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Echo Lab Style Guide

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100% found this document useful (1 vote)
135 views38 pages

Echo Lab Style Guide

Uploaded by

anyakwara049
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Echo Labs Style Guide

Hello, and congratulations! If you’re reading this, it means you’ve passed Echo's
rigorous transcription exams with a score that puts you in the 99% percentile of
everyone who applied.

As part of our team working to provide the highest accuracy and with genuine care
for accessibility, we value your feedback on everything from platform features to
functionality. Our work surpasses traditional transcription to provide quality
captioning and ensure equitable access, which is why our contractors make 2-3x
more than other transcription roles.

You have been offered a freelance contract with the potential to work up to 40 hours
a week as jobs become available. With more universities requesting
captioning/transcription services each week, jobs will continue to be added to the
dashboard daily after being initially transcribed through AI. The Development team
is continually working to increase the accuracy of capturing with AI so you have a
complete transcription to work with.

The goal of the style guide is to proactively answer any questions you might have as
a new transcriber about formatting so, together, we can provide a consistent
experience to the schools we work with. We want them to feel that their 100th video
was captioned with the same care and attention as their very first - something that
requires tremendous coordination between all of us, at scale. If you have any
questions or clarifications on the items below, don’t hesitate to reach out to the
internal team directly on Discord or drop a question in the community channels.

Without further ado, the Echo Labs Style Guide:

TABLE OF CONTENTS

Captioning vs. Transcription

Legal Requirements
1
Quality Captioning

Terms and Definitions

Standards and Expectations

Steps for Job Completion

Speaker Identification

Caption Stacking & Segmentation

Timing & Alignment

Spoken Content Language Mechanics

Common Punctuation Table

Math & Equations

Atmospherics

Common Captions

Challenging Content & Unclaiming

Spanish Language Captioning

Helpful Hacks

FAQ

Common Captioning Errors

Glossary
2

CAPTIONING VS. TRANSCRIPTION


Captioning not only transcribes spoken words but also includes additional
information such as speaker identification, sound effects, and other auditory cues.
Captions are synchronized with the audio or video content, appearing on-screen in
real-time, and are primarily used to provide access to individuals who are deaf or
hard of hearing.

On the other hand, transcription involves converting spoken words from audio or
video content into written text. It aims to provide a textual representation of the
spoken content, making it accessible to individuals who may have difficulty hearing
or understanding the audio.

While both transcription and captioning serve to make audiovisual content


accessible, captioning goes beyond simple transcription by providing a more
comprehensive and synchronized representation of the audio content.

JOB RESPONSIBILITIES

● Editing the captions from complete transcriptions


● Adding speaker tags
● Adding atmospherics

HELPFUL RESOURCES

● The Google Image reverse feature can assist in identifying speakers or other
content displayed in the video
3

LEGAL REQUIREMENTS
Accuracy: Captions must relay the speaker’s exact words with correct spelling,
punctuation, and grammar with 99% accuracy and no paraphrasing. Captions must
honor the original tone and intent of the speaker. Captions must match background
noises and other sounds to the fullest extent possible.

Time Synchronization: Captions must align with their corresponding spoken words
and sounds to the greatest extent possible. Captions must not proceed too quickly
for the viewer to read.

Program Completeness: Captions must be included from the beginning to the end
of the program to the fullest extent possible.

Placement: Captions must be positioned on the screen without blocking important


content.
4

QUALITY CAPTIONING
Accurate: We aim for errorless captions.

Consistent: Style and presentation should be uniform for viewer understanding.

Clear: A complete textual representation of the audio, including speaker


identification and non-speech information, provides clarity.

Readable: Captions should be displayed with enough time to be read completely,


synchronized with the audio, and not obscured by (or obscure) the visual content.

Equal: The meaning and intention are completely preserved to maintain equal
access.
5

STANDARDS & EXPECTATIONS


At Echo Labs, our standards and expectations underscore our genuine commitment
to delivering quality accuracy with timeliness for students everywhere. Your role in
this mission is critical, and we count on your exceptional skills to maintain our high
standards and uphold our reputation for excellence.

ACCURACY & QUALITY

1. Quality of transcription is critically important. Due to the Americans with


Disabilities Act, all captions must be at least 99% accurate, and our current
standard of quality at EchoLabs is 100% accuracy, in even the most difficult
situations. Schools choose to work with us - because our team understands
how quality captioning helps make education accessible to everyone.
2. We aim to be as transparent as possible and utilize a three-chances review
system to ensure at least 99% accuracy. Each job is graded on a scale of 1-5.
6
3. A score of 1-2, will receive a strike against your three chances. The grader will
add robust feedback for improvement and you still have two more chances to
improve. Errors that are scored automatically as 1-2 include:
a. no or incorrect speaker tags
b. no atmospherics
c. inappropriate captioning (not captioning exactly what was said)
d. overuse of (unintelligible)
4. When a transcriber reaches three “strikes,” they will lose their freelance
contract with Echo Labs.

TURNAROUND TIME

1. Every video comes with an associated ‘time allotment’ which is the total
amount of time you have to complete a video. You will have a timer running
when accepting the job. We do this to ensure that all videos are delivered to
students within 24 hours of submission (See Time Chart).
2. If work is not finished within the time allotment (when the timer expires) any
work completed will be erased and partial payment is not possible, this is
why we’ve extended the time allotment to 600% of the video length itself.
3. You may request an extension for extenuating circumstances on the
appropriate Discord channel.

STEPS FOR JOB COMPLETION

For accepting and completing a job with Echo Labs, follow these steps. We
recommend using a mouse and headset to simplify your editing.

1. Navigate to the Echo Labs dashboard portal: https://portal.el.ai/


2. Log in and you will see jobs as blue buttons on the dashboard with the video
length, allotted time, and payout.
3. Once you select a job and click the button, the editing dashboard will open.
4. Complete the Job Tracker Form with the requested information.
7

SPEAKER IDENTIFICATION
Whether or not we can see who is speaking, we need to include accurate speaker
tags for students who use transcripts as a guide. Here’s how to prepare speaker tags
for everyone.

1. Speaker Tags in Brackets: Always put speaker tags in brackets and write the
speaker’s name in all uppercase letters, like this: [RACHEL ADAMS].
2. Finding Names: Try to find the speaker’s full name by looking on the
university website, professional sites, or doing an internet search. We also
have a section on Discord called #speaker-identification where many lecturers
are identified. Consult that before using a generic speaker tag.
3. Consistent Speaker Tags: Use the same speaker tag throughout the video.
Don’t shorten the speaker tag after the first use.
4. No Generic Labels: Don’t use labels like [SPEAKER ONE, TWO, THREE, ETC.].
5. Full Names: Use full names whenever possible. Do not use just first names if
both first and last names are available.
6. Avoid Gendered Tags: Don’t use gendered labels like [ACTOR, ACTRESS,
POSTMAN, ETC.]
7. When to Use Speaker Tags: Speaker tags are needed each time the speaker
changes. If one person keeps talking across several caption segments, you
only need to include a speaker tag in the first segment of their speech.
8. Numbering Speakers: Write out the numbers one through ten and then use
numerals for speakers 11 and above.
9. Labeling Hierarchy: Follow this order for labeling speaker tags: 1) Full Name,
2) Role (like STUDENT or INSTRUCTOR).
10. Multiple Speakers: When there are many speakers, use the correct tag for
who they are, not their order in the video. For example, if speaker one is [DR.
8
SMITH] and speaker two’s name isn’t given, label them [STUDENT ONE]. The
next speakers will be tagged by name if known, or by the next number.
11. Titles: Include titles if known, and use abbreviations like DR., MRS., MS., MR..,
etc.

COMMON SPEAKER TAGS

General Tags Synonyms for Professor

● [NARRATOR] ● [PROFESSOR]
● [HOST] ● [INSTRUCTOR]
● [COMMENTATOR] ● [LECTURER]
● [INTERVIEWER] ● [FACULTY]
● [INTERVIEWEE] ● [SCHOLAR]
● [ACADEMIC]
● [EDUCATOR]
● [TEACHER]
● [ADVISOR]

Synonyms for Student Synonyms for Moderator

● [STUDENT] ● [MODERATOR]
● [LEARNER] ● [FACILITATOR]
● [PUPIL] ● [CHAIRPERSON]
● [SCHOLAR] ● [MEDIATOR]
● [UNDERGRAD] ● [COORDINATOR]
● [GRADUATE] ● [HOST]
● [APPRENTICE] ● [PRESENTER]
● [TRAINEE] ● [DISCUSSION LEADER]
● [PARTICIPANT] ● [CONVENOR]
● [EMCEE]

● [VOICEOVER]
Special Roles ● [NEWS ANCHOR]
● [TRANSLATOR]
● [GUEST]
● [EXPERT]
● [PANELIST]
● [CONSULTANT]
9

● [KEYNOTE SPEAKER]
● [TUTOR]
● [AUDIENCE MEMBER]
10

SPOKEN CONTENT LANGUAGE MECHANICS


Language mechanics include using correct spelling, capitalization, punctuation, and
grammar. These rules are important for high-quality captions. The guidelines focus
on rules unique to captioning and speech-to-text. For regular words, use dictionaries
and style guides. For proper names, technical terms, and specialized language,
check the APA Style Guidelines.

GENERAL GUIDELINES
1. Keep the Original Meaning: Each caption should keep the original
meaning, content, and important words from the spoken narration.

2. Edit Lightly: Remove filler words like "uh," "um," "you know," and "well...".
Leave out unnecessary words, false starts, stutters, and repetitions. Skip quick
interjections like "mm-hmm" unless it’s a direct response to a question.
Correct major pronunciation errors that make reading hard, but don’t change
the story. Keep grammar or pronunciation that is easily understood, like
“gonna.” Never censor or edit expletives; if there’s a beep sound, write (beep)
or (bleep) where the sound occurs. Never leave out special words, whole
sentences, or expletives. Don’t be too strict; if you’re unsure, don’t remove the
word(s).

3. Keep Meaningful Fillers: If a filler word adds meaning, include it in the


caption. The chart below shows common filler words that might have specific
meanings.
11
Common Filler Words With Meaning
Well Sort of Like Actually

Basically Seriously Literally Totally

Clearly You see You know I mean

You know what I At the end of the Believe me I guess


mean? day
Or something Okay So I suppose

And Kind of

4. The most important thing for "captioning accessibility" is to capture the


speaker’s meaning and make the captions easy to read. This is why we
include background sounds and important noises. For example, using
"umm" or "uh" as a filler doesn't usually add meaning. But if the "umm" is
longer than 3-5 seconds, not captioning it might confuse the student
because there would be a long time without a caption.

5. When a speaker uses incorrect grammar or a dialect, show it in the


captions.

6. Show hesitations in the captions - use ellipses (...) for pauses longer than
5 seconds and commas for shorter pauses.

7. Caption contractions, formal and informal, as spoken.

8. Research proper nouns and terms for correct spelling (see the Glossary
for common spellings).

9. Use the spelling of words that are shown in the video, like on PowerPoint
presentations or written on the board.

10. Googling with some context from your video or audio, like speaker
names or academic topics, is helpful.
12
11. Caption URLs, hashtags, emails, and social media tags using common
formats: www.el.ai/#echolabscaptions/@echolabs

12. Never type out a word that is already censored.

13. Use a fitting sound for the censored word, like (beep).

14. Include proper punctuation following common English grammar rules.


Note: When writing out terms associated with race and ethnicity,
capitalize in accordance with APA style standards.
13

SPELLING AND PUNCTUATION

Common Punctuation Guidelines

,
Used when listing, to separate clauses, after filler words,
before quotes, when addressing someone, self-
interruptions, asides, or meaningful stuttering as part
of one’s speech pattern. No space before and one
space after.

[]
Use for speaker tags.

.!?
Used at the end of whole sentences. No space before
and one space after.


Used in contractions and to indicate a possessive. No
space before or after.

‘’
Use single quotation marks for short quotes (less than
64 characters), answers, media titles, and internal
dialogue. Also, use them for emphasis when a speaker
stresses a specific term, phrase, or quote. Place
quotation marks at the beginning and end of the quote.

“”
Use for long and direct quotes (longer than 64
characters). Place quotation marks at the beginning of
each caption block with the quote and the end of the
quote.


Use an Em-dash/double hyphen to indicate that another
character/speaker has interrupted a speaker mid-
sentence. The em dash should be placed directly after
the speaker gets out before interruption (with no extra
space).

-
Use a single dash/hyphen for hyphenated words or
negative numbers within math equations ONLY.


Use when there is a significant pause in a sentence
(longer than 5 seconds) or when a speaker trails off with
a significant pause.. Use only when necessary and not
14
for sections with no sound.

:
Use to give emphasis, present dialogue, introduce lists
or text, and clarify composition titles.

;
DO NOT USE.

1. When in doubt, check the word in the dictionary: Merriam-Webster:


America's Most Trusted Dictionary, The Oxford English Dictionary, or the
Glossary of standard academic vocabulary.

2. Do not emphasize a word using all capital letters except to indicate


screaming or shouting.

3. Be consistent in the spelling of words throughout the media. This includes


vocabulary that can be spelled either as one or two words or in hyphenated
form.

4. Capitalize proper nouns for speaker identification. All other speaker


identification should be lowercase unless this identification is being used as a
proper noun.

5. Lowercase sound effects, including both description and onomatopoeia,


except when a proper noun is part of the description.

COMMAS

● When captioning a list separated by commas, use a serial, or Oxford,


comma. Example:

Inappropriate

I'm having eggs, bacon and toast.

Appropriate

I'm having eggs, bacon, and toast.


15
HYPHENS & DASHES

● When captioning spelling (including fingerspelling), separate capital


letters with hyphens. Example:

A-N-T-I-O-N-E-T-T-E

ELLIPSES

1. Use an ellipsis when a caption has a significant pause, longer than 5 seconds.

2. Do not use an ellipsis to indicate that the sentence continues into the next
caption.

3. Use an ellipsis to lead into or out of audio relating to an onscreen graphic.

QUOTATION MARKS

1. Use quotation marks for direct quotes only, that would result in a formal
citation (article, speech, book, journal, and I quote… etc.). Do not use quotation
marks for internal monologue or dialogue.

● Beginning quotation marks should be used for the beginning of


quoted material. The last caption should have only the ending
quotation mark. Example:

Reading from a book…

(Caption group 1) "Mother knelt down


and began thoughtfully fitting

(Caption group 2) the ragged edges


of paper together.

(Caption group 3) The process was watched


with spellbound interest."
16
SPACING

1. Spaces should not be inserted before the ending punctuation, after opening
and before closing parentheses and brackets, or before/between/after the
periods of an ellipsis.

MUSIC

● When captioning music, use objective descriptions that indicate the


mood. Avoid subjective words, such as "delightful," "beautiful," or
"melodic."
● If music contains lyrics, caption the lyrics verbatim. The lyrics should be
introduced with the name of the vocalist/vocal group, the title (in
brackets) if known/significant, and if the presentation rate permits.
● A description (in parenthesis) should be used for
instrumental/background music when it's essential to the
understanding of the program.
● Offscreen background music description should be italicized.
● If possible, the description should include the performer/composer and
the title.
● Beware of misplaced modifiers in descriptions.

Incorrect

(frantic piano playing)

Correct

(frantic piano music)

● Nonessential background music should be captioned with a brief


description.
● Do not caption background music with a duration under 5 seconds.
● If music contains lyrics, caption the lyrics verbatim. The lyrics should
be introduced with the name of the artist and the title in brackets, if the
presentation rate permits.
17
Correct Examples

[Ella Fitzgerald singing


‘Old MacDonald Had a Farm’]

[The Beatles singing


‘Come Together’]

[Fred Rogers singing


‘Won’t You Be My Neighbor’]

● Use descriptions that indicate the mood. Be as objective as possible.


Avoid subjective words, such as “delightful,” “beautiful,” or “melodic”.

Correct Examples

(monotone boy croons)

(hypnotic orchestra serenades)

(ethereal choir harmonizes)

(animated quartet chimes)

(soporific voice mesmerizes)

NUMBERS

● Unless otherwise specified, spell out all numbers from one to ten,
but use numerals for all numbers beyond ten. Examples:

Inappropriate

The fifty-four DVDs need to be shelved.

Appropriate

The 54 DVDs need to be shelved.

Inappropriate

He's at the thirty, the twenty, and scores!

Appropriate

He's at the 30, the 20, and scores!


18
● Spell out any number that begins a sentence as well as any related
numbers. Example:

Two hundred guests and eleven guides entered.

● Spell out casual, non-emphatic numbers. Example:

He gave me hundreds of reasons.

● Numerals with four digits can either have a comma or not. Be


consistent throughout the media production. For numerals having
over five digits, a comma is necessary. Example:

Inappropriate

50000

Appropriate

50,000

● Use numerals in a listing of numbers if one or more is above ten and


these occur in one caption or one sentence. Example:

Inappropriate

Steven has 21 books, 11 oranges, and three cats.

Appropriate

Steven has 21 books, 11 oranges, and 3 cats.

● Use numerals when referring to technical and athletic terms. Example:

He scored 3 goals in today's game!

● When indicating sequence, capitalize the noun and use numerals.


Exceptions are the indication of line, note, page, paragraph, size, step,
or verse. Examples:
19

Building 2 page 31

Channel 5 size 12

Chapter III step 3

Room 438 paragraph 2

LOCATION NUMBERS

● Use numerals for location numbers such as phone numbers and zip
codes. Example:

Inappropriate

One, one, one, five, five five, one five, one five

Two zero zero four eight

Appropriate

(111) 555-1515

20048

DATES

● Use the numeral plus the lowercase "th," "st," or "nd" when a day of the
month is mentioned by itself (no month is referred to). Example:

Original Narration

"ninth"

Captioned As

Bob went fishing


on the 9th.
20
● When the day precedes the month, use the numeral plus the lowercase
"th," "st," or "nd" if the ending is spoken. Example:

Original Narration

"seventeenth"

Captioned As

My birthday is the 17th of June.

● Use the numeral alone when the day follows the month. Example:

Original Narration

"nine" or "ninth"

Captioned As

I will meet you on May 9.

● When the month, day, and year are spoken, use the numeral alone for
the day, even if an ending ("th," "st," or "nd") is spoken. Example:

Original Narration

"six" or "sixth"

Captioned As

Paul will marry on July 6, 1996.

● Write the year using numerals. Examples:

1907

● Years that are shortened should always include an apostrophe before


the year. Example:

Original Narration

June of 1999

Captioned As
21
June of ‘99

TIME

● Indicate the time of day with numerals only. Examples:

I awoke at 5:17.

If you wish to attend, you must arrive by 6:25 p.m.

We were expected to report no later than 1400 hours.

I awoke at 4 o'clock.

● Always use numerals when the abbreviation "a.m." or "p.m." is present.


Double zeros are not necessary to indicate minutes of the hour when a
whole number is used with a.m. or p.m. Examples:

She leaves at 3:20 p.m. for the airport.

Our hours are from 9 a.m. to 5 p.m.

We're leaving at 6 in the morning.

PERIODS OF TIME

● A decade should be Captioned As "the 1980s" (not "the 1980's") and "the
'50s" (not "the 50's").
● Do not use hyphens if a decade or century is in noun form. Example:

This vase is from the 17th century.

● If a period of time is used as an adjective, use a hyphen. Example:

This 19th-century painting was done by Van Gogh.


22
FRACTIONS

● Either spell out or use numerals for fractions, keeping this rule
consistent throughout the media. If using numerals, insert a space
between a whole number and its fraction. Example:

Numeral Used

Do you plan to eat 1 ½ pizzas?

Fraction Spelled Out

Do you plan to eat one and one-half pizzas?

● Do not mix numerals and spelled-out words within the same sentence.
Example:

Inappropriate

Malika is 13 and a half years old.

Appropriate

Malika is 13 ½ years old.

● If a fraction is used with "million," "billion," "trillion," etc., spell out the
fraction. Example:

The population was over one-half million.

● Fractions expressed in figures should not be followed by endings, such


as "sts," "rds," "nds," or "ths." Example:

Inappropriate

3/10ths

Appropriate

3/10
23
DOLLAR AMOUNTS

● Use the numeral plus "cents" or "¢" for amounts under one dollar.
Examples:

I need 15 cents.

I owe you 32¢.

● Use the dollar sign plus the numeral for dollar amounts under one
million. For whole-dollar amounts of one million and greater, spell out
"million," "billion," etc. Examples:

Barbara brought only $11.

Bob brought $6.12.

The budget of $13,000 will be sufficient.

Taxes will be reduced by a total of $13 million.

He owes $13,656,000.

● Use the word "dollar" only once for a range up to ten. Example:

I hope to find three or four dollars.

● Use the dollar sign and numerals when captioning a range of currency
over ten dollars. Example:

Alice expected a raise of $6,000 to $7,000.

MEASUREMENTS

● Spell out units of measurement, such as "inches," "feet," "yards," "miles,"


"ounces," "pounds," and "tablespoons." However, if spoken in a
shortened form, symbols should be used. For example, if the Original
Narration is "I'm five eight," it should be Captioned As:

I'm 5'8".
24
● For whole numbers, use numerals. For example, caption "3 cups of
sugar" instead of "three cups of sugar."

DECIMALS

● Spell out decimals, such as one point four or nine point nine seven.
Unless the content is math specific. Then use integers such as 1.4 or
9.97.

MATH & EQUATIONS

● When captioning math specific content (arithmetic, algebra, equations,


fractions, etc.) always use integers instead of spelling out the number
words even for numbers 1-10.
● Follow basic number rules; use numerals for fractions (since a fraction
uses more than one digit). Example:

1 plus 2 equals 3.

2,000 plus 3 equals 2,003.

1/2 of this and 10 3/4 of that.

● Follow the conventions for ordinal place. For example: “Zeroth”, “first in
line”, “tenth place”, “21st century”, “100th time”.
● For anything that’s not a number/digit or percentage, write out the full
word instead of the symbol. Example:

X squared times 0.32%.

The derivative of y squared.

5x times -3x equals -15x squared.

● A speaker may write this on a whiteboard: while speaking the equation


aloud. You would Captioned as:
25
Percentage of the bankroll equals
the odds received,

multiplied by probability of winning,


minus probability of losing,
divided by odds received.

GRAPHING TERMS

● Write it out as the speaker says it, following basic number conventions
and using integers instead of writing out the words (-10,3).
● Quadrants are labeled with Roman numerals, such as “quadrant IV”
● Axes and coordinate references are hyphenated as follows: x-
coordinate, y-axis.

ACRONYMS

● Only type an acronym if spoken that way by the speaker.


● For acronyms like FOIL (First, Outer, Inner, Last, used for binomial
multiplication), be sure to keep it capitalized for all uses (e.g., “Now you
try FOILing this next problem”).
● To make an acronym plural,, add a lowercase “s” without an apostrophe
(e.g., SATs,), unless the acronym ends in an S, in which case, add an “es”.
● Do not abbreviate unless the speaker specifically says it. Example:

Appropriate

Gigabytes

Inappropriate

gigs or GB

● If a speaker spells out a word, use the format “W-O-R-D”.


26
NON-LETTER SYMBOLS

● Do not use symbols or special characters such as é, £, €, or ². Only use


what is available on a standard American keyboard. This includes Greek
letters such as alpha, beta, gamma. Write each of these as words.
● Non-letter symbols, such as pi, should have spaces in between them
and both the preceding and next variable or term.
● Try to be as clear and consistent as possible using spaces as needed to
avoid confusion, such as pi being mistaken for p times i. Example:

Appropriate

2 pi r

2 times pi times r

Inappropriate

Twopir

● Spell out all units (joule, gram, ampere, volt, meter, pascal, kelvin, hertz,
coulomb and newton.)
● Spell out all functions such as “f of x” instead of f(x). When referring to
notations such as dy/dx (and all other related derivative references) in
calculus, engineering, etc, have the captions reflect what the speaker says
(e.g., “dy dx”, including a space in between). Example:

SUBSCRIPTS & POWERS/EXPONENTS

● Treat the subscript or superscript term the same way you might another term
like pi, tau, or sine, all together. Denote these as the speaker reads it. Example:

x2

x sub 2

xj2
27
● Anything to a power should be written as spoken. Use the integer plus the
lowercase "th," "st," or "nd" if the ending is spoken. Example:

9 squared

y to the 10th

12 to the 2nd

x to the 50th power

PROGRAMMING LANGUAGE

● HTML tags: Write them between backticks, like `<b>`


● Keywords: Write them between backticks, like `function`
● Write out “underscore” when necessary.
● Coding and programming language: Write out “dot” when speaker is
describing coding vocabulary, like pd.concat, “pd dot concat.”
28

ATMOSPHERICS
Captions need to indicate sounds heard on screen. We call these identifiers
atmospherics. These are critical in providing visual indicators of non-verbal sounds to
viewers who may be hard of hearing.

1. Sound effects describe any meaningful, audible content that is not


spoken.

2. The sound should add important context and meaning to the video
such as sounds that:

Interrupt the speaker

Result in a reaction (laughing, gasping, etc.)

Convey emotion

Include gesturing or body language

Intentional speaker sounds (tutting, mumbling, tongue click, etc.)

Include unintelligible reactions (class chatter, student interrupts)

Typing or clicking when the person is describing or discussing the topic

Background music

3. Avoid adding atmospherics that are excessive and do not add meaning:
(lip smacking, mouse clicking, pen clicking, etc.).

4. Use parentheses ( ) and lowercase unless a proper noun is used for all
atmospherics, e.g. (Erin sketching).
29
5. Describe the sound or sounds heard on screen by following this
convention: noun + descriptor/verb in the present tense form, e.g. (water
boiling), (door slams).

6. Don’t use onomatopoeia e.g. (ribbit ribbit); instead, describe what’s


creating the sound, e.g. (frog croaking).

7. When a video also contains spoken words, only include background


music if there’s a significant time gap and it would benefit the viewer, e.g.
(background music).

8. Try and be as detailed as possible with your music atmospherics, e.g.


(whimsical piano music).

9. Avoid subjective adjectives. Instead, opt for objective descriptors, e.g.


Objective = Unbiased Observation, Subjective = Personal Evaluation
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CHALLENGING CONTENT & UNCLAIMING


You should always do your best to caption all spoken words. For extremely
challenging content, follow the guidelines below.

1. If an occasional word cannot be understood, use (unintelligible) in place of the


word. (unintelligible) should only be used if you absolutely cannot determine the
word.

2. Words in another language should not be translated. Add an appropriate


atmospheric (speaking French).

UNCLAIMING A JOB

Currently, the only reason to unclaim a job is if a job is extremely poor audio
recording. When you encounter this, unclaim the job, and notify the IT
troubleshooter. When in doubt, please email support@el.ai first for guidance.

If there are repeated words, incorrect wording, or incorrect lyrics to music, please
correct and complete the job.
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SPANISH LANGUAGE CAPTIONING


Echo Labs can accept Spanish language videos, with staff to transcribe
appropriately.

If you claim a job that contains all or partial audio in Spanish, please UNCLAIM the
job, using the “Foreign Language” reason, so that the job can be redirected to one of
our Spanish-speaking staff. DO NOT use an atmospheric such as (speaking Spanish).

NON-SPANISH FOREIGN LANGUAGE

1. For videos containing non-Spanish foreign language audio, please use an


appropriate atmospheric, i.e. (speaking French) or (speaking in foreign
language).

2. In the case of an entire job being in a non-Spanish language, please unclaim


the job, again using the “foreign language” reason.

EXCEPTIONS

1. For foreign language class lecture videos, in Spanish or another language: if


there is an interpreter for the language being spoken or it is only a small
section that has burned-in subtitles already, then the atmospheric (speaking
in foreign language) can be used.

2. If the spoken words are from a verifiable source, such as a quoted segment of
a text or poem, please caption as said / verified in writing.

SPANISH TEAM

● Please transcribe in the language the audio is in:

Spanish portions in Spanish

English portions in English.


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SPECIAL CONSIDERATIONS

● Quotations: Use single quotes for English-to-Spanish translation when


the video is in English and the instructor or speaker translates one word
or sentence only.

● Spell out all number words in Spanish. Do not use numbers for Spanish.
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34

COMMON CAPTIONING ERRORS

Below, are several examples of inappropriate captioning and common errors that
have been submitted for review.

● This is an example of inappropriate atmospherics and no speaker tags.


35

● This is an example of an incorrectly spelled name. The transcriptionist did not


research the spelling of the professor.
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QUICK GUIDE

ITALICS (As of 4/21, there is no ability to italicize but it will be coming soon!)

1. A voice-over reading of a poem, book, play, journal, letter, etc. (This is also
quoted material, so quotation marks are also needed.)

2. When a person is dreaming, thinking, or reminiscing and the dialogue is


internal.

3. When there is background audio that is essential to the plot, such as a PA


system or TV.

4. The first time a new word is being defined, but do not italicize the word
thereafter.

5. Offscreen dialogue, narrator (see Exception 2 below), sound effects, or music


(this includes background music).

6. Offscreen narrator when there are multiple speakers onscreen or offscreen.

7. Speaker identification when the captioned dialogue is in italics.

8. Foreign words and phrases, unless they are in an English dictionary.

● When a particular word is heavily emphasized in speech. Example:

You must go!

Exceptions to the use of italics include:

1. When an entire caption is already in italicized format, use Roman type to set
off a word that would normally be italicized.
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2. If there is only one person speaking throughout the program (including the
narrator), whether onscreen or offscreen, use Roman type with no italics.

3. Do not italicize when a person who is offscreen is translating for a speaker


who is onscreen.

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