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![Copyright is “a little coral reef
of private right jutting up from
the ocean of Public Domain.”
Paul Torremans, Copyright law: a handbook of contemporary research, 2007
Adam Olearius, "Oftt begehrte Beschreibung Der Newen Orienthalischen Reise [...]",
Schleswig 1647, KKSgb10873/28, SMK. Public Domain](https://image.slidesharecdn.com/intromakeitvisibleandavailablemeretesanderhoff29062016-160707083949/85/Session-1A-Make-it-Visible-and-Available-14-320.jpg)
![Copyright is “a little coral reef
of private right jutting up from
the ocean of Public Domain.”
Paul Torremans, Copyright law: a handbook of contemporary research, 2007
Adam Olearius, "Oftt begehrte Beschreibung Der Newen Orienthalischen Reise [...]",
Schleswig 1647, KKSgb10873/28, SMK. Public Domain](https://image.slidesharecdn.com/intromakeitvisibleandavailablemeretesanderhoff29062016-160707083949/75/Session-1A-Make-it-Visible-and-Available-14-2048.jpg)
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Session 1A - Make it Visible and Available
- 1. Make it visibleand available Pieter Aertsen , The Fat Kitchen. An Allegory, SMK. Public domain Merete Sanderhoff Curator / Senior Advisor slideshare.net/MereteSanderhoff @MSanderhoff Ready to Reach Out! Conference on digitisation of cultural heritage Dutch ministry of Education, Culture and Science 29-30 June 2016, Amsterdam
- 2. Where I’m comingfrom Art Historian, digital curator and advisor at the National Gallery of Denmark Research & Development Advice on copyright and public domain Standards and policies on national and international levels Europeana Members Councillor and Board member
- 3. ”There is nota single physical space where all our heritage can be shown, but on the Internet you can.” Lizzy Jongma Senior ICT manager Orlogsbrunnen http://pro.europeana.eu/files/Europeana_Professional/Publications/Democratising %20the%20Rijksmuseum.pdf
- 4. Today, we canoffer online services that are available from everywhere to anyone seeking "to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits". Article 27.1 of the Universal Declaration of Human Rights
- 5. Everybody is acontributor to history and culture
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- 7. “…among the educated,Internet connected inhabitants of planet Earth, there are 1 trillion hours of free time every year that could be used for community action, civic engagement, and learning..” And since 2010, a billion more people have come online.* * DARK MATTER, Michael Peter Edson, 2014 https://medium.com/tedx-experience/dark-matter-a6c7430d84d1
- 8. How can culturalheritage institutions support – and benefit from – this cognitive surplus?
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- 11. Galleries Libraries Archives Museums http://openglam.org/ We are notowners, but stewards of our collections
- 12. Works that arein the Public Domain in analogue form continue to be in the Public Domain once they have been digitised. http://pro.europeana.eu/files/Europeana_Professional/Publications/Public%20Domain%20Charter%20-%20EN.pdf
- 13. What does itmean?
- 14. Copyright is “alittle coral reef of private right jutting up from the ocean of Public Domain.” Paul Torremans, Copyright law: a handbook of contemporary research, 2007 Adam Olearius, "Oftt begehrte Beschreibung Der Newen Orienthalischen Reise [...]", Schleswig 1647, KKSgb10873/28, SMK. Public Domain
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- 18. Galleries Libraries Archives Museums http://openglam.org/ Who are wehere to serve? How far could we reach out in a digital age?
- 19. Is it enoughto make it visible and available? Pieter Aertsen , The Fat Kitchen. An Allegory, SMK. Public domain
- 20. Carl Bloch, Samsonand the Philistines, 1863, SMK. Public domain Make it re-usable too
- 21. Nicolai Abildgaard, Caricatureof a fat man carrying a large key in his left hand, undated drawing, KKSgb3753, SMK, Public Domain Facilitation is key
- 24.
- 25. CCBY 4.0 ULK Theart pilots www.ulk.dk
- 26. CCBY 3.0 FridaGregersen Cool Constructions
- 27. CCBY 3.0 FridaGregersen Collaboration between the Copenhagen Metro Company, local citizens, and SMK art pilots
- 28. CCBY 3.0 FridaGregersen Collections gain new value outside the museum in the hands of the public
- 29. CCBY 3.0 FridaGregersen Great branding of collections
- 30. Makeover of injectionroom Skyen / ‘The Cloud’ CCBY 4.0 ULK
- 31. A space fordrug users, central Copenhagen Open 23 hours a day 700 drug intakes a day CCBY 4.0 ULK
- 33. CCBY 4.0 ULK Re-creatingplaces / spaces that the drug users dream of
- 34.
- 35. CCBY 4.0 ULK Theart pilots facilitate improved social conditions for the users
- 36. CC BY-SA 4.0Ida Tietgen Høyrup Wiki Labs - collaborating with Wikipedians, art historians and amateurs to enrich art historical entries
- 37. Wikipedia needs opencontent https://commons.wikimedia.org/wiki/Commons:Licensing
- 38. Artist of themonth of March - Before
- 39. Artist of themonth of March - After
- 40. SMK images got20 million page views on Wikipedia in 2015
- 41. “Prioritize Web andNew Media programs in proportion to their impact on the mission.” Michael Edson, Smithsonian Web and New Media Strategy, Version 1.0, 2009 http://www.si.edu/content/pdf/about/web-new-media-strategy_v1.0.pdf Michael Edson /VanGoYourself
- 42. ”What effect doesdigital availability have on the number of visitors to heritage institutions?” Shift the attention to include online use = equal value to physical visits
- 43. What’s the societalgood of digital cultural heritage? How do we measure the impact of our digital presence?
- 44. “Now that museumsare beginning to have the tools and expertise at their disposal to monitor, track, record, and analyze all the various ways that the public benefits from their work, the real task begins to redesign the process and program of museums and to embed impact-driven data collection into every aspect of our efforts.” Rob Stein Chief Program Officer, AAM https://medium.com/code-words-technology-and-theory-in-the-museum/museums-so-what- 7b4594e72283#.rgnlbz2tj
- 45. “Now that museumsare beginning to have the tools and expertise at their disposal to monitor, track, record, and analyze all the various ways that the public benefits from their work, the real task begins to redesign the process and program of museums and to embed impact-driven data collection into every aspect of our efforts.” Rob Stein Chief Program Officer, AAM https://medium.com/code-words-technology-and-theory-in-the-museum/museums-so-what- 7b4594e72283#.rgnlbz2tj libraries, archives…
- 46. ”I wish wewould measure cultural heritage on learning and happiness.” https://charlotteshj.dk/2016/05/26/gid-vi-maalte-kulturarv-paa-laering-og-lykke/ Charlotte S H Jensen State Arhives/National Museum
- 47. Our sector ison a wide spectrum of openness and institutional maturity ‘Think Big, Start Small, Move Fast’ Michael Edson
- 48. Case studies Pieter Aertsen, The Fat Kitchen. An Allegory, SMK. Public domain Merete Sanderhoff Curator / Senior Advisor slideshare.net/MereteSanderhoff @MSanderhoff Ready to Reach Out! Conference on digitisation of cultural heritage Dutch ministry of Education, Culture and Science 29-30 June 2016, Amsterdam
Editor's Notes
- #10 A new way of approaching BILDUNG - not just learning, but also BUILDING