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Tools and different type of Remix
The document discusses the evolution and significance of digital remix practices, emphasizing the integration of original samples in remixes as a form of cultural expression. It highlights the potential for remixing in fostering dialogue, political advocacy, and artistic innovation while noting the importance of legal and ethical considerations. Various tools and formats for remixing, including machinima and fan music videos, are introduced as means to engage with media content creatively.
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Tools and different type of Remix
- 1. REMIX PRACTICES Mariana Salgado 23.04.2014 InterfacePrototype Workshop Media Lab- Media Department ARTS- Aalto University POLITICAL REMIX MUSIC VIDEOS TOOLS MACHINIMA MOVIE TRAILERS
- 2. How people wouldlike to enjoy and re-use television heritage in the future? CC BY EUscreen
- 3. In practical terms CCby Mariana Salgado-EUscreenXL New design concepts for REMIX USES
- 4. In practical terms Thestatus of digital remix as a new form for writing Professional and amateur remixers call attention to their use of samples from originals, as part of the meaning of the remix. New literacies book
- 5. In practical termsArtistsare beginning to understand the potential for fostering a culture around their work, while still being cautious of maintaining their own rights. http://harrypotterfanfiction.com/ Video remixes and fanvids do not seek to create profit or to steal profits from copyright owners but to express ideas, create dialogue, and contribute to culture. Candise Branun
- 6. In practical termsUnderstandingfan practices related to remixing AV content is key if we are going to design tools/formats to motivate the practice.
- 7. In practical terms Mixingone layer Sound effects or music Open data Dialogue Text Mix videos, sound and music http://www.enculturation.net/ Drawings, making effects Doing a game
- 8. In practical terms Ormany at the time Mix videos, sound and music Screenshotfromhttp://thisisnotaconspiracytheory.com/
- 9. In practical termsNewformat or old format http://openvideoannotation.org/explore.php
- 10. In practical termsButit has to be legal reuse You can go to check all the discussion on remix practices http://www.rebelliouspixels.com/
- 11. In practical termsButit has to be a tool that makes sense to use with archive material Use only archive material Screenshot from Euscreen Portal-Content from Luce
- 12. In practical terms ImagineThis! POLITICAL REM IX = AV More on: Knowyourmeme.com Politicalremixvideo.com Feministfrecuency.com Rebelliouspixels.com Video24-7 A Taxonomy of Digital Video Remixing
- 13. In practical terms POLITICAL REM IX =AV People have created political remixes as a means for political advocacy (tool), political protest (weapon) and political observation (witness). Edwards & Tryon (2009)
- 14. In practical termsVote different POLITICAL REM IX Views in 2014: 6,420,985 = AV
- 15. In practical terms Whereare you from? M ACH INIM A Machinima is the use of real-time compter graphics engines to create a cinematic production. Wikipedia definition. More on Machinima: http://halomachinima.wikia.com/ Warcraftmovies.com Wiki.secondlife.com/wiki/machinima www.machinimafordummies.com/ Koinup.com/on-videos = AV
- 16. In practical terms M ACH INIM A =AV Machinima is “tied to games development, reflecting gaming and internet cultures. It will further eveolve in line with deloping curatorial experise in its presentation to wider audiences and positioning within the digital arts movement”. Tracy Harwood (2011)
- 17. In practical terms =AV remix Harry Potter mixed with Pride and Prejudice M OVIE TRAILER
- 18. In practical termsMaryPoppins Scary M OVIE TRAILERS = AV
- 19. In practical termsFanfiction FANFICTION SHORT M OVIES = AV
- 20. In practical termsMachinimamusic video M USIC VIDEOS More on making music videos: AnimeMusicVideos.org = AV
- 21. In practical terms M USIC VIDEOS Viddingis the fan labor practice in media fandom of creating music videos from the footage of one or more visual media sources, thereby exploring the source itself in a new way. The creator may explore a single character, support a particular romantic pairing between characters, criticize or celebrate the original text, or point out an aspect of the TV show or film that they find under-appreciated. The creators refer to themselves as "vidders", their product as "vids", "fanvids", or "songvids", and the act itself as vidding. Source: Wikipedia/Vidding = AV
- 22. In practical terms Supercut. noun sü-p r-k t — A fast-paced montage of short video clipsˈ ə ə that obsessively isolates a single element from its source, usually a word, phrase, or cliche from film and TV. Supercut.org collects every known example of the video remix meme. http://supercut.org/ AV remix collections
- 23. In practical terms RemixEuropeana Interactive Video
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- 25. In practical terms Porcorn.js Tool s RyanMerkley presenting Porpcorn
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- 27. In practical termsTools MovieMasher lets web site owners offer editing and remixing capabilities to their visitors via a sophisticated flash widget, which can be customized to match the look of your web site. The editing tools allow you to sequence and trim clips, add effects, transitions, titles, and music, using a familiar timeline editor.
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- 40. In practical termsTools Screenshotfrom http://www.genderremixer.com//
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- 42. References New literacies andsocial practices of digital remixes. Chapter 4. Book New Literacies. Edwards, R. L. and Tryon, C. (2009). Political video mashups as allegories of citizen empowerment. First Monday. 14:10 Harwood, T. (2011). Towards a Manifesto for Machinima. Journal of Visual Culture 10:6 Branum, C. From Documentaries to Fanvids: Participatory Culture, Video Remix and Copyright. Blogpost.
- 43. Thanks!!! mariana.salgado@aalto.fi Dr. Mariana Salgado Postdoctoralresearcher Arki Research Group Media Department- ARTS Aalto University 2013
Editor's Notes
- #6 The same happens with broadcasters and archives holding AV content.
- #7 The same happens with broadcasters and archives holding AV content.
- #18 They are also called fake trailers. They take an existing film and re-edit scenes from it in order to create the illusion that the film belnogs to a different genre.