CLARINET

TEXTURES
BY E M E R G E N C E AU D I O

QUICK GUIDE

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 Thank you for your purchase of Clarinet Textures by Emergence Audio!

Add depth and emotion to your music with our Clarinet Textures sample library. Whether you’re
looking to create hauntingly beautiful pads, ethereal soundscapes, or emotive drones, our
collection has everything you need to bring your compositions to life. Clarinet Textures employs
our renowned Non-static Sampling™ method and Infinite Motion Engine™.

Instrument Overview:

Powered By The Free Kontakt Player 7.7.3 Or Later

Fully Compatible With Native Instruments Hardware

• Infinite Motion Engine™ 2.0

• Non-Static Sampling™
• Long evolving performances
• 20 traditional, but uniquely played articulations
• 120+ presets to spark inspiration
• 100+ parameters to customize your own sound
• 24bit 48kHz samples
• 1.92 GB installed
• Midi learn / automation
• Kontakt Player Included
• Free Updates for Infinity

Preset Concepts:

“INIT_Clarinet Textures.nki” Is a start-from-scratch patch from which all presets were

created.

INFINITE PADS: These presets have a much more experimental approach.

INFINITE DRONES: Geared towards a single sustained note evolution that never feels static.

CORRELATED: The Theory of our universe is the foundation for the Infinite Motion Engine™. This is a
concept on how something can exist acoustically in two different places, but still be a part of the same
source and generate something entirely new and intricate.

ALTERNATES: Offers a convenient reference to all corresponding alternative performances.

PULSES: Creates a pulsing or swelling sound using our LFO component. A great tool for
enhancing your compositions’ dynamic range and movement.

MULTIS: Various presets have been mixed in unusual and experimental ways to create these multi
patches. You can experiment with countless combinations and ideas.

SWELLS: The ADSR parameters can create crescendos and decrescendos in music. Increase the attack
parameter for a crescendo, and increase the release and decay parameters while setting the sustain value
to zero for a decrescendo. These parameters shape the dynamic range and add emotion to compositions.

EXPERIMENTS: This concept transcends the boundaries of imagination, propelling the engine to
unfathomable heights

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 INFINITE MOTION ENGINE™ MAIN PAGE

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10. 9. 1. 2. 5. 3. 7. 11.
Tips:
• IME SUPPORTS CC LEARN. RIGHT-CLICK A MIDI CONTROLLER KNOB OR FADER TO ASSIGN IT
• To finetune values in cents, hold shift, left-click and drag mouse to adjust the parameter

1. ON/OFF LFO SWITCH: When this button is 7. LFO LINK BUTTON: Connects the selected
clicked, the LFO modulation is turned on or parameters to the master LFO to control the
off. intensity of the depth individually.

2. RATE: Left-click and hold the horizontal 8. LFO TEMPO SYNC: This option lets you
arrows left or right to adjust the rate/speed Quantize to the Tempo of your session and
of the sinewave LFO. select from a variety of divisions.

3. DEPTH: To change the depth of the cross- 9. ATTENUVERTER: Adjust the LFO percent-
fade, left-click and hold before moving the age relative to the master LFO by clicking/
mouse up or down. holding and dragging the button up or down.

4. LFO SELECT TOOL: This section gives you 10. EXPRESSION: Controls the overall
the option of selecting one of five different master volume of the patch (CC#11)
LFO shapes/modulation types.
11. RANDOMIZER: The randomizer will only
influence the low pass, high pass, pan knobs,
and attenuverter underneath them, as well
5. WAVEFORM WINDOW: Displays a visual as the source material on both layers.
representation of the currently selected LFO.

6. CROSSFADE: Crossfades between both

selected layers (CC#1)

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 INFINITE MOTION ENGINE™ MAIN PAGE

16.

15. 17.
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18.

14 21.
19.

20.

12.

12. LFO BYPASS: This button locks each 17. WAVEFORM: Is a graphical depiction of
parameter’s RELATIVE VALUES to the master the sound source.
LFO.
18. ADSR: Attack, decay, sustain, and
13. VOLUME FADER: Controls the volume of release of the layer.
each layer; the lower the volume, the
lighter the color, and the more transparent 19. FILTER LINK: When enabled, this causes
the fader. both filter link layers to work in unison. You
can also double-click the link button to
14. FINE TUNE KNOB: Lets you change the ensure that both the LP or HP filters are
pitch of the entire layer by one octave up or shown without having to click the other layer.
down or anywhere in between.
20. LOW AND HIGH PASS FILTERS: This
15. PURGE LAYER BUTTON: Deactivates the button alternates between filters, allowing
layer by removing it entirely from the you to fine-tune the prospective bandwidth.
interface. This is useful if you want to
preserve RAM space or hear the second layer 21. POLARITY FLIP: Allows you to reverse
on its own quickly. the direction of the LFO by changing its
polarity.
16. LAYER MENU: Left-click the layer text to
bring up the dropdown box where you can
choose which source material to use.

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 INFINITE MOTION ENGINE™ EFFECTS PAGE

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3 7 9.

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2. 10.

11.
13.

4. 8.
12.

1. CONVOLUTION REVERB: 50+ top-tier 8.CHORUS: This module thickens the audio
impulse response reverbs, ranging from real signal by splitting it into two versions and
rooms to the iconic Lexicon reverbs, includ- detuning one of them in relation to the
ing the L480, L300, and L96. With tails original.
ranging from 1 to 31 seconds.
9. LO-FI: This effect module adds numerous
2. DELAY: Delay provides sync choices digital artifacts to a clean signal, such as
ranging from full to 1/256 as well as dotted quantization noise or aliasing.
notes. To generate a ping pong effect, turn
the pan knob all the way up. 10. TAPE SATURATION: Gives a sound analog
warmth and presence.
3. PHASER: With an all-pass filter, this effect
alters the phase relationship in your signal. 11. SYNC: Locks the delay to the session’s
tempo and provides rhythmic possibilities.
4. WIDTH: This is a stereo imager; rotating
the knob to the right will broaden the sound. 12. MAIN & FX PAGE BUTTON: You can
Turning it all the way to the left will make it switch between the main and effect pages by
mono. left-clicking this area with your mouse.

5. DISTORTION: The signal is affected by a 13. FX ASSIGN BUTTON: Reverb, Delay, Dist,
transistor effect. Sat, Lo-fi, and Tape Sat—can be applied
either globally or specifically to layer 1 or
6. SATURATION: This effect brings warmth layer 2.
to the signal and emulates a classic analog
tone. Exists In Three States:

7. ROTATOR: The Rotator effect realistical-

ly simulates the sound of rotating speaker Both Layers ON Layer 1 ON Layer 2 ON
cabinets
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 SNAPSHOTS / PRESET CONCEPTS
Anything labeled “INIT” will be a
start from scratch option. Snapshot ICON, click here to access the presets.

Our preset concepts use snapshots. You will find all the presets in the Infinite Motion En-
gine™ Initial (INIT) Patch and creating your own User presets will also be located in this
section.

INSTALLATION
Native Access Downloader is required:
Don’t have Native Access? https://www.native-instruments.com/en/specials/native-access-2/

Once you have Native Access installed, here are the steps you’ll need to follow to install your Emergence
Audio instrument:

1. Open Native Access:

- Ensure you have Native Access installed on your computer.

2. Install Kontakt Player:

- In Native Access, navigate to the “Available” tab.

- Look for the Kontakt Player and click on “Install” to begin the installation process.

3. Add Your Instrument:

- Once Kontakt Player is installed, locate the “Add Serial” button on the bottom left corner of the Native
Access window and click it.

- You will be prompted to enter your serial number. This serial number can be found in your order confir-
mation email or within your Emergence Audio account under the “Orders” tab.

4. Install the Emergence Audio Instrument:

- Go back to the “Available” section in Native Access.

- Find your specific Emergence Audio instrument on the list.
- Click on “Install” next to the instrument’s name.

5. Launch and Verify in Kontakt/Kontakt Player:

- Once installation is complete, open either Kontakt or Kontakt Player.

- Browse through the library section, and you should now see your newly installed Emergence Audio in-
strument ready for use.

Remember, always make sure you are running the most recent updates for both Native Access and
Kontakt Player for optimal performance.
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 CREDITS

Concept
Michael Vignola

Preset Design
Michael Vignola with contributions from Arttu Silvast,
Theo Chatzilamprou, Mark Smith

Recording Engineer
Fraser A. Campbell

Mixing and Mastering

Michael Vignola, Fraser A. Campell

Sample Editing
Michael Vignola, Fraser A. Campbell

Kontakt Mapping
Michael Vignola

Recording Studio
Emergence Audio/Remote Session

GUI Design
Michael Vignola, Erica Vignola, Will Bedford

Kontakt Scripting
Theodore Chatzilamprou, Will Bedford

Musician
Fraser A. Campbell

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EMERGENCE AUDIO