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Mambo Jambo | PDF | Latin American Music | Cuban Music
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Mambo Jambo

This musical composition is titled "Mambo Jambo". It contains notation and musical symbols throughout, indicating that it is a piece of sheet music. The sheet music contains multiple sections with changing time signatures, tempos, and instrumentation. It transitions between upbeat mambo-style sections and slower melodic sections. The sheet music provides the full musical composition through written notation.

Uploaded by

Giovanna Queiroz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
424 views3 pages

Mambo Jambo

This musical composition is titled "Mambo Jambo". It contains notation and musical symbols throughout, indicating that it is a piece of sheet music. The sheet music contains multiple sections with changing time signatures, tempos, and instrumentation. It transitions between upbeat mambo-style sections and slower melodic sections. The sheet music provides the full musical composition through written notation.

Uploaded by

Giovanna Queiroz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Mambo Jambo

Subtítulo

                  
Perez Prado /arr. Naohiro Iwai

    

 = 140
     

         
        
      
11

 
  
      
           
   
19

     
    
              
 
22

    
               
                
25

  

 
  
      
                 
29

                 


33
         
      
 

                   
         
     
37


       
41


              
     
To Coda

  
45 1. 2.


    
                
2

  
51

     
             
1. 2.


57

            
   
61


         

67 1. 2.


 
               

71


          
 
78

                                   
82

    

                  

87

  

               
          
90


           
           
94

        1.
            
                  
97
2.

 
 
3

                  
103

 

   
                        

1. 2.


111

      
   
117

   
     
 
                
 
121


 

  
      
            
125

  
    
   
129 D.S. al Coda


                      

  
131

           rit. 
  
135

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