AUDIO CHAIN,
MICROPHONES
&
POLAR PATTERNS
Microphones
There are two main types of Operating Systems for
all microphones:
Dynamic: These are simple and rugged pieces of
equipment. They handle varying and extreme
volume levels without distortion, and are used
primarily for live work on stage.
Condenser: Lightweight and sensitive, these
mics precisely and smoothly capture most
sound nuances. They are powered by battery
or a phantom power supply and are used
primarily in studios.
XLR Connector – External Line Return
TRS/TRRS
AUDIO SPLITTER
Polar Pattern
Any person recording audio in any situation,
should be aware of the ‘Polar Pattern’ for that
particular microphone. The Polar Pattern, being
the area of sound that mic picks up.
Two main types/ sound picking up sysem:
Cardiod:
Directional:
Cardiod
Cardiod: Picks up sound from the front and some
from the sides, and is generally less susceptible to
picking up feedback, or howl round when working at
high volume.
Ideal usage is for live or stage work.
Also known as UNDIRECTIONAL
Sub divisions of this category: Super-cardiod, Hyper-
cardiod, sub-cardiod and Half-cardiod each with
varying degrees of sound isolation.
CARDIOD
Directional
Directional: These mics have particular
characteristics that allow the user to pick up
specific desired sources of sound, and again there
are two main types:
Omni directional, which is equally sensitive to
sound from all directions, but cannot be aimed to
isolate one area.
Omni directional
Bi-directional
Bi-directional, which picks up sound equally
from the back and the front of the microphone.
The Audio Chain