Images of Children, Crime and Violence in Playboy, Penthouse and Hustler Magazines
Images of Children, Crime and Violence in Playboy, Penthouse and Hustler Magazines
IMAGES OF CHILDREN,
CRIME AND VIOLENCE
IN PLAYBOY, PENTHOUSE
AND HUSTLER MAGAZINES
This research was sponsored by Office of Juvenile Justice and Delinquency Prevention
(OJJDP), United States Department of Justice, Project No. 84-JN-AX-KOO7, and carried out
at The American University, Washington, DC, from February 1984 to November 1985 and
delivered to OJJDP in November 1987. Principal Investigator was Judith A. Reisman, Ph.D.
While the complete three-volume Reisman Report is available from OJJDP, the agency
shelves several drafts of various reports ostensibly written by Dr. Reisman. However, only the
November 1987 Reisman Report has been approved by the Peer Review Board and
authenticated by the Principal Investigator. The Overview, Volume L is recommended as a brief
( 503 page) synopsis of the research project and relevant information. All three volumes total
nearly 2,000 pages. For further information contact Dr. Reisman at The Institute for Media
Education. Box 7404, Arlington, VA 22207 (703-237-5455).
CONTENTS
Letter Jrom John B. Rabun, Jr., Deputy Director,
National Center Jor Missing & Exploited Children,
................................................. 2
NATIONAL
CENTER FOR
March 24, 1988
HI&~INO
I~XI....oI'I'I~J)
CHILDREN
Many, many thanks for honoring our request and providing at no cost the hundreds of copies of the
"Executive Summary: IMAGES OF CHILDREN, CRIME AND VIOLENCE IN PLAYBOY, PENT-
HOUSE AND HUSTLER MAGAZINES" and for sending them to our mailing lists of criminal investigators
working cases of missing and sexually exploited children.
I have carefully studied the Executive Summary and strongly urge all those concerned with the welfare of
children to thoroughly review the document and give heed to the many disturbing implications contained
therein for the protection of children. This study must be read by all those concerned with the ways
pornography and violence in the media affect the incidence of child sexual exploitation and abuse. In support
of this thought, you may like to know some of my professional background and investigational findings.
Prior to my coming to the National Center as its Deputy Director, I was the Program Manager for the
Louisville-Jefferson County, Kentucky Exploited & Missing Child Unit.-This police/social work Team was
the first in the nation created to provide detection, investigation, and protective services on behalf of youth as
well as apprehension and prosecutory services against adults criminally exploiting children through
prostitution, pornography, or child sex rings in the Louisville SMSA.
From July 1980 through February 1984 the police/social work Team of the E.M.C. U. investigated about
1,400 cases of children suspected of being victims of sexual exploitation. Fifty-four percent (756) of the
children were found to be victims and an additional 31% (431) of the children were considered probable
victims although lacking sufficient proof for court proceedings.
During this time period, the E.M.C.U. prosecuted hundreds of adults for various crimes involving the
sexual exploitation of children. Over 40 major cases involved the successful prosecution of adults involved
with over 12 children each. In one particular case, investigators thought there were up to 320 child victims. At
the time of arrest of and/ or service of search warrants, ALL of these adult predators were found with
various forms 9f adult pornography and in most cases child nudes and/or pornography_ Over four
years, the E.M.C.U. Team learned to expect to always find adult pornography as such was used by the adult
offenders for their own sexual arousal, for self validation of their own sexual deviation(s), for extortion of
child victims or other adults, and for the deliberate and planned lowering of inhibitions of child victims.
Truly, the media you have identified can be devastating in effect in protecting children and gives real cause
for COnccrn and study when child erotica seems to be on the increase in popular literature. Please keep in
touch with all current updates and new initiatives.
Again, many thanks for the mUltiple copies of the report and all your efforts in behalf of children.
Cordially,
A study to determino how pomography &lid violence in the media • Almost aU depictifjns ofchild sexual abuse portrayed the child as
atree! the incidence of sexual abuse/exploitation, family violence IIId unharmed or benefited by the actiYily.
juYenile delinquency was r_ntly completed al American UoiYersity From 1954 to 1984. these 6.004 images of children were
in Washington, DC. The projee! was funded through the Office of interspersed with 15,000 images of crime IIId violence, 35,000 female
Juvenile Justice and Delinquency Preyention (OJJDp) U.S. De- breaBlS and 9.000 femsle geoitslia.
partmenl of Justice. Playboy, PelllhollSe aDd Hustlerwerechosen for the study because
Dr. Judith Reisman, principal investigator for the study entitled they are the three top-selling eroticlpornographic magazines.
"Cbildren, Crime and Violence in the Picloriallmagery of Ployboy, Approximately 2SI\) of the professional adult msle populalion reads
PelltlwllSe &lid HIIIIIIIIl" teotified on the Iindi1lgs before the United al leasl one of these three magazines. In addition, PltJyboy and
States Attomey General's Commission on Pornography on Novem- PellthollSe are accessible 10 jUyeniles since they are available at
her 21, 1985. ViBuaI imaBes of children in sexual and violent contexlS newsstands, hotel lobbies. 1Ilrports, coUese bookstores and in the
were analyzed in 683 issues of the three adult magazines beginning home.
with Playboy's initial Der.ember 1953 issue through Playboy, Playboyreacbes 15,SJ4,OOO people per issue, PelllhoIlSe1,613.ooo
PeJttllollSe IIId H/I.SIler issues of Der.ember 1984. Researchers IIId Hlllltier 4,303,000. This compares to ~lIology Today with
counted children In cartoons or photographs, and references 10 4,704,000 readers. Spo/'lS Rlllllt/'QIed with 13,034,000 IIId Ms. with
childten in cartoon/photograph captions. 1,635,000.
EIcb cartoon or photograph WII examined for characteristics of
the child or adult depicted, the activities in which the child was ConclUlions and Recommendations:
inYoIved, the nature of theactlvity, aDd the Slate of dress or undress of The study attempted to draw conclusions about the efleets of the
the cluld. Pseudo-children (adults dre5aed and posed II children) and imqes onjuYenile aDd adult readers, and explore the possible role of
any discrepant body features, such II oversized brealla on small the mlpunes II sources of sex education.
child's Crame, Mre also noted. SeYerallasues were raised for fulure study:
The study identified three basic themes: nonsexual. nonviolent 1. The role of these mqlZines in maldo8 children more acceptable
activities such II simple memories; violenl acli'lilies such II murder, II objecll of abnse, oe8Ieet and mistreatment, especiaUy sexual abuse
molml", or surgical procedures; and sexual activities such II IIId exploitation.
intercourse or a child appearin. nude. 2. The possibility that these imqes of children reduce taboos aDd
A total of 6,004 photographs, iUustralionsllld cartoons depicliq inhibitions restrainina abusive, neglectful or exploitative behavior
children appeared in the 683 magazines. H/I.SIIer depicted children toward children.
most often, an ayerage of 14.1 times per issue, foUowed by Playboy 3. The possible trivializalion of child msltreatment in the minds of
(8.2 times per issue) IIId Pelllhouse (6.4 times per issue). readers; and,
Findinp included the foUowing: 4. The consequences of presenting sexual and violent images of
• 1.675 child images were associated with nudity. children in magazines that caD attention to sexual and!or violent
• 1,225 child images were associated with genital activily. activily.
• 989 child imaaes were uaociated sexually With adults. Dr. Rehman recommended the National Institute of Mental
• m adulta were portrayed II peeudo-childreD. Heslth, the Departmenl of JUBtice IIId child welfare ..encies
• m child Images were IIIOCIated with foree. cooperate 10 address the problem of pomopphy fa our society
• 267 clilld imapa were IIIOCIated with sex with animalI or thr. the use of !Uk forces IIId research efforts.
objects. She Corther recommended a voluntary moratorium on child or
• 51 % of the child cartoons and 46% of the child photographs pseude-ehild images until verifiable research CIII be conducted on the
mowed. children ... 3-11. harm factor. Such action by sex-industry representatives could be
• More girls than boys were associated with sexual assaull. seen as &II act for responsibility based on concem for the welfare of
• More boys than girls were associated with vwlentlSSlluit. children. rather than an admission of guilt.
7
CONTENT ANALYSIS OF IMAGES OF
CHILDREN, CRIME AND VIOLENCE
IN PLAYBOY, PENmOUSE AND HUSTLER
EXECUTIVE SUMMARY
ABSTRACf man Report, delivered in November 1987 to the Office of Juvenile
. Mainstream erotica!~rnography is generally said to portray non- Justice and Delinquency Prevention, incorporates clarifications
VIOlen! adult female nudity for an adult audience. However, a content corrections and additions to the September 2, 1986 draft delivered by
analysIS of PII1yboy (N=373), Penthouse (N= 184), and Hustler The American UnivetSity to OJJDP. (A chronology of the project
(N=126) magazines, December 1953 to December 1984 yielded report appears on the overleaf of Volume I, p. iv.)
6,004childimagesaswellasanestimatedI4,854imagesofcrimeand As the first indepth investigation of Playboy, Penthouse, and
violence. Received both by juvenile and adult readers, newsstand HIlS/fer-leaders in the commercial sex industry-this projec:! was
aVlilabie child imqery in the context of erolleal pornography the subject of extensive press and public attention. On the one hand,
iocreased nearly 2,600% (16 to 412) from 1954 to 1984 peaking in the public has expressed an abhorrence of child pornography and of
197881 465 newsstand aVJilabie depictions. Nearlytwo-thirdsofthe violence associated with sexuality in sexually explicit magazines.'
child scenarios were sexual and!or violent; the dominant age bracket Yet, the most prominent of these magazines publicly denied any
3-.11 years; girls more pre.valent than boys and most likely associated misuse of children in its content' while certain public offic:Ws and
Wlth adult males; and racial portrayals almost exclusively Caucasian. individuals otherwise noteworthy as proponents of child weItare
Close to 1,000 sexual scenarios incJnded children with adulls; 80% of a~mpted to dismisIf this ~esearch, largely because they were sore
the children were actively involved in aU scenes; and each magazine children were not DllSused In these popular magazines.'
portrayed children as unharmed and!or benefited by adult-clilld sex. On the other hand, preliminary research· by the Principal In-
Juxtaposed with some 50,000 imqes of adult female nudity, the yes!igator had indicated that children had been extensively sexualized
6,004 child depictions were also associated with 14,854 images of III popular E/P.· F\lrtherrnore, Juvenile Justice and other pro-
adult crime and violence. In the Jailer, young-adult Caucasian males fessionals idenllfied "softcore" E/P as tools employed to lure and
and females were equally victimized with primary otrenders young- indoctrinate children into sexually abusive situations.' Child
adult Caucasian males. As the only mainstream newsstand pub- well'are professionals have also observed that \'ic!imized children
Iicalinn of ill genre from 1954 to 1968, Playboy averaged 17 monthly often continue the cycle of violence, frequently becoming juvenile
depletions of children, crime and violence. Since 1975, the addition of deHnquenll and! or adult offenders. Based upon growing concerns
hIItIIw.re andHustleriocreased the newsstand aVJilable aggregate to regarding the role of E/P in cbild sexual abuse, and the preliDliDary
111 monthly depictions ofchildren, crime and violence. In sum these work idenlUy!ng ch!I~n, crime and violence in these magarines. an
mqazines paired adult female nudity with images of children, 'crime exploratory mvesllgation of the most widely read erotic/por-
and violence, for millions ofjuvenile and adull readers for over three nographic mqazines was undertaken. The ptesellt research focused
decades. upon the analysis of children (juveniles), crime and violence in
INTRODUcnON Playboy, Pell/house, and Hustler, the three most popular "sotk:ore"
The concept of true democracy presumes both freedom of erotic/pornographic magazines read by both juveniles and aduill.
information and adequate public access to trothful information. In Why SWdy Mass Media Communication?
1832 J~es Madison' argued that an informed public was a Communication researchers tend to debate particular ways in
prer':'llllSlle to educated debate and decision-making on social issues. whi~h specific media messages may dec:! particular recipienll and
Public debate regarding the role of pornography in child abuse has ~vers.· Numerous communication models have been de!igned
already begun. Yet, until the Pteselll research,little information on the whi~ attempt 10 precisely replicate the communication process.
incidence and nature of child abuse in mainstream erotica/por- DespIte subtle differences, communication theorists may be said to
nography [EIPJ' has been publicly accessible. The purpose of this agree that any commullication process has some etl"ec! on receivers:
exploratory research has been to provide the juvenile justice systems [I]n most general terms, communication implies a sender, a
and the public with requisite information for informed debate on cha~ne~ a message, a receiver, a relallonship between sender and
children, crime and violence in ElP, and to provide researchers with a receiver, an etl"ec!, [and] a contexi in which communication OCCUlS.'
solid ~ta base for future research and testing of hypotheses. To this It foUows from the above accepted body of communication !henry
end, this stody tested three hypotheses: first, that children have been that EIP messages etl"ect receivers in some mattoer and thus are
portrayed both sexually and nonsexually in mainstream EIP maga_ worthy of indepth analysis.
zines; second, that crime and violence have been portrayed both Why SWdy Playboy. PeDtbouse and Hustler?
sexually and oonsexually in these same ElP magazines; third, thai Recent data available from Canada confirmed existing American
these images of cbildren, crime and violence have been paired with studies of early onset of exposure to ElP. The Canadians found
fenIaIe nudity and graphic sexnai display. adolescents, ages 12-17 reporting most frequent exposure to main-
BACKGROUND stream ElP.. • Moreover, according to recognized market research
The ptesellt exploratory research, funded by the Office of Juvenile sources, Playboy, Penthouse and Hustler maintain the highest
J~ ~d ~~ncy ~n~ (OJJDP), was designed to reade~hip am~ngsl all ElP magazines,!1providing "inforrnalsex
provide Juvenile Jusnce ageDctes WIth an extensive data base on educatiOn" for Juveniles and adults since Decenther 1953 inside and
Depictions of Chi1dren, Crime and Violence in Playboy, Pe1lthouse, outside the home environment. The overall readership ~ be said to
and Hustler. The complete Reisman Report in three volumes, cross all socio-economic boundaries, while a 1arge percentage of
constitutes the definitive report by the Principal Investigator. These readers may be cIas!silied as relatively weli-educated upsca1e "change
three volumes are avllilable separately or together from the Juvenile agents." Based upon circulation figures and juvenile justice and
Jnstice ~0!'5" in W.u:hingtoo, DC. Volume I (S03 pages) is delinquency prevention concerns, Playboy, Penthouse, and HllSIler
The Overview. This volume lDCOrputates a large body of important were selected for the present examination of children, crime and
projec:t information, including materials contained in Volume IT, violence.
Methods and .Procedures (382 pages) and Volume HI, The Data Why SWdy the Depiction of Children?
Book (appromnately 700 pages). The AUTHENTICATED Rei&- Children have historically been ex)lloited in pornography." Yet,
8
prior to tbis research, it was generally believed that such exploitation clinical psychologist who held one-honr group sessiollll each week.
was confined to peripheral, "hardcore" pornography, traditionally 3. Training: Coders learned Critical Viewing Skills via great works of
found on the fringes of society. Research confirms that hardcore child an. Following tbis, content analysis training followed the Krippen-
pornography is nearly always of a sexual nature, and that itcon,litutes dorff process. Bach coder underwent test trials and group training
a form of child abuse. The current research effort, however, sought to blocks in the use of the "Coder's Portfolio;" coding instruments,
identify nonsexual and sexual depictions of children as well as coding manuals and sheets, the Canoon/Visual Guide,the Emotional
depictions of crime and violence in "softcore" or mainstream Expression Guide (BEG), aDd the Age Evaluation Guide (ABG)."
erotica/pornography. 4. Materials: From December 1953 to December 1984, all issues
Why Study the Depiction of Crime and Violence? (N=683) were coded for depktions of cbildren: Playboy (N=373),
The general public has expressed its concern about the juxta- Penlhouse (N= 184) and HUlitier (N= 126). Magazines missing in the
position of vioience and sex within one medium. For example, in the collection were coded at the Library of Congress. A 42 percent
Newsweek Poll by Gallup (March 18, 1985) 73 percent of respon- random sample was coded for depictions of canoon and visnal crime
dents believed explicit sexnal magazines, movies and books lead some and violence.
people to commit Illpe or other sexnal violence wbile 93 percent 5. MagazineDislributlollandInstmmentHandiillg: Coders received a
called for stricter control of magazines displaying sexnal visual random distribution of magazines in their library carrels, marking
violence. Moreover, the concern ahout the association of sex and instruments with a red peo and personally initialing any changes in
violence is supponed by the body of research on media depictions of analysis. A random selection of two coding sheets per coder per week
crime and violence. Here, it is generally conceded that gratuitous were cheeked for accuracy, original coding sheets copied and held in
depicrions of crime and violence have been known to precipitate locked metal cabinets for safety while originals were hatched and
aggressive behavior." The present investigation: a) established the delivered for key punch and data entry to the contracted key punch
general context of crime and vioience in wbich cluld depictions also agency.
appeared, and b) captured information on both the nonsexual and 6. Inter·Rater Reliobllity Measures: Inter·rater reliability was com-
sexnal depictions of crime and violence in the context of mainstream puted at 0.87 in the pilot study and subsequently, 0.85 for child
erotical pornography. canoons. 0.83 for child visnals, 0.81 for crime and violence cartoons,
Why Study Cartoons? and 0.85 for crime and violence visuals.
Approximately two-fifths of the images examined were canoons. CONCLUSIONS
Research confirms that adult readers of E/P magazines commonly The present research findiags quantify the nature ofcbildren, crime
rate cartoons as favorite features, while funher evidence suggests that and violence imagery in over three decades of Playboy, Penthouse and
juveniles are also drawn to the canoon feature." The cartoon has its Hustler magazines. Sexnal and·nonsexnal cbild depictions and sexual
own artistic and OOtoric tradition. By its very nature, the cartoon and nonsexual crime and violence depictions were common themes
has a way of overstating, stereotyping and exaggerating its case. thronghout all three magazines. The pairing ofthese themes over time
Similar to other art forms, the cartoon demonstrates a view oflife, of with images of adult female nudity and graphic sexual display are
an issue, of an event, or of a people. While appearing as light and pertinent to the current debate on erotica/pornography.
guileless humor, the vast body of canoon research documents Contrary to popular belief, the depiction of sexual and nonsexual
cartoons as a sociopolitical an form. It is speculated thalSome son of cbild abuse· has not been limited to "hardcore" pornography. It is
"Socialliation of Taboo [deas" often used the cartoon format to a) surprising to many that in 1954 Playboy delivered 170 images of
circumvent readers' resistance by b) humorously triviallzing existing crime and/or violence to the public. Total newsstand depictions
taboos. Based on its historical and popular role in mainstream E/P, an increased 650 percent aCross aU three magazines by 1984. Looking at
examination of E/P cartoon messages about children, crime, and children. the Playboy only distribution of 17 child images in 1954
violence is appropriate. were increased-across aU tbreemagazines-2,600 percent by 1984.
Why StodY Photograph s? Since May 1954 children have been documented as desiring of and
unharmed by adult sexual interactions in these "softenre" magazines.
Almost half of the total images examined were photographs. Moreover, the present research found cbildren depicted as viable
Photographs are genellllly viewed as accurate fair representations of targets of both sexual and nonsexual physical ubuse, documenting a
reality, with little public awareness of the illusions inherent in the trivializationofcbildabuse.Itisnownptothepublicandprofessionai
photograph." .Research identifies such illusion as ·the result of communities to document the role of mainstream erotica/per-
professional skill and knowledge: The making of the photograph via nography in cbildren's lives and child abuse.
lighting, camera angles and often composite pbotography, and its An unroreseen linding may be the estimated 27 percent of Playboy.
professional reproduction into an artistic product. Upon reception, .33 percent of Penthouse and 47 percent of Hustler cartoons and
the ebild or adult interpretation of the photograpbic scene takes plal:e, illustrations identified as "Cbild Mqnets." Briefiy, Child Magnets are
wIIbout need for cosnitive eifon or attention. Since the Feat fealum which are Ilellerally unique to the ellildron's world of
~orIty of I3/P paaes contain pbotOlfllphic dopictiolll. it II entertainment (e.... boob and televilion), and known to altraQt chlId
appropriate to examine any wideecaIe circulation of. photoaraphle or
readm/viewel'l. I3xamplel chlId mapell are run-color, Ibree-
IIICIIIIFI pertalniDa to children, erime and violence. dimenllon&! pop-ups and cutouts, colorina boob, paper dolls, Sanla
METHODOLOGY C1aIll, fairy tall111, cowbo)'l and IndlaOl, Donald Duck and Mickey
1. DrvtloPIfIIllt of /1IStrl/lflllIkltioll: utlllzlna llandlll'd COnteDt MOllie, choo-dloo traina, etc. 81_ evidence COIllirllll !be Iarae
analytll metbodolo.y, four diacrete Inltrumenta were dlllped,lIIIIted Juvenile rlllldel'llllp ofthele mapzlnllll, the unique quality of Cbild
andlmplomented: 1)chlldcartOOlll(exeludln.comicltripl).2)cbUd Mqneta may be viewed .. a technique both caterini to, and
vllUlll (llIU11rallolll and pl!otoirapbs), 3) crime and violence attractln., a juvenlle audience. Therefore !be deplcllonl pruented In
cartoonl (excludina comic Itriplllld child cartoonl). IIId 4) crime "Child Mqneta" may be preeumed to beohpeclJl public Intereltand
and violence vllualt (iIlUllrallolllllld photnarapbs,exeludinl child concern.1I
viluall). The Onal ch!ld cartoon Inltmmenl conlalned 114 varlabltllJ, The body of rellelrcb on lexual arollllllUOtllJlI thalaclil of child
cbild vllnala 75, adult crime ~nd vlQlene<l c~rtoQIII 3~, and adult
crime an(\ vlolen~e vlsualA 49, yleld1na 273 variabl.. and 11,126
CUll.
or
2. CDlhrs: Twenty-two coden "ver 21 yean a,e were employell or
_n
NXW molClllatlon by lome vulnerable juVOllU.. or adulUi art
prec:Jpllated It one acblevea orl.1ID m fanlNl .. oflex with chlldren,
S!mllarly, Ibe body of _reb on medI.aad ... do\:ulIIODli
deplotlonl violence .. prec:JpllIl!na"'-ve rtlllpoIIMIlII certain
(114 percent female. 315 percent male. 14 poreent Black. 86 percent vulnerable vlewell. Therefore, II 'Ppelll of compeiUDs PIIbllc
CaUCU!III. 95 peNOn! colle.. Il'aduatet). The project rtlllnecl a coneero tballb. preMOI rtlllfOh documentu conllXtual IIIIOclaIlol'l
9
of three discrete stimuli: I) adult femaie nudity and graphic femaie analysis of Playboy, Penlhouse and Hustler uncovered a steady
sexual display, 2) neutral, sexual and violent child depictions, and 3) escalation of graphic depictions from 1954 to 1984 progressing from
depictions of crime and violence. The magazine genre evidences a simple femaie nudity to those described by the Attorney General in
unified culture and world view which incorporates all three stimuli: his discussion of obscenity:
pairing the arousal to an adult sex object with child sexualization and ...child pornography, sado-masochistic scenes, rape scenes,
crime and violence. Thus, it is not unlikely that some vulnerable depictions of bestiality or excretory functions, and violent
juvenile and adult receivers may f_ child depictions with arousal to and degrading images of explicit sexual conduct... "
sex (aenital stimulus) and!or arousal to violence (agressive stimulus). Arguments supporting mature age-of-alnsent parameters for sex
RECOMMENDATIONS Industry employees appear to be reasoned and compelling, based as
Dusem/Mtioll of lltjontllltioll they are on the notion of youthful vulnerability. As the three
These findinp should be provided to public agencies, educators, magazines examined do include substantial displays of the above
policymaken, parents and juveniles. Distilled into dispassionate, activities singled out by the Attorney General Meese in his Octobl:r
concrete components (i.e., charts, graphs, statistical tables and 23,I986pressconference,itisproposedthatPIayboy,Penthouseand
explanatory narrative), the information is now ready for public Hustler magazines be included in the Commission's recommendation
access. Such access means that both adults and juveniles may that sex industry models be twenty-one years of age or older.
objectively U8eS8, critique, and debate this issue without requiring Simi1arly, publishers should be required to maintain records proving
exposure to primary sources. that models are twenty-one years or older.
Educatioll In addition, a voluntary moratorium of child depictions (in
Evidence and anecdote confirm extensive juvenile and adult cartoons, illustrations and/or photographs)-by all sex industry
exposure to, and reliance upon, the informal sex education provided publications-is urged until such time that sophisticated research
by these mapzines. Thus, it is only realistic to implement these techniques yield adequate data on the harm factor."
research data into nonexplici~ nonexploitive school programs as well Notes
as other modes ofjuvenile guidance. The findings should be provided I. Letter from James Madison to W.T. Barry (August 4, 1832), reprinted
. naI' . lid . book! in The Complete Modison 337 (S. Padower ed. 1953).
in wholesome educatio .ormats usmg s e presentations, ets 2. The slash in "erotica/pornography" (E/P) is intended to indicate a
and videotapes (a preliminary videotape has already been prepared separation or a bridge between erotica and pornography. For the definition of
by the Principal Investigator). The _ of underllle models by the sex· E/P in the present research, see Reisman', Ove",le .. 0/ Project (Volume I),
industry, the entry of increasing numbers ofjuveniles into prostitution'. "Workiug Definition," (p.27). For additional definitions, see "Central
and the growth of juvenile pregnancy Slll!8est the need for a critical TermS" in the Attorney General's Commission on Pornography (1986, pp.
examination of the notions of sexuality which have been and are now 227-232). .
presented to youngsters by these informal sex education materiaJs. 3. See for example, Ne ..s ....k Poll by Gallup (March 18, 1985), wherein
Use of the suggested educational formats addressing mainstream 73 percent of respondents believed explicit sexual magazines, movies and
erotica/pornography could facilitate creative discussion by youth books lead some people to commit rape or other sexual violence while 93
regarding the role of these m.ateriaJs inJ'uvenile sociosexual behavior. percent called for ,tricter control of magazines displaying sexual visual
violence.
Trainillg 4. See for example, Playboy (1985, December): "U other magazines are
Beyond dissemination of the research findings, training in crime publishing cartoons of 'gsng rapes of children, fathers sexually abusing
site data collection should be conducted. Techniques developed for daughters, benevolent or father figures raping or murdering young girls,'
data collection should be taught on several levels: justice, law Playboy never has, never will" (p.16). For evidence to the contrary, see
enforcement and child protection teams; health professionals such as 0ve",1e .. 0/ Projecl (Volume I), "Appendices A-L."
physicians, nurses, clinicians and counselors; secuJar and religious 5. See for example, commentary by Senators (1985, May). In Reisman
educators; parents and juveniles. A data base on the distribution and [Statement], Oversighl (Hearing] 0/ lire Office 0/ Juvenile Justice and
use of E/P is vital for future policy making. In addition, such data .Delinquency Prevenllon. Committee on the Judiciary (Serial No. J-99-23),
may potentiate revealing lines of questions and may serve as evideoce (pp. 152-175). Said Senator Spector: "This subcommittee has reviewed a
great deal of tbis kind of literature, I have never seen an actual picture of a
from point of arrest to final case disposition and sentencing. . crime being committed against a cIuld" (p. 64).
Research 6. See Bat Ada (Reisman) and Lederer (1980). Playboy isn't playing: An
As in most large scale data collection efforts of this nature, due to interview with Judith Bat Ada. In L. Lederer (Ed.) Take back lire /light:
time I( ,trictions, only a limited amount of analysis was conducted, Wo,""n on pornography (pp. 111-124).
leaving it to other researchers to more fully explore the policy 7. For more extensive information see Ove",le .. 0/ Projecl (Volume t
questions suggested by these data. The voluminous data base provides Literature Review): "Research on Child Abuse" (pp. 6U7.), and "Research
extensive opportunity for future analyses on mainstream erotica/por- on Erotica/Pornography .. an Information Delivery System"; "Research on
nography. The present investigation should facilitate continued and the Role of Erotica/Pornography Among Children and Adolescents" (pp.
innovative research on erotica/pornography in general and its 28-30).
specific influence upon juveniles in particular. Time series should be 8. Ibid. "Resean:h on Mass Media as an Information Delivery System"
conducted across all magazines on all variables. For example, when (pp. 3()'38), and "Content Analysis as a Mass Media Research Technique"
(pp. 55-58).
were child images juxtaposed with violence, sex or crime imqery and 9. See McQuai1and Windahl (1981). Communlcallon models/or lire study
text? Special mention should be made of the potential for change 0/ III/W communication (pp. 304).
exhibited by these magazines during the duration of the present 10. See the Allo"",y Gen.",l:r Commls.lon on Pomog7llpily. (1986,July),
research project. While under direct scrutiny, there appeared to be a p. 916. Also see Rasa' research Teenag. S.xuallly: A Su",.y 0/ Teena,.
marked change in the treatment of children, crime and violence, &xual Blhavlor (1979). In chapter 12, "Teenaaers' Respo.... to Por-
particularly in the most popular of these magazines. Thus an ongoing nography" (pp.153·161), teenagers disc... the influences of erotica/por-
monitoring system should yield valuable changes in the editorial nography (particularly Playboy) in their personal and sexualliv...
policies of these mqazines. Society can no longer avoid recognizing II. For more extensive information see Ov.",I... 0/ ProJOCI (Volume I:
that sop
. ted
his!i .. h . uan L'_ Literature Review): "Research on Erotica/Pornography .. an Information
ca commumcation tec nology reqwres eq y sop...... Delivery System" (pp. 22-29), and "Market Resean:h on Playboy. Penlhous.
ticated techniques of analysis. and Husll4r" (pp. SUI).
Age oj' COMenl 12. Ibid. "Research on Child Abuse" (pp. 62~7), and "Research on the
Finally, based upon the research findinp on the - of children, role of erotica/pomOllraphy among children and adolescents" (pp. 28-30).
crime and violence in mainstream erotica/pornography, those 13. Ibid. Reference is made to crime and violence in "Research on
recommendations proposed by the Attorney General's Commission Erotica/Pornography .. an Information Delivery System" (pp. 22-30),
on Pornolraphy (1986) are all strongly supported. The content "R.arch on children, te1evisionand aaression" (pp. 32-38),and"Content
10
AoaIyois IS a Mus Media Research Technique" (pp. 55-58), and "R""""",b research an /nlentaJloltal pel7lpectJl't Procedt,.,. """""'" 1rtmdbooIc I1Itd
on Child Ab...." (pp. 62-67). _",h guide (pp. 116-125). TOfOIIIO, Ontario: Media Action Group.
14. Ibid. "Resestcb on CarlOaDS and Humor as an Information DeliveI}' Reisman, J.A. (1983, January). An iIlvestipooninlO peer IIIId medialinll
System" (pp. 39-44). contagion in IsteaI: Three poinleval...tion and probable forc<:ut sceaarico
IS. Ibid. "Resean:It on Photosraphs as an Informs~n Delivery System" (Science Ministry Grant). Proceedings ojlhe &colld1nIe1'llllli<NftJJ C6,."e.u
(pp. 4H4). on Drugsalfd AIcoIwl[unpublished]. Tel Aviv.
'16. Por e.tensive information ... Reisma.'s MethO<ls aIfd Procedtue£ Reisman, J.A. (1983, January). Pahshizm TechDoIrniti: B'Hoba L' Arik
(Volume 1I}.1n addi~•• the "Research Parameterslllld Limi~ (RPL)" Prome[1!rich Promm and 'Iechnocratic fascism.']. HizcIrlmUt ~
"'" located in o..rvIJ!w oj Project (Volume I. pp. 68-117), &Machlaka /'CItIn""" HaKlbbJiJ:z HaA.rtlzl [Joumal of ~onaI
17. For extenSive data p.....ta~........ Reisman', DaI4 &ok (Volomc Thoupt and I'rIII:Iice ,in Collective SeuIoments)U)7, 41-46. Tel Aviv.
~ A <Ompendinus o-.iow of SeIectad PIodinp and Discussion of Reisman, J.A (1m, July.Seprember). The PIQy/JoJ-1'enI1uw.Ie Getn
FIOdinp are located in Ovenlew oj Project (Volume I. pp. 118-162). In and female identity. Women 8p<akIJIg. 4-6. Londor
addition, theseven prelimiuary stl!diescondudeddurinB the p.....tmearch Shepher, J., &; Reisman, J.A (Bat Aoa) (198)~ Pomopphy: A
projecI are discossed in (Volume I, pp. 163-185)., sociobioIosi<:a attempt at understaodins- EtIrology aIfd &ciol1loltJgy. 6,
18. Foradditional information on the Child MIIpet ••tdy, see Qvenilewoj 103-114.
PrtIjtcI (Volume I: PreIlmiuary Studies),"ChlId Mapets," (pp. 163-169). SIaIf, (lllll~, Decemher).1'tIJybo}\ 32 (12).
19. Thls quote is from the Wtultlngton PO$! article "MA:ese forms anti- U.s. Department of Justice. (1986, July)AIIo",<), GerIertJl'l CQIIlIIIi.atOll
poroosraphy task foroo" by H. Kuru (October 23,1986, p. All), on Ponrogrophy, Yolume 11 (Publication No. 0-158-351). WaabiqIOn, DC:
20. The concept of a voluntary moritorlum was raised by the PriIIcipsi Go~mmc.t Prinli"l 0IIiaI, p. 1402.
investip.tor in the testimony delivered 10 The United StaleS AtIOmey
General'. ColDDlission on Pomosraphy, Miami (November, 1985). "The bibliosraPby is limited 10 re&rences ill the executive summary and
the fiBI ••thor's pertine.t wrili!llS. A comprebensive bibliograpby ia
Selected BlbUopapby* included in th~ OverfItew oj /'1r)jecl, Volume 1.
Bal Ada (Reisman), J.A. (1985). Porn i. the promised land. In a.E.
McCuen (Ed), Pontogrophy alld w:ua/ nolellCe: ldetJs In cOl!/lid series
(pp. 104-109). Hudson, WI: GEM.
Bat Ada (Reisman). J.A. (1985, May-June). MassIve PofllOit*PhYc:0me8
10 Israel in Iutfive years, reports Judlth Bat-Ada iIlLilUII: inVolves Children. A BRIEF ANALYSIS
MtdJtJ Rqort 10 WOlMn (13), 9-10.
, Bat Ada (Reisman), J.A (1981, Summer). Preedom of speech IS OF THlRTY·SIX CHILD SAMPLE
mythoqy. New UIfI..niIIa Qruuterlr; Culton, ~ aIfd SodeIy.
3$ (3). 150-359. Univmity of IIriatoL CARTOONS AND PHOTOGRAPHS
Bat Ada (Reisman). J.A and Lederer. L (1980~ Playboyis.'! pIa)'in8: An FROM PLAYBOY, PENTHOUSE
IIII/1rV1ow with Judlth Bat Ada. ... l. Lederer (ild.) Tau back 1M If/gIII:
Wo""" on ~ (pp. 111-124). New York: IIulam lloolu. AND HUSTLER
Bat Ada (Reisman), J.A (1978-79). Preedom of speecIIas mytholosy, or
'quill pen and parv;bment lhinkiq' in an electronic environment New York
fhf/Hr.Jtt)I ReYiew oj Lt!w aIfd &cIal CIumge, JI1Il (2), 271-279.
Gallup. (1985. March 18). Newsweek.
Halo, A. (1979), TeenagnexoaIity; A """"'Y ojteenage sexual belulnor.
New YorIt; Macmillan.
Kurtz, H. (1986, October 23). M.... (0""" ••~-pomogr.phy task force.
ne W<ultlngton Prut (p. All).
McQnaiI, D., &; Windabl, S.(1981). Comm.,.;caJIonlrllJ/k/sjorIM$lwy
oj maJS commU1llcatioll, New York: Lolllman.
Podower, S. (Ed). (1953). The Complete Madiso•. New York: Harper.
Reisman, J.A., Reisman, D.P., &; Elman, B.S. (1986). Sexual expIoita~.
by health profossionalsin cartooDSof. popular masaz;oe.1n A.W. Burs= &;
C.R. Hartman (Ilds.), Sexual explollatio. ofptJIIe1l1S b)' Iu!aJIh J11'I'/es3Io1llJls
(Sexual mtdiciJte, YoU) (pp.l07-119). New York: Praeser.
Reisman, J.A Chlldml, CrIme aIfd Vk>Ienc. In 1M PtclorilJll1Mgery of
1'tIJybo}\ l'ImIh...,., aIfd Hustkr (1987). (aka: -Role of POfIIOIIIlIPbY and
media viole""" ill family violence, sexual abuoe and exploitation, and j1Mnile
ddiIIquency") VoI_ I, II, and m (Project No. 84-JN-AX-KOO7).
WubiJIaton, DC: "Reisman Report" submitted for publlcation 10 Juvenile
JIIIIice CJearlnaho.....
Reisman, J.A (1986, January). AoontentanalyoisofPlil]bo}\ l'e1fIhoflJIe
and HIlSIler mepri_ with spociaI attention 10 the portrayal of cbildreD,
crime, and 'I'ioIenc:e. ... H. Hudson (Chair), Hesring on :>onrogropIt)' aIfd
Organ/zed CrIme. Supplementary testimony requested by The United Slates
AI!AmIeY General's Commissilln on Pornoaraphy, Now Yorl< (p. 1402),
Reisman, J.A. (1985, November). A content IUlIIyois of Pl4ybo)"
hlllll8_ and Hllllfler mapzines with spociaI.tImI1lon to the portrayal of
children, <:rime, and viOlence. In H. Hudson (Chair), lI«ui.g o. CIUkI
Pvntogroplry. T..~ony delivered 10 The United Stales AtIOmey General's
Commission on POI'IlO81'J.pby, Miami. .
Reisman, J.A [Statement) (1985, May). Ovtnlg~I{H/llJr/.gJ ojlMOjJIce
ojJU>elfl/e JUl/1Ice aIfd DeUnquenc)' Prevelllloll, Committee on the JIIdlclary
(Serial No. J-99-23), (pp.152-175~ Washi.B!On, DC: U.S. Govetnment
Prinli"l 0IIice.
Reisman, J.A (1985). Mus modis sex/violence and women and
chiIdrtn's clvill'iib!S: An eye toward the future .... A. w. Burs= (Ed.). IItJptI
aIfd sexual ......ulJ: A _ h 1rtmdbooIc (pp. 365-373). New York: Gotland.
Reisman, J.A. (1984). Children';' PIa]bo)', l'ImIlwuse and HIIII1/er.1it D.
800It (Ed), Proceedings oj lire l)I1IIJIQSIum on me4it1'1ioIence aIfd p-
Whatever happened to chiidhood1 The above WaJlIiIrgtoIdmI
cover portrays two Ii.... to six-year-old children, appareolly sib_
11
penIIins Playboy magazine. This picture may be seen as a dramatiza-
tion of actual data wbich identify Pltqboy. Pen/lrouse, and Hustler 0, PLAYBOY CHILD "SEX
magazi_ as primary sourees of sexual education, entertainmen~ EDUCATION" CARTOONS
stimulation and guidance for child and adult conaumers. Our research 5) Implied Incest (3/72, p.l63). The "Teddy" cartoon is a full
considered these magazine< with due regard for their widespread, page color image describing a sexual scene between a female child
10"ll-term use as sex education by children as well as adults. Small and a male adult. The story takes place in mid-dJly (based upon the
children (and some adults) are often Ullable to read, and thus attend to light violet or tbe window scene) and in a middle to upper class home
pktures more than to captions. With this in mind, project analysts (based upon the dormer window, well kept furnishings, violet wall·
(coders) were trained to mask off captions before determining the to-wall carpeting, clear possession of room by the lone child, etc.) The
pictored children's ages. Until "caption m.skjng~ was standardized, artist, Ffolkes, typically draws this child in his cartoons: a girl ofabout
the age-inappropriate nature of much child texl and imagery seven to eigbt yealll, large wide eyes wbich occupy nearly half of the
commonly caused coders 10 inllate children's ages by more than five face, an unformed nose and cupid bow mouth. But for the
years (e.g. judging a fout-year-old as nine-years, etc). II is similarly exaggerated breast development, her polka-dot hair bow and yellow
utged thai readers mask the captions of the allaChed 36 sample images cutis complete an unambiguous pre-school look. Since the exag-
to assess child ages. (To guide objective analysis we developed the gerated breasts deliberately confuse the reader's age evaluation, place
Age Evaluation Guide presented in Volume II of the final "Reisman your finger over the budding breast to determine the holistic age
. Report.") Remember, il can be said that images are more speedily information provided. Ffolkes creates the overall impression ofa very
received and longer retained by the brain than is text. young child by simultaneously linkiag breasts with a child-like face
The Principallnvestigatofs analysis reflects a) Ph.D. in Speech and general body, a flowery illustrative technique, a doll bouse, teddy
Communication from Case Western Reserve Universily with a bear and ball.
specialty in mass media effects, b) expertise as a multi-media art The story is of child sex for money (prostitution). Cartoonist
educator for the Cleveland Museum of Art, the Mjlwaukee Public Ffolkes has the child cheerily blame her ~y" for the UDexpected
Museum, the Los Angeles Skirball Museum, and Scholastics Maga- price, portraying the youagsler as mercenary and more clever than the
zine, New York, and c) an award-winning professional career adult male offeoder. Thus, Ffolkes "equalizes" the child and adult in
CIIlIIIingeducalional "mwic~forbolhpublicandcommercial television. bis drama, suggesting that the male, not the child, may be victimized,
SI*lO limited this lIIIIysis to children and dtugs. See The Institote tricked and exploited. In additino, the casual safety of the lIWI's
for Media Education (TIME) for a portfolio of sample crime and mid-day entry into the bedroom of the &tready nude female cbild aud
violellce cartocos and visuals in the tbroe magazines. his shock al a chll'lle (blamed 00 ~y"), would imply SOme sort of
kinship pattern; father, UDcle or litep-dad, etc. Some may question the
incest implication or prefer to SOlI this as an adult prostitute dressing as
L PLAYBOY "DRUG EDUCATION''''' CARTOONS a child, an equally problematic "joke". However, a complete review.·
Education: Cultivati01l and training. as ofthe mind; the acquisition or of Ffolkes's 35 child cartoons presents an identifiable artistic palteni .
Imparting of kllowledge... mental /ralnlllg alollg a certain line. of nude female children in bed with men, women and other adult·
I)·· Grandmother Enjoys Marijuana (9/72, p.195). A bip family members (e.8. "Uncle William"). Furthermore, as Playboy has
grandmother enjoys the modem amenities of marijuana suggesting become aware of the Reisman research activity, Ffolkes has lately
both the hominess and the harmlessness of drugs for juvenile and abandoned these child-adult sex dramas for other themes.
adult readers. II is relevant that the male's appearance, bis age, race, wbite collar:
2) You"ll Children Et1joy Marijuana (12170, p. 296).· Two small and blue sutge suit, identify bim as a similar profile to millions ofi
brothers, about teD years of age, link the joys of Christmas with Playboy readers. Tbis child molestation drama suggests intercourse' .
marijuana use, suggesting both the bominess and the harmlessness of may OCCUr and is part of a documented Playboy claim of adult-<:hiId I,
dtugs for juvenile and adult readers. sex harmlessness.
3) Women Enjoy illicit Drugs (6/77, p. 201). Women describe use Reality is in contrast to Ihe Ffolkes humor mythology. For, should
of ~ine and other illicit drugs as an integral part of party • child of this age be penetrated by the sex organ of such an adult
entertamment, suggesting the advantages of "recreational" drug use male, the child would commoDlysUSlllin significant, often permanent,
for both juvenile and adult readers. physical (as well as emotional) trauma. Here, as throughout bundreds
4) Parents Enjoy Marijuana (3170, p.lll). Parents and other of similar '~okes," children are seen as sex objects for some normal
"elders" learn to enjoy youthful drugs, suggesting both their borniness aud pedophile juvenile and adult readers.
and the har:tnlessness for juvenile and adult readers. 6)Uncle/lncest (5174, p. 205). As in "Teddy", Ffolkes again uses a
The fout cartoons in this set are themes representative of the data young child (adding a bow, cutis and exaggerated breasts) for an
00 child aod drug images in Playboy, as well as those in Penthouse and incest/trickery/statutory rape story. Ffolkes has the child describe an
Bus/hlr (see the "Reisman RePOrt" Volume III). Hundreds of apparent statutory rape by her overweight, elderly, uncle as a fun
cartoons, fiction aild editorials educate readelll to the notion thatchild game. Typical of most Playboy child sex abuse bumor is the adult use
and adult drug uselll are adventurous risk-takers who do no harm to of "games" to trick children into first degree sex assault with no
self or society. Documentation of Playboy's funding and legislative physical or emotional barm resulting to the child.
lobbyi"ll role for NORML (National Organization for the Reform of 7) Sexual Molestation (10171, p. 166). Note, Interlaow"s seven-to
Marijuana Laws) and for the decriminalization and IICCeptance of all ten-year-old child appears older than does Ffolkes's youagslers (sans
illicit drugs in the USA, is available through Thelnslitute for Media Ffolkes's exaggerated breasts). Interlandi insinuates that bis female
Education (TIME). child is experienced with hands-on sexual molestation, for weare told
sbe is comparing this aIIaCk with those past. As in the "Teddy"
cartoon, the male otJender (a IOssled, now robed, neighbor, teacher,
·NOTE: COVER THE CAPTION FIRST. NEXT, READ TEXT uncle, friend, etc., lighting bis "after" cigarette), is the more innocent
AND DETERMINE TIlE AGE OF CHILDREN IN CARTOON. of the two characters. ThisPlayboy sex education cartoon claims the
&sed upon a found perccptua\lbehavioral bias toward inllating sexually savvy nature of the child who, as always, is not pbysically or .
children's ages in cartoons due to precocious captioned language, it is emotionally harmed by a man's suggested full sexnal assault.
crucia1 to cover captiollS for a more accurate assessment of children's
chronological ages. 8) Gaog Rape by Adult Friends/Beast/Objects (3/78, p. 231).
12
Again Ffolkes uses the culture of childhood to set his scene. He places appears to have cannibalized a boy whose clothing is piled on the
his exaggerated breasts, bow and curls upon a "Dorothy" likely raped floor at right. Santa's pointy, sharpened teeth and bloody handker-
by all three cheery Wizard of Oz friends. An immobile policeman chief clearly in~ic::ate t/le child was "dinner." A separate study of the
stands by providing no movement toward chase or arrest. This treatment of rehll'on and Santa, in all three magazines, identified the
particular sex and violence child assault joke is rare for Playboy as it treatment of these themes as systematically violent and deviant.
inclndes some suggestion of harm (although humorous) and sexual (Preliminar.y liDding, on this study an: ayailable from TIME).
force (versus trickery) of the child. 18) Bestiality (1179, p.360). *Bestiality between wives and the
family dog, etc., is a common Playboy theme and reported in the
m: PENTHOUSE CHILD "SEX findings under "crime." It is noteworthy however, that one of the rew
EDUCATION" CARTOONS Playboy male characters to be portrayed in bestiality is Santa Claus.
The signllicance of sucb images-particularly including Santa-for
9) Clnld Assault ( 11/76, p. 92) "Straight" sex between an apparent millions of cIti\dren, voluntarily and involuntarily, viewing these
adult and a five- or six-year-old is not seen as "deviant." The magazines cannot be overstated:
Penthouse sex education cartoon implies the child as mature, 19) Sadi~c Sexual Assault (12174, p.87). Here the small girl in
mercenary, promiscuous and uobarmed by sexual intercourse. Penthouse IS portrayed as pained, and the lyric supports the notion
10) Prostitution/Homosexual/Orgy (2n9, p.60). Penthouse that a rape is taking place. Upon closer inspection we find that while
proposes, as above, the precociously natural prostitution of clnldren, Santa's pants are down, the pants are still ON the child. "Public"
suggesting orgylbomosexual activity with adults as harmless and adult-child sex and violence (rape) is the Sll8gested entertainment and
funny. This child is seen to be about three to five years of age. sex education theme. See Drn. Wambolt and Negley's commentary
II) Statutory Rape by Object (5/84, p. 137). The use of fairy tales on this cartoon and 17 other images appendixed to Volume I of the
by pornographers is discussed in peater detail in the "Reisman "Reisman Report,'"
Report" Volume I. Here Dorothy was depicted grinning, voluntanly 20) Child Murder (12/77, p. 208). Killing of boys is portrayed as
grasping the Straw Man with her arms and legs, while her two humorous in this bloody Penthouse image of a "good boy" sbot by
protectors casually observe the activity. Again, the idea of "adult" and Santa. The genre regularly uses Christmas and Santa as its holy or
bizarre sex as harmless to the child is the sex edUllltion presented. spirit'>.i ~nce. Hence, it is important to DOte that all three
~bcs p\()tlllly Santa consistently as an immoral, violalina or
12) Child Assault (11/82, p.171). Artist Bill Lee applics the violated 1IIaI\o;
Ffolkcs tecbmque: very small child with waerated breasts. The
nude "conservative politician" in bed with the nude child slJlll!CSlS sex VI:' PLAYJIOY CHILD "SEX
bas pleasantly laken place. AI. with "Uncle William," (and Interlandi) EDUCATION" PHOTOGRAPHS
me child p!a=a happy phone call to mom while the man smokes his 21) Nude adolescent and "Rubber Ducky" (7185, p.133).
"after" cigarette. Harmlessness of adults tricking cbildren into sex is FoUowing the anDOuncement of this research, although loudly
the sex education presented. denying ibm biltory of child sex abusive imagery, Pttzyboy and
PeN/wuse drastically reduced the numbers and natllIe of their
IV: HUSTLER CHILD "SEX sexually assaultivo images ofchildren. This 1985 photograph was pert
EDUCATION" CARTOONS of the genre's many subtle attempts to retain the child in sexual scenes.
13)IncestiFather Assault (5/84, p. IS). Artist Dwaine Tinsley bas The yellow duck (ca1!ed ber "rubber ducky") in this model's hand, the
a falber attack his teen-age daughter. Sbe appears frightened but oversized red high-heeled shoes (taken from mommie's cJoset'/), the
resigned. Some emotional harm of sexual violence is implied, though knock-kneed long, adolescent legs and narrow hip 'line, white
apparently disregarded by Tinsley's father character. stockings with yellow duckies, and the suggestive text, testify to
Playboy's attempt to circumvent the juvenile and adult pedophile and
14) Abortion (2179, p.85). One of dozens of similar Hustler normal reader's resistance to sexualized images of children, stimu-
abortion ·~okes." Hundreds of "birth" jokes in all three magazines lating readers with "child" arousal stimuli.
describe the genre's systematic portrayal of birth as producing
generilly illegitimate, deformed, and/or undesirable o.tf.!pring. 22) Incest/Father/Rape (11171, p.I20). This incestuous photo-
15)Sexual Assault in Children's Public Space (3/77). This Tinsley graph bas been assessed by computer air-brush expelU as a cut-and-
story provides "Chester the Molester" (a monthly feature) with a paste image of both an adult female and a young child, Iir-bruabed
playground victim. Noting the smiling face of the potentia1 victim and loJ!ether to arouse the reader!'Y the child imagery. The pig-tails and
the unusual way in which the child's legs are opened as she goes bait bows, Raggedy Ann, white bobby-sox and Mickey Mouse/nur-
toward Cbester, Tinsley suggests here that children may seek, but sery rbyme sheets, are c1ear symbols tu simulate the child. Moreover,
surely are unharmed by such sexual assaults. Children's assault by the call to the reader/fathers to force sex on their sleeping daughters is
fatbers/lIeigbbors/uncies/Santas/politicians/ministers/fairy tale blatant in this Playboy text (e.g., "Naturally, she digs forceful father
friends, in the child'. private space (home) and lor public space (e.g. figures, so come on strong, Big Daddy!"). A,pin, as in the cartooned
playground) is common in all three masWnes: All three descn'be sexlviolence images ofP/aybo;; there is no suggested harm (physical
children as sexual "targets" with neither a safe place nor an adult or emotional) to the alleged child from such a "forceIul father figure.»
person (male) they may expect tu trust. The double entendre of "come" on strong, urges fathers/readers to
16) Kidnapping Children (10177). HuslleTgenerally builds Stories use violence for fall sex entry.
around the kidnapping of small girls in the monthly Chester activities. 23) IncesURape (8I7S, advertisement). This image of a developing
These bound cluldren appear apprehensive and "Chester the Moles- adolescent-apparently handcuffed for giving trouble to ~is
ter" is naked. Tinsley specializes in portraying fearful faces on his especially meaningful due to the real life cases of such young women
children and his later cartoons often used much more graphic sexual and girls who have been tied to beds by parents or guardians and
scenes than this in 1977. However, the children here are treated with forced to perform sexually. It is especially useful to note that this
as little concern for the harm of adult sex assault as are the Playboy photo' is an advertisement for Playhoy~ once "harder" magazine, au,;
FfoJkes smiling children.
V: SANTA CLAUS (RELIGION) IN PLAYBOY "NOTE: This "childless" Santa cartoon (#18) is prl*lnted as a point
of information due to Santa's emotional/spiritual role in most
AND PENTHOUSE CARTOON HUMOR" children's lives. Additional Santa analyses are available through the
17) Cannibalism of Boy (1/77, p.221). Here Playboy~ Santa institute (TIME).
13
which used even s\ronger child and violent sex educative material renders regarding tbe right of children to attain their majority before
than did Playboy_ The incestuous and sadistic information links sex giving consent to sex displays. These two youngsters are seen as under
and violence and again suggests that the young girl (Jane) is getting 18. The 21-year-age-<>f-ronsent is meant to provide youth with an
what she deserves, with pleasure for all. opportunity to mature prior to being legally acceptable asat-risk node
24) Simulated Lesbian/Incest(7/81, p. 108). Pbotngrapher David sex objects. That is, such models serve, irreversibly, as a stimulus te
Hamilton ptovides Pioyboy with "private" scenes of (foreign) nude, the imaginations and possible behaviors ofsome portion of the pablic
young girls whom he porlrays as "cousins," embracing and displaying large.
themselves for the reader's entertaimnent. Publicly displayed images
of these youngsters (unsubstantiated as either cousins or lesbians) is VB: PENTHOUSE CHILD "SEX
nOt presented as possibly harmfol for the girl models now or later, EDUCATION" PHOTOGRAPHS
when they gain their age of majority. 31) A 12-Year-Old Sex Object (1176, p.54). This explicit
25) Incest/Rape of "Retarded Nymphette" (11176, p. 147). As in Penthouse display included graphic genital and anal exposure of at
cartoons, Playboy photos have generally utilized "themes" to exploit apparent 12-year-<>ld child. For several months foHowing Ibis photo
child nudity. "Sex in Cinema" has been a theme which permitted story, Pellthouse conducted a "suessin8 game" with prizes for readen
Playboy to "report" expticit pictures of nude children in foreign films who guessed the "real" age of "Baby Breeze." Eventua1ly the
and!or sexually graphic but unscreened outcuts from American films. publisher claimed the English "Baby" to be 21 years old (uns~
This photo uncrilically and glibly describes a "retarded nympbette" stantiated), further blurring perceplual distinetinns between cbiId aod
about to be "ravished" by her "father" figure. adult females as appropriate sexual objects for both normal and
26) Incest/Father-Daughter (1l/80). Using a now famous pedophile juvenile and adult readers.
actorldirector and a well known child star, this film outcut portrays a 32) A Six-Year-Old Sex Object (1/81, p.133). This Pelltlrb~
Cather apparendy about to perform oral sex on his young daughter. model's face alone (as it appeared in the opening photo of Ihil
Again, Playboy's text artfully suggests that incest is harmless for a pboto-essay) was shown to doctors attending Dr. Reisman's seminal
Cather or his child. for pedislricians at Georgetown University Hospital. From the
27) Adolescent and Simulated Lesbian (8/71). This typical model's face, the pedislriciansjudged ber to be six years of age. As Ihil
Hamilton photo-essay "peeps" at (foreign) young girls during the photo-essay continued, the "chnd" attained breasts and became a
"growth" stage. Hamilton poses the girls as self-explorinS and lesbian. "woman," and graphic genital exposure and images of "fantasy'
Despite the documented abuse of nude models (from obscene phone violence were added. The repeated magazine genre theme both irI
calls to violent rape-murder). the harmless, artistic nature ofposins is cartooll! and later in photos has been a blurring of distinctiOlll
emphasized and no JlOSSI'bUity of present or foture harm to the young between child and adult females as appropriate sexual objects for botII
girls from sex display is presented. normal and pedophile juvenile and adult renders.
28) Teen Nude (8178, p. 238). Relying upon the sexually mature
appearance of the youngster to legitimize the (now illegal) sexual vm: HUSTLER CHILD "SEX
exploitationofan underage youth, Playboy knowingly used this nude EDUCATION" PHOTOGRAPHS
photo of Natassja Kinski at 17 years of age. The use of voluntarily 33) Incest/Child Molestation (1176, p. 82). Arguably, the small
nude young "actresses" further undermines the sensitivity of renders boy has been manually stimulated to erection for Ibis illegal,
regarding tbe capability of young persons, sucb as IS-year-old "spontaneous" photo essay, implying the barndessness of mother and
Penthouse pet Tracy Lords (9/84), to give cOnsent to their irreversible son sex.
appearance in public sex displays. The Alrorney General's pending 34) Child Assault (2175, P. 68). This exteusive photo essay picllll'e!
Jesislation will require a 21-year-age-<>f-ronsent cap for nudelsex a nude young girl with a clothed middJe.a8ed man. The youngster ha!
models. Not surprisingly, the cap is opposed by the sex industry. not attained puhic hair as yet, or it has been removed to suggest •
29) "Pseudo-Child" (4/76, cover). Fantasizing child sex for the mucb younger child.•
reader, Playboy dresses the explicit, sexually seductive, half-nude 35) Scout Display (10176). Hustler often dresses their child or
adult in a white virginal petticoat, black patent Mary Jane sboes and adult sex models in Brownie, Girl Scout, Camp Fire Girl, Candy
white tights, finishing with a little-girl blond hair-do. She sits on a Stripe uniforms, etc., in photo-essays. Based upon general n:search
white bedroom rocker, encircled by child symbols in her pink, blue conducted on "paired stimuli" (See discussion in Volume I of the
and white waUpapered bedroom. Clutching her (surrogate Pioyboy "Reisman Report"), genitallanal displays of nude young models
render) white "bunny" to her full breastandsurrounded by hersmall dressed in children's uniforms would place some snch uniformed
crushable, vulnerable pastel-rolored dolls and stuffed animals, sbe children at increased risk of assault from associationaUy stimulated
pres out at the reader with a Iitde-girl, "come-hither" pout. Similar normal and pedophile juvenile and adult renders.
semi-nade child-adults are now regular features in sexually explicit
magarines, films and videos. (Note thatthis April 1967 Pioyboy is the 36) Child Sex Display (8/83). The "litde girl" is displayed
magazine our two little children are examining on tbe Washingtonian genitally and anaIIy. Allegedly an adult, the text claims, "You would
cover.) be surprised what a 1itd. girl can do.....' As always, thesephtots
Several medical and photo-moDtage experts examined this cover. systematically hlur the social, physical, and emotiunal dislinclioll!
Each independently concluded that two, perhaps three bodies were between female children and adults as appropriate sexual targets fOl
combined to create this cut-arul-paste female image. The child normal and pedophilejuvenUe and adult readers. This photo repeats
clothing and props were all carefully designed to create cluld arousal the same sex educative cartoon ioformalion discussed earlier,
stimuli by blurring perceptual distinctions between child and adult suggesting thatadult-cllild sexlviolence is fun and barmIess physically
females. As in cartoons, technically deceptive photos suggest to hoth and emotiouallY for even the youngest of cbildren.
normal and pedophile juvenile and adult readers that the child is a 'NOtE: CbiId Surrogates: the increased use of Slliived remate
woman and the woman is a child and thus hoth children and woman genitalia in all three magazines continues to simulate cluldren as sex
may be envisioned as appropriate sexual ~ects. objects for thestimulatioD of both normal and pedophile juvenUeand
30) "Peeping" (11171, p.174). An ostensibly natural, "private" adult readers.
scene of two nude youths in love provides public entertainment for The following 36 cartoons and photos are numbered as pel
Playboy viewers. This may be said to undermine the sensitivity of foregoing discriptions.
14
1. Playboy: 9172, p. 195, Artist: Unknown 2, Playboy: 12170, p. 296, Artist: Unknown
uHaTold~ a.ren't yotl going to give )IOUT sweet (LThal was strong grass! I've got visions of
old grandmother any pot?" sugar plums Mncing in my head."
~
....- . . Jl
~-
"It W,", • fan/a.llc partyl There was graat COKe, 'Ludes, pol. ·"It·s fair enough. The little 'quirt borrow,
group aex, and Merge mixed the moslfabulou. guacamole dlpl" OUT car, we borrow his pot.'1
15
5. Playboy: 3/72. p. 163. Artist: Ffolkes 6. Playboy: 5174, p. 205. Artist: Folkes
,~:;
"Bul fllSt of .11. we h .... to "ElIIIrythlng'll fin., Momm •• Uncle WIII18m and I are
and th.t coots $40." playing. gam. ",,"od consoquencH."
7. Playboy: 10171, p. 166, Artist: Interlandi 8. Playboy: 3/78. p. 231, Artist: Ffolkes
17
14. Hustler: 2179. p. 85. Artist: Kohl
19
21. Playboy: 7/85. p. 133, Photo: Unknown 22. Playboy: 11n1. p. 120, Photo: Smith
"Young Glfl"...[and hIIf} "Rubber Ducky.· In"",,! ("Com. on Strong. Big Dllddy")
23. Playboy: 8nS, p. (AD), Photo: Unknown 24. Playboy: 7/81, p. 108, Photo: Hamilton
HowonefamllylOlYeclltsillsdpllneprolillm
"Thl.,. Jane. Whlln .hIIl. nlc•••h. I. very nloo.
aut when .~.,. n,ughty••h. hI. to ba pufli4Md." Simula!ed LlObl.nllncNt
20
17-y••r-old N"d. Display
30. Playboy: 11171, p. 174. Photo: Unknown
22
33. Hustler: 1176, p. 82, Photo: Unknown 34. Hust/sr: 2175, p. 68, Photo: Unknown
23
SELECTED FINDINGS
Child Depictions Adult Crime and Violence Depictions
Basic Facls: Basic Facts:***
49% (2,971) photographs 42% (6,273) photographs
34% (2,016) cartoons 36% (5,338) cartoons
17% (1,017) illustrations 22% (3,243) illustrations
PRINCIPAL AND OTHER
CHILD CHARACTER VICTIM AND OFFENDER
Wh.", Depicted Where ""plcled
47% female 49% male 46% male 54% male
32% male SEX 35% female 43% female SEX 22% female
21% both/othet 16% bothlother 11 %bothlothet 24% boch/other
39\\\ 3·11 years 78% adults 66% 18-39 years 57% 18-39 years
26% 12-17 years 7% 3-11 years 15% 4(J.6() years 17% 4(J.6() yeatS
16% fetus-2 years A.GE 7% 12·17 years 3% 61 + years A.GE 3% 61 + years
14% pseudo children (') 6% unspecified 16% uuspe(:/mixed 23% unspe(:/mixed
5% unspecified 2% fetus.2 years
85% Caucasian 85% Caucasian 85% Caucasian 82% Caucasian
3% Black RACE 3% Black 2% Black RA CE 2% Black
12% Other minority 12% Other minority 13% Other minority 16% Other minority
Sample Cbi1d Depictions (Nonadditive) Sample CrIme and Violence Depictions: (Nonadditive
29% nude/geoital display (visuals only) S6% violent props (VISuals only)
21 %visually exposed/sexualized 32% nude andlor sexualized victims
20% genital activity 14% killing/murder
16% sexual encounter with adult 14% assault/battery
10% force 12% sex dealingIprostitution
10% kiUinglmurder/maiming 12% violent sex ad
6% internal genital ("pink") exposure (visuals only coded) 12% other violent activity
4% sex with aoimalslobje(:ts 11 %white collar crime
Share of Crime and Violence Depictions by Magazine
Share or CbiId Depictions by Magulne·· Playboy. 21 avg/issue (12% of cartoons/visuals)
Ployboy. 8 avg/issue (5% of Playboy cartoons/visuals) Penthouse: 16 avglissue (10% of cartoons/visuals)
l'e1u1uJuse: 6 avg/issue (4% of Penthouse cartoons/visuals) Hustler. 32 avglissue (26% of cartoons/visuals)
HJUtler. 14 avg/issue (12% of Hus/kr cartoons/visuals) .Playboy highest year. 1976 (N=490, or 41per issue)
Playboy highest year: 1971 (N=187, or 16 per issue) Penthouse highest year: 1980 (N=271, or 23 per issue)
Pelllhouse highest year: 1972 (N=13I, or 11 per issue) Hustkr highest year: 1984 (N=S68, or 47 per issue)
HJUtler highest year: 1978 (N=228, or 19 per issue)
AGGREGATE SHARE OF CHILDREN,
Over 9,000 scenarios in Playboy, Pelllhouse and Hustler were CRIME AND VIOLENCE BY MAGAZINE
identified as depicting characters under 18 years of age. From this Playboy. 29 average per issue
population pool, a mere 6,004 scenarios met the project's unusually Penthouse: 22 average per issue
narrow criteria for the analysis of child depictions." HJUtler. 46 average per issue
• The description of "pseudo-child" provided in the Attorney appear to be children or youtbs.'Models used in such publications are
General's Commission on Pornngraphy (1986, Vol. I, p. 618) reads: cbosen for their yoothful appearance (e.•• in females, slim build and
"PlielllkK1hild pornngraphyor 'teasers' involve women allegedly over small breast); and are presented with various accountremenlS
the age of eighteen who are 'presented in such a way as to make them designed to erthance the illusion of immaturity (e.g., hair in ponytails
or ringlets, toys. teddy bears, etc.). 'PIIelJdo.clrild pornography' is of
The Imtitute for Media Education Non-Profit Org. concern since it may appeal to the same tastes and may evoke
80.7404
Artington. VA = U. S. Postage
Paid
Binningham, AL
responses similar or identical to those elicited by true child por-
nography." .
Permit No. 60 •• For ratiooale of estimates, see OvervIew 0/ProJIICl (Volume I),
Table I, "Average Total Number of Features Per Magazine," and
Table II, "Average Number of Cartoons and Visuals Per Issue
Containing Child Imagery" (pp. 95·96) .
••• For ratiooale of 1inal14,854 estimate, (originally 14,692) see
OvervIew ProJecl (Volume I). Table I, "Average Total Number of
Features Per MagazIne" (p. 95), and Tables "Crime and Violence
Data" (p. 133). "eriale and Violence <MIoon Data" (p. 134), and
"Crime and Violence Vilual Data" (p. 137).