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Creative Commons & Open Data
- 2. Our goal: “Universal accessto research and education, full participation in culture.”
- 3. More free Morerestrictive 1 Free Licences
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- 5. I will arguethat open data is more efficient, more transparent and enables greater innovation.
- 6. I will arguethat open data is more efficient, more transparent and enables greater innovation. And that you should do (more of) it.
- 7. Part one: whyCreative Commons? And what on earth is it?
- 8. Obviously, it's becomingmuch easier to share data and information for reuse.
- 10. The technical barriersto access and reuse are dropping
- 11. ‘Lego Life Lessons’by the Manning Brothers. CC-BY-NC-SA youtube.com/watch?v=z9p6n3lhpcsLego Life Lessons
- 12. This means youcan't predict who will do exciting things with your work
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- 15. This sounds great,but the legal barriers to dissemination & reuse remain.
- 16. Copyright Graffiti Signby Horia Varlan CC-BY https://flic.kr/p/7vBD4TCopyright
- 17. Copyright is veryrestrictive. Automatic. Applies online. No 'c' required. Lasts for 50 years after death.
- 18. This means youneed to actively and clearly give permission for others to legally reuse your work.
- 19. “Grayson, Westley, StanislausCounty...” via US Nat. Archives No Known Copyright https://flic.kr/p/8UAPVTWhat to Do?.
- 20. Here's the pitch: CreativeCommons licences are clear, simple, free, legally robust and let you keep your copyright.
- 21.
- 22. Public Domain Few Restrictions AllRights Reserved Few Freedoms
- 23. Public Domain Few Restrictions AllRights Reserved Few Freedoms Some Rights Reserved Range of Licence Options
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- 30. More free Morerestrictive
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- 33. Part two: whatis open data? And why should we do it? National Imagery Photography by LINZ. Licensed CC-BY data.linz.govt.nz/data/category/aerial-photos/
- 34. “Open means anyonecan freely access, use, modify, and share for any purpose (subject, at most, to requirements that preserve provenance and openness)” http://opendefinition.org/
- 35. Three benefits ofopen data
- 36. First, open datais more efficient.
- 37. “Council staff hadto manually extract data for each request and the user fees often did not cover the council’s processing costs.” – Andrew Shakes, Analyst, WCC ”
- 38. “For Te Papa,that is nearly 14,000 image requests we haven’t had to manually approve. At least 28,000 emails we’ve saved.” – Adrian Kingston, Te Papa ”
- 39. Second, open datais more democratic and transparent.
- 42. Third, open dataallows for greater innovation.
- 44.
- 45. Part three: whatdoes the Govt say about open data?
- 46. Part three: whatdoes the Govt say about open data?
- 47. NZGOAL (2010) Government guidance,approved by Cabinet, advocates use of CC for publicly funded copyright works Declaration on Open and Transparent Government (2011)
- 48. NZGOAL “advocates useof Creative Commons licences for those State Services agencies’ copyright works which are appropriate for release and re- use”
- 49. Local government is“strongly encouraged” to use NZGOAL
- 50. As of Monday,NZGOAL recommends the use of CC 4.0.
- 51. Part four: Whatelse is happening in New Zealand?
- 52. LINZ National Imagery Photographyby LINZ. Licensed CC-BY data.linz.govt.nz/data/category/aerial-photos/
- 53. Man from thecity, 1971, by Jan Nigro. Purchased 1971. Te Papa (1971-0036-2) Creative Commons BY-NC-ND 3.0 New Zealand licenceTe Papa
- 54. Massed troops ata New Zealand Division thanksgiving service, World War I. Ref: 1/2-013806-G. No known copyright. http://natlib.govt.nz/records/22684353NLNZ; WW100
- 55. CC in Schools 80-120schools using Creative Commons to share resources
- 56.
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- 58. Meena Kadri ‘Uttarayan Sunset’by Meena Kadri. CC-BY-NC-ND flickr.com/photos/meanestindian/5357432362/
- 59. “Folding Kimono” byJem Yoshioka CC-BY-SA http://jemshed.com/comic/folding-kimono/Jem Yoshioka
- 60. resources.creativecommons.org.nz creativecommons.org.nz @cc_aotearoa matt@creativecommons.org.nz groups.creativecommons.org.nz This work islicensed under a Creative Commons Attribution 4.0 International License.