MIDI Implementation

Model: BK-9 Date: August 30, 2013 the initial settings, this is Pitch Modulation Depth.
• Not received when MIDI “Rx” part parameters is “Off”.
Version: 1.00
{{ Portamento Time (Controller Number 5)
1. Receive Data Status
BnH
2nd byte
05H
3rd byte
vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
„„ Channel Voice Messages vv = Portamento Time:

00H-7FH (0-127),
Initial value = 00H (0)
• This adjusts the rate of pitch change when Portamento is ON or when
zzNote off using the Portamento Control. A value of 0 results in the fastest change.
Status 2nd byte 3rd byte • Not received when MIDI “Rx” part parameters is “Off”.
8nH kkH vvH
9nH kkH 00H
{{ Data Entry (Controller Number 6, 38)
Status 2nd byte 3rd byte
n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 06H mmH
kk = note number: 00H-7FH (0-127)
BnH 26H llH
vv = note off velocity: 00H-7FH (0-127)
n = MIDI channel number: 0H-FH (ch.1-ch.16)
• Not received when MIDI “Rx” part parameters is “Off” (Initial value is On).
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
zzNote on • Not received when MIDI “Rx” part parameters is “Off”.
Status 2nd byte 3rd byte
9nH kkH vvH {{ Volume (Controller Number 7)
Status 2nd byte 3rd byte
n = MIDI channel number: 0H-FH (ch.1-ch.16) BnH 07H vvH
kk = note number: : 00H-7FH (0-127)
vv = note on velocity: 01H-7FH (1-127) n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Volume: 00H-7FH (0-127),
• Not received when MIDI “Rx” part parameters is “Off” (Initial value is On). Initial Value = 64H (100)

zzPolyphonic Key Pressure • Volume messages are used to adjust the volume balance of each Part.
Status 2nd byte 3rd byte • Not received when “Volume” RX Event is off.
AnH kkH vvH • Not received when MIDI “Rx” part parameters is “Off”.
n = MIDI channel number: 0H-FH (ch.1-ch.16) •
kk = note number: 00H-7FH (0-127) {{ Pan (Controller Number 10)
vv = key pressure: 00H-7FH (0-127) Status 2nd byte 3rd byte
• The resulting effect is determined by System Exclusive messages. With BnH 0AH vvH
the initial settings, there will be no effect.
n = MIDI channel number: 0H-FH (ch.1-ch.16)
zzControl Change vv = pan: 00H-40H-7FH (Left-Center-Right),
• The value specified by a Control Change message will not be reset even Initial Value = 40H (Center)
by a Program Change, etc.
• Some Tones are not capable of being panned all the way to the left or
{{ Bank Select (Controller Number 0, 32) right.
Status 2nd byte 3rd byte • Not received when “PanPot” RX Event is Off
BnH 00H mmH • Not received when MIDI “Rx” part parameters is “Off”.
BnH 20H llH
{{ Expression (Controller Number 11)
n = MIDI channel number: 0H-FH (ch.1-ch.16) Status 2nd byte 3rd byte
mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1- BnH 0BH vvH
bank.16384),
Initial Value = 00 00H (bank.1) n = MIDI channel number: 0H-FH (ch.1-ch.16)
• Bank Select processing will be suspended until a Program Change vv = Expression: 00H-7FH (0-127),
message is received. Initial Value = 7FH (127)
• Not received when “Program Change” Rx Event is Off
• Not received when MIDI “Rx” part parameters is “Off”. • This adjusts the volume of a Part. It can be used independently from
Volume messages. Expression messages are used for musical expression
{{ Modulation (Controller Number 1) within a performance; e.g., expression pedal movements, crescendo and
Status 2nd byte 3rd byte decrescendo.
BnH 01H vvH • Not received when “Expression” RX Event is Off.)
• Not received when MIDI “Rx” part parameters is “Off”.
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Modulation depth: 00H-7FH (0-127) {{ Noise Level (SuperNATURAL, Controller Number 16)
Status 2nd byte 3rd byte
• Not received when Rx.MODULATION= OFF (Initial value is ON). BnH 10H vvH
• The resulting effect is determined by System Exclusive messages. With n = MIDI channel number: 0H-FH (ch.1-ch.16)

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MIDI Implementation
vv = Control Value: 00H-7FH (0-127), {{ Filter Resonance (Controller Number 71)
Initial Value = 00H (0) Status 2nd byte 3rd byte
• Not received when MIDI “Rx” part parameters is “Off”. BnH 47H vvH
• Not received when the “Other CC” parameter of the MIDI “Rx Event” n = MIDI channel number: 0H-FH (ch.1-ch.16)
group is “Off” vv= Resonance value (relative change): 00H-7FH(-64 - 0 -+63),
Initial value = 40H (no change)
{{ Play Stability (SuperNATURAL , Controller Number 17) • Some Tones will not exhibit any change.
Status 2nd byte 3rd byte • Not received when MIDI “Rx” part parameters is “Off”.
BnH 11H vvH • Not received when the “Other CC” parameter of the MIDI “Rx Event”
n = MIDI channel number: 0H-FH (ch.1-ch.16) group is “Off”
vv = Control Value: 00H-7FH (0-127),
Initial Value = 00H (0) {{ Release Time (Controller Number 72)
• Not received when MIDI “Rx” part parameters is “Off”. Status 2nd byte 3rd byte
• Not received when the “Other CC” parameter of the MIDI “Rx Event” BnH 48H vvH
group is “Off” n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Release Time value (relative change): 00H-7FH(-64 - 0 -+63),
{{ Growl Sens (SuperNATURAL , Controller Number 18) Initial value = 40H (no change)
Status 2nd byte 3rd byte • Some Tones will not exhibit any change.
BnH 12H vvH • Not received when MIDI “Rx” part parameters is “Off”.
n = MIDI channel number: 0H-FH (ch.1-ch.16) • Not received when the “Other CC” parameter of the MIDI “Rx Event”
vv = Control Value: 00H-7FH (0-127), group is “Off”
Initial Value = 00H (0)
• Not received when MIDI “Rx” part parameters is “Off”. {{ Attack Time (Controller Number 73)
• Not received when the “Other CC” parameter of the MIDI “Rx Event” Status 2nd byte 3rd byte
group is “Off” BnH 49H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
{{ Hold 1 (Controller Number 64) vv = Attack time value (relative change): 00H-7FH(-64 - 0 -+63),
Status 2nd byte 3rd byte Initial value=40H (no change)
BnH 40H vvH • Some Tones will not exhibit any change.
• Not received when MIDI “Rx” part parameters is “Off”.
n = MIDI channel number: 0H-FH (ch.1-ch.16) • Not received when the “Other CC” parameter of the MIDI “Rx Event”
vv = Control Value: 00H-7FH (0-127), group is “Off”
Initial Value = 00H (0)
• Not received when “Hold” RX Event is Off. {{ Cutoff (Controller Number 74)
• Not received when MIDI “Rx” part parameters is “Off”. Status 2nd byte 3rd byte
BnH 4AH vvH
{{ Portamento (Controller Number 65) n = MIDI channel number: 0H-FH (ch.1-ch.16)
Status 2nd byte 3rd byte vv = Cutoff value (relative change): 00H-7FH(-64 - 0 - +63),
BnH 41H vvH Initial value = 40H (no change)
n = MIDI channel number: 0H-FH (ch.1-ch.16) • Some Tones will not exhibit any change.
vv = Control Value: 00H~7FH (0~127) 0~63= OFF, • Not received when MIDI “Rx” part parameters is “Off”.
64~127=ON • Not received when the “Other CC” parameter of the MIDI “Rx Event”
• Not received when MIDI “Rx” part parameters is “Off”. group is “Off”
• Not received when the “Other CC” parameter of the MIDI “Rx Event”
group is “Off” {{ Decay Time (Controller Number 75)
Status 2nd byte 3rd byte
{{ Sostenuto (Controller Number 66) BnH 4BH vvH
Status 2nd byte 3rd byte n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 42H vvH vv = Decay Time value (relative change): 00H-7FH(-64 - 0 -+63),
n = MIDI channel number: 0H-FH (ch.1-ch.16) Initial value = 40H (no change)
vv = Control value: 00H-7FH (0-127) • Some Tones will not exhibit any change.
0-63 = OFF, 64-127 = ON • Not received when MIDI “Rx” part parameters is “Off”.
• Not received when “Sostenuto” RX Event is Off. • Not received when the “Other CC” parameter of the MIDI “Rx Event”
• Not received when MIDI “Rx” part parameters is “Off”. group is “Off”

{{ Soft (Controller Number 67) {{ Vibrato Rate (Controller Number 76)

Status 2nd byte 3rd byte Status 2nd byte 3rd byte
BnH 43H vvH BnH 4CH vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16) n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127) vv = Vibrato Rate value (relative change): 00H-7FH(-64 - 0 -+63),
• Not received when “Soft” RX Event is Off. Initial value = 40H (no change)
• Not received when MIDI “Rx” part parameters is “Off”. • Some Tones will not exhibit any change.
• Some Tones will not exhibit any change. • Not received when MIDI “Rx” part parameters is “Off”.
• Not received when the “Other CC” parameter of the MIDI “Rx Event”
{{ Hold 2 (Controller Number 69) group is “Off”
Status 2nd byte 3rd byte
BnH 45H vvH {{ Vibrato Depth (Controller Number 77)
n = MIDI channel number: 0H-FH (ch.1-ch.16) Status 2nd byte 3rd byte
vv = Control value: 00H-7FH (0-127) BnH 4DH vvH
• Not received when “Hold” RX Event is Off. n = MIDI channel number: 0H-FH (ch.1-ch.16)
• Not received when MIDI “Rx” part parameters is “Off”. vv = Vibrato Depth Value (relative change): 00H-7FH(-64 - 0 -+63),
Initial Value = 40H (no change)
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 MIDI Implementation
• Some Tones will not exhibit any change. 80 40 40 Note off E4 E4 off
• Not received when MIDI “Rx” part parameters is “Off”.
• Not received when the “Other CC” parameter of the MIDI “Rx {{ Effect 1 (Reverb Send Level) (Controller Number 91)
Event” group is “Off” Status 2nd bytes 3rd byte
BnH 5BH vvH
{{ Vibrato Delay (Controller Number 78)
Status 2nd byte 3rd byte n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 4EH vvH vv = Control value : 00H-7FH (0-127)
n = MIDI channel number: 0H-FH (ch.1-ch.16) •
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 -+63), • This message adjusts the Reverb Send Level of each Part.
Initial value=40H (no change) • Not received when “Reverb” RX Event is Off.
• Some SuperNatural Tones will not exhibit any change. • Not received when MIDI “Rx” part parameters is “Off”.
• Not received when MIDI “Rx” part parameters is “Off”.
• Not received when the “Other CC” parameter of the MIDI “Rx {{ Effect 3 (Chorus Send Level) (Controller Number 93)
Event” group is “Off” Status 2nd byte 3rd byte
BnH 5DH vvH
{{ Staccato (SuperNATURAL, Controller Number 80)
Status 2nd byte 3rd byte n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 50H vvH vv = Control value: 00H-7FH (0-127)
n = MIDI channel number: 0H-FH (ch.1-ch.16) Initial Value = 00H (0)
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 - +63), • This message adjusts the Chorus Send Level of each Part.
Initial value=40H (no change) • Not received when “Chorus” RX Event is Off.
• Some SuperNatural Tones will not exhibit any change. • Not received when MIDI “Rx” part parameters is “Off”.
• Not received when MIDI “Rx” part parameters is “Off”.
• Not received when the “Other CC” parameter of the MIDI “Rx {{ NRPN MSB/LSB (Controller Number 99, 98)
Event” group is “Off” Status 2nd byte 3rd byte
BnH 63H mmH
{{ Fall (SuperNATURAL, Controller Number 81) BnH 62H llH
Status 2nd byte 3rd byte n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 51H vvH mm = upper byte (MSB) of the parameter number specified by NRPN
n = MIDI channel number: 0H-FH (ch.1-ch.16) ll = lower byte (LSB) of the parameter number specified by NRPN
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 - +63),
Initial value=40H (no change) • The value set by NRPN will not be reset even if Program Change or Reset All
• Some SuperNatural Tones will not exhibit any change. Controllers is received.
• Not received when MIDI “Rx” part parameters is “Off”. • Not received when “NRPN” RX Event is Off.
• Not received when the “Other CC” parameter of the MIDI “Rx • Not received when MIDI “Rx” part parameters is “Off”.
Event” group is “Off”
**NRPN**
{{ Portamento Control (Controller Number 84) The NRPN (Non Registered Parameter Number) message allows an extended
Status 2nd byte 3rd byte range of control changes to be used. On the BK-9, NRPN messages can be used to
BnH 54H kkH modify sound parameters, etc.
n = MIDI channel number: 0H-FH (ch.1-ch.16) To use these messages, you must first use NRPN MSB and NRPN LSB messages
kk = source note number: 00H-7FH (0-127) to specify the parameter to be controlled, and then use Data Entry messages to
specify the value of the specified parameter. Once an NRPN parameter has been
• A Note-on received immediately after a Portamento Control specified, all Data Entry messages received on that channel will modify the value
message will change continuously in pitch, starting from the pitch of that parameter. To prevent accidents, it is recommended that you set RPN
of the Source Note Number. Null (RPN Number = 7FH/7FH) when you have finished setting the value of the
• If a voice is already sounding for a note number identical to the desired parameter. On the BK-9, Data entry LSB (Controller number 38) of NRPN
Source Note Number, this voice will continue sounding (i.e., is ignored, so it is no problem to send Data entry MSB (Controller number 6) only
legato) and will, when the next Note-on is received, smoothly (without Data entry LSB).
change to the pitch of that Note-on.
• The rate of the pitch change caused by Portamento Control is On this instrument, NRPN can be used to modify the following parameters.
determined by the Portamento Time value.
• Not received when MIDI “Rx” part parameters is “Off”. NRPN Data entry
• Not received when the “Other CC” parameter of the MIDI “Rx MSB LSB MSB Description
Event” group is “Off” 01H 08H mmH Vibrato Rate (relative change) mm: 0EH-40H-72H
(-50 - 0 - +50)
Example 1. 01H 09H mmH Vibrato Depth (relative change) mm: 0EH-40H-72H
On MIDI Description Result (-50 - 0 - +50)
90 3C 40 Note on C4 C4 on 01H 0AH mmH Vibrato Delay (relative change) mm: 0EH-40H-72H
B0 54 3C Portamento no change (C4 voice still (-50 - 0 - +50)
sounding) 01H 20H mmH TVF Cutoff Frequency (relative change)
Control from C4 mm: 0EH-40H-72H (-50 - 0 - +50)
90 40 40 Note on E4 glide from C4 to E4 01H 21H mmH TVF Resonance (relative change)
80 3C 40 Note off C4 no change mm: 0EH-40H-72H (-50 - 0 - +50)
80 40 40 Note off E4 E4 off 01H 63H mmH TVF &TVA Envelope AttackTime (relative change) mm:
0EH-40H-72H (-50 - 0 - +50)
Example 2. 01H 64H mmH TVF &TVA Envelope DecayTime (relative change) mm:
On MIDI Description Result 0EH-40H-72H (-50 - 0 - +50)
B0 54 3C Portamento no change 01H 66H mmH TVF &TVA Envelope ReleaseTime (relative change) mm:
Control from C4 0EH-40H-72H (-50 - 0 - +50)
90 40 40 Note on E4 E4 is played with glide from
C4 to E4
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MIDI Implementation

MSB LSB MSB Description MSB LSB MSB Description

18H rrH mmH Drum Instrument Pitch Coarse (relative change) 4FH 21h mmH Master Volume Upper (1-2-3) On /
rr: Drum Instrument note number mm: 00H~7FH (00-3FH=Off - 40-7FH= On)
mm: 00H~40H~7FH (-64~0~+63 semitone) 4FH 22H mmH Master Volume Lower (1-2) On / Off
1AH rrH mmH Drum InstrumentTVA Level (absolute change) mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
rr: Drum Instrument note number 4FH 23H mmH Master Volume Bass (Acc./Man.Bass) On / Off
mm: 00H~7FH (0~max) mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
1CH rrH mmH Drum Instrument Panpot (absolute change) 4FH 24H mmH Master Volume Bass (Acc.Drums) On / Off
rr: Drum Instrument note number mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
mm: 00H, 01H~40H~7FH (random, left~center~ right)
• Part On/Off NRPN messages are received on the Basic MIDI Channel.
1DH rrH mmH Drum Instr. Reverb Send (absolute change)
rr: Drum Instrument note number
mm: 00H~7FH (0~max) {{ RPN MSB/LSB (Controller Number 101, 100)
1EH rrH mmH Drum Instr. Chorus Send (absolute change) Status 2nd byte 3rd byte
rr: Drum Instrument note number BnH 65H mmH
mm: 00H~7FH (0~max) BnH 64H llH
60H rrH mmH Equalizer Switch n = MIDI channel number: 0H-FH (ch.1-ch.16)
rr: Drum Instrument note number mm = upper byte (MSB) of parameter number specified by RPN
mm: 00H~02H (Global, Instrument, Off ) ll = lower byte (LSB) of parameter number specified by RPN
61H rrH mmH Equalizer Low Frequency
rr: Drum Instrument note number • Not received when Rx. RPN = OFF. (Initial value is ON)
mm: 00H~05H (90, 150, 180, 300, 360, 600Hz) • The value specified by RPN will not be reset even by messages such as
62H rrH mmH Equalizer Low Gain Program Change or Reset All Controller.
rr: Drum Instrument note number • Not received when MIDI “Rx” part parameters is “Off”.
mm: 00H~1EH (–15~0~+15dB)
63H rrH mmH Equalizer Mid Frequency rr: Drum Instrument note **RPN**
number mm: 00H~10H (200, 250, 315, 400, 500, 630, The RPN (Registered Parameter Number) messages are expanded control
800, 1000, 1250, 1600, 2000, 2500, 3150, 4000,5000, changes, and each function of an RPN is described by the MIDI Standard.
6300, 8000Hz) To use these messages, you must first use RPN MSB and RPN LSB messages
64H rrH mmH Equalizer Mid Gain to specify the parameter to be controlled, and then use Data Entry
rr: Drum Instrument note number messages to specify the value of the specified parameter. Once an RPN
mm: 00H~1EH (–15~0~+15dB) parameter has been specified, all Data Entry messages received on that
65H rrH mmH Equalizer Mid Gain channel will modify the value of that parameter. To prevent accidents, it is
rr: Drum Instrument note number recommended that you set RPN Null (RPN Number = 7FH/7FH) when you
mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0) have finished setting the value of the desired parameter.
66H rrH mmH Equalizer High Frequency Refer to Section “Examples of Actual MIDI Messages” (p. 24).
rr: Drum Instrument note number
mm: 00H~06H (1500, 2000, 3000, 4000, 6000, 8000, On this instrument, RPN can be used to modify the following parameters.
12000Hz)
67H rrH mmH Equalizer High Gain RPN Data entry
rr: Drum Instrument note number
MSB LSB MSB LSB Explanation
mm: 00H~1EH (–15~0~+15dB)
4FH 10H mmH Part 4 On / Off ( Upper 1) 00H 00H mmH --- Pitch Bend Sensitivity mm: 00H-18H (0-24
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) semitones), InitialValue = 02H (2 semitones) ll:
4FH 11H mmH Part 11 On / Off (Lower1) ignored (processed as 00h) specify up to 2 octaves
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) in semitone steps
4FH 12H mmH Part 12 On / Off ( Man Bass) 00H 01H mmH llH Master FineTuning mm, ll: 00 00H - 40 00H - 7F 7FH
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) (-100 - 0 - +99.99 cents), InitialValue = 40 00H (0
4FH 13H mmH Part 6 On / Off ( Upper 2) cent) ll: ignored (processed as 00h) specify up to 2
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) octaves in semitone steps Refer to 4. Supplemen-
4FH 25H mmH Part 13 On / Off ( Upper 3) tary Material, “AboutTuning”
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) 00H 02H mmH --- Master CoarseTuning mm: 28H - 40H - 58H (-24
4FH 27H mmH Part 14 On / Off ( Lower 2) - 0 - +24 semitones), InitialValue = 40H (0 cent) ll:
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) ignored (processed as 00h)
4FH 26H mmH Part 15 On / Off ( Melody Int.) 00H 05H mmH llH Modulation Depth Range mm: 00H - 04H (0 - 4
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) semitones) ll: 00H - 7FH (0 - 100 cents) 100/128
4FH 18H mmH Part 8 On / Off ( Acc 5) Cent/Value
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) 7FH 7FH --- --- RPN null Set condition where RPN and NRPN are
4FH 19H mmH Part 9 On / Off ( Acc 6) unspecified.The data entry messages after set RPN
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) null will be ignored. (No Data entry messages are
4FH 1AH mmH Part 10 On / Off ( Acc Drums ) required after RPN null). Settings already made will
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) not change. mm, ll: ignored
4FH 1BH mmH Part 2 On / Off ( Acc Bass)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) zzProgram Change
4FH 1CH mmH Part 1 On / Off ( Acc 1) Status 2nd byte
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) CnH ppH
4FH 1DH mmH Part 3 On / Off (Acc2)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) n = MIDI channel number: 0H-FH (ch.1-ch.16)
4FH 1EH mmH Part 5 On / Off ( Acc3) pp = Program number: 00H-7FH (prog.1-prog.128)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 1FH mmH Part 7 On / Off ( Acc 4 )
• Not received when “Program Change” RX Event is Off.
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
• Not received when MIDI “Rx” part parameters is “Off”.
4FH 20H mmH Master Accompaniment On / Off
• After a Program Change message is received, the sound will change
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
beginning with the next Note-on. Voices already sounding when the
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 MIDI Implementation
Program Change message was received will not be affected. n = MIDI channel number: 0H-FH (ch.1-ch.16)
• The same processing will be carried out as when All Notes Off is received.

zzChannel Pressure zzOMNI ON (Controller Number 125)

Status 2nd byte Status 2nd byte 3rd byte
DnH vvH BnH 7DH 00H
n = MIDI channel number: 0H-FH (ch.1-ch.16) n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Channel Pressure : 00H-7FH (0-127)
• Not received when “Caf” RX Event is Off. • OMNI ON is only recognized as “All notes off”; the Mode doesn’t change
• Not received when MIDI “Rx” part parameters is “Off”. (OMNI OFF remains).
• The resulting effect is determined by System Exclusive messages. With
the initial settings there will be no effect. zzMONO (Controller Number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH
zzPitch Bend Change n = MIDI channel number: 0H-FH (ch.1-ch.16)
Status 2nd byte 3rd byte mm = mono number : 00H-10H (0-16)
EnH llH mmH • The same processing will be carried out as when All Sounds Off and All
Notes Off is received, and the corresponding channel will be set to Mode
n = MIDI channel number: 0H-FH (ch.1-ch.16) 4 (M = 1) regardless of the value of “mono number.”
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH
(-8192 - 0 - +8191) zzPOLY (Controller Number 127)
Status 2nd byte 3rd byte
• Not received when “Pitch Bender ” RX Event is Off. (Initial value is ON) BnH 7FH 00H
• Not received when MIDI “Rx” part parameters is “Off”. n = MIDI channel number: 0H-FH (ch.1-ch.16)
• The resulting effect is determined by System Exclusive messages. With • The same processing will be carried out as when All Sounds Off and All
the initial settings the effect is Pitch Bend. Notes Off is received, and the corresponding channel will be set to Mode
3.

„„ Channel Mode Messages

„„ System Realtime Message
zzAll Sounds Off (Controller number 120)
Status 2nd byte 3rd byte zzActive Sensing
BnH 78H 00H Status
n = MIDI channel number: 0H-FH (ch.1-ch.16) FEH
• When Active Sensing is received, the unit will begin monitoring the
• When this message is received, all currently-sounding notes on the intervals of all further messages. While monitoring, if the interval
corresponding channel will be turned off immediately. between messages exceeds 420 ms, the same processing will be carried
out as when All Sounds Off, All Notes Off and Reset All Controllers are
received, and message interval monitoring will be halted
zzReset All Controllers (Controller Number 121)
Status 2nd byte 3rd byte
BnH 79H 00H zzTiming Clock
n = MIDI channel number: 0H-FH (ch.1-ch.16) Status
F8H
• When this message is received, the following controllers will be set to • STYLE: Received when Sync RX is On and the Sync Mode Style RX
their reset values. parameter (MIDI\Edit\System) is set to AUTO or MIDI.
• SONG: Received when Sync RX is On and the Sync Mode Song RX
Controller Reset value parameter (MIDI\Edit\System) is set to AUTO or MIDI.
Pitch Bend Change ±0 (Center) • When “Timing Clock” message is received, the Style or Song is
Polyphonic Key Pressure 0 (off ) synchronized to an external clock according to the following table. Song/
Channel Pressure 0 (off ) Style Sync RX Response
Modulation 0 (off ) Internal A Style/Song will neither start/stop nor follow the tempo
Expression 127 (max) of the external Timing Clock (F8) and “Start /Stop” (FA/FC)
Hold 1 0 (off ) messages.
Portamento 0 (off ) Auto If a Style/Song receives MIDI “Start/Stop” (FA/FC), it will
Sostenuto 0 (off ) follow Internal or External clock, depending on whether
Soft 0 (off ) “MIDI Clock” (F8) messages are received.
RPN unset; previously set data will not change MIDI If a Style/Song receives MIDI “Start/Stop” (FA/FC) it will
NRPN unset; previously set data will not change follow External “MIDI Clock” (F8) messages and herefore
wait until they are received.
Remote If a Style/Song receives MIDI “Start/Stop” (FA/FC) it will
zzAll Notes Off (Controller Number 123) follow only Internal tempo and thus ignore incoming “MIDI
Status 2nd byte 3rd byte Clock” (F8) messages
BnH 7BH 00H
n = MIDI channel number: 0H-FH (ch.1-ch.16)
zzStart
• When All Notes Off is received, all notes on the corresponding channel Status
will be turned off. However if Hold 1 or Sostenuto is ON, the sound will FAH
be continued until these are turned off. • STYLE: Received when Sync RX is On and the Sync Mode Style RX
parameter (MENU->MIDI->Edit System) is set to AUTO, MIDI or REMOTE.
• SONG: Received when Sync RX is On and the Sync Mode Song RX
zzOMNI OFF (Controller Number 124) parameter (MENU->MIDI->Edit System) is set to AUTO, MIDI or REMOTE.
Status 2nd byte 3rd byte
BnH 7CH 00H
5
MIDI Implementation

zzContinue (Song playback only) Byte Explanation

F0H Exclusive status
Status
FBH 7EH ID number (Universal Non-realtime Message)
• Received when Sync RX is On and the Sync Mode Song RX parameter 7FH Device ID (Broadcast)
(MENU->MIDI->Edit System->Sync->Mode) is set to Auto, MIDI or 09H Sub ID#1 (General MIDI Message)
Remote. 03H Sub ID#2 (General MIDI 2 On)
• When a “Continue” message is received, the Song continues playing from F7H EOX (End Of Exclusive)
the current position • When this message is received, this instrument will be able to receive the
messages specified by General MIDI 2, and use the General MIDI 2
zzStop • soundmap.
Status • There must be an interval of at least 50 ms between this message and
FCH the next.
• STYLE: Received when Sync RX is On and the Sync Mode Style RX • Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
parameter (MENU->MIDI->Edit System->Sync->Mode) is set to AUTO, >Parameters) is OFF.
MIDI or REMOTE. • Only for the Song parts
• SONG: Received when Sync RX is On and the Sync Mode Song RX
parameter (MENU->MIDI->Edit System->Sync->Mode) is set to Auto, {{ GM System Off
MIDI or Remote. “GM System Off” is a command message that resets the internal state of
• When a “Stop” message is received, the Style or Song stops playing. this instrument from the GM state to its native condition. This instrument
will reset to the GS default state.
Status Data byte Status
„„ System Common Messages F0H 7EH, 7FH, 09H, 02H F7H

zzSong Position Pointer Byte Explanation

Status 2nd byte 3rd byte F0H Exclusive status
F2H XXH YYH 7EH ID number (Universal Non-realtime Message)
XX= Song Position ( Bar ) LSB 7FH Device ID (Broadcast)
YY= Song Position ( Bar ) MSB 09H Sub-ID#1 (General MIDI message)
02H Sub-ID#2 (General MIDI Off )
F7H EOX (End of exclusive)
zzSystem Exclusive Message • There must be an interval of at least 50 ms between this message and
Status Data byte Status the next.
F0H iiH, ddH, ......, eeH F7H • Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
F0H: System Exclusive Message status >Parameters) is OFF.
ii = ID number: An ID number (manufacturer ID) to • Only for the Song parts
indicate the manufacturer whose Exclusive message
this is. Roland’s manufacturer ID is 41H. ID numbers 7EH {{ GS reset
and 7FH are extensions of the MIDI standard; Universal GS Reset is a command message that resets the internal settings of a
Non-realtime Messages (7EH) and Universal Realtime device to the GS initial state. This message appears at the beginning of GS
Messages (7FH). music data, and a GS device that receives this message will automatically
dd,...,ee = data: 00H-7FH (0-127) be set to the proper state to correctly play back GS music data.
F7H: EOX (End Of Exclusive) Status Data byte Status
The System Exclusive Messages received by this instrument are; messages F0H 41H, 10H, 42H, 12H, 40H, F7H
related to mode settings, Universal Realtime System Exclusive messages, 00H - 7FH, 00H, 41H
Universal Non-realtime System Exclusive messages and Data Set (DT1)
Byte Explanation
{{ GM1 System On F0H Exclusive status
This is a command message that resets the internal settings of the unit to 41H ID number (Roland)
the General MIDI initial state (General MIDI System-Level 1). 10H Device ID
Status Data byte Status (dev: 00H-1FH (1-32), Initial value is 10H (17))
F0H 7EH, 7FH, 09H, 01H F7H 42H Model ID (GS)
12H Command ID (DT1)
Byte Explanation 40H Address MSB
F0H Exclusive status 00H Address
7EH ID number (Universal Non-realtime Message) 7FH Address LSB
7FH Device ID (Broadcast) 00H Data (GS reset)
09H Sub ID#1 (General MIDI Message) 41H Checksum
01H Sub ID#2 (General MIDI 1 On) F7H EOX (End Of Exclusive)
F7H EOX (End Of Exclusive) • When this message is received, Rx. NRPN will be ON.
• When this message is received, Rx. BANK SELECT will be OFF and Rx. • There must be an interval of at least 50 ms between this message and
NRPN will be OFF. the next.
• There must be an interval of at least 50 ms between this message and • Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
the next. >Parameters) is OFF
• Not received when RX SYSEX parameter (MENU->MIDI->Edit System-> • Only for the Song parts
Parameters) is OFF.
• Only for the Song parts {{ Exit GS Mode
“Exit GS Mode” resets the internal settings of the unit to Arranger Mode I
{{ GM2 System On initial state .
This is a command message that resets the internal settings of the unit to Status Data byte Status
the General MIDI initial state (General MIDI System-Level 2). F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, F7H
Status Data byte Status 7FH, 42H
F0H 7EH 7FH 09H 03H F7H
Byte Explanation
6
 MIDI Implementation
F0H
41H
Exclusive status
ID number (Roland)
zzGlobal Parameter Control (Song parts)
Parameters of the Global Parameter Control are newly provided for the
dev Device ID (dev: 00H~1FH (1~32) Initial value is General MIDI 2.
10H(17))
42H Model ID (GS)
12H Command ID (DT1)
{{ Reverb Parameters
Status Data byte Status
40H Address MSB
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
00H Address
01H, 01H, 01H, ppH, vvH
7FH AddressLSB
Byte Explanation
7FH Data (Exit GS Mode)
F0H Exclusive status
42H Checksum
7FH ID number (Universal Realtime Message)
F7H EOX (End Of Exclusive)
7FH Device ID (Broadcast)
• There must be an interval of at least 100 ms between this message and
04H Sub ID#1 (Device Control)
the next message.
05H Sub ID#2 (Global Parameter Control)
• Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
01H Slot path length
>Parameters) is OFF.
01H Parameter ID width
• Only for the Song parts
01H Value width
zzUniversal Realtime System Exclusive Messages 01H Slot path MSB
01H Slot path LSB (Effect 0101: Reverb)
{{ Master volume ppH Parameter to be controlled.
Status Data byte Status
vvH Value for the parameter.
F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H
F7H EOX (End Of Exclusive)
pp=0 Reverb Type
Byte Explanation
vv = 00H Small Room (Room1)
F0H Exclusive status
vv = 01H Medium Room (Room2)
7FH ID number (universal realtime message)
vv = 02H Large Room (Room3)
7FH Device ID (Broadcast)
vv = 03H Medium Hall (Hall1)
04H Sub ID#1 (Device Control messages)
vv = 04H Large Hall (Hall2)
01H Sub ID#2 (Master Volume)
vv = 08H Plate (Plate)
llH Master volume lower byte
pp=1 Reverb Time
mmH Master volume upper byte
vv = 00H - 7FH 0 - 127
F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H)
mmH: 00H - 7FH 0 - 127 {{ Chorus Parameters
• The lower byte (llH) of Master Volume will be handled as 00H. Status Data byte Status
• Not received when RX SYSEX parameter (MENU->MIDI->Edit System- F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
>Parameters) is OFF 01H, 01H, 02H, ppH, vvH
Byte Explanation
F0H Exclusive status
{{ Master Fine Tuning 7FH ID number (Universal Realtime Message)
Status Data byte Status
7FH Device ID (Broadcast)
F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
Byte Explanation
01H Slot path length
F0H Exclusive status
01H Parameter ID width
7FH ID number (Universal Realtime Message)
01H Value width
7FH Device ID (Broadcast)
01H Slot path MSB
04H Sub ID#1 (Device Control)
02H Slot path LSB (Effect 0102: Chorus)
03H Sub ID#2 (Master Fine Tuning)
ppH Parameter to be controlled.
llH Master Fine Tuning LSB
vvH Value for the parameter.
mmH Master Fine Tuning MSB
F7H EOX (End Of Exclusive)
F7H EOX (End Of Exclusive)
pp=0 Chorus Type
llH, mmH: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])
vv=0 Chorus1
• Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
vv=1 Chorus2
>Parameters) is OFF
vv=2 Chorus3
vv=3 Chorus4
{{ Master Coarse Tuning vv=4 FB Chorus
Status Data byte Status vv=5 Flanger
F0H 7FH, 7FH, 04H, 04H, llH, mmH F7H pp=1 Mod Rate
Byte Explanation vv= 00H - 7FH 0 - 127
F0H Exclusive status pp=2 Mod Depth
7FH ID number (Universal Realtime Message) vv = 00H - 7FH 0 - 127
7FH Device ID (Broadcast) pp=3 Feedback
04H Sub ID#1 (Device Control) vv = 00H - 7FH 0 - 127
04H Sub ID#2 (Master Coarse Tuning) pp=4 Send To Reverb
llH Master Coarse Tuning LSB vv = 00H - 7FH 0 - 127
mmH Master Coarse Tuning MSB
F7H EOX (End Of Exclusive)
{{ Channel Pressure
llH: ignored (processed as 00H)
Status Data byte Status
mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])
F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H
• Not received when RX SYSEX parameter (MENU->MIDI->Edit System-
>Parameters) is OFF
Byte Explanation
F0H Exclusive status

7
MIDI Implementation
7FH
7FH
ID number (Universal Realtime Message)
Device ID (Broadcast) 2. Transmitted Data
09H Sub ID#1 (Controller Destination Setting)
01H Sub ID#2 (Channel Pressure)
0nH MIDI Channel (00 - 0F) „„ Channel Voice Messages
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive) zzNote Off
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones] Status 2nd byte 3rd byte
pp=1 Filter Cutoff Control 8nH kkH vvH
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control n = MIDI channel number: 0H-FH (ch.1-ch.16)
rr = 00H - 7FH 0 - 200 [%] kk = note number: 00H-7FH (0-127)
pp=3 LFO Pitch Depth vv = note off velocity: 00H-7FH (0-127)
rr = 00H - 7FH 0 - 600 [cents] • Not transmitted when MIDI “Tx” part parameters is “Off” .
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents] zzNote On
pp=5 LFO Amplitude Depth Status 2nd byte 3rd byte
rr = 00H - 7FH 0 - 100 [%] 9nH kkH vvH

{{ Controller n = MIDI channel number: 0H-FH (ch.1-ch.16)

Status Data byte Status kk = note number: 00H-7FH (0-127)
F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, F7H vv = note on velocity: 01H-7FH (1-127)
ppH, rrH • Not transmitted when MIDI “Tx” part parameters is “Off”

Byte Explanation zzControl Change

F0H Exclusive status {{ Bank Select (Controller Number 0, 32)
7FH ID number (Universal Realtime Message) Status 2nd byte 3rd byte
7FH Device ID (Broadcast) BnH 00H mmH
09H Sub ID#1 (Controller Destination Setting) BnH 20H llH
03H Sub ID#2 (Control Change)
0nH MIDI Channel (00 - 0F) n = MIDI channel number: 0H-FH (ch.1-ch.16)
ccH Controller number (01 - 1F, 40 - 5F) mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1
ppH Controlled parameter bank.16384)
rrH Controlled range • Not transmitted when MIDI “Tx” part parameters is “Off”.
F7H EOX (End Of Exclusive) • Not transmitted when the “Program Change” parameter of the MIDI “Tx
pp=0 Pitch Control Event” group is “Off”
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control {{ Modulation (Controller number 1)
rr = 00H - 7FH -9600 - +9450 [cents] Status 2nd byte 3rd byte
pp=2 Amplitude Control BnH 01H vvH
rr = 00H - 7FH 0 - 200 [%]
pp=3 LFO Pitch Depth n = MIDI channel number: 0H-FH (ch.1-ch.16)
rr = 00H - 7FH 0 - 600 [cents] vv = Control value: 00H-7FH (0-127)
pp=4 LFO Filter Depth • Not transmitted when MIDI “Tx” part parameters is “Off”.
rr = 00H - 7FH 0 - 2400 [cents] • Not transmitted when the “Modulation” parameter of the MIDI “Tx Event”
pp=5 LFO Amplitude Depth group is “Off”
rr = 00H - 7FH 0 - 100 [%]
{{ Portamento Time (Controller number 5)
{{ Scale/Octave Tuning Adjust Status 2nd byte 3rd byte
Status Data byte Status BnH 05H vvH
F0H 7EH, 7FH, 08H, 08H, ffH, ggH, F7H n = MIDI channel number: 0H-FH (ch.1-ch.16)
hhH, ssH... vv = Control value: 00H-7FH (0-127)
• This adjusts the rate of pitch change when Portamento is ON or when
Byte Explanation using the Portamento Control. A value of 0 results in the fastest change.
F0H Exclusive status • Not transmitted when MIDI “Tx” part parameters is “Off”.
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast) {{ Data Entry (Controller number 6, 38)
08H Sub ID#1 (MIDI Tuning Standard) Status 2nd byte 3rd byte
08H Sub ID#2 (scale/octave tuning 1-byte form) BnH 06H vvH
ffH Channel/Option byte1 BnH 26H vvH
bits 0 to 1 = channel 15 to 16 n = MIDI channel number: 0H-FH (ch.1-ch.16)
bit 2 to 6 = Undefined vv = Control value: 00H-7FH (0-127)
ggH Channel byte2 mm, ll = the value of the parameter specified by RPN/NRPN
bits 0 to 6 = channel 8 to 14 mm = MSB, ll = LSB
hhH Channel byte3 • Not transmitted when MIDI “Tx” part parameters is “Off”.
bits 0 to 6 = channel 1 to 7
ssH 12 byte tuning offset of 12 semitones from C to B
{{ Volume (Controller Number 7)
00H = -64 [cents]
Status 2nd byte 3rd byte
40H = 0 [cents] (equal temperament)
BnH 07H vvH
7FH = +63 [cents]
F7H EOX (End Of Exclusive)
8
 MIDI Implementation
n = MIDI channel number: 0H-FH (ch.1-ch.16)
{{ Portamento (Controller Number 65)
vv = Volume: 00H-7FH (0-127), Initial Value = 64H
Status 2nd byte 3rd byte
(100)
BnH 41H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
• Not transmitted when MIDI “Tx” parameters is “Off”.
vv = Control Value: 00H~7FH (0~127) 0~63= OFF, 64~127=ON
• Not transmitted when the “Volume” parameter of the MIDI “Tx Event”
• Not transmitted when MIDI “Tx” parameters is “Off”.
group is “Off”
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
group is “Off”
{{ Pan (Controller Number 10)
Status 2nd byte 3rd byte
{{ Sostenuto (Controller Number 66)
BnH 0AH vvH
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = pan: 00H-40H-7FH (Left-Center-Right),
vv = Control value: 00H, 7FH (0, 127) 0 = OFF, 127 = ON
Initial Value = 40H (Center)
• Not transmitted when MIDI “Tx” parameters is “Off”.
• Not transmitted when the “Sostenuto” parameter of the MIDI “Tx Event”
• Some Tones are not capable of being panned all the way to the left or
group is “Off”
right.
• Not transmitted when MIDI “Tx” parameters is “Off”.
• Not transmitted when the “Panpot” parameter of the MIDI “Tx Event” {{ Soft (Controller Number 67)
group is “Off” Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
{{ Expression (Controller number 11) vv = Control value: 00H-7FH (0-127)
Status 2nd byte 3rd byte
• Not transmitted when MIDI “Tx” parameters is “Off”.
BnH 0BH vvH
• Not transmitted when the “Soft” parameter of the MIDI “Tx Event” group
is “Off”
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
• Not transmitted when MIDI “Tx” parameters is “Off”. {{ Hold 2 (Controller Number 69)
• Not transmitted when the “Expression” parameter of the MIDI “Tx Event” Status 2nd byte 3rd byte
group is “Off” BnH 45H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
{{ Noise Level (SuperNATURAL, Controller Number 16) • Not transmitted when MIDI “Tx” parameters is “Off”.
Status 2nd byte 3rd byte
• Not transmitted when the “Hold” parameter of the MIDI “Tx Event” group
BnH 10H vvH
is “Off”
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control Value: 00H-7FH (0-127), Initial Value = 00H
(0) {{ Filter Resonance (Controller Number 71)
• Not transmitted when MIDI “Tx” parameters is “Off”. Status 2nd byte 3rd byte
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” BnH 47H vvH
group is “Off” n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv= Resonance value (relative change): 00H-7FH(-64 - 0 - +63),
Initial value = 40H (no change)
{{ Play Stability (SuperNATURAL , Controller Number 17) • Not transmitted when MIDI “Tx” parameters is “Off”.
Status 2nd byte 3rd byte
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
BnH 11H vvH
group is “Off”
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control Value: 00H-7FH (0-127), Initial Value = 00H (0)
• Not transmitted when MIDI “Tx” parameters is “Off”. {{ Release Time (Controller Number 72)
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” Status 2nd byte 3rd byte
group is “Off” BnH 48H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Release Time value (relative change): 00H-7FH(-64 - 0 - +63),
{{ Growl Sens (SuperNATURAL , Controller Number 18) Initial value = 40H (no change)
Status 2nd byte 3rd byte
• Not transmitted when MIDI “Tx” parameters is “Off”.
BnH 12H vvH
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
n = MIDI channel number: 0H-FH (ch.1-ch.16)
group is “Off”
vv = Control Value: 00H-7FH (0-127), Initial Value = 00H
(0)
• Not transmitted when MIDI “Tx” parameters is “Off”. {{ Attack Time (Controller Number 73)
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” Status 2nd byte 3rd byte
group is “Off” BnH 49H vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Attack time value (relative change): 00H-7FH(-64 - 0 - +63),
{{ Hold 1 (Controller Number 64) Initial value=40H (no change)
Status 2nd byte 3rd byte
• Not transmitted when MIDI “Tx” parameters is “Off”.
BnH 40H vvH
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
group is “Off”
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Control value: 00H-7FH (0-127)
• Not transmitted when MIDI “Tx” parameters is “Off”. {{ Cutoff (Controller Number 74)
• Not transmitted when the “Hold” parameter of the MIDI “Tx Event” group Status 2nd byte 3rd byte
is “Off” BnH 4AH vvH
n = MIDI channel number: 0H-FH (ch.1-ch.16)
vv = Cutoff value (relative change): 00H-7FH(-64 - 0 - +63),

9
MIDI Implementation
Initial value = 40H (no change) • Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
• Not transmitted when MIDI “Tx” parameters is “Off”. group is “Off”
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
group is “Off” {{ Effect 1 (Reverb Send Level) (Controller Number 91)
Status 2nd byte 3rd byte
{{ Decay Time (Controller Number 75) BnH 5BH vvH
Status 2nd byte 3rd byte
BnH 4BH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16)
n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127)
vv = Decay Time value (relative change): 00H-7FH(-64 - 0 - • Not transmitted when MIDI “Tx” parameters is “Off”.
+63), • Not transmitted when the “Reverb” parameter of the MIDI “Tx Event”
Initial value = 40H (no change) group is “Off”
• Not transmitted when MIDI “Tx” parameters is “Off”.
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” {{ Effect 3 (Chorus Send Level) (Controller Number 93)
group is “Off” Status 2nd byte 3rd byte
BnH 5DH vvH
{{ Vibrato Rate (Controller Number 76)
Status 2nd byte 3rd byte n = MIDI channel number: 0H-FH (ch.1-ch.16)
BnH 4CH vvH vv = Control value: 00H-7FH (0-127), Initial Value = 00H
n = MIDI channel number: 0H-FH (ch.1-ch.16) (0)
vv = Vibrato Rate value (relative change): 00H-7FH(-64 - 0 - +63),
Initial value = 40H (no change) • This message adjusts the Chorus Send Level of each Part.
• Not transmitted when MIDI “Tx” parameters is “Off”. • Not transmitted when MIDI “Tx” parameters is “Off”.
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” • Not transmitted when the “Chorus” parameter of the MIDI “Tx Event”
group is “Off” group is “Off”

{{ Vibrato Depth (Controller Number 77) {{ NRPN MSB/LSB (Controller Number 99, 98)
Status 2nd byte 3rd byte Status 2nd byte 3rd byte
BnH 4DH vvH BnH 63H mmH
n = MIDI channel number: 0H-FH (ch.1-ch.16) BnH 62H llH
vv = Vibrato Depth Value (relative change): 00H-7FH(-64 - 0 - +63), n = MIDI channel number: 0H-FH (ch.1-ch.16)
Initial Value = 40H (no change) mm = upper byte (MSB) of the parameter number specified by NRPN
• Not transmitted when MIDI “Tx” parameters is “Off”. ll = lower byte (LSB) of the parameter number specified by NRPN
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
group is “Off” • Not transmitted when MIDI “Tx” parameters is “Off”.
• Not transmitted when the “NRPN” parameter of the MIDI “Tx Event”
{{ Vibrato Delay (Controller Number 78) group is “Off”
Status 2nd byte 3rd byte
BnH 4EH vvH **NRPN**
n = MIDI channel number: 0H-FH (ch.1-ch.16) The NRPN (Non Registered Parameter Number) message allows you to use
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 - +63), an extended range of control changes, which are not defined by the MIDI
Initial value=40H (no change) specification.
• Not transmitted when MIDI “Tx” parameters is “Off”. NRPNs provide a great deal of freedom, and can be used with any
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” manufacturer’s devices. As a result, any particular parameter number
group is “Off” can easily mean one thing when used for a certain device, and mean
something completely different on another device.
Note that RPNs and NRPNs require that a multiple number of messages
{{ Staccato (SuperNATURAL, Controller Number 80)
be processed in the correct order. However, a majority of the sequencers
Status 2nd byte 3rd byte
currently on the market cannot always be relied on to consistently send
BnH 50H vvH
messages in the proper order if the messages are located at almost exactly
n = MIDI channel number: 0H-FH (ch.1-ch.16)
the same point in time.
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 - +63),
On GS instruments, NRPN can be used to modify the following parameters.
Initial value=40H (no change)
The range of values for relative change parameters will be different with
• Not transmitted when MIDI “Tx” parameters is “Off”.
certain models. Please see the explanation that follows the chart:
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event”
group is “Off”
NRPN Data entry

{{ Fall (SuperNATURAL, Controller Number 81) MSB LSB MSB Description

Status 2nd byte 3rd byte 01H 08H mmH Vibrato Rate (relative change) mm: 0EH-40H-72H
BnH 51H vvH (-50 - 0 - +50)
n = MIDI channel number: 0H-FH (ch.1-ch.16) 01H 09H mmH Vibrato Depth (relative change) mm: 0EH-40H-72H
vv = Vibrato Delay value (relative change): 00H-7FH(-64 - 0 - +63), (-50 - 0 - +50)
Initial value=40H (no change) 01H 0AH mmH Vibrato Delay (relative change) mm: 0EH-40H-72H
• Not transmitted when MIDI “Tx” parameters is “Off”. (-50 - 0 - +50)
• Not transmitted when the “Other CC” parameter of the MIDI “Tx Event” 01H 20H mmH TVF Cutoff Frequency (relative change)
group is “Off” mm: 0EH-40H-72H (-50 - 0 - +50)
01H 21H mmH TVF Resonance (relative change)
mm: 0EH-40H-72H (-50 - 0 - +50)
{{ Portamento Control (Controller Number 84) 01H 63H mmH TVF &TVA Envelope AttackTime (relative change) mm:
tatus 2nd byte 3rd byte
0EH-40H-72H (-50 - 0 - +50)
BnH 54H kkH
01H 64H mmH TVF &TVA Envelope DecayTime (relative change) mm:
n = MIDI channel number: 0H-FH (ch.1-ch.16)
0EH-40H-72H (-50 - 0 - +50)
kk = source note number: 00H-7FH (0-127)
• Not transmitted when MIDI “Tx” parameters is “Off”.
10
 MIDI Implementation

MSB LSB MSB Description

01H 66H mmH TVF &TVA Envelope ReleaseTime (relative change) mm:
{{ RPN MSB/LSB (Controller Number 101, 100)
Status 2nd byte 3rd byte
0EH-40H-72H (-50 - 0 - +50)
18H rrH mmH Drum Instrument Pitch Coarse (relative change) BnH 65H mmH
rr: Drum Instrument note number BnH 64H llH
mm: 00H~40H~7FH (-64~0~+63 semitone) n = MIDI channel number: 0H-FH (ch.1-ch.16)
1AH rrH mmH Drum InstrumentTVA Level (absolute change) mm = upper byte (MSB) of parameter number specified by RPN
rr: Drum Instrument note number ll = lower byte (LSB) of parameter number specified by RPN
mm: 00H~7FH (0~max)
1CH rrH mmH Drum Instrument Panpot (absolute change) • Not transmitted when “RPN” TX Event is Off.
rr: Drum Instrument note number • Not transmitted when MIDI “Tx” part parameters is “Off”.
mm: 00H, 01H~40H~7FH (random, left~center~ right)
1DH rrH mmH Drum Instr. Reverb Send (absolute change) *RPN**
rr: Drum Instrument note number The RPN (Registered Parameter Number) messages are expanded control
mm: 00H~7FH (0~max) changes, and each function of an RPN is described by the MIDI Standard.
1EH rrH mmH Drum Instr. Chorus Send (absolute change) On the BK-7m, RPN can be used to modify the following parameters.
rr: Drum Instrument note number On this instrument, RPN can be used to modify the following parameters.
mm: 00H~7FH (0~max)
60H rrH mmH Equalizer Switch RPN Data entry
rr: Drum Instrument note number MSB LSB MSB LSB Explanation
mm: 00H~02H (Global, Instrument, Off ) 00H 00H mmH --- Pitch Bend Sensitivity mm: 00H-18H (0-24
61H rrH mmH Equalizer Low Frequency
semitones), InitialValue = 02H (2 semitones) ll:
rr: Drum Instrument note number
ignored (processed as 00h) specify up to 2 octaves
mm: 00H~05H (90, 150, 180, 300, 360, 600Hz)
in semitone steps
62H rrH mmH Equalizer Low Gain
00H 01H mmH llH Master FineTuning mm, ll: 00 00H - 40 00H - 7F 7FH
rr: Drum Instrument note number
(-100 - 0 - +99.99 cents), InitialValue = 40 00H (0
mm: 00H~1EH (–15~0~+15dB)
cent) ll: ignored (processed as 00h) specify up to 2
63H rrH mmH Equalizer Mid Frequency rr: Drum Instrument note
octaves in semitone steps Refer to 4. Supplemen-
number mm: 00H~10H (200, 250, 315, 400, 500, 630,
tary Material, “AboutTuning”
800, 1000, 1250, 1600, 2000, 2500, 3150, 4000,5000,
00H 02H mmH --- Master CoarseTuning mm: 28H - 40H - 58H (-24
6300, 8000Hz)
- 0 - +24 semitones), InitialValue = 40H (0 cent) ll:
64H rrH mmH Equalizer Mid Gain
ignored (processed as 00h)
rr: Drum Instrument note number
00H 05H mmH llH Modulation Depth Range mm: 00H - 04H (0 - 4
mm: 00H~1EH (–15~0~+15dB)
semitones) ll: 00H - 7FH (0 - 100 cents) 100/128
65H rrH mmH Equalizer Mid Gain
Cent/Value
rr: Drum Instrument note number
7FH 7FH --- --- RPN null Set condition where RPN and NRPN are
mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0)
unspecified.The data entry messages after set RPN
66H rrH mmH Equalizer High Frequency
null will be ignored. (No Data entry messages are
rr: Drum Instrument note number
required after RPN null). Settings already made will
mm: 00H~06H (1500, 2000, 3000, 4000, 6000, 8000,
not change. mm, ll: ignored
12000Hz)
67H rrH mmH Equalizer High Gain
rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB) zzProgram Change
4FH 10H mmH Part 4 On / Off ( Upper 1) Status 2nd byte
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) CnH ppH
4FH 11H mmH Part 11 On / Off (Lower1)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) n = MIDI channel number: 0H-FH (ch.1-ch.16)
4FH 12H mmH Part 12 On / Off ( Man Bass) pp = Program number: 00H~0DH: Treble Register 1~14
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) 00H~1BH: Orchestra Register 1~28
4FH 13H mmH Part 6 On / Off ( Upper 2) 00H~06H: Bass/Free Bass/Orch.Bass/
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) Orch Chord, Orch Free Bass Register 1~7
4FH 25H mmH Part 13 On / Off ( Upper 3) 00H~63H: Set 1~100
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) • Not transmitted when MIDI “Tx” parameters is “Off”.
4FH 27H mmH Part 14 On / Off ( Lower 2) • Not transmitted when the “Program Change” parameter of the MIDI “Tx
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) Event” group is “Off”
4FH 26H mmH Part 15 On / Off ( Melody Int.)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 18H mmH Part 8 On / Off ( Acc 5) zzPitch Bend Change
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) Status 2nd byte 3rd byte
4FH 19H mmH Part 9 On / Off ( Acc 6) EnH IIH mmH
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 1AH mmH Part 10 On / Off ( Acc Drums ) n = MIDI channel number: 0H-FH (ch.1-ch.16)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) mm, ll= Pitch Bend value: 00 00H~40 00H~7F 7FH (–8192~0~+8191)
4FH 1BH mmH Part 2 On / Off ( Acc Bass) • Not transmitted when MIDI “Tx” parameters is “Off”.
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On) • Not transmitted when the “Pitch Bender ” parameter of the MIDI “Tx
4FH 1CH mmH Part 1 On / Off ( Acc 1) Event” group is “Off”
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 1DH mmH Part 3 On / Off (Acc2)
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 1EH mmH Part 5 On / Off ( Acc3)
„„ Channel Mode Messages
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
4FH 1FH mmH Part 7 On / Off ( Acc 4 )
zzMONO (Controller number 126)
Status 2nd byte 3rd byte
mm: 00H~7FH (00-3FH=Off - 40- 7FH= On)
BnH 7FH mmH
11
MIDI Implementation
n= MIDI channel number: 0H~FH (Ch.1~16) standard; Universal Non-realtime Messages (7EH) and
mm= mono number: 00H~10H (0~16) Universal Realtime Messages (7FH).
• The corresponding channel is set to Mode 4 (M= 1). dd,...,ee= data: 00H~7FH (0~127)
F7H: EOX (End Of Exclusive)
• Not transmitted when “Tx Sysex” parameter (MENU->MIDI->EDIT
zzPOLY (Controller number 127) System->Parameter) is OFF.
Status 2nd byte 3rd byte
BnH 7EH mmH {{ GS reset
n= MIDI channel number: 0H~FH (Ch.1~16) GS Reset is a message that resets the internal settings of a device to the GS
• The corresponding channel is set to Mode 3. initial state. This message appears at the beginning of GS music data, and a
GS device that receives this message will automatically be set to the
„„ System Realtime Message proper state to correctly play back GS music data.
Status Data byte Status
F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, F7H
zzRealtime Clock 00H, 41H
Status Byte Explanation
F8H F0H Exclusive status
• STYLE: Transmitted when MENU->MIDI->Edit System->Sync->”Rhythm 41H ID number (Roland)
Clock Tx” parameter is “On”. dev Device ID (dev: 00H~1FH (1~32),
• SONG: Transmitted when MENU->MIDI->Edit System->Sync->”SMF Clock Initial value is 10H (17))
Tx” parameter is “On”. 42H Model ID (GS)
12H Command ID (DT1)
zzStart 40H Address MSB
Status 00H Address
FAH 7FH Address LSB
• STYLE: Transmitted when MENU->MIDI->Edit System->Sync->”Rhythm 00H Data (GS reset)
Start/Stop Tx” parameter is “On”. 41H Checksum
• SONG: Transmitted when MENU->MIDI->Edit System->Sync->”SMF Start/ F7H EOX (End Of Exclusive)
Stop Tx” parameter is “On”.
• Not transmitted when TX SYSEX parameter (MENU/MIDI/EDIT/System/
zzContinue (Song playback only) Param) is OFF.
Status
FBH
• STYLE: Transmitted when MENU->MIDI->Edit System->Sync->”Rhythm
Start/Stop Tx” parameter is “On”.
3. Individual Parameters transmission
• SONG: Transmitted when MENU->MIDI->Edit System->Sync->”SMF Start/ Individual Parameter Transmission transmits data (or requests data) for
Stop Tx” parameter is “On”. one parameter as one exclusive message (one packet of “F0 ..... F7”).
• This message is transmitted when the sequencer is not started from the In Individual Parameter Transmission, you must use the Address and Size
beginning. listed in the following “Parameter Address Map.” Addresses marked at “#”
cannot be used as starting addresses.
zzStop
Status
FCH „„ System Exclusive messages
• STYLE: Transmitted when MENU->MIDI->Edit System->Sync->”Rhythm Data Set 1 (DT1) is the only System Exclusive messages transmitted by the
Start/Stop Tx” parameter is “On”. BK-9.
• SONG: Transmitted when MENU->MIDI->Edit System->Sync->”SMF Start/
Stop Tx” parameter is “On”. zzData set 1 DT1 (12H)
Status Data byte Status
F0H 41H, dev, 42H, 12H, aaH, bbH, F7H
zzActive Sensing ccH, ddH, ... eeH, sum
Status Byte Explanation
FEH F0H Exclusive status
• This will be transmitted constantly at intervals of approximately 250 ms. 41H ID number (Roland)
dev Device ID (dev: 00H~1FH, Initial value is 10H)
42H Model ID (GS)
„„ System Common Messages 12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the
zzSong Position Point data to be sent
Status 2nd byte 3rd byte bbH Address: middle byte of the starting address of the data
F2H XXH YYH to be sent
XX= Song Position ( Bar ) LSB ccH Address LSB: lower byte of the starting address of the
YY= Song Position ( Bar ) MSB data to be sent.
• Transmitted when MENU->MIDI->Edit System->Sync->”SMF Position Tx” ddH Data: the actual data to be sent. Multiple bytes of data
parameter is “On”. are transmitted in order starting from the address.
::
eeH Data
„„ System Exclusive Messages sum Checksum
Status Data byte Status F7H EOX (End Of Exclusive)
F0H iiH, ddH, ......,eeH F7H • The amount of data that can be transmitted at one time depends on the
F0H: System Exclusive Message status type of data, and data will be transmitted from the specified starting
ii= ID number: an ID number (manufacturer ID) to address and size.
indicate the manufacturer whose Exclusive message • Data larger than 128 bytes will be divided into packets of 128 bytes or
this is. Roland ‘s manufacturer ID is 41H. less, and each packet will be sent at an interval of about 40 ms.
ID numbers 7EH and 7FH are extensions of the MIDI • Regarding the checksum, please refer to on page “Example of an
12
 MIDI Implementation
Exclusive Message and Calculating a Checksum” (p. 24).

zzPatch parameters
{{ Patch Common parameters
Parameters related to the system of the device are called System Parameters.

Address(H) Size(H) Data (H) Parameter Description Default Value (H) Description
40 00 00 00 00 04 0018~07E8 MASTER TUNE -100.0~+100.0 [cents] 00 04 00 00 0 [cents]
40 00 01# Use nibblized data.
40 00 02#
40 00 03#
• Refer to section “5. Supplementary Material” , “About Tuning” (p. 24)
40 00 04 00 00 01 00~7F MASTER VOLUME 0~127 7F 127
(= F0 7F 7F 04 01 00 vv F7)
40 00 05 00 00 01 28~58 MASTER KEY-SHIFT -24~+24 [semitones] 40 0 [semitones]
40 00 06 00 00 01 01~7F MASTER PAN -63 (LEFT)~+63 (RIGHT) 40 0 (CENTER)
40 00 7F 00 00 01 00 MODE SET 00 = GS Reset (Rx. only)
40 01 30 00 00 01 00~07 REVERB MACRO 00: Room 1 04 Hall 2
01: Room 2
02: Room 3
03: Hall 1
04: Hall 2
05: Plate
06: Delay
07: Panning Delay
40 01 31 00 00 01 00~07 REVERB CHARACTER 0~7 04 4
40 01 32 00 00 01 00~07 REVERB PRE-LPF 0~7 00 0
40 01 33 00 00 01 00~7F REVERB LEVEL 0~127 40 64
40 01 34 00 00 01 00~7F REVERB TIME 0~127 40 64
40 01 35 00 00 01 00~7F REVERB DELAY FEEDBACK 0~127 00 0
40 01 37 00 00 01 00~7F REVERB PREDELAY TIME 0~127 [ms] 00 0
• REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each
reverb parameter will be set to their most suitable value.
• REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the
same number.

Address(H) Size(H) Data (H) Parameter Description Default Value (H) Description
40 01 38 00 00 01 00~07 CHORUS MACRO 00: Chorus 1 02 Chorus 3
01: Chorus 2
02: Chorus 3
03: Chorus 4
04: Feedback Chorus
05: Flanger
06: Short Delay
07: Short Delay(FB
40 01 39 00 00 01 00~07 CHORUS PRE-LPF 0~7 00 0
40 01 3A 00 00 01 00~7F CHORUS LEVEL 0-127 40 64
40 01 3B 00 00 01 00~7F CHORUS FEEDBACK 0-127 08 8
40 01 3C 00 00 01 00~7F CHORUS DELAY 0-127 50 80
40 01 3D 00 00 01 00~7F CHORUS RATE 0-127 03 3
40 01 3E 00 00 01 00~7F CHORUS DEPTH 0-127 13 19
40 01 3F 00 00 01 00~7F CHORUS SEND LEVEL TO REVERB 0-127 00 0
40 01 40 00 00 01 00~7F CHORUS SEND LEVEL TO DELAY 0-127 00 0
• CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each
chorus parameter will be set to the most suitable value.

13
MIDI Implementation

{{ Patch Part parameters

The BK-9 has 21 Parts: 5 parts assigned to the Keyboard, and 16 parts for Songs.
To control Keyboard parts, use the address [50 nX nn].
• (The Keyboard parts cannot be controlled via MIDI IN socket using the address [50 nX nn]. These parts can be controlled by System Exclusive messages
located in a SMF songs only (using the using the address [50 nX nn]). The SMF songs must be played by BK-9 internal song player)
To control Song parts, use the address [40 nX nn].
The 21 Parts are:

Keyboard Parts Song Parts

SysEx X=
Track Name MIDI Channel Track Name MIDI Channel
1 ---- ---- 1 Part 1 1 X=1
2 ---- ---- 2 Part 2 2 X=2
3 ---- ---- 3 Part 3 3 X=3
4 Upper 1 4 4 Part 4 4 X=4
5 ---- ---- 5 Part 5 5 X=5
6 Upper 2 6 6 Part 6 6 X=6
7 ---- ---- 7 Part 7 7 X=7
8 ---- ---- 8 Part 8 8 X=8
9 ---- ---- 9 Part 9 9 X=9
10 ---- ---- 10 Part 10 10 X=0
11 Lower 11 11 Part 11 11 X=A
12 M. Bass 12 12 Part 12 12 X=B
13 ---- ---- 13 Part 13 13 X=C
14 ---- ---- 14 Part 14 14 X=D
15 Melody Intelligent 15 15 Part 15 15 X=E
16 ---- ---- 16 Part 16 16 X=F

Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description
40 1x 00 00 00 02 00~7F TONE NUMBER CC#00VALUE 0~127 00 0
40 1x 01# 00~7F P.C.VALUE 1~128 00 1
40 1x 02 00 00 01 00~10 Rx. CHANNEL 1~16, OFF Same as the Part Number
40 1x 03 00 00 01 00~01 Rx. PITCH BEND OFF/ON 01 ON
40 1x 04 00 00 01 00~01 Rx. CH PRESSURE (CAf ) OFF/ON 01 ON
40 1x 05 00 00 01 00~01 Rx. PROGRAM CHANGE OFF/ON 01 ON
40 1x 06 00 00 01 00~01 Rx. CONTROL CHANGE OFF/ON 01 ON
40 1x 07 00 00 01 00~01 Rx. POLY PRESSURE(PAf ) OFF/ON 01 ON
40 1x 08 00 00 01 00~01 Rx. NOTE MESSAGE OFF/ON 01 ON
40 1x 09 00 00 01 00~01 Rx. RPN OFF/ON 01 ON
40 1x 0A 00 00 01 00~01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*)
40 1x 0B 00 00 01 00~01 Rx. MODULATION OFF/ON 01 ON
40 1x 0C 00 00 01 00~01 Rx.VOLUME OFF/ON 01 ON
40 1x 0D 00 00 01 00~01 Rx. PANPOT OFF/ON 01 ON
40 1x 0E 00 00 01 00~01 Rx. EXPRESSION OFF/ON 01 ON
40 1x 0F 00 00 01 00~01 Rx. HOLD1 OFF/ON 01 ON
40 1x 10 00 00 01 00~01 Rx. PORTAMENTO OFF/ON 01 ON
40 1x 11 00 00 01 00~01 Rx. SOSTENUTO OFF/ON 0 1 ON
40 1x 12 00 00 01 00~01 Rx. SOFT OFF/ON 01 ON
40 1x 13 00 00 01 00~01 MONO/POLY MODE Mono/
Poly 01 Poly (=CC# 126 01/
CC# 127 00)
40 1x 15 00 00 01 00~02 USE FOR RHYTHM PART 0 = OFF OFF (Normal Part)
1 = MAP1 MAP1 (Drum Part)
2 = MAP2
40 1x 16 00 00 01 28~58 PITCH KEY SHIFT -24~+24 [semitones] 40 0 [semitones]
40 1x 17 00 00 02 08~F8 PITCH OFFSET FINE -12.0~+12.0 [Hz] 08 00 0 [Hz]
40 1x 18# Use nibblized data
• PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventiona
Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple
number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can
obtain a Celeste effect.
• Only for Song parts.
40 1x 19 00 00 01 00~7F PART LEVEL 0~127 64 100
(=CC# 7)
40 1x 1A 00 00 01 00~7F VELOCITY SENSE DEPTH 0~127 40 64
40 1x 1B 00 00 01 00~7F VELOCITY SENSE OFFSET 0~127 40 64

14
 MIDI Implementation

Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description
40 1x 1C 00 00 01 00~7F PART PANPOT -64 (Left)~+63 (Right) 40 0 (CENTER)
40 1x 1D 00 00 01 00~7F KEYBOARD RANGE LOW (C-1)~(G9) 00 C-1
40 1x 1E 00 00 01 00~7F KEYBOARD RANGE HIGH (C-1)~(G9) 7F G9
40 1x 1F 00 00 01 00~5F CC1 CONTROLLER NUMBER 0~95 10 16
40 1x 20 00 00 01 00~5F CC2 CONTROLLER NUMBER 0~95 11 17
40 1x 21 00 00 01 00~7F CHORUS SEND LEVEL 0~127 00 0
(=CC# 93)
40 1x 22 00 00 01 00~7F REVERB SEND LEVEL 0~127 28 40
(=CC# 91)
40 1x 23 00 00 01 00~01 Rx.BANK SELECT OFF/ON 01 ON
40 1x 24 00 00 01 00~01 RX BANK SELECT LSB OFF/ON 01 ON
40 1x 2A 00 00 02 00 00~40 PITCH FINETUNE -100~0~+100 [cents] 40 00 0
00~7F 7F (= RPN#1)
40 1x 2B#
40 1x 30 00 00 01 00~7F TONE MODIFY 1 -64~+63 40 0
Vibrato Rate (=NRPN# 8/CC#76)
40 1x 31 00 00 01 00~7F TONE MODIFY2 -64~+63 40 0
Vibrato Depth (=NRPN# 9/CC#77)
40 1x 32 00 00 01 00~7F TONE MODIFY3 -64~+63 40 0
TVF Cutoff Freq (=NRPN# 32/CC#74)
40 1x 33 00 00 01 00~7F TONE MODIFY4 -64~+63 40 0
TVF Resonance (=NRPN# 33/CC#71)
40 1x 34 00 00 01 00~7F TONE MODIFY5 -64~+63 40 0
TVF&TVA Env.attack (=NRPN# 99/CC#73)
40 1x 35 00 00 01 00~7F TONE MODIFY6 -64~+63 40 0
TVF&TVA Env.decay (=NRPN# 100/CC#75)
40 1x 36 00 00 01 00~7F TONE MODIFY7 -64~+63 40 0
TVF&TVA Env.release (=NRPN# 102/CC#72)
40 1x 37 00 00 01 00~7F TONE MODIFY8 -64~+63 40 0
Vibrato Delay (=NRPN# 10/CC#78)
40 1x 40 00 00 0C 00~7F SCALETUNING C -64~+63 [cents] 40 0 [cents]
40 1x 41# 00~7F SCALETUNING C# -64~+63 [cents] 40 0 [cents]
40 1x 42# 00~7F SCALETUNING D -64~+63 [cents] 40 0 [cents]
40 1x 43# 00~7F SCALETUNING D# -64~+63 [cents] 40 0 [cents]
40 1x 44# 00~7F SCALETUNING E -64~+63 [cents] 40 0 [cents]
40 1x 45# 00~7F SCALETUNING F -64~+63 [cents] 40 0 [cents]
40 1x 46# 00~7F SCALETUNING F# -64~+63 [cents] 40 0 [cents]
40 1x 47# 00~7F SCALETUNING G -64~+63 [cents] 40 0 [cents]
40 1x 48# 00~7F SCALETUNING G# -64~+63 [cents] 40 0 [cents]
40 1x 49# 00~7F SCALETUNING A -64~+63 [cents] 40 0 [cents]
40 1x 4A# 00~7F SCALETUNING A# -64~+63 [cents] 40 0 [cents]
40 1x 4B# 00~7F SCALETUNING B -64~+63 [cents] 40 0 [cents]
• SCALETUNING is a function that allows fine adjustment to the pitch of each note in the octave.The pitch of each identically-named note in all octaves will
change simultaneously. A setting of +/–0 cents (40H) is equal temperament (p. 25).
40 2x 00 00 00 01 28~58 MOD PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 01 00 00 01 00~7F MODTVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 02 00 00 01 00~7F MOD AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 03 00 00 01 00~7F MOD LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 04 00 00 01 00~7F MOD LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 05 00 00 01 00~7F MOD LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 06 00 00 01 00~7F MOD LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 07 00 00 01 00~7F MOD LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 08 00 00 01 00~7F MOD LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 09 00 00 01 00~7F MOD LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 0A 00 00 01 00~7F MOD LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
• All MOD control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91.
40 2x 10 00 00 01 40~58 BEND PITCH CONTROL 0~24 [semitones] 42 2 [semitones]
40 2x 11 00 00 01 00~7F BENDTVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 12 00 00 01 00~7F BEND AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 13 00 00 01 00~7F BEND LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 14 00 00 01 00~7F BEND LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 15 00 00 01 00~7F BEND LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 16 00 00 01 00~7F BEND LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 17 00 00 01 00~7F BEND LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 18 00 00 01 00~7F BEND LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 19 00 00 01 00~7F BEND LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 1A 00 00 01 00~7F BEND LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
• All BEND control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91
40 2x 20 00 00 01 28~58 CAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 21 00 00 01 00~7F CAfTVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 22 00 00 01 00~7F CAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 23 00 00 01 00~7F CAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 24 00 00 01 00~7F CAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 25 00 00 01 00~7F CAf LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]

15
MIDI Implementation

Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description
40 2x 26 00 00 01 00~7F CAf LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 27 00 00 01 00~7F CAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 28 00 00 01 00~7F CAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 29 00 00 01 00~7F CAf LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 2A 00 00 01 00~7F CAf LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 30 00 00 01 28~58 PAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 31 00 00 01 00~7F PAfTVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 32 00 00 01 00~7F PAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 33 00 00 01 00~7F PAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 34 00 00 01 00~7F PAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 35 00 00 01 00~7F PAf LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 36 00 00 01 00~7F PAf LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 37 00 00 01 00~7F PAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 38 00 00 01 00~7F PAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 39 00 00 01 00~7F PAf LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 3A 00 00 01 00~7F PAf LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
• All PAf control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.
40 2x 40 00 00 01 28~58 CC1 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 41 00 00 01 00~7F CC1TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 42 00 00 01 00~7F CC1 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 43 00 00 01 00~7F CC1 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 44 00 00 01 00~7F CC1 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 45 00 00 01 00~7F CC1 LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 46 00 00 01 00~7F CC1 LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 47 00 00 01 00~7F CC1 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 48 00 00 01 00~7F CC1 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 49 00 00 01 00~7F CC1 LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents
40 2x 4A 00 00 01 00~7F CC1 LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
• All CC01 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91
40 2x 50 00 00 01 28~58 CC2 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 51 00 00 01 00~7F CC2TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 52 00 00 01 00~7F CC2 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 53 00 00 01 00~7F CC2 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 54 00 00 01 00~7F CC2 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 55 00 00 01 00~7F CC2 LFO1TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 56 00 00 01 00~7F CC2 LFO1TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 57 00 00 01 00~7F CC2 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 58 00 00 01 00~7F CC2 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 59 00 00 01 00~7F CC2 LFO2TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 5A 00 00 01 00~7F CC2 LFO2TVA DEPTH 0~100.0 [%] 00 0 [%]
• • All CC02 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91
• You may not always be able to obtain the desired effect by modifying the LFO 1 and LFO 2 parameters.

16
 MIDI Implementation

4. INDIVIDUAL PARAMETER {{ Common MFX 1/2 (Tone part effects)

TRANSMISSION XV GENERATION (Model ID Offset

BK-9= 00H, 00H, 54H) Address
Data Description

Individual Parameter Transmission transmits data (or requests data) for 18 00 02 00 0aaa aaaa MFX Type (0 - 83)
one parameter as one exclusive message (one packet of “F0…F7”). 18 00 02 01 0aaa aaaa MFX Dry Send Level (0 - 127)
In Individual Parameter Transmission, you must use the Address and Size 18 00 02 02 0aaa aaaa MFX Chorus Send Level (0 - 127)
listed in the following “Parameter Address Map”. Addresses marked at “#”
18 00 02 03 0aaa aaaa MFX Reverb Send Level (0 - 127)
cannot be used as starting addresses.
18 00 02 05 0aaa aaaa MFX Control 1 Source (0 - 101) OFF, CC01 -
CC31, CC33 - CC95, BEND, AFT, SYS1 - SYS4
„„ System Exclusive messages 18 00 02 06 0aaa aaaa MFX Control 1 Sens (1 - 127)
Data Set 1 (DT1) is the only System Exclusive messages transmitted by the –63~+63
BK-9. 18 00 02 07 0aaa aaaa MFX Control 2 Source (0 - 101) OFF, CC01 -
CC31, CC33 - CC95, BEND, AFT, SYS1 - SYS4
zzData set 1 DT1 (12H) 18 00 02 08 0aaa aaaa MFX Control 2 Sens (1 - 127) -63 - +63
18 00 02 09 0aaa aaaa MFX Control 3 Source (0 - 101) OFF, CC01 -
Status Data byte(H) Status CC31, CC33 - CC95, BEND, AFT, SYS1 - SYS4
F0H 1H, dev, 00H, 00H, 54H, 12H, aaH, bbH, ccH, ddH, F7H 18 00 02 0A 0aaa aaaa MFX Control 3 Sens (1 - 127) -63 - +63
eeH, ... ffH, sum 18 00 02 0B 0aaa aaaa MFX Control 4 Source (0 - 101) OFF, CC01 -
CC31, CC33 - CC95, BEND, AFT, SYS1 - SYS4
Byte Explanation 18 00 02 0C 0aaa aaaa MFX Control 4 Sens (1 - 127) -63 - +63
F0H 1H, dev, 00H, 00H, 54H, 12H, aaH, bbH, ccH, ddH, 18 00 02 0D 000a aaaa MFX Control Assign 1 (0 - 16) OFF, 1 - 16
eeH, ... ffH, sum
18 00 02 0E 000a aaaa MFX Control Assign 2 (0 - 16) OFF, 1 - 16
F0H Exclusive status
18 00 02 0F 000a aaaa MFX Control Assign 3 (0 - 16) OFF, 1 - 16
41H D number (Roland)
18 00 02 10 000a aaaa MFX Control Assign 4 (0 - 16) OFF, 1 - 16
dev Device ID (dev: 00H ~ 1FH, Initial value is 10H)
#18 00 02 11 0000 aaaa MFX Parameter 1 (12768~52768)
00H, 00H, 54H Model ID (BK-9)
0000 bbbb –20000~+20000
12H Command ID (DT1) 0000 cccc
aaH Address MSB: upper byte of the starting address 0000 dddd
of the data to be sent #18 00 02 15 0000 aaaa MFX Parameter 2 (12768~52768)
bbH Address: middle 1 byte of the starting address of 0000 bbbb –20000~+20000
the data to be sent 0000 cccc
ccH Address: middle 2 byte of the starting address of 0000 dddd
the data to be sent #18 00 02 19 0000 aaaa MFX Parameter 3 (12768~52768)
ddH Address LSB: lower byte of the starting address 0000 bbbb –20000~+20000
of the data to be sent 0000 cccc
0000 dddd
eeH Data: the actual data to be sent. Multiple bytes
of data are transmitted in order starting from #18 00 02 1D 0000 aaaa MFX Parameter 4 (12768~52768)
the address. 0000 bbbb –20000~+20000
0000 cccc
: :
0000 dddd
ffH Data
#18 00 02 21 0000 aaaa MFX Parameter 5 (12768~52768)
sum Checksum 0000 bbbb –20000~+20000
F7H EOX (End Of Exclusive) 0000 cccc
• The amount of data that can be transmitted at one time 0000 dddd
depends on the type of data, and data will be transmitted 0000 aaaa
from the specified starting address and size. 0000 bbbb MFX Parameter 6 (12768~52768)
#18 00 02 25
• Data larger than 128 bytes will be divided into packets 0000 cccc –20000~+20000
of 128 bytes or less, and each packet will be sent at an 0000 dddd
interval of about 40 ms. 0000 aaaa
• Regarding the checksum, please refer to p. 24. 0000 bbbb MFX Parameter 7 (12768~52768)
#18 00 02 29
0000 cccc –20000~+20000
{{ Setup 0000 dddd
Offest Address: aaH bbH ccH ddh
0000 aaaa
0000 bbbb MFX Parameter 8 (12768~52768)
#18 00 02 2D
0000 cccc –20000~+20000
Offset Address Data Description
0000 dddd
01 00 00 33 0000 000a MFX 1 Switch (0 - 1) BYPASS, ON
0000 aaaa
01 00 00 34 0000 000a MFX 2 Switch (0 - 1) BYPASS, ON 0000 bbbb MFX Parameter 9 (12768~52768)
#18 00 02 31
01 00 00 3C 0000 000a MFX A Switch (0 - 1) OFF, ON 0000 cccc –20000~+20000
01 00 00 3D 0000 000a MFX B Switch (0 - 1) OFF, ON 0000 dddd
01 00 00 3E 0000 000a MFX C Switch (0 - 1) OFF, ON 0000 aaaa
0000 bbbb MFX Parameter 10 (12768~52768)
01 00 00 36 0000 000a Chorus Switch (0 - 1) OFF, ON #18 00 02 35
0000 cccc –20000~+20000
01 00 00 37 0000 000a Reverb Switch (0 - 1) OFF, ON 0000 dddd

17
MIDI Implementation

Offset Offset
Data Description Data Description
Address Address
#18 00 02 39 0000 aaaa MFX Parameter 11 (12768~52768) #18 00 02 79 0000 aaaa MFX Parameter 27 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 02 3D 0000 aaaa MFX Parameter 12 (12768~52768) #18 00 02 7D 0000 aaaa MFX Parameter 28 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 02 41 0000 aaaa MFX Parameter 13 (12768~52768) #18 00 03 01 0000 aaaa MFX Parameter 29 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 02 45 0000 aaaa MFX Parameter 14 (12768~52768) #18 00 03 05 0000 aaaa MFX Parameter 30 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 02 49 0000 aaaa MFX Parameter 15 (12768~52768) #18 00 03 09 0000 aaaa MFX Parameter 31 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 02 4D 0000 aaaa #18 00 03 0D 0000 aaaa MFX Parameter 32 (12768~52768)
0000 bbbb 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd MFX Parameter 16 (12768~52768) 0000 dddd
–20000~+20000
#18 00 02 51 0000 aaaa MFX Parameter 17 (12768~52768)
0000 bbbb –20000~+20000 {{ Common MFX A (Makeup Tools)
0000 cccc
Offset Address Data Description
0000 dddd
18 00 72 00 0aaa aaaa MFX A Type (0 - 83)
#18 00 02 55 0000 aaaa MFX Parameter 18 (12768~52768)
0000 bbbb –20000~+20000 18 00 72 01 0aaa aaaa MFX A Dry Send Level (0 - 127)
0000 cccc 18 00 72 02 0aaa aaaa MFX A Chorus Send Level (0 - 127)
0000 dddd 18 00 72 03 0aaa aaaa MFX A Reverb Send Level (0 - 127)
#18 00 02 59 0000 aaaa MFX Parameter 19 (12768~52768) 18 00 72 05 0aaa aaaa MFX A Control 1 Source (0 - 101) OFF,
0000 bbbb –20000~+20000 CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 cccc SYS1 - SYS4
0000 dddd
18 00 72 06 0aaa aaaa MFX A Control 1 Sens (1 - 127) –63~+63
#18 00 02 5D 0000 aaaa MFX Parameter 20 (12768~52768)
18 00 72 07 0aaa aaaa MFX A Control 2 Source (0 - 101) OFF,
0000 bbbb –20000~+20000
CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 cccc
SYS1 - SYS4
0000 dddd
18 00 72 08 0aaa aaaa MFX A Control 2 Sens (1 - 127) -63 - +63
#18 00 02 61 0000 aaaa MFX Parameter 21 (12768~52768)
0000 bbbb –20000~+20000 18 00 72 09 0aaa aaaa MFX A Control 3 Source (0 - 101) OFF,
0000 cccc CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 dddd SYS1 - SYS4
#18 00 02 65 0000 aaaa MFX Parameter 22 (12768~52768) 18 00 72 0A 0aaa aaaa MFX A Control 3 Sens (1 - 127) -63 - +63
0000 bbbb –20000~+20000 18 00 72 0B 0aaa aaaa MFX A Control 4 Source (0 - 101) OFF,
0000 cccc CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 dddd SYS1 - SYS4
#18 00 02 69 0000 aaaa MFX Parameter 23 (12768~52768) 18 00 72 0C 0aaa aaaa MFX A Control 4 Sens (1 - 127) -63 - +63
0000 bbbb –20000~+20000 18 00 72 0D 000a aaaa MFX A Control Assign 1(0 - 16) OFF,
0000 cccc 1 - 16
0000 dddd
18 00 72 0E 000a aaaa MFX A Control Assign 2(0 - 16) OFF,
#18 00 02 6D 0000 aaaa MFX Parameter 24 (12768~52768) 1 - 16
0000 bbbb –20000~+20000
18 00 72 0F 000a aaaa MFX A Control Assign 3(0 - 16) OFF,
0000 cccc
1 - 16
0000 dddd
18 00 72 10 000a aaaa MFX A Control Assign 4(0 - 16) OFF,
#18 00 02 71 0000 aaaa MFX Parameter 25 (12768~52768)
1 - 16
0000 bbbb –20000~+20000
0000 cccc #18 00 72 11 0000 aaaa MFX A Parameter 1 (12768~52768)
0000 dddd 0000 bbbb –20000~+20000
0000 cccc
#18 00 02 75 0000 aaaa MFX Parameter 26 (12768~52768)
0000 dddd
0000 bbbb –20000~+20000
0000 cccc #18 00 72 15 0000 aaaa MFX A Parameter 2 (12768~52768)
0000 dddd 0000 bbbb –20000~+20000
0000 cccc
0000 dddd

18
 MIDI Implementation

Offset Address Data Description Offset Address Data Description

#18 00 72 19 0000 aaaa MFX A Parameter 3 (12768~52768) #18 00 72 59 0000 aaaa MFX A Parameter 19 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 1D 0000 aaaa MFX A Parameter 4 (12768~52768) #18 00 72 5D 0000 aaaa MFX A Parameter 20 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 21 0000 aaaa MFX A Parameter 5 (12768~52768) #18 00 72 61 0000 aaaa MFX A Parameter 21 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 25 0000 aaaa MFX A Parameter 6 (12768~52768) #18 00 72 65 0000 aaaa MFX A Parameter 22 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 29 0000 aaaa MFX A Parameter 7 (12768~52768) #18 00 72 69 0000 aaaa MFX A Parameter 23 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 2D 0000 aaaa MFX A Parameter 8 (12768~52768) #18 00 72 6D 0000 aaaa MFX A Parameter 24 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 31 0000 aaaa MFX A Parameter 9 (12768~52768) #18 00 72 71 0000 aaaa MFX A Parameter 25 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 35 0000 aaaa MFX A Parameter 10 (12768~52768) #18 00 72 75 0000 aaaa MFX A Parameter 26 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 39 0000 aaaa MFX A Parameter 11 (12768~52768) #18 00 72 79 0000 aaaa MFX A Parameter 27 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 3D 0000 aaaa MFX A Parameter 12 (12768~52768) #18 00 72 7D 0000 aaaa MFX A Parameter 28 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 41 0000 aaaa MFX A Parameter 13 (12768~52768) #18 00 73 01 0000 aaaa MFX A Parameter 29 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 45 0000 aaaa MFX A Parameter 14 (12768~52768) #18 00 73 05 0000 aaaa MFX A Parameter 30 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 49 0000 aaaa MFX A Parameter 15 (12768~52768) #18 00 73 09 0000 aaaa MFX A Parameter 31 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 4D 0000 aaaa MFX A Parameter 16 (12768~52768) #18 00 73 0D 0000 aaaa MFX A Parameter 32 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 72 51 0000 aaaa MFX A Parameter 17 (12768~52768)
0000 bbbb –20000~+20000
0000 cccc {{ Common MFX B (Makeup Tools)
0000 dddd
Offset Address Data Description
#18 00 72 55 0000 aaaa MFX A Parameter 18 (12768~52768)
0000 bbbb –20000~+20000 18 00 74 00 0aaa aaaa MFX B Type (0 - 83)
0000 cccc 18 00 74 01 0aaa aaaa MFX B Dry Send Level (0 - 127)
0000 dddd 18 00 74 02 0aaa aaaa MFX B Chorus Send Level (0 - 127)
18 00 74 03 0aaa aaaa MFX B Reverb Send Level (0 - 127)

19
MIDI Implementation

Offset Address Data Description Offset Address Data Description

18 00 74 05 0aaa aaaa MFX B Control 1 Source (0 - 101) OFF, #18 00 74 39 0000 aaaa MFX B Parameter 11 (12768~52768)
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 bbbb –20000~+20000
SYS1 - SYS4 0000 cccc
18 00 74 06 0aaa aaaa MFX B Control 1 Sens (1 - 127) –63~+63 0000 dddd
18 00 74 07 0aaa aaaa MFX B Control 2 Source (0 - 101) OFF, #18 00 74 3D 0000 aaaa MFX B Parameter 12 (12768~52768)
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 bbbb –20000~+20000
SYS1 - SYS4 0000 cccc
0000 dddd
18 00 74 08 0aaa aaaa MFX B Control 2 Sens (1 - 127) -63 - +63
#18 00 74 41 0000 aaaa MFX B Parameter 13 (12768~52768)
18 00 74 09 0aaa aaaa MFX B Control 3 Source (0 - 101) OFF,
0000 bbbb –20000~+20000
CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 cccc
SYS1 - SYS4
0000 dddd
18 00 74 0A 0aaa aaaa MFX B Control 3 Sens (1 - 127) -63 - +63
#18 00 74 45 0000 aaaa MFX B Parameter 14 (12768~52768)
18 00 74 0B 0aaa aaaa MFX B Control 4 Source (0 - 101) OFF, 0000 bbbb –20000~+20000
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 cccc
SYS1 - SYS4 0000 dddd
18 00 74 0C 0aaa aaaa MFX B Control 4 Sens (1 - 127) -63 - +63 #18 00 74 49 0000 aaaa MFX B Parameter 15 (12768~52768)
18 00 74 0D 000a aaaa MFX B Control Assign 1(0 - 16) OFF, 0000 bbbb –20000~+20000
1 - 16 0000 cccc
18 00 74 0E 000a aaaa MFX B Control Assign 2(0 - 16) OFF, 0000 dddd
1 - 16 #18 00 74 4D 0000 aaaa MFX B Parameter 16 (12768~52768)
18 00 74 0F 000a aaaa MFX B Control Assign 3(0 - 16) OFF, 0000 bbbb –20000~+20000
1 - 16 0000 cccc
0000 dddd
18 00 74 10 000a aaaa MFX B Control Assign 4(0 - 16) OFF,
1 - 16 #18 00 74 51 0000 aaaa MFX B Parameter 17 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 11 0000 aaaa MFX B Parameter 1 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 55 0000 aaaa MFX B Parameter 18 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 15 0000 aaaa MFX B Parameter 2 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 59 0000 aaaa MFX B Parameter 19 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 19 0000 aaaa MFX B Parameter 3 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 5D 0000 aaaa MFX B Parameter 20 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 1D 0000 aaaa MFX B Parameter 4 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 61 0000 aaaa MFX B Parameter 21 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 21 0000 aaaa MFX B Parameter 5 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 65 0000 aaaa MFX B Parameter 22 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 25 0000 aaaa MFX B Parameter 6 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 69 0000 aaaa MFX B Parameter 23 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 29 0000 aaaa MFX B Parameter 7 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 6D 0000 aaaa MFX B Parameter 24 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 2D 0000 aaaa MFX B Parameter 8 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 71 0000 aaaa MFX B Parameter 25 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 31 0000 aaaa MFX B Parameter 9 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 74 75 0000 aaaa MFX B Parameter 26 (12768~52768)
0000 bbbb –20000~+20000
#18 00 74 35 0000 aaaa MFX B Parameter 10 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd

20
 MIDI Implementation

Offset Address Data Description Offset Address Data Description

#18 00 74 79 0000 aaaa MFX B Parameter 27 (12768~52768) #18 00 76 19 0000 aaaa MFX C Parameter 3 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 74 7D 0000 aaaa MFX B Parameter 28 (12768~52768) #18 00 76 1D 0000 aaaa MFX C Parameter 4 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 75 01 0000 aaaa MFX B Parameter 29 (12768~52768) #18 00 76 21 0000 aaaa MFX C Parameter 5 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 75 05 0000 aaaa MFX B Parameter 30 (12768~52768) #18 00 76 25 0000 aaaa MFX C Parameter 6 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 75 09 0000 aaaa MFX B Parameter 31 (12768~52768) #18 00 76 29 0000 aaaa MFX C Parameter 7 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 75 0D 0000 aaaa MFX B Parameter 32 (12768~52768) #18 00 76 2D 0000 aaaa MFX C Parameter 8 (12768~52768)
0000 bbbb –20000~+20000 0000 bbbb –20000~+20000
0000 cccc 0000 cccc
0000 dddd 0000 dddd
#18 00 76 31 0000 aaaa MFX C Parameter 9 (12768~52768)
0000 bbbb –20000~+20000
{{ Common MFX C (Makeup Tools) 0000 cccc
0000 dddd
Offset Address Data Description
#18 00 76 35 0000 aaaa MFX C Parameter 10 (12768~52768)
18 00 76 00 0aaa aaaa MFX C Type (0 - 83) 0000 bbbb –20000~+20000
18 00 76 01 0aaa aaaa MFX C Dry Send Level (0 - 127) 0000 cccc
18 00 76 02 0aaa aaaa MFX C Chorus Send Level (0 - 127) 0000 dddd
18 00 76 03 0aaa aaaa MFX C Reverb Send Level (0 - 127) #18 00 76 39 0000 aaaa MFX C Parameter 11 (12768~52768)
0000 bbbb –20000~+20000
18 00 76 05 0aaa aaaa MFX C Control 1 Source (0 - 101) OFF,
0000 cccc
CC01 - CC31, CC33 - CC95, BEND, AFT,
0000 dddd
SYS1 - SYS4
#18 00 76 3D 0000 aaaa MFX C Parameter 12 (12768~52768)
18 00 76 06 0aaa aaaa MFX C Control 1 Sens (1 - 127) –63~+63
0000 bbbb –20000~+20000
18 00 76 07 0aaa aaaa MFX C Control 2 Source (0 - 101) OFF, 0000 cccc
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 dddd
SYS1 - SYS4
#18 00 76 41 0000 aaaa MFX C Parameter 13 (12768~52768)
18 00 76 08 0aaa aaaa MFX C Control 2 Sens (1 - 127) -63 - +63 0000 bbbb –20000~+20000
18 00 76 09 0aaa aaaa MFX C Control 3 Source (0 - 101) OFF, 0000 cccc
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 dddd
SYS1 - SYS4 #18 00 76 45 0000 aaaa MFX C Parameter 14 (12768~52768)
18 00 76 0A 0aaa aaaa MFX C Control 3 Sens (1 - 127) -63 - +63 0000 bbbb –20000~+20000
18 00 76 0B 0aaa aaaa MFX C Control 4 Source (0 - 101) OFF, 0000 cccc
CC01 - CC31, CC33 - CC95, BEND, AFT, 0000 dddd
SYS1 - SYS4 #18 00 76 49 0000 aaaa MFX C Parameter 15 (12768~52768)
18 00 76 0C 0aaa aaaa MFX C Control 4 Sens (1 - 127) -63 - +63 0000 bbbb –20000~+20000
0000 cccc
18 00 76 0D 000a aaaa MFX C Control Assign 1(0 - 16) OFF,
0000 dddd
1 - 16
#18 00 76 4D 0000 aaaa MFX C Parameter 16 (12768~52768)
18 00 76 0E 000a aaaa MFX C Control Assign 2(0 - 16) OFF,
0000 bbbb –20000~+20000
1 - 16
0000 cccc
18 00 76 0F 000a aaaa MFX C Control Assign 3(0 - 16) OFF, 0000 dddd
1 - 16
#18 00 76 51 0000 aaaa MFX C Parameter 17 (12768~52768)
18 00 76 10 000a aaaa MFX C Control Assign 4(0 - 16) OFF, 0000 bbbb –20000~+20000
1 - 16 0000 cccc
#18 00 76 11 0000 aaaa MFX C Parameter 1 (12768~52768) 0000 dddd
0000 bbbb –20000~+20000 #18 00 76 55 0000 aaaa MFX C Parameter 18 (12768~52768)
0000 cccc 0000 bbbb –20000~+20000
0000 dddd 0000 cccc
#18 00 76 15 0000 aaaa MFX C Parameter 2 (12768~52768) 0000 dddd
0000 bbbb –20000~+20000
0000 cccc
0000 dddd

21
MIDI Implementation

Offset Address Data Description Offset Address Data Description

#18 00 76 59 0000 aaaa MFX C Parameter 19 (12768~52768) 18 00 2x 47 000a aaaa Equalizer Mid Freq (0~16) 200, 250, 315,
0000 bbbb –20000~+20000 400, 500, 630, 800, 1000, 1250, 1600,
0000 cccc 2000, 2500, 3150, 4000, 5000, 6300,
0000 dddd 8000 [Hz]
#18 00 76 5D 0000 aaaa MFX C Parameter 20 (12768~52768) 18 00 2x 48 000a aaaa Equalizer Mid Gain (0~30) –15~+15 [dB]
0000 bbbb –20000~+20000 18 00 2x 49 0000 0aaa Equalizer Mid Q (0~4) 0.5, 1.0, 2.0, 4.0,
0000 cccc 8.0
0000 dddd
18 00 2x 4A 0000 0aaa Equalizer Hi Freq (0~6) 1500, 2000,
#18 00 76 61 0000 aaaa MFX C Parameter 21 (12768~52768) 3000, 4000, 6000, 8000, 12000 [Hz]
0000 bbbb –20000~+20000
18 00 2x 4B 000a aaaa Equalizer High Gain (0~30) –15~+15
0000 cccc
[dB]
0000 dddd
#18 00 76 65 0000 aaaa MFX C Parameter 22 (12768~52768) The offset addresses of Equalizer Parameters are as follow:
0000 bbbb –20000~+20000
0000 cccc 18 00 (2x) nn Keyboard Name Song Part Style Part
0000 dddd 20 ---- Part 1 Acc1
#18 00 76 69 0000 aaaa MFX C Parameter 23 (12768~52768)
21 ---- Part 2 ABass
0000 bbbb –20000~+20000
0000 cccc 22 ---- Part 3 Acc2
0000 dddd 23 Upper 1 Part 4 ----
#18 00 76 6D 0000 aaaa MFX C Parameter 24 (12768~52768) 24 ---- Part 5 Acc3
0000 bbbb –20000~+20000
0000 cccc 25 Upper 2 Part 6 ----
0000 dddd 26 ---- Part 7 Acc4
#18 00 76 71 0000 aaaa MFX C Parameter 25 (12768~52768) 27 ---- Part 8 Acc5
0000 bbbb –20000~+20000
28 ---- Part 9 Acc6-
0000 cccc
0000 dddd 29 ---- Part 10 ADrum
#18 00 76 75 0000 aaaa MFX C Parameter 26 (12768~52768) 2A Lower Part 11 ----
0000 bbbb –20000~+20000 2B M. Bass Part 12 ----
0000 cccc
0000 dddd 2C ---- Part 13 ----
#18 00 76 79 0000 aaaa MFX C Parameter 27 (12768~52768) 2D ---- Part 14 ----
0000 bbbb –20000~+20000 2E Melody Intelligent Part 15 ----
0000 cccc
2E ---- Part 16 ----
0000 dddd
#18 00 76 7D 0000 aaaa MFX C Parameter 28 (12768~52768) • Choose the appropriate MIDI Set to receive Equalizer parameters on
0000 bbbb –20000~+20000 Keyboard/Style or Song parts.
0000 cccc
0000 dddd {{ Common Chorus
#18 00 77 01 0000 aaaa MFX C Parameter 29 (12768~52768)
0000 bbbb –20000~+20000 Offset Address Data Description
0000 cccc 18 00 04 00 0000 aaaa Chorus Type (0~6)
0000 dddd
18 00 04 01 0aaa aaaa Chorus Level (0~127)
#18 00 77 05 0000 aaaa MFX C Parameter 30 (12768~52768)
18 00 04 03 0000 00aa Chorus Output Select (0~2) MAIN, REV,
0000 bbbb –20000~+20000
MAIN+REV
0000 cccc
0000 dddd #18 00 04 04 0000 aaaa Chorus Parameter 1 (12768~52768)
0000 bbbb –20000~+20000
#18 00 77 09 0000 aaaa MFX C Parameter 31 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 04 08 0000 aaaa Chorus Parameter 2 (12768~52768)
0000 bbbb –20000~+20000
#18 00 77 0D 0000 aaaa MFX C Parameter 32 (12768~52768)
0000 cccc
0000 bbbb –20000~+20000
0000 dddd
0000 cccc
0000 dddd #18 00 04 0C 0000 aaaa Chorus Parameter 3 (12768~52768)
0000 bbbb –20000~+20000
0000 cccc
{{ Keyboard/Style/Song Part Equalizer 0000 dddd
#18 00 04 10 0000 aaaa Chorus Parameter 4 (12768~52768)
Offset Address Data Description 0000 bbbb –20000~+20000
18 00 2x 44 0000 000a Equalizer Switch (0~1) OFF, ON 0000 cccc
0000 dddd
18 00 2x 45 0000 0aaa Equalizer Low Freq (0~5) 90, 150, 180,
300, 360, 600 [Hz] #18 00 04 14 0000 aaaa Chorus Parameter 5 (12768~52768)
0000 bbbb –20000~+20000
18 00 2x 46 000a aaaa Equalizer Low Gain (0~30) –15~+15
0000 cccc
[dB]
0000 dddd

22
 MIDI Implementation

Offset Address Data Description 5. Supplementary Material

#18 00 04 18 0000 aaaa Chorus Parameter 6 (12768~52768)
0000 bbbb –20000~+20000 zzDecimal and Hexadecimal Table
0000 cccc In MIDI documentation, data values and addresses/sizes of exclusive
0000 dddd messages etc. are expressed as hexadecimal values for each 7 bits.
#18 00 04 1C 0000 aaaa Chorus Parameter 7 (12768~52768) The following table shows how these correspond to decimal numbers.
0000 bbbb –20000~+20000
0000 cccc
0000 dddd Dec. Hex. Dec. Hex. Dec. Hex. Dec. Hex.
0 00H 32 20H 64 40H 96 60H
{{ Common Reverb 1 01H 33 21H 65 41H 97 61H
2 02H 34 22H 66 42H 98 62H
Offset Address Data Description 3 03H 35 23H 67 43H 99 63H
18 00 06 00 0000 aaaa Reverb Type (0~12) 4 04H 36 24H 68 44H 100 64H

18 00 06 01 0aaa aaaa Reverb Level (0~127) 5 05H 37 25H 69 45H 101 65H
6 06H 38 26H 70 46H 102 66H
#18 00 06 03 0000 aaaa Reverb Parameter 1 (12768~52768)
7 07H 39 27H 71 47H 103 67H
0000 bbbb –20000~+20000
8 08H 40 28H 72 48H 104 68H
0000 cccc
0000 dddd 9 09H 41 29H 73 49H 105 69H
10 0AH 42 2AH 74 4AH 106 6AH
#18 00 06 07 0000 aaaa Reverb Parameter 2 (12768~52768)
11 0BH 43 2BH 75 4BH 107 6BH
0000 bbbb –20000~+20000
0000 cccc 12 0CH 44 2CH 76 4CH 108 6CH

0000 dddd 13 0DH 45 2DH 77 4DH 109 6DH

14 0EH 46 2EH 78 4EH 110 6EH
#18 00 06 0B 0000 aaaa Reverb Parameter 3 (12768~52768)
15 0FH 47 2FH 79 4FH 111 6FH
0000 bbbb –20000~+20000
0000 cccc 16 10H 48 30H 80 50H 112 70H

0000 dddd 17 11H 49 31H 81 51H 113 71H

18 12H 50 32H 82 52H 114 72H
#18 00 06 0F 0000 aaaa Reverb Parameter 4 (12768~52768)
0000 bbbb –20000~+20000 19 13H 51 33H 83 53H 115 73H

0000 cccc 20 14H 52 34H 84 54H 116 74H

0000 dddd 21 15H 53 35H 85 55H 117 75H

#18 00 06 13 0000 aaaa Reverb Parameter 5 (12768~52768) 22 16H 54 36H 86 56H 118 76H

0000 bbbb –20000~+20000 23 17H 55 37H 87 57H 119 77H

0000 cccc 24 18H 56 38H 88 58H 120 78H

0000 dddd 25 19H 57 39H 89 59H 121 79H

#18 00 06 17 0000 aaaa Reverb Parameter 6 (12768~52768) 26 1AH 58 3AH 90 5AH 122 7AH

0000 bbbb –20000~+20000 27 1BH 59 3BH 91 5BH 123 7BH

0000 cccc 28 1CH 60 3CH 92 5CH 124 7CH
0000 dddd 29 1DH 61 3DH 93 5DH 125 7DH

#18 00 06 1B 0000 aaaa Reverb Parameter 7 (12768~52768) 30 1EH 62 3EH 94 5EH 126 7EH

0000 bbbb –20000~+20000 31 1FH 63 3FH 95 5FH 127 7FH

0000 cccc
0000 dddd D: decimal
H: hexadecimal
#18 00 06 1F 0000 aaaa Reverb Parameter 8 (12768~52768)
• Decimal values such as MIDI channel, bank select, and program change
0000 bbbb –20000~+20000
are listed as one (1) greater than the values given in the above table.
0000 cccc
• A 7-bit byte can express data in the range of 128 steps. For data where
0000 dddd
greater precision is required, we must use two or more bytes. For
#18 00 06 23 0000 aaaa Reverb Parameter 9 (12768~52768) example, two hexadecimal numbers aa bbH expressing two 7-bit bytes
0000 bbbb –20000~+20000 would indicate a value of aa x 128 + bb.
0000 cccc • In the case of values which have a ± sign, 00H = -64, 40H = ±0, and 7FH
0000 dddd = +63, so that the decimal expression would be 64 less than the value
#18 00 06 27 0000 aaaa Reverb Parameter 10 (12768~52768) given in the above chart. In the case of two types, 00 00H = -8192, 40
0000 bbbb –20000~+20000 00H = ±0, and 7F 7FH = +8191. For example if aa bbH were expressed as
0000 cccc decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x 128.
0000 dddd • Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value
expressed as a 2-byte nibble 0a 0bH has the value of a x 16 + b.

<Example1>
What is the decimal expression of 5AH?
From the preceding table, 5AH = 90

<Example2>
What is the decimal expression of the value 12 34H given as hexadecimal
for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128 + 52 = 2356

<Example3>
What is the decimal expression of the nibbled value 0A 03 09 0D?

23
MIDI Implementation
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 This is because if playback is halted during the song and then rewound
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885 or fast-forwarded, the sequencer may not be able to transmit the correct
status, and the sound source will then misinterpret the data. Take care to
<Example4> give each event its own status.
What is the nibbled expression of the decimal value 1258? It is also necessary that the RPN or NRPN parameter number setting and
the value setting be done in the proper order. On some sequencers, events
16) 1258 occurring in the same (or consecutive) clock may be transmitted in an
16) 78... 10 order different than the order in which they were received. For this reason
16) 4... 14
it is a good idea to slightly skew the time of each event (about 1 tick for
0... 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the TPQN = 96, and about 5 ticks for TPQN = 480).
answer is 00 04 0E 0AH. • TPQN: Ticks Per Quarter Note

zzExamples of Actual MIDI Messages

<Example1> 92 3E 5F zzExample of an Exclusive Message and Calculating a
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, Checksum
3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note Roland Exclusive messages are transmitted with a checksum at the end
number 62 (note name is D4), and velocity 95. (before F7) to make sure that the message was correctly received. The
value of the checksum is determined by the address and data (or size) of
the transmitted exclusive message.
<Example2> CE 49
CnH is the Program Change status, and n is the MIDI channel number.
{{ How to Calculate the Checksum (Hexadecimal
Since EH = 14 and 49H = 73, this is a Program Change message with MIDI Numbers are Indicated by ‘H’)
CH = 15, program number 74 (Flute in GS). The checksum is a value derived by adding the address, size and checksum
itself and inverting the lower 7 bits.
<Example3> EA 00 28 Here’s an example of how the checksum is calculated. We will assume that
in the exclusive message we are transmitting, the address is aa bb ccH and
EnH is the Pitch Bend Change status, and n is the MIDI channel number. the data or size is dd ee ffH.
The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, aa + bb + cc + dd + ee + ff = sum
but Pitch Bend Value is a signed number in which 40 00H (= 64 x 128 + 0 =
sum / 128 = quotient ... remainder
8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 128 + 0 - (64 x
128 - remainder = checksum
128 + 0) = 5120 - 8192 = -3072
(However, the checksum will be 0 if the remainder is 0.)
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause
the pitch to change 200 cents, so in this case -200 x (-3072) / (-8192) = -75
cents of Pitch Bend is being applied to MIDI channel 11. <Example> Setting REVERB MACRO to ROOM 3
According to the “Parameter Address Map,” the REVERB MACRO Address is

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F 40 01 30H, and ROOM

3 is a value of 02H. Thus,
BnH is the Control Change status, and n is the MIDI channel number. For
F0 41 10 42 12 40 01 30 02 ?? F7
Control Changes, the 2nd byte is the control number, and the 3rd byte is
the value. In a case in which two or more messages consecutive messages (1) (2) (3) (4) (5) Address data Checksum (6)
have the same status, MIDI has a provision called “running status” which al-
lows the status byte of the second and following messages to be omitted. (1) Exclusive Status, (2) ID (Roland), (3) Device ID (17),
Thus, the above messages have the following meaning. (4) Model ID (GS), (5) Command ID (DT1), (6) End of Exclusive
B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H Next we calculate the checksum.
(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH 40H + 01H + 30H + 02H = 64 + 1 + 48 + 2 = 115 (sum)
(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H 115 (sum) / 128 = 0 (quotient) ... 115 (remainder)
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH checksum = 128 - 115 (remainder) = 13 = 0DH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH
In other words, the above messages specify a value of 0C 00H for RPN This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we
parameter number 00 00H on MIDI channel 4, and then set the RPN transmit.
parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB zzAbout Tuning
of the value indicates semitone units, so a value of 0CH = 12 sets the In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning)
maximum pitch bend range to ±12 semitones (1 octave). (On GS sound to the appropriate MIDI channel.
ources the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI
transmitted anyway (with a value of 0) so that operation will be correct on channels being used, or by sending a System Exclusive MASTER TUNE
(address 40 00 00H).
any device.)
RPN #1 allows tuning to be specified in steps of approximately 0.012 cents
Once the parameter number has been specified for RPN or NRPN, all Data
(to be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows
Entry messages transmitted on that same channel will be valid, so after the tuning in steps of 0.1 cent. One cent is 1/100th of a semitone.
desired value has been transmitted, it is a good idea to set the parameter
The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER
number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F
TUNE are added together to determine the actual pitch sounded by each
(B3) 65 7F at the end.
Part.
It is not desirable for performance data (such as Standard MIDI File data) to
contain many events with running status as given in <Example 4>.

24
 Hz at A4 cents RPN #1 Sys.Ex. 40 00 00 Just Temperamen
Note name Equal Temperament Arabic Scale
445 19,56 4C 43 00 04 0C 04 (+196) (Keytone C)
(+1603) G 0 2 –4
444 15,67 4A 03 00 04 09 0D (+157)
G# 0 14 47
(+1283)
A 0 –16 0
443 11,76 47 44 (+ 00 04 07 06 (+118)
964) A# 0 14 –10
442 7,85 45 03 (+ 00 04 04 0F (+79) B 0 –12 –49
643)
441 3,93 42 42 (+ 00 04 02 07 (+39) The values in the table are given in cents. Refer to the explanation of Scale
322) Tuning on page 14 to convert these values to hexadecimal, and transmit
440 0 40 00 (0) 00 04 00 00 (0) them as Exclusive data. For example, to set the tune (C-B) of the Part1
439 -3,94 3D 3D 00 03 0D 09 (–39) Arabian
(- 323) Scale, send the following data:
438 -7,89 3A 7A 00 03 0B 01 (–79)
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F70
(- 646)

Frequently used tuning values are given in the following table for your
reference. Values are in hexadecimal (decimal in parentheses).

<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz

Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H

(B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H
(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H
(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H
(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH
(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

zzThe Scale Tune Feature (Address: 40 1x 40)

The scale Tune feature allows you to finely adjust the individual pitch of
the notes from C through B. Though the settings are made while working
with one octave, the fine adjustments will affect all octaves. By making
the appropriate Scale Tune settings, you can obtain a complete variety
of tuning methods other than equal temperament. As examples, three
possible types of scale setting are explained below.
{{ Equal Temperament
This method of tuning divides the octave into 12 equal parts. It is currently
the most widely used form of tuning, especially in occidental music. On
this instrument, the default settings for the Scale Tune feature produce
equal temperament.

{{ Just Temperament (Keytone C)

The three main chords resound much more beautifully than with equal
temperament, but this benefit can only be obtained in one key. If
transposed, the chords tend to become ambiguous.
The example given involves settings for a key in which C is the keynote.

{{ Arabian Scale
By altering the setting for Scale Tune, you can obtain a variety of other
tunings suited for ethnic music. For example, the settings introduced
below will set the unit to use the Arabian Scale.
Example Settings

Just Temperamen
Note name Equal Temperament Arabic Scale
(Keytone C)
C 0 0 –6
C# 0 –8 45
D 0 4 –2
D# 0 16 -12
E 0 –14 –51
F 0 –2 –8
F# 0 –10 43

25
 MIDI Implementation Chart
Backing Keyboard Date: August 2013
Model: BK-9 Version: 1.00

Function... Transmitted Recognized Remarks

Basic Default 1-16 1–16 Up1= Ch. 4, Up2= Ch. 6, Lower= Ch.
11,
Channel Changed 1–16, Off 1–16, Off M. Bass= Ch. 12, M.Intell= Ch. 15
Default Mode 3 Mode 3
Mode Messages Mode 3, 4 (M=1) Mode 3, 4 (M = 1) *2
Altered **************
Note 0~127 0–127
True Voice
Number : ************* 0–127
Note On O O
Velocity
Note Off X X
After Key’s X O
Touch Channel’s O *1 O *1
Pitch Bend O *1 O *1
Bank Select
0, 32 O *1 O *1 Modulation
1 O *1 O *1 Portamento Time
5 O O Data Entry
6, 38 O O Volume
7 O *1 O *1 Panpot
10 O *1 O *1 Expression
11 O *1 O *1 Effect Control 1 MSB
12 O *1 O *1 Effect Control 2 MSB
13 O *1 O *1 C1 - Noise level - Key Off Nose - Mallet
16 O *1 O *1 Hardness *3
64 O O *1 Hold 1
65 O O Portamento
66 O *1 O *1 Sostenuto
67 O *1 O *1 Soft
69 O O Hold 2
Control
71 O O Resonance
Change
72 O O Realease Time
73 O O Attack Time
74 O O Cutoff
75 O O Decay Time
76 O O Vibrato Rate
77 O O Vibrato Depth
78 O O Vibrato Delay
80 O *1 O *1 Dead Stroke - Mute - Finger Piking -
81 O *1 O *1 Staccato - *3
82 O *1 O *1 Harmonics - Octave Tone - Fall - *3
84 O O Subtone (Alto Sax)
91 O *1 O (Reverb) *1 Portamento Control
93 O *1 O (Chorus) *1 Effect 1 Depth
98, 99 O *1 O *1 Effect 3 Depth
100, 101 O *1 O *1 NRPN LSB, MSB
RPN LSB, MSB
Program O *1 O
Change True Number ***** 0–127 Program No. 1–128
System Exclusive O *1 O
Song Position Pointer O *1 O
System
Song Select X X
Common
Tune Request X X
System Clock O *1 O
Real Time Commands O *1 O
All Sound Off X O (120, 126, 127)
Reset All Controllers X O (121)
Aux Local On/Off O *1 O (Song parts)
Messages All Notes Off X O (123–125)
Active Sensing O O
System Reset X X
*1 O X is selectable
Notes *2 Recognized as M = 1 even if M 1.
*3 It depends on the selected Super Natural tone

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No

26