Philippine Women’s University

School of Music

Presents

Per Iter Sapientiae

Through The Journey Of Wisdom

Per Iter Sapientiae Chester Paul Solayao Moreno

(Through the Journey of Wisdom) Student of

Prof. Christopher Borela

In a

Bridging Recital

In partial fulfillment of the requirement for the degree of

Master of Music
Major in Music Education with Emphasis in Choral Conducting

Featuring the works of

Palestrina I Tallis I Vivaldi I Handel I Wolfgang I Bruckner I Hagenberg

Borela I Moreno I Mendoza

With collaborating artists

The Fane Covenant Choir I Vox Domini Chorus
Reynaldo Gendrano (Pianist)
Alann Isaiah Pacpaco (Guitarist)

Philippine Women’s University

School of Music
 June 21, 2025 I 2’OCLOCK IN THE AFTERNOON
Philippine Women’s University Recital Hall
Taft Ave., Malate, Manila

ACKNOWLEDGEMENT
PROGRAMME
Dean Earl Jimenez
Dean of College of Music
O Bone Jesu ……………………………………...………... Giovanni Pierluigi da Palestrina
Prof. Christopher Borela
If Ye Love Me …………………………………………………..……………..….....Thomas Tallis
Lulu Fahadz
Gloria in Excelsis Deo …………………………………………………...…... Antonio Vivaldi
Alann Isaiah Pacpaco
Hallelujah, Amen …………………………………………………….. George Frideric Handel
Reynaldo Gendrano
Ave Verum Corpus ……………………………………………..…Wolfgang Amadeus Mozart
The Fane Covenant I Vox Domi Chorus
Afable, Alexander Vinegas, Glen Mar
Locus Iste ………………………………….……………………………………. Anthon Bruckner
Alcazar, Chris Aldrene Veñega, Carlthrence
O, Love ………………………………….……………………………………. Elaine Hagenberg Alindayu, Cecilio Miguel Alcazar, Jessa Lumanas
Casta, Orlean July Balasta, Jenny Ann Losocon
Emit, Denzel Lanz Soriano Budiongan, Cyra Jasmin Cabig
INTERVAL Flores, Jemar, Orapa Duya, Ashley Liele Nicole
Pasaje Abierto (Preludio) ………………………………………………………… Edin Solis Lorbe Cabugos Gacuma, Mitzi Cabaltera
*(Performance by: Alann Isaiah Pacpaco) Morales, Carlos Miguel Gambito, Ma. Theresa Bautista
Pacpaco, David Alann D. Genandoy, Glenice Monsale
Ihip ng Hangin ……………………………………………..…….. Arr. Prof. Christopher Borela Paguirigan, Lorenzo Jr. Dacillo Lacanilao, Janilla Mae Balatbat
Palaganas, Kent Wynne R. Maitim, Christine Joy Ferrater
For the First Time …………………………………………..… Arr. Prof. Christopher Borela Panco, Rommiel Castro Peñalosa, Mary Mercy
Pasasadaba, Riel, Baguinaon Pineda, Roselyn P.
Tatsulok ……………………………………………………………...Arr. Chester Paul Moreno
Ratilla, Prince Reponte Rubio, Dinna Joy C.
Bagani ………………………………………………………………..….Arr. Rodiño Mendoza Tadifa, Dexter Samonte Tatad,Princess Angel P.
* (Performance by: The Fane Covenant Choir & Vox Domini Chorus)
 O Bone Jesu
Giovanni Pierluigi da Palestrina
Tatsulok
Rom Dongeto (Arr. Chester Paul Moreno) O Bone Jesu by Giovanni Pierluigi da Palestrina is a deeply moving sacred motet that reflects the
height of Renaissance polyphony. Composed for multiple voices, it showcases Palestrina’s signature
Tatsulok, composed by Rom Dongeto and popularized by the group Buklod, is a powerful protest song style of smooth, flowing lines and seamless counterpoint. The text is a heartfelt prayer to Jesus, filled
that critiques the social and political structure of society. It uses the shape of a triangle (tatsulok) as a with themes of mercy, devotion, and divine love. Each vocal part weaves delicately with the others,
metaphor for class hierarchy; where the few at the top hold power while the many at the bottom suffer creating a harmonious tapestry that elevates the spiritual message. The purity and clarity of the music
in poverty. The song calls out the injustice and imbalance caused by corruption and inequality. Rather allow the sacred words to shine through with emotional depth and reverence.
than blaming fellow poor people or engaging in war, the lyrics urge the masses to understand the root
cause of their struggles. The triangle becomes a symbol of systemic oppression that must be O good Jesus, have mercy on me,
overturned. Do not permit me to be separated from you,
Defend me from the wicked enemy,
Rom Dongeto’s composition is a call to unity, awareness, and action among the marginalized. He urges At the hour of death, call me,
listeners to redirect their anger toward those in power instead of fighting among themselves. The song
remains deeply relevant in today's world, where inequality and abuse of power continue to affect many. If Ye Love Me
Its blend of folk melody and sharp political commentary makes it both memorable and meaningful. Thomas Tallis
"Tatsulok" stands as a timeless anthem for social change and empowerment.
If Ye Love Me by Thomas Tallis is a beautiful example of early English choral music, composed during
the 16th century. The piece is written in a clear, homophonic style that reflects the simplicity and purity
of the text. Tallis sets the words of Jesus from John 14 with gentle reverence, emphasizing the spiritual
Bagani depth of the message. Each vocal line moves with grace, allowing the words to be easily understood
Rowel Rostata (Arr. Rodiño Mendoza) and deeply felt by the listener. The peaceful tone of the anthem invites reflection and prayer, making it a
favorite in both historical and modern worship settings.
Bagani, composed by Rowel Rostata, is a powerful and uplifting song that pays tribute to warriors who
bravely fight for justice, truth, and their people. The term “Bagani” refers to a traditional hero or warrior The music transitions seamlessly between calm phrases and subtle dynamic shifts, giving the piece a
in Filipino indigenous culture, symbolizing strength, courage, and honor. The song highlights the living, breathing quality. Tallis employs careful text setting, where the music enhances the meaning of
journey of these modern-day heroes who rise amid adversity and continue to defend what is right. each line without overwhelming it. His use of gentle dissonance and resolution creates a sense of
Through its stirring lyrics and rousing melody, the song calls on every Filipino to embrace the spirit of divine yearning and fulfillment. Despite its simplicity, the composition carries profound emotional weight
bravery and patriotism. It is both a tribute and a challenge—to stand strong and become a “Bagani” in and theological significance. If Ye Love Me remains a treasured gem in sacred choral repertoire,
one’s own way. showcasing Tallis’s mastery of clarity, balance, and devotion.

Rowel Rostata’s composition blends cultural pride with a sense of national duty, evoking themes of
sacrifice and resilience. The song serves as a reminder that the fight for freedom and justice is not over,
and it must be carried forward by a new generation. Each verse honors the courage of those who came
before while igniting hope in those who will follow. The music’s rhythm and intensity reflect the strength
of the Filipino spirit, unyielding even in the face of hardship. Ultimately, "Bagani" is a celebration of Gloria in Excelsis Deo
heroism rooted in identity, legacy, and love for the country. Antonio Vivaldi

Gloria in Excelsis Deo by Antonio Vivaldi is one of the most vibrant and celebrated works of the
Baroque sacred repertoire. Written for choir, soloists, and orchestra, it opens with a burst of jubilant
energy that captures the spirit of divine praise. The text, taken from the traditional Latin Mass, is set to
music that is both grand and expressive. Vivaldi uses contrasting dynamics, rhythmic drive, and rich
harmonies to convey a sense of heavenly joy. The opening movement immediately draws listeners into
a world of spiritual celebration and musical brilliance.

Glory to God in the highest,

and on earth peace to people of good will.
Hallelujah, Amen O, Love
George Frideric Handel Elaine Hagenberg

Hallelujah, Amen by George Frideric Handel is a majestic choral piece from his oratorio Judas O, Love” by Elaine Hagenberg is a choral piece based on the poem The Love of God by Frederick M.
Maccabaeus, composed in 1746. This uplifting composition celebrates victory and divine praise through Lehman. The song beautifully blends profound spiritual themes with rich, emotive harmonies, creating
its grand musical structure. The repetition of "Hallelujah, Amen" creates a powerful sense of reverence an atmosphere of deep reflection and serenity. Hagenberg’s composition brings out the poem’s
and communal worship. Handel masterfully uses harmony and counterpoint to give the piece an timeless message that divine love is infinite, unwavering, and beyond human comprehension. The
inspiring and triumphant tone. It is often performed in both religious services and classical music soaring soprano lines and layered choral textures evoke a sense of awe, as if lifting the listener closer
concerts due to its timeless spiritual energy. to the divine. This piece is often performed in sacred or concert settings where its emotional depth can
be fully appreciated.
The song reflects Handel’s ability to blend musical drama with devotional themes. It showcases a
vibrant chorus that builds steadily, evoking feelings of joy and unity. Each vocal part contributes to the In “O, Love,” the music grows gradually in intensity, mirroring the ever-expanding nature of love
rich texture, making it a favorite among choral ensembles. Handel’s composition not only honors the described in the lyrics. Hagenberg’s arrangement uses dynamic swells and gentle dissonances to
biblical hero Judas Maccabaeus but also invites listeners to partake in a moment of praise. Ultimately, highlight moments of yearning and release, drawing listeners into a heartfelt experience. The text
Hallelujah, Amen stands as a testament to Handel’s genius in conveying spiritual exaltation through speaks of love that "will not let me go," a powerful image of comfort and belonging. Through careful
music. phrasing and sensitive harmonies, the composer emphasizes the idea that love is both a refuge and a
guiding force. Overall, “O, Love” stands as a moving testament to the enduring power of faith and
grace.
Ave Verum Corpus
Wolfgang Amadeus Mozart
Ihip ng Hangin
Ave Verum Corpus" is a short but deeply moving motet composed by Wolfgang Amadeus Mozart in
Nori Villena (Arr. Prof Christopher Borela)
June 1791, just a few months before his death. The work was written in D major and intended for the
Feast of Corpus Christi. Its Latin text, which translates to "Hail, true body," reflects on the suffering and
"Ihip ng Hangin" by Nori Villena is a heartfelt song that reflects the quiet pain of unspoken love. It tells
sacrifice of Christ, making it a deeply spiritual and solemn piece. Mozart composed it for a small church
the story of someone who longs deeply for a person they cannot have, likening their feelings to the
ensemble, which included a choir, strings, and organ, emphasizing clarity and intimacy over grandiosity.
gentle breeze—present, yet unnoticed. The lyrics express emotions of silent suffering, where the love
Despite its brevity, the piece showcases Mozart's ability to convey profound emotion through simple,
remains hidden and unreciprocated. Despite the closeness, there is an unbridgeable distance, as the
elegant musical lines.
beloved remains unaware of the depth of the narrator’s affection. This imagery of the wind becomes a
symbol of love that is always there but never truly seen.
Hail, true body,
born of the Virgin Mary,
The song captures the fragility of emotions that are suppressed for the sake of peace and pride. It
truly suffered, sacrificed
portrays the quiet resignation of someone who chooses to love from afar rather than risk heartbreak.
on the cross for mankind,
The gentle melody enhances the mood of melancholy and acceptance, emphasizing the beauty in silent
whose pierced side
devotion. Through poetic language, the song evokes a sense of longing that resonates with anyone
flowed with water and blood:
who has experienced unrequited love. In the end, "Ihip ng Hangin" becomes an ode to the strength it
be for us a foretaste
in the trial of death. takes to love silently and let go gracefully.

Locus Iste
Anthon Bruckner For the First Time
James Newton Howard, Allan Rich, and Jud Friedman
"Locus Iste" is a sacred motet composed by Anton Bruckner in 1869 for the dedication of a chapel at (Arr. Prof Christopher Borela)
the New Cathedral in Linz, Austria. The Latin text translates to “This place was made by God,”
emphasizing the sanctity and divine presence in holy spaces. Written for unaccompanied four-part "For the First Time" is a touching ballad composed by James Newton Howard, Allan Rich, and Jud
choir, the piece reflects Bruckner’s deep Catholic faith and his commitment to sacred music. Set in C
Friedman, capturing the emotional depth of discovering love anew. The song speaks of two people
major, it features serene, homophonic textures that evoke a feeling of stillness and reverence.
who, after facing past heartbreaks, find a connection that feels fresh and transformative. It portrays the
This place was made by God, overwhelming feeling of seeing the world differently because of newfound love. The lyrics express how
A priceless sacrament, love can bring healing and renewal, making even the smallest moments feels significant. Through its
It is without reproach. heartfelt message and gentle melody, the song celebrates the beauty of emotional vulnerability.