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Tle Rev

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0% found this document useful (0 votes)
20 views3 pages

Tle Rev

h
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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TLE

CLEAN-UP REQUIREMENTS - Refers to the bar sheets when


he/she has given some thought to
the overall timing of a film
TRADITIONAL ANIMATION
- Animation process that uses paper,
7. PRODUCTION FOLDER
pen, and camera
- all the information relating to that
scene, should be kept in the
COMPUTER-GENERATED ANIMATION production folder at all times.
- Uses computers in moving
characters and objects 8. DRAWING KIT
- different kinds of pencil that you
CLEAN-UP may use in the drawing stage of the
- Part of the workflow in the animation process
production of hand-drawn
animation 9. ART GUM ERASER
- Far superior to standard erasers
- Traditional animation; first drawings
are called “roughs” or “raffs” 10. DIGITAL CAMER & VIDEO
CAMERA
1. LIGHTBOX - essential to test the full animation
- Very ideal for the animator to work to check its movement
with
11. DIGITAL
2. PEG BAR TOOLS/APPLICATIONS
- Where paper is attached to the
- have become essential in the
device so that the paper will not
animation cleanup process,
move
replacing traditional manual
methods with more efficient and
3. PAPER AND CEL precise workflows
- Should be translucent enough for
you to see the essentials of the
next drawing through the top sheet
CLEAN-UP & MODEL SHEETS

4. PAPER AND CEL PUNCH KEY ANIMATION


- Registered by placing each sheet - poses drawn by the animator
or cel consecutively on representing the action &
standardized registration pegs narrative required by their
scene
5. GRATICULE OR 12’’ FIELD CHART
- Grid system used to accurately
field guides in the layout LAYOUT
- guide to the positions of the
6. BAR SHEET AND DOPE SHEETS elements in the scene
TLE
EXPOSURE SHEET - all the different views of a
- chart that shows frame by character
frame of all drawings of every
animated scene ACTION BREAKDOWN
- rough sketch at the center
MODEL SHEET (TURN AROUNDS, mark of in-betweens
EXPRESSIONS, MOUTH CHARTS)
- reference sheet of an THE MATERIALS FOR ANIMATION
animator that shows how a
character is constructed and COLORED PENCILS
how they would pose - to draw construction lines
- colors are often used as
STORYBOARD they’re easier to distinguish
- visual narrative script in the from the final lines which will
form of thumbnail drawing be grey or black
that shows different scenes
TRANSPARENT SHEETS
CHARACTER MODEL - You’ll need them for every
- final reference of the frame. The longer your
construction, proportion, & animation is, the more sheets
unique details of any given or cels you’ll need
character
CAMERA OR SCANNER
CHARACTER EXPRESSIONS - to order them and play them
- shows the local expressions back
that represent emotions of
the character VIDEO EDITING SOFTWARE
- To put together your drawings
CHARACTER ATTITUDES or images as an animation
- shows the different behaviors,
moods, & attitudes of the ROSTRUM CAMERA
character - used for taking photos of
animation cels
MOUTH CHARTS
- shows the breakdown of the COMPUTER
mouth movement into at least - Whether you’re making 2D or
8 different mouths 3D animation with your
computer, you’ll need a good
TURN AROUNDS computer
TLE
ANIMATION PROGRAMS
- These programs allow people
to draw on the computer and
put the animation together
digitally

MICROPHONE
- A good microphone will
provide good sound quality

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