. For example, if you added the
keyword fish to your list, you might want to add angelfish, dolphin, tuna, and shark
under the fish keyword so you can further define your images.
Important: Removing a keyword from the keyword library removes it from any images
to which it’s already applied.
 Keyword buttons: These buttons display the keyword presets assigned to the
keyboard shortcut combination Option and a number key (1 through 8) on the
keyboard. Press Option and a number key on the keyboard (not the numeric keypad)
to add the keyword preset to a selected image, or click a button. To remove all
keywords, press Shift-Option-9.
 Add Keyword field: Type a new keyword in this field to add it to a selected image.
If the Keywords HUD is locked, you are asked whether you want to unlock the
Keywords HUD and add the keyword to the keyword library, or not add the keyword
to the image.
 Keyword Preset Group pop-up menu: Use this to choose the keyword group you want
displayed. The first eight keywords in the group appear on the keyword buttons.
The keyword you entered is now applied to the image or group of images. To view
keywords applied to images, see “Viewing Keywords Applied to Images” on page 136.
For information about changing the keywords displayed, see the next section,
“Choosing a Keyword Preset Group and Applying Its Keywords to Images.”
You can switch between sets, or groups, of keyword presets using the Keyword Preset
Group pop-up menu.
The keyword presets in the control bar update according to the keyword preset group
you chose.
4 Click the buttons for the keyword presets or press Option and the corresponding number
keys (1 through 8) on your keyboard to apply keywords to the selected images.
To remove the keyword, press Option-Shift and the corresponding number key. To
remove all keywords, press Option-Shift-9.
For information about displaying keywords applied to images, see “Viewing Keywords
Applied to Images” on page 136.
As you add images to the Aperture Library, you can create new keyword preset groups
with new keyword presets.
b In the Edit Button Sets window, click the Add (+) button.
c Type a name for the new keyword preset group, then press Return.
Note: If the keyword preset group has fewer than eight keywords, the unassigned keys
remain inactive.
To lift all the keywords from one image and stamp them on another image
or group of images:
1 Select the Lift tool (or press O).
In many cases, you do not want to copy all keywords from one image and paste them
onto another. For this reason, you can select specific keywords that apply to the image
you want to stamp them on.
5 Remove any keywords you don’t want to stamp on an image or group of images by
selecting each unwanted keyword in the list and pressing the Delete key.
The reduced selection of keywords is applied to the selected image or group of images.
4 Choose an option from the Placement pop-up menu for where you want the
information displayed in relation to the image.
5 Click Done.
The Viewer information overlay appears, displaying the applied keywords over or below
the image.
The most common reason to perform a search is to display a selection of images within
a project. As you work with a project, you may want to isolate certain images to work
with them in some way, perhaps by adjusting them or adding keywords. By selecting a
project folder and using the Query HUD, you can quickly display specific images, hiding
the rest from view.
For example, you might isolate and display only those images of a certain subject, pose,
rating, or location. Your search doesn’t change the contents of the project; it only
temporarily changes the images you can view. If you cancel the criteria in the Query
HUD, all of your images appear in the Browser again.
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To open the Query HUD, do one of the following:
m Choose Edit > Find (or press Command-F).
m Click the Query HUD button (with a magnifying glass icon) beside the search field in
the Browser.
Close button
Add Filter pop-up menu
Reset button
Search criteria
Query HUD Action
pop-up menu
4 Choose “any” from the Match pop-up menu, if it’s not already chosen.
The images that match the search criteria are immediately displayed in the Browser. To
save your search results, see “Saving Your Search Results” on page 150.
5 Choose “any” from the Match pop-up menu, if it’s not already chosen.
The images that match the search criteria are immediately displayed in the Browser. To
save your search results, see “Saving Your Search Results” on page 150.
Searching by Rating
You can use the Query HUD to see all images with a certain rating. For example, you
can search for all the images in a project that have a rating of 4. You can show images
with a specific rating, images rated at or below a specific rating, or images rated at or
above a rating.
4 From the Rating pop-up menu, choose whether you want to search for images with a
rating that is equal to, greater than or equal to, or less than or equal to the specified rating.
Searching by Keyword
You can search for and locate images by any of the keywords that you’ve assigned to
them. You can select one or more keywords to search for. You can also specify which
keywords an image must have to qualify as a match. For example, you can choose to
search for images that have both silhouette and landscape as keywords, or images that
have either silhouette or landscape as keywords.
The images that match the search criteria are immediately displayed in the Browser. To
save your search results, see “Saving Your Search Results” on page 150.
Searching by Date
You can search for and locate images by the date they were taken. For example, you
might locate any images taken during a trip between May 16, 2005 and May 20, 2005.
To search for images by date, you use the Calendar search options. When the calendar
appears, any dates that appear in bold represent dates on which new photos were taken
as registered in the EXIF data. You can select a date or several dates in the calendar to
search for images taken on those dates. You can also specify a range of dates.
The images that match the search criteria are immediately displayed in the Browser. To
save your search results, see “Saving Your Search Results” on page 150.
7 Choose “any” from the Match pop-up menu, if it’s not already chosen.
The images that match the search criteria are immediately displayed in the Browser.
To save your search results, see “Saving Your Search Results” on page 150.
5 Choose an option from the middle pop-up menu to qualify your search.
6 Enter an IPTC value you want to search by in the IPTC text box.
7 Choose “any” from the Match pop-up menu, if it’s not already chosen.
The images that match the search criteria are immediately displayed in the Browser. To
save your search results, see “Saving Your Search Results” on page 150.
5 Choose an option from the middle pop-up menu to qualify your search.
6 Enter the EXIF value you want to search by in the EXIF text box.
7 Choose “any” from the Match pop-up menu, if it’s not already chosen.
The images that match the search criteria are immediately displayed in the Browser.
To save your search results, see “Saving Your Search Results” on page 150.
To search for images by file status, you use the File Status search options.
5 Choose “any” from the Match pop-up menu, if it’s not already chosen.
To perform a complex search by adding search criteria options to the Query HUD:
1 In the Projects panel, select a project or an album you want to search.
2 Open the Query HUD by doing one of the following:
 Choose Edit > Find (or press Command-F).
 Click the Query HUD button (with a magnifying glass icon) beside the search field in
the Browser.
3 In the Query HUD, choose the search criteria you want to add from the Add Filter
pop-up menu.
4 Select the checkboxes beside the criteria you want to use and specify the search criteria.
The images that match the search criteria are immediately displayed in the Browser.
To save your search results, see the next section, “Saving Your Search Results.”
All images that match the search criteria are placed in the new album you created.
Aperture comes with a selection of predefined Smart Albums set up in the Library for
you. For example, there are Smart Albums that gather all your select images, all images
taken in the last week, and all images taken in the last month. When you click the
Library disclosure triangle, you see the list of Smart Albums created for you. Select a
Smart Album to see its contents in the Browser.
Disclosure triangle
151
You can also create your own Smart Albums. For example, suppose you want to create
a Smart Album that includes the best images you took of a particular sports event. You
select the project containing shots of the sports event, create a Smart Album, open the
Query HUD, and search for images rated Select (five stars). All images with that rating
immediately appear in the Smart Album. You can also choose where to search for
images—across the entire Library or within a specific project. If you later open the
Query HUD and change the criteria to include more images, the Smart Album is
updated accordingly.
If you decide that certain images should not be in a Smart Album, you can narrow the
search criteria to exclude images. Aperture performs a new search and revises the
Smart Album’s contents.
155
You can make the following adjustments to images in Aperture.
Adjustment Function
Red Eye Correction Reduces red-eye in the eyes of the subjects in your images. Used in
conjunction with the Red Eye tool.
Spot & Patch Retouches imperfections in an image, such as sensor dust and dirt.
Used in conjunction with the Spot & Patch tool.
Straighten Levels the image’s horizon. Used in conjunction with the
Straighten tool.
Crop Trims the image. Used in conjunction with the Crop tool.
Levels Selectively adjusts the tonal range of an image.
Exposure Adjusts black, gray, and white tints, exposure, saturation, contrast,
and brightness.
Highlights & Shadows Selectively adjusts the exposure in the shadows and highlights of
an image.
Color Adjusts the color of an image.
White Balance Sets an image’s white balance by adjusting its color temperature
and tint.
Monochrome Mixer Selectively controls the source red, green, and blue color channels
when a color image is converted to grayscale.
Sepia Tone Changes a color image to sepia. Allows you to desaturate the color
image to the level of sepia coloring you want.
Noise Reduction Reduces digital noise in an image.
Edge Sharpen Sharpens the image.
Add Adjustments
pop-up menu
Adjustment Action
pop-up menu
The new adjustment appears highlighted in both the Adjustments Inspector and the
Adjustments HUD, if both are shown.
To see the controls for a particular adjustment, click the disclosure triangle beside the
adjustment name. You can then make changes using the controls and see the selected
image update to show the changes.
Feel free to explore the adjustment controls. For in-depth explanations about how to
make adjustments, see Performing Image Adjustments in the Aperture Help menu.
An Overview of Slideshows
An Aperture slideshow provides everything you need to create a great visual display for
your event. You can display your images across two displays, arrange your images in
custom configurations, and create presentations with high-quality audio. You can
choose how many images to display at once, how those images are arranged, and how
long each image is displayed. You can also advance your images manually or set them
to advance automatically.
Important: To display slideshows at the best quality, you should set Aperture to create
high-resolution previews. You can also display slideshows with good quality images
without creating high-resolution previews. For more information about creating
high-resolution previews, see the Aperture User Manual in the Aperture Help menu.
159
Creating a Slideshow Using Presets
You can easily set up your slideshow by choosing one of the predefined slideshow
settings provided by Aperture.
3 Choose a type of slideshow presentation from the Slideshow Preset pop-up menu.
The slideshow presets include:
 Dissolve: Displays each image for 3 seconds, with a 2-second cross fade.
 Fade through Black: Displays each image on a black background for 3 seconds, with a
2-second cross fade.
 Manual: You control this slideshow’s progression with the Right and Left Arrow keys.
 Slow Dissolve: Displays each image for 5.1 seconds, with a 5-second cross fade.
 4-Up Slow: Successively displays four images one at a time, showing each image for
3 seconds and then transitioning with a 2-second cross fade. The first image is
replaced with the fifth, and so on.
 4-Up Fast: Successively displays four images one at a time, showing each image for
1 second. The first image is replaced with the fifth, and so on.
4 Click Start.
The slideshow presentation begins and plays until the last image is displayed.
Note: If either no image or a single image is selected, the slideshow displays all images
in the current album or project.
Note: A slideshow must be stopped before you can change its images.
An arrangement
of images in the
Light Table
163
In the Light Table, you can easily group related images together to compare them after
applying adjustments. You can also use the Light Table to resize images to the
approximate sizes you’d like to see for your final output. For example, if you’re involved
in planning images for book pages, you might create an interesting series of images in
the sizes needed for the book page.
You can now drag images from the Browser into the Light Table album or import
images into it.
The image disappears from the Light Table but remains available in the Browser.
If you have many images in a Light Table album, it may be difficult to remember which
images you haven’t placed in the Light Table.
Show Unplaced
Images button
To see the entire contents of the Light Table album in the Browser:
m Click the Show All Images button.
Choose Align from the shortcut menu, then The selected images are aligned according
choose an option from the submenu. to the option you selected.
You can also automatically group a selection of images. Aperture gathers the images
and places them together for easy arrangement. If you wish, you can also reveal, or
uncover, all images in a group.
To fit the Light Table to your screen size, do one of the following:
m Click the Scale to Fit All Items button.
Drag an image to a
border of the Light
Table to expand the
Light Table area.
Drag a selection
rectangle around the
images you want to print.
171
The Print dialog is divided into six areas:
Printer Selection
 Printer: Displays the printer that will print the images.
 Printer Settings: Click this button to choose a printer and adjust its settings.
 Paper Size: Choose a paper size from the list of available sizes.
 Orientation: Choose landscape or portrait orientation, or Best Fit.
 ColorSync Profile: Choose a printer profile to use when printing.
 Black Point Compensation: Select this checkbox to adjust the maximum black level of
your image to fit within the capabilities or gamut of your selected printer.
 Gamma: Choose a gamma setting to adjust the brightness of the image so that it
matches the display’s output as closely as possible.
Layout Options
 Scale To pop-up menu: When you select a single-image preset, you can use this
pop-up menu to choose whether to fit your image to the selected paper size, print a
specific image size, or print a custom image size. Fit Entire Image scales the image to
be as large as possible for the paper size without cropping the image. Fill Entire Page
makes the image fit the entire page, cropping the image if necessary. Custom allows
you to specify the image dimensions you’d like.
 “Number of pages” and “Number of columns and rows” buttons: When you select a
contact sheet preset, select one of these options to specify the number of pages that
you want the printed images to occupy, or the number of rows and columns of
images on the page.
 Metadata pop-up menu: When you select a contact sheet preset, choose a metadata
view to specify the metadata you want printed with your images.
 Font Size pop-up menu: When you select a contact sheet preset, choose the font size
of the metadata that will be printed.
 Print Resolution: Type the dot-per-inch (dpi) resolution at which you want to print
your image in the DPI field. You can also select the Use Best DPI checkbox to allow
Aperture to calculate the best print resolution for the images for the selected printer.
Preview Area
This area shows how the image or images will print on the selected paper size. If there
is more than one page, you can use the Previous Image and Next Image buttons to
navigate through the pages.
To print a book:
1 Select a book album in the Projects panel.
The book appears in the Book Layout Editor.
2 Make sure the book settings are correct, then click the Print button in the Book
Layout Editor.
For information about the Book Layout Editor, see Chapter 20, “Creating Books,” on
page 193.
3 In the Print dialog that appears, make sure the settings are correct, then click Print.
Your book is printed.
At export, you can rename files, resize and adjust images, and include metadata such
as EXIF information, IPTC information, and keywords. You can also apply ColorSync
profiles and watermarks to the versions you’re exporting. You can export separate
lists of metadata for selected images as a file. You can also export digital master files
with IPTC data stored in XMP sidecar files that can be used in other applications, such
as Adobe Photoshop.
177
Exporting Copies of Digital Master Files
When you export master files, duplicates of the files that were imported from your
camera or other source are created; no adjustments, file modifications, or any other
changes are exported with the file.
Copies of the digital master files for the selected images are exported to the location
you specified.
When you export image versions, you can specify settings for the exported files, such
as format, size, and filename.
Important: When you modify a duplicate of an existing preset, the original preset is not
modified or removed.
When you open a web gallery or web journal from the Projects panel or create a new
webpage, the Webpage Editor appears in place of the Viewer. The Webpage Editor is
where you design your webpages, including changing the theme, or page design,
positioning images, and adding text.
Note: Many of the controls are similar when working on a web gallery or web journal
in the Webpage Editor.
183
Creating and Working with Web Galleries
Web galleries offer a way to showcase your images on the web. You have a number of
options for designing these pages. You can choose the type of information you want to
appear with each image, such as name and rating. You can also specify the number of
columns and rows you want on each page.
To make changes to the webpages, you use the controls in the Webpage Editor. For
more information, see the next section, “Web Gallery Controls in the Webpage Editor.”
 Site Theme: Click this to choose a theme, or layout, for your webpage.
 Gallery Pages panel: Click here to see a specific page of the web gallery.
 Detail Images panel: Click here to see the enlarged version of a selected image in a
web gallery.
 Metadata View pop-up menu: Use this to choose the type of metadata that is
included with each image in the webpage.
 Columns value slider: Use this to specify the number of columns you want on a page.
 Rows value slider: Use this to specify the number of rows you want on a page.
 “Fit images within” pop-up menu: Choose an option for how you want images to
appear on the webpage.
 Width value slider: Use this to specify the column width. Click the arrows to increase
or decrease the width, or double-click in the number field and enter a new value.
 Height value slider: Use this to specify the row height. Click the arrows to increase or
decrease the height, or double-click in the number field and enter a new value.
 Export Web Pages: Click this button to export your webpages.
 Publish to .Mac: Click this button to publish your finalized webpages to your .Mac
account. For more information, see “Posting Your Webpages to the Web” on page 191.
 Previous Page: Click this button to go to the previous webpage.
 Next Page: Click this button to go to the next webpage.
To make changes to the webpages, you use the controls in the Webpage Editor. For
more information, see the next section, “Web Journal Controls in the Webpage Editor.”
Remove Page Page Template Page Action Export Web Pages Publish to .Mac
button pop-up menu pop-up menu button button
 Site Theme: Click this to choose a theme, or layout, for your webpage.
 Journal Pages panel: Click here to see a specific page of the web journal.
 Detail Images panel: Click here to see the enlarged version of a selected image in a
web gallery.
 Add Page: Click this to add a page to your web journal.
 Remove Page: Click this to remove a selected page from your web journal.
 Page Template pop-up menu: Use this to choose a page template, or layout.
 Page Action pop-up menu: Choose how to add pages to your web journal.
 Metadata View pop-up menu: Use this to choose the type of metadata that is
included with each image in the webpage.
 Add Text Box: Click this to add a text box to the bottom of the current webpage.
 Columns value slider: Use this to specify the number of columns you want on a page.
 “Fit images within” pop-up menu: Choose an option for how you want images to
appear on the webpage.
 Width value slider: Use this to specify the width of photo boxes on the page. Click the
arrows to change the width, or double-click in the number field and enter a new value.
 Height value slider: Use this to specify the height of photo boxes on the page. Click the
arrows to change the height, or double-click in the number field and enter a new value.
 Export Web Pages: Click this button to export your webpages.
 Publish to .Mac: Click this button to publish your finalized webpages to your .Mac
account. See “Posting Your Webpages to the Web” on page 191.
 Previous Page: Click this button to go to the previous webpage.
 Next Page: Click this button to go to the next webpage.
2 In the Choose Web Theme window, select the theme you want, then click Choose.
Your webpages now appear with the new theme.
2 Increase or decrease the height of the image in pixels by doing one of the following:
 Double-click the number in the Height value slider, then enter a new number.
 Click the left or right arrow in the Height value slider.
 Drag left or right in the value slider.
3 Increase or decrease the width of the image in pixels by doing one of the following:
 Double-click the number in the Width value slider, then enter a new number.
 Click the left or right arrow in the Width value slider.
 Drag left or right in the value slider.
Books are based on master page layouts and themes, or designs, that present your
images in a standardized way. The theme you choose for your pages determines the
basic template design of the page. You can easily add images to your book at any time.
You can also move and resize images, as well as add text, such as narrative or captions,
to the pages of your book.
Place images
on pages
Create Book Proof Book Print Book
• Choose theme • Print proof • Order book
Add or remove
• Choose size • Make revisions via Apple
pages
• Create PDF
193
Creating a Book Album
There are two main ways to create a book album:
 You can select a group of images and create a book album to hold the images.
 You can create a new, empty book album and then drag images from the Browser
into the album.
The following controls are available for revising books in the Book Layout Editor.
Pages panel
Metadata Format
pop-up menu
 Text Style pop-up menu: Choose the style of text you want for a selected text box.
 Metadata Format pop-up menu: Choose the type of metadata you want to display
with your images.
 Photo Filter pop-up menu: Choose to apply various filters to an image to change its look.
 Add Text Box: Click this to add a text box to the page.
 Add Metadata Box: Click this to add a metadata box to the page.
 Add Photo Box: Click this to add a photo box to the page to hold an image.
 Send Backward: Click this to move a selected frame backward in the stacking order
of overlapping text or image boxes.
 Bring Forward: Click this to move a selected frame forward in the stacking order of
overlapping text or image boxes.
 Scale To Fit: Click this to scale the display of your pages to fit the Viewer size.
 Actual Size: Click this to view the selected page at its actual size.
 Display Size slider: Drag this slider to increase or decrease the size of the page in
the Viewer.
 Large Hardcover: Click this to specify your book format as a large hardcover book.
 Large Softcover: Click this to specify your book format as a large softcover book.
 Show Full Spreads: Click here to display two facing pages in the Viewer.
 Show Single Pages: Click this to view single pages only.
2 Drag an image from the Browser to the Book Layout Editor and place it in a photo
frame on the page.
The new page now has the page layout you selected.
Warning: It’s possible to lose text when you change themes. If you change book
themes, make sure to first copy the text you’ve entered into another document so
that you have a backup copy.
Theme button
A dialog appears alerting you that you may lose text when you change themes.
2 Click OK.
3 In the Theme dialog, select the theme you want.
4 Click Choose Theme.
After you change the theme, Aperture updates all your pages to use the new theme.
Important: Before you get your book printed, it’s best to print a copy and proof it to
make sure it’s what you want.
When you back up your images using Aperture, a complete copy of the Library is
made. Backups are not cumulative, which means that your last backup is the last
complete copy of the Library. If you remove items from the Library, those items are
removed from the vault when it is next updated. It’s best to back up the Library, or your
portfolio of images and projects, to an external hard disk drive. You may want to keep
one backup onsite and another one offsite. If you back up regularly, you run little risk of
permanently losing your work.
201
You can set Aperture to back up copies of the Library to a designated storage area
called a vault. For safety and redundancy, a vault should be stored on an external hard
disk, such as a FireWire drive. Aperture lets you create as many vaults as you deem
necessary. For example, you may want to create one vault on an external hard disk for
daily backups of your entire system and a second vault on another external hard disk
that you keep offsite. As you add to the Library and create new projects, Aperture
automatically tracks which files have been backed up to your vault.
All the managed master file images, versions, and all metadata, previews, and adjustment
information associated with your images are backed up. The versions, previews, and
metadata associated with referenced images’ master files are also backed up in the vault.
Referenced images’ master files are not backed up in the vault with the Library.
Important: Referenced images are not backed up in the vault with the Library. Because
the digital master files for referenced images are stored outside of the Library, you must
manage the backup and archiving of them yourself.
Although rare, mechanical failures and unexpected damage to your computer system
can occur. And from time to time you may upgrade your equipment and need to move
your portfolio onto your new system. Aperture allows you to easily restore the entire
Aperture Library from your backup disks. For more information about restoring images
and projects, see “Restoring Your Aperture System” on page 207.
There are several controls that you’ll use when you back up and update vaults.
Vault Action
pop-up menu
 Disclosure triangle: Click this to see the hard disk that is assigned to this vault.
 Vault Status button: Click this to update a vault. The color of the Vault Status button
indicates the state of the vault:
 Black: The Library is up to date.
 Yellow: All master files in the Library have been backed up, but a change has
occurred to at least one version, such as an adjustment, that has not yet been
backed up. The vault should be updated to safeguard your work.
 Red: At least one master file in the Library has not been backed up. The vault
should be updated to protect against the loss of master files.
 Update All Vaults button: Click this to update all of your connected vaults at the
same time.
 Vaults Panel button: Click this to show or hide the Vaults panel.
Creating a Vault
You can create a vault and assign a hard disk to it using the Vault Action pop-up menu.
After you assign a disk to the vault, Aperture uses the vault to back up the entire
Library. You can also create additional vaults and assign hard disks to them, and each
additional vault also records a complete backup of the Library.
Vault Action
pop-up menu
2 In the Add Vault dialog, specify the following options, then click Add.
 Type the name you want for the vault.
 Choose where you want the vault stored from the Where pop-up menu.
3 Repeat steps 1 and 2 to create additional vaults.
Important: To ensure preservation of your image assets, make sure to assign each vault
to a separate external hard disk drive.
You can easily see the amount of free space your vault has available next to the vault
name. Make sure to assign enough disk space to the vault to ensure a complete backup
of the Library and to allow the Library to grow as you import new images over time.
Updating Vaults
You can have Aperture update your vaults at any time. You can tell which vaults need
to be updated by the color of the Vault Status button next to each vault. You can have
Aperture update a particular vault or all of your vaults at once.
If you keep a backup of your system on an offsite hard disk drive, you’ll occasionally
need to bring it in for updating. Aperture keeps track of the hard disks that have been
disconnected from their vaults. When you reconnect a hard disk drive, Aperture
automatically detects the hard disk, determines which vault it’s assigned to, and
reconnects the vault. A message appears asking if you want update the hard disk with
the latest Library information.
Important: Make sure to update your offsite vaults regularly to minimize potential losses.
3 Choose Select Source Vault from the Source Vault pop-up menu.
4 Navigate to the vault from which you want to restore, then click Select.
5 Choose Select Destination from the Library Destination pop-up menu.
6 Navigate to the location to place your Library, then click Select.
7 Click Restore, then click Restore again.
Vietnam
Photography by William McLeod
Copyright 2005 william mercer mcLeod
http://www.williammercermcleod.com
Antarctica
Photography by Norbert Wu
Copyright 2005 Norbert Wu
http://www.norbertwu.com
Amanda Modeling
Photography by Matthew Birdsell
Copyright 2005 Matthew Birdsell
http://www.matthewbirdsell.com
209
Index
Index
4-Up Fast or Slow settings 160 creating 36, 140
100% view 169 defined 13
.Mac accounts 193 deleting 54
5 star ratings 34 deleting images 53
importing folders of images as 65
A importing from iPhoto Libraries 66
acquiring images in workflow 11 Light Table albums. See Light Table
Actual Size button 197 marking picks 100
actual size display 197 saving search results as 150
adapters (graphics cards) 24 Smart Albums 151–154
ADC ports 24 types and functions 15–16
Add Filter pop-up menu 140, 145 web galleries 184
adding an index to a book 196 web journals 186
Add Keyword button 123, 126 aligning images
Add Keyword field 35, 129 on book pages 199
Add Metadata Box button 196 in Light Table 167
Add New Page command 198 Alternate option (multiple displays) 89
Add Page button 188 Always Show Toolbar button 101
Add Pages pop-up menu 196 Apple Display Connector (ADC) ports 24
Add Photo Box button 196 Arrangement button 26
Add Subordinate Keyword button 123, 127 arranging images in Light Table 167
Add Text Block button 188 aspect ratios 148
Add Text Box button 196, 199 Auto-Stack command 107
Add to Favorites command 52 Auto-Stack Selected Images HUD 107
Add to Library pop-up menu 31 Avoid command 99
Add Vault dialog 204
adjusting images. See image adjustments B
adjusting Light Table view 169 background adjustments
adjustment controls Browser 73
displaying 156 Viewer 84
Adjustments HUD backing up
adjustment controls 155 referenced images 202
displaying controls 156 backing up images
opening 103 after import 68
Adjustments HUD button 101 overview 201
Adjustments Inspector restoring files 202
adjustment controls 155 restoring Libraries 207
displaying controls 156 storage space 204
overview 38 updating vaults 205
Album Pick button 100 in vaults 19, 42, 204
albums in workflow 12
book albums 194 Badge referenced images checkbox 81
copying or moving versions in 80 Black Point Compensation setting 172
211
black points 156, 172 importing selected images 59
black Vault Status buttons 203 cameras. See digital cameras
blank screens 89 captions 40, 141, 199
bleeds 174 card readers
blue channels 156 connecting to computer 21
Book Action pop-up menu 196 importing files from 57, 61
book albums importing selected images 59
creating 36, 194 channels
saving search results as 150 adjustments 156
Book Layout Editor 195–197, 200 Click 79
books Close All Stacks button 100
adding an index 196 close button 122, 140
adding or removing pages 196 closing
adding pages 198 projects 50
aligning and resizing images in 199 stacks 108
hardcover or softcover sizes 197 Color adjustment 156
overview 193 ColorSync profiles 172, 177
placing images in 198 columns of images on webpages 189
printing 175 Columns value slider 189
proofing 200 comparing images 84, 86, 117
purchasing 197, 200 configuring workspace 44–46
removing pages 198 contact sheets 172, 174
saving search results in book albums 150 continuing slideshows 161
text on pages 199 contrast 156
themes 200 control bar 33
Book Size pop-up menu 194 Control-clicking 47
borders copies to print 172
on images 117 copying
on printed images 173 digital master files 178
bracketed shots 106 image adjustments 38, 101
brightness 156 images 80
Bring Forward button 196 keywords 134–136
Browser metadata 38
background of 73 copyright
copying and moving images in 80 metadata 56
creating versions in 78–79 copyright data 40
deleting images 53 creation dates 145
displaying keywords in 138 cropping adjustments 37, 101, 156
displaying metadata in 76 Crop tool 37, 101
navigating in 73 cut lines 174
overview 32, 69
rearranging images in 75 D
rotating images in 76 daisy-chained drives 28
selecting images in 73 dates
stacks in 105 creation dates 145
viewing images in 70 in filenames 56
browsing through keywords 125 finding images by 144
buttons 35–38, 45 in metadata 40
Buy Book button 197, 200 Decrease Diameter command 87
Decrease Rating button 34, 97, 114
C decreasing ratings 34, 97, 114, 118
cables 22 Delete command 54
Calendar search options 144 Delete Folder command 54
cameras Delete Master Image and All Versions command 53
importing images from 57, 61 Delete Pages button 196, 198
212 Index
Delete Project command 54 filmstrip 99
Delete Smart Album command 154 full-resolution images 88
deleting Full Screen mode 43, 93
See also removing images in Browser 70
albums 54 images in filmstrip 98
book pages 198 Import panel 41
folders 54 interface elements 44
images 53, 154, 165, 206 keyword controls 129
keywords 128, 138 keywords 136–138
Light Table images 165 Keywords HUD 123, 124, 125, 126, 127
projects 54 metadata 76, 91
Smart Album images 154 overlapping images in Light Table 168
Smart Albums 154 Projects panel 31
vault images 206 Query HUD 43
vaults 206 Smart Album contents 151
versions 53 toolbar 35, 99
webpages 188 vault information 205, 206
webpage text or images 188 Vaults panel 42
Demote button 100 webpages 188
demoting images 79, 100, 109 displaying referenced images 81
Deselect All command 74 displays
designs for books 193 extended desktop or mirroring mode 26
desktop, extended 26 multiple displays 23–27
destinations for restoration 207 Display Size slider 197
Detail Image Preset pop-up menu 191 Dissolve setting 160
Detail panel 188 dot-per-inch (dpi) print resolution 172
Detect Displays button 26 DPI field 172
digital cameras dragging
connecting to computers 21 files into projects 63
importing files from 57 folders into projects 65
shutter speeds and settings 40 images in Browser 75
digital master files images in Light Table 165, 166
backing up 201 images into books 198
copying or moving to other projects 80 images into projects 80
copying versions of 78 images into stacks 109
defined 13 keywords to apply 123
deleting 53 panning view of images 89
displaying 101 dual displays 23–27
displaying originals 33 Duplicate Version button 36, 37, 78, 100
exporting 178 DVI ports 24
importing into projects 55
in projects 15 E
digital noise reduction 156 edge sharpen adjustment 156
digital photography workflow 9–12 Edit Content button 196, 198, 199
Digital Visual Interface (DVI) ports 24 editing contents of Smart Albums 154
dirt removal adjustments 156 editing images. See image adjustments
disclosure triangle 49, 122 Edit Layout button 196, 199
disconnecting hard disks 206 Edit Link button 191
displaying Eject button 206
adjustment controls 156 ejecting
Adjustments Inspector 39, 40 hard disks 206
control bar 33 email button 36
digital master files 101 empty projects 58, 59
export presets 180 entering
favorite projects 52 Full Screen mode 95
Index 213
EXIF (Exchangeable Image File) data finding images
date information 144 in the Browser 70
displaying 40, 76 with combinations of criteria 148, 149
exporting 177 by date 144
finding images with 147 by EXIF data 147
Exit Full Screen button 98 in filmstrip 96
Export dialog 178 by IPTC data 146
Exported Master Name Format pop-up menu 179 by keywords 143
exporting by names or text 141
digital master files 178 Query HUD 139–140
export presets 180 by ratings 142
keywords as IPTC data 121 saving search results 150
overview 177 Smart Albums and 151–154
PDF files 175 finding keywords 122, 125
projects 67 FireWire cables 22
versions 179 five star ratings 34
watermarks 182 flash information 40
XMP sidecar file 179 focal length metadata 40
Export Name Format pop-up menu 180 folders
Export Preset pop-up menu 180 defined 13, 17
export presets 180, 181 deleting 54
versions of images 180 importing 64
Export Presets dialog 181 importing images from 62
exposure adjustments 156 Smart Albums 151
exposure metadata 40 Font Size pop-up menu 172
extended desktop mode 26 full page spreads 197
external FireWire drives 28 full-resolution display 88
external hard disks Full Screen button 33, 95
backing up to 202 Full Screen mode 33, 43
disconnecting 206 entering and exiting 95
identifying 205 filmstrip 95
offsite storage 205 keyboard shortcuts 104
restoring from 207 overview 93
space on 204 toolbar 99
vaults on 19, 204 using HUDs in 102
Extract Item command 109
G
F Gallery Pages panel 188
facing pages 197 Gamma setting 172
Fade through Black setting 160 GIF files 56, 80
favorite projects 52 graphics cards 24
file formats 56 green channels 156
filenames grid view 32, 71
assigning automatically 56 Gridview Background Level slider 73
in Metadata Inspector 40 Grid View button 69
searching for images by 141, 148 Grow Selection command 74
selecting for exported images 179
files H
size in Metadata Inspector 40 hard copies of books 200
file size hardcover books 197
searching for images by 148 hard disks
file status 148 backing up to 202
filmstrip 94, 95, 98, 99 disconnecting 206
filtering search criteria 140 external FireWire drives 28
filters on book images 196 identifying 205
214 Index
importing images from 61 keywords 136–138
offsite storage 205 legacy images 56
restoring from 207 metadata in. See metadata
space on 204 navigating through 34
startup disks 28 panning 88
vaults on 19, 204 pick images 108
heads-up displays. See HUDs printing 171–175, 193–200
Height value slider 190 rating 34, 97, 113
hidden images in Light Table 168 rotating 34
hiding selecting 101
Adjustments Inspector 39, 40 series of 106
control bar 33 slideshows 159–161
filmstrip 99 sorting 12
Import panel 41 stacks 105, 110
interface elements 44 versions 14, 78–79
Loupe tool 87 in workflow 11
Projects panel 31 Import dialog 57
toolbar 35 importing images
Vaults panel 42 backing up and 68
highlights adjustments 156 from cameras or card readers 61
homepages, linking to 191 dragging files into projects 63
HUDs file formats 56
See also names of specific HUDs folders of images 64
overview 42 from cameras or card readers 57
using in Full Screen mode 102 Import panel 41
from iPhoto Libraries 65
I large numbers of images 64
identifying referenced images 81 organizing imports 56
ID numbers 148 overview 55
If 78 selected images 59
image adjustments stored on computers 61
Adjustments HUD 103 transferring projects 67
Adjustments Inspector 38 trial imports 56
applying 12 in workflow 11
buttons and tools 37 importing projects
displaying controls 156 from other computers 67
editing prior adjustments 39 Import panel 41
lifting 38, 101 opening 57
overview 155 Import Panel button 36
tools HUDs 103 Increase Diameter command 87
types of 156 Increase Rating button 34, 97, 114
in versions 14 increasing ratings 34, 97, 114, 118
in workflow 12 incremental versions 78
Image Export command 180 International Press Telecommunications Council
images data. See IPTC data
backing up 12, 202 Invert Selection command 74
in books 193–200 iPhoto
comparing 84, 86 disabling for cameras or cards 57
digital master files. See digital master files importing Library 65
editing. See image adjustments iPhoto Libraries 11
exporting. See exporting IPTC data
file formats 56 character length 121
finding. See finding images displaying 40, 76
hard disk space and 28 exporting 177
importing. See importing images exporting keywords as 121
finding images by 146
Index 215
J options for viewing 46
JPEG files 56, 80, 177 legacy images 56
digital master files 13 levels adjustments 156
JPEG2000 files 56, 80 Libraries
backing up to vaults 202
K defined 13
restoring 202, 207
keyboard shortcuts
updating vaults 205
Full Screen mode 104
Library
keys for 47
defined 17
keywords 130
Lift & Stamp HUD 134–136
Loupe tool 88
Lift tool 38, 101, 134
rating images 118
Light Table
ratings 119
adding images to 165
slideshows 161
aligning images in 167
stack commands 111
arranging images in 167
keyword buttons 129
creating albums 164
keyword controls 35, 129–130
moving and resizing images in 166
keyword groups 122
overview 44, 163
Keyword Preset Group pop-up menu 35, 129, 131
printing arrangements 170
keyword preset groups
resetting images 167
applying keywords 130–133
resizing display 169
creating 132
resizing images in 166
keywords
unplaced images 166
adding to Keywords HUD 126
Light Table albums
applying multiple keywords 124
creating 36, 164
applying preset groups 130–133
saving search results as 150
applying with Keywords HUD 122–128
Light Table Zoom slider 169
applying with Lift & Stamp HUD 134–136
lining up images
deleting 128, 138
in book pages 199
exporting 121, 177
in Light Table 167
IPTC data 121
linking to homepages 191
keyboard shortcuts 130
list view 32, 70, 71
keyword controls 129–130
List View button 69, 138
in Metadata Inspector 40
locating a referenced image 82
overview 121
locations
predefined 122
in metadata 40
preset keywords 130
for restoration 207
searching for 122
of vaults 204
searching for images by 141, 143
Lock button 122
viewing for images 136–138
locked vaults 206
Keyword Sets window 132
Loupe button 38, 101
Keywords HUD 38
Loupe tool 38, 87, 101
adding new keywords to 126
applying keywords with 122–128
opening 102 M
Keywords pop-up menu 143 .Mac accounts 183, 191
linking webpages to homepages 191
L Mac OS
Large Hardcover button 197 configuring multiple displays 26–27
Large Softcover button 197 magnifying
layering images and text on book pages 196 images with Loupe 87
layout buttons 38 magnifying images 33, 98
layouts magnifying pages 197
book designs. See master pages managed images 13, 18
options for printing 172 Manual slideshow setting 160
216 Index
master files. See digital master files navigating
master page layouts 193, 196, 198, 200 through book pages 197
master pixel size 148 in Browser 73
matching search criteria 140, 141 in filmstrip 97
Match pop-up menu 140, 141 through images 70
Maximize Viewer layout 46 through slideshows 161
metadata through webpages 188
in books 196 navigation buttons 34
dates 145 New Album With Current Images button 140
displaying 40, 76, 196 New Book Album button 36
exporting 177 New Book From Selection command 194
in filenames 56 New Empty Album button 36
finding images with 146, 147 New Empty Book command 194
keywords 121 New Empty Light Table command 164
lifting 38 New Light Table Album button 36
searchable data fields 148 New Light Table From Selection command 164
Metadata Format pop-up menu 196 New Project button 36
Metadata Inspector 40, 136 New Smart Album button 36, 140, 152
Metadata pop-up menu 172 New Version command 78
metering pattern metadata 40 New Version From Master button 37, 78, 100
migrating to new equipment 202, 207 New Web Gallery Album button 36
mirroring displays 26, 89 New Web Gallery From Selection command 184
mistakes, undoing 47 New Web Journal From Selection command 186
modifier keys 47 Next Image button 34, 73, 97
monitors. See displays Next Page button 197
Monochrome Mixer adjustment 156 noise reduction 156
Move to Trash button 53 nonadjacent images, selecting 74
moving numbering pages 196
filmstrip 99
images in Light Table 166 O
images to other projects or albums 80 offline hard disks 206
items to Trash 53 offsite storage 205
panning images 88 Open All Stacks button 100
multiple-criteria searches 148 opening
multiple displays 23–27 projects 50
multiple images stacks 100, 108
printing 173 orange borders 117
rating 115 ordering books 200
selection modes 98 organizing projects
multiple images in Viewer 85 before importing files 56
multiple keywords 124 importing folders 64
multiple selections 33 orientation 172
multiple stacks of images 110 searching for images by 148
multiple text fields 141 overlapping images
on book pages 196
N filmstrip and 99
naming in Light Table 168
export presets 181 overlapping text on book pages 196
files 56 overlays for ratings 114
Light Table albums 164
projects 50 P
renaming images 72 page layouts 196
Smart Albums 152 page numbers 196
vaults 204 pages
narrative text 199 adding to books 198
Index 217
adding to or removing from books 196 print resolution 172
aligning and resizing images on 199 Project Action pop-up menu 31
navigating through 197 project buttons 36
number to print 172 Project Management layout 46
removing from books 198 projects
text boxes 199 copying and moving images between 80
Pages panel 196 creating 36, 50
panning images 88 defined 13, 15
paper size settings 172 deleting 54
patch adjustments 37, 101, 156 deleting images 53
Patch tool 37, 101 dragging image files into 63
pausing slideshows 161 empty 58, 59
PDF files 175 exporting 67
Photo Box Alignment command 199 favorites 52
photo boxes 196, 199 importing images into 55, 58, 64
Photo Filter pop-up menu 196 naming 50
Photoshop files (PSD) 56, 80, 177 opening and closing 50
Pick command 108 organization tips 56
picks Projects panel functions 31
defined 105 Smart Albums and 153
marking images as 100 switching between 51
selecting 108 tools 36
PNG files 13, 56, 80, 177 transferring 15
posting webpages to web 191 transferring projects 67
preferences 46 in workflow 11
preset export options 179, 180 Projects panel 31, 54
preset information display 91 Projects pop-up menu 31
preset keywords 35, 122, 129, 130 Promote button 100
preset layouts 46 promoting images 79, 100, 109
preset print settings 172, 173 proofing books 200
preset slideshows 160 PSD files 56, 80, 177
previewing printing options 173 Publish Album As option 191
Previous Image button 34, 73, 97 publishing webpages 191
Previous Page button 197 Publish to .Mac command 191
Primary Only button 33, 98 purchasing books 197, 200
primary selections 33, 73, 98
primary Viewer 89 Q
Print button 197 Query HUD
Print dialog 170, 171 creating Smart Albums 152
printer settings 172 date searches 144
printing displaying 43
.Mac account printing service 193 EXIF data searches 147
book pages 197 IPTC data searches 146
books 175, 193–200 keyword searches 143
contact sheets 174 multiple-criteria searches 148, 149
images 171–175 overview 139–140
layout options 172 ratings-based searches 142
Light Table arrangements 170 saving search results 150
metadata sets 172 sorting images by ratings 116
multiple images 173 text searches 141
ordering printed books 200 in workflow 12
single images 173 Query HUD Action pop-up menu 140
to PDF files 175 Query HUD button 69, 96
Use Best DPI 172 QuickTime-compatible file formats 56
218 Index
R resetting images
rating images in Light Table 167
assigning ratings 114 resizing
buttons for 34 fonts 172
comparing images 117 images for printing 172
finding images by ratings 142 Loupe tool 87
keyboard shortcuts 118, 119 resizing images
overview 113 on book pages 199
sorting rated images 115 in Light Table 166
Rating pop-up menu 142 on webpages 190
ratings buttons 34, 97 Restore Library dialog 207
RAW files 56, 80 retouching images 101
digital master files 13 revealing images in Light Table 168
rearranging display positions 26 rolls from iPhoto Libraries 66
rearranging images Rotate buttons 97
on book pages 196 Rotate Left and Rotate Right buttons 34, 97
in Browser 75 Rotate Left and Rotate Right tools 37, 101
in Light Table 166 rotating images
in slideshows 161 in Browser 76
in stacks 109 in filmstrip 97
on webpages 189 tools 34, 37, 101
Rebuild Book With All Images command 198 rows of images on webpages 190
recovering from file losses 202 Rows value slider 189
red channels 156 Run Slideshow dialog 160
red-eye adjustments 156
Red Eye tool 38, 101 S
redoing actions 47 saturation 156
red rectangle symbol 88 Save as PDF button 175
Reduce Selection command 74 saving
red Vault Status buttons 203 books as PDFs 175
referenced images 13, 18, 80 search results 150
backing up 202 Scale To Fill command 199
displaying a list 81 Scale to Fit All Items button 169
identifying 81 Scale to Fit button 197
locating 82 Scale To pop-up menu 172
reflowing images in books 196 scroll bar 70, 96
Reject button 34, 97, 114 search criteria
rejecting images 34, 97, 114 combining 148, 149
compare images 118 filtering by 140
Reject ratings 113 matching 140
Remove From Favorites command 52 Smart Albums and 154
Remove Keyword button 123, 128 search criteria options 140
Remove Vault command 206 Search field 70, 96, 122, 140
removing searching 148
See also deleting searching for images. See finding images
book pages 198 secondary Viewer 89
hard disks 206 Select All command 74
images from Light Table 165 Select button 34, 97, 114
images from slideshows 161 Select Destination command 207
images from Smart Albums 154 selecting images
images from stacks 109 for Light Table albums 164
keywords 128, 138 to import 59
projects from favorites 52 multiple images 74
vaults 206 primary selections 73
renaming image versions 72 Selection tool 101
Index 219
selecting keywords to copy 135 splitting stacks 110
Selection tool 37, 101 spot adjustments 37, 101, 156
Select ratings 118 Spot tool 37, 101
selects 15 Stack 37
Select to Beginning and Select to End Stack command 107
commands 74 Stack Pick button 37, 100
Send Backward button 196 stacks
sensor dust 156 adding and removing images 109
sepia effects 156 arranging images in 109
series of images 106 closing 100
Set Compare Item command 86, 117 creating 106
Set Master Page pop-up menu 196, 198 creating manually 107
settings 46 keyboard shortcuts for 111
setting up systems 11, 21–28 marking picks 100
shadow adjustments 156 opening or closing 100, 108
shortcut menus 47 overview 105
shortcuts. See keyboard shortcuts picks 105
Show All Images button 166 promoting and demoting images 109
Show crop marks 173 selecting pick images for 108
Show Full Spreads button 197 splitting 110
Show Keyword Controls command 129 tools 37
Show Master Image button 33, 101 unstacking images 110
Show Single Pages button 197 Stamp button 135
Show Unplaced Images button 166 Stamp tool 38, 101, 136
shutter speeds 40 star ratings 113
Shuttle control 70, 71, 96 startup disks 28
single image printing 172 stock ID numbers 148
Single Images preset 173 stopping slideshows 161
single page view 197 storage space on external disks 204
sites. See webpages straightening images 37, 101, 156
Site Theme button 189 Straighten tool 37, 101
Slideshow button 36 Subfolder format 178
slideshows subfolders 65
changing images in 161 switching
keyboard shortcuts 161 between projects 51
overview 159–161 synchronizing vaults and backup files 19
Slow Dissolve setting 160 system setup 11, 21–28
Smart Albums
creating 36, 140, 152 T
defined 16 templates for books 193
deleting 154 text
overview 151–152 adding to webpages 188
saving search results as 150 in books 196
in workflow 12 on contact sheets 172
Smart Web Gallery Albums 150 searching for images by 141
softcover books 197 text boxes 196, 199
Sort Direction button 69 Text Style pop-up menu 196
sorting images Theme button 196, 200
in Browser 32, 69 Theme dialog 200
by ratings 115 theme list 194
in list view 70, 72 themes
in workflow 12 for books 193, 200
Sorting pop-up menu 69 for webpages 189
source vaults 207 Thumbnail Image Preset pop-up menu 191
Span option (multiple displays) 89 Thumbnail Resize slider 70, 96
Split Stack command 110
220 Index
thumbnails copying or moving to other albums 80
arranging in Browser 32 creating 78–79, 100
creating while importing 55 creating while importing 55
in grid view 71 defined 13, 14
size of 70, 71, 72, 96 deleting 53
in versions 14 duplicating 100
viewing images as 69 exporting 179
on webpages 191 incremental versions 78
TIFF files 13, 56, 80, 177 numbers 40
time in projects 15
time zones 148 promoting or demoting 79
toolbar renaming 72
customizing 45 tools 37
Full Screen mode 94, 99 Viewer
tools adjusting image view 88
customizing 45 background adjustments 84
toolbar buttons 35–38 comparing images in 86
tools HUDs 103 full-resolution image display 88
transferring image data in 84
Libraries 207 keywords in 137
projects 15, 67 Loupe 87
metadata in 91
U number of images in 85
Uncover button 168 overlays 92
undoing errors 47 overview 32, 83
unlocking vaults 206 Viewer Background Level slider 84
Unstack command 110 Viewer Mode pop-up menu 33, 89, 98
unstacking images 110 Viewer overlays 92
Update All Vaults button 205 View Options command 72, 92, 137
updating vaults 19, 42, 203, 205 View Options window 77
USB cables 22
W
V watermarks
Vault Action pop-up menu 204 exporting images with 177
vaults watermarks on images 182
backing up Libraries to 202 web galleries
creating 204 creating 184
defined 13, 19 editing appearance 189
deleting images in 206 navigating and viewing 188
identifying hard disks 205 overview 183
locking and unlocking 206 posting to web 191
restoring images from 202 saving search results as 150
restoring Libraries from 207 web gallery albums 36
source vaults 207 web journals
status of 42, 203 adding pages 188
updating 205 adding text and titles 188
Vaults panel 42 creating 186
Vaults panel 42 deleting pages 188
Vault Status button 205, 206 editing appearance 189
Vault Status buttons 42 navigating and viewing 188
version names overview 183
searching for 148 posting to web 191
version numbers 40 saving search results as 150
versions Webpage Editor 184, 186, 188, 191
in albums 15
Index 221
webpages workspace
adding pages 188 configuring and customizing 44–46
adding text and titles 188 layout buttons 38
deleting 188
editing appearance 189 Y
linking to .Mac homepages 191 yellow Vault Status buttons 203
navigating through 188
posting to web 191 Z
white-balance adjustments 156 zooming to change image view 33, 88, 98, 169, 197
white borders 117 Zoom to 100% command 169
white points 156 Zoom Viewer button 33, 88, 98
Width value slider 190
workflow in digital photography 9–12
222 Index